The Son, Philipp Meyer's epic, time-sprawling Western novel, landed in the #5 spot of our Best Books of 2013. Our reviewer called the family saga "a shining second step in a promising career." (Read the full review here and our interview with Meyer about the book here.)

We were curious about the books Meyer has enjoyed reading lately, so we asked him to recommend three recent favorites, which he graciously agreed to share: 


My Struggle
By Karl Ove Knausgaard

This was recommended to me by Cressida Leyshon, the New Yorker editor, at a recent holiday party. By some miracle, despite being drunk on gallons of free champagne, I managed to remember the title. Turns out everyone in New York is reading this book. Often that’s reason enough to avoid something, but this book is actually brilliant. It’s being billed as the new version of Proust’s Remembrance of Things Past, but it’s not. It’s better. It is a goddamn excellent book.



Life After Life
By Kate Atkinson

I have been beating the drum on this one for a while. Before this book, Atkinson was known mostly as a crime novelist, but this is an absolutely brilliant work of literature. This is not the same as saying there are no differences between literature and entertainment, because those differences are real. But Atkinson is one of those rare writers who will be master of whatever she sets her mind to. It made me furious when this book was passed over for the Man Booker prize. But now it’s popping up on every best book of the year list for 2013, for very, very good reason.


Kafka on the Shore
By Haruki Murakami

I went through a huge postmodernist phase in university, but I thought it had been flushed from my system along with all the dope I smoked back then. I grew up into a fairly modernist writer, and the fact that every hipster wanna-be loves Murakami was enough to make me give him a wide berth for years. But Murakami actually belongs in his own category. Unlike a lot of other postmodern writers, his writing has real emotional depth. He doesn’t do anything just to be clever. There is always a point to his twists and turns. And the fact that this guy didn’t even start writing until he was nearly 30 years old . . . you’ve got to love a person like that, who in his late 20s picks up a pen for the first time and by his 40s is one of the modern masters. I think Kafka on the Shore is the one for everyone to start with. 


What do you think, readers? Did you enjoy The Son, or do you plan on checking out any of Meyer's recommended books? 


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