A couple months ago, I commented on the creepy timeliness of Koethi Zan's debut thriller, The Never List. Coming July 16, The Never List tells a graphic, terrifying story with details similar to the real-life situation experienced by the three Ohio women who were rescued after being held prisoner for 10 years. Read our review of The Never List!
But as I look into the fall mystery titles, it's clear that The Never List was just a starting shot to what looks to be the most disturbing trend of the year: abduction thrillers. In September alone, three blockbuster thrillers bear distinct resemblance the terribly sad stories of Amanda Berry, Gina DeJesus and Michelle Knight. Each imparts graphic, intimate details of the mental and physical state of a woman held captive by a sadistic predator.
Alex by Pierre LeMaitre • MacLehose Press • 9/3
When Alex Prévost is kidnapped, beaten and trapped in a wooden cage hanging from the ceiling of an abandoned building, her only hope of escape is Police Commandant Camille Verhoeven. As Camille struggles to find the girl and her captor, he uncovers Alex's unusual past. With a 150,000-copy first printing, this is positioned to be a big one.
The Edge of Normal by Carla Norton • Minotaur • 9/10
Norton's true crime bestseller Perfect Victim: The True Story of the Girl in the Box was placed on the FBI's Behavioral Sciences Unit reading list. Now she steps into fiction with the story of Reeve LeClaire, who escaped her kidnapping six years ago. When she's asked to mentor another girl who experienced a similar situation, it's clear that the girl needs much more than guidance—she needs a protector from the villain that still watches.
Others of My Kind by James Sallis • Bloomsbury • 9/10
From the author of Drive comes the gritty, almost desensitized story of Jenny Rowan, who at age 8 was abducted and kept for years in a box underneath a bed. Years after her escape, a detective comes to her home and asks for her help with another young survivor. Of the four, this one might be the toughest.
Trends like this remind me of when I interviewed Therese Anne Fowler, who began writing Z, her novel of Zelda Fitzgerald, long before Jazz Age tales were back in vogue. Fowler had called it "radio waves in the zeitgeist," but this sadistic kidnapping thriller trend, coupled with coincidental recent events, pricks the spine.
Readers, I truly want to know your opinion: Why do you think all four of these authors—and probably many more—wrote on such similar topics? It this just a residual response to the popularity of last year's Room?
Do you think you'll be checking out any of these books?