If there's one thing that keeps drawing me back to M.J. McGrath's Arctic thrillers, it's the impeccably rendered sense of place. And I'm not just talking about the beautiful and dangerous landscape of the Canadian arctic, but also the historical and cultural details of the Inuit people. In McGrath's third mystery, following White Heat and The Boy in the Snow, half-Inuit and half-outsider Edie Kiglatuk—with the help of Sergeant Derek Palliser—investigates the murder of one of her summer-school students, a young Inuit woman who turns up in the toxic Lake Turngaluk.
Ravenous mystery readers know that crime isn't limited to big cities. It's not even limited to Amish farms, charming British villages or too-perfect suburbs. Revenge and murder even finds its way to paradise, such as in Mark Troy's new mystery, The Splintered Paddle. In a guest blog post, Troy shares his insight into the dark side of Hawaii.
In Amanda Kyle Williams' newest Keye Street mystery, Don't Talk to Strangers, the Atlanta private eye finds herself taking on a case outside of her comfort zone in the deep woods of Whisper, Georgia.
Australian author Liane Moriarity hit the bestseller list for the first time in America with her fifth novel, The Husband's Secret. Her follow up, Big Little Lies, is just as riveting and insightful. This time, the action centers on a kindergarten class, where parental tension and family secrets ignite on one fateful evening: the school's trivia night. We asked Moriarty a few question about her new book, the power of secrets and her personal mantra.
Miles J. Unger’s magisterial new biography, Michelangelo: A Life in Six Masterpieces, tells its subject’s life story through the lens of his art—appropriately so, given Michelangelo’s willful transmutation of the role of the Renaissance artist. When Michelangelo began his apprenticeship, artists were seen as little more than craftsmen, churning out statuary and paintings to decorate the villas and churches of the wealthy nobility. Michelangelo’s greatest achievement—in Unger’s portrayal—is not to be found in his artwork (the statue of David or the ceiling of the Sistine Chapel) but rather in his creation of the artist himself as secular genius.
Australian author Liane Moriarty portrays elementary school drama in her latest page-turner, Big Little Lies, which comes on the heels of her first U.S. bestseller, The Husband’s Secret. At Pirriwee Public School, petty jealousies and rumors all come to the surface in one “perfect storm”—otherwise known as the annual trivia night.
If we choose, we can avoid most forms of art. Architecture is not one of them. It is all around us. In his wide-ranging and stimulating new book, Bricks and Mortals: Ten Great Buildings and the People They Made, Tom Wilkinson explores many of the aspects—morality, power, economics, psychology, politics and sex are some—that help us better understand how architecture “shapes people’s lives and vice versa,” from ancient times to the present. His diverse selection of buildings includes Nero’s Golden House in Rome and the Festival Theatre in Beyreuth, as well as the Finsbury Health Centre in London and the Footbridge in Rio de Janeiro. Ten buildings are covered in detail, serving as springboards to discussions of related subjects.
Most of the time, interviews about an author’s new novel take place a year or so after the book’s completion. So it might take a bit of doing for an author to feel up-to-date, especially if he or she is already ears-deep into the next project. Carlos Ruiz Zafón had to travel much further back in time when he spoke with BookPage from his home in Los Angeles about his fourth young adult novel, Marina: A Gothic Tale, which was first published in his native Spain in 1999.
Yesterday marked the 45th anniversary of the moon landing. It's easy to forget, almost half a century on, that shooting humans 238,900 miles away from Earth and having them walk around on the moon is one of the most amazing feats humanity has ever accomplished.
In today's guest post, BookPage contributor Carla Jean Whitley discusses what it's like to go from critic to critiqued on the eve of the publication of her first book.