This fall's publishing season has a lot of abduction thrillers, an especially creepy trend considering the real-life stories of the three women in Ohio who were found this year after being held in captivity for a decade. One of the best of these abduction thrillers is Carla Norton's debut, The Edge of Normal, the story of a former kidnapping victim who uses her experience to help a fellow victim.


Norton is also the author of the true crime bestseller Perfect Victim: The True Story of the Girl in the Box, which details the true story of Colleen Stan, a 20-year-old girl who was kidnapped and tortured in captivity for seven years. Norton's true crime expertise and research into a real kidnapping situation set her apart from most other authors of abduction thrillers, so I hoped a Q&A with Norton would help illuminate the "why" of this trend.

Check out my Q&A with Norton, where we discussed the nature of evil, the process of writing true crime vs. fiction, the exploitation of victims and much more. Norton didn't hold back:

Do you look at the world any differently after writing these books?


I suppose writing about crime heightens your paranoia. And while some of my characters may not like certain legal institutions or members of law enforcement, I have tremendous respect [for] those who give up their time to do their civic duty and those who risk their lives in law enforcement. When a killer comes through your window, who do you call? Who is going to come to help? Seriously, those people face dangers we don’t even want to see on the page.

Also, true confession: I keep a copy of Perfect Victim in my car. When I spot the occasional female hitchhiker, I offer a ride on the condition that she’ll read the book, and then I lecture sternly about the perils of hitchhiking.

It’s often said that a writer must have compassion toward all of their characters, but Duke is a villain of the vilest sort. How were you able to write about a person who will elicit absolutely no empathy from the reader?

This might be the biggest difference between writing fiction and nonfiction. I found Duke very entertaining, so maybe it’s not a question so much of having “compassion” for your characters as it is enjoying some aspect of them. Hannibal Lector would have been repulsive in real life, but he’s fascinating on the page.

While you wouldn’t personally want to spend time with these people, you want to create fearsome villains to drive the story. Character is revealed through conflict, so you want to set your protagonist in opposition to a frightening antagonist—a David-and-Goliath-type dynamic—and that’s what I was aiming for with Reeve and Duke.

Read more here. The Edge of Normal is out today! Will you check it out? Do you read abduction thrillers?


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