Short stories make for perfect reading in the summer. Since each one is a self-contained dose of literature, you barely even need a bookmark—plus, there's no worrying about whether you'll remember what you read on the flight over when you reopen the book on the way back. If you're looking for a bite-sized dose of summer reading, explore our guide to 2014's spring and summer collections.
Readers looking for a voice from a very different world should pick up Hassan Blasim's The Corpse Exhibition (Penguin). Compared to Roberto Bolaño and Borges, this Arabic author sets the stories in his debut collection during the Iraq War—and they're told from the Iraqi perspective. If you want a collection that will test your beliefs and haunt your dreams, this might be your pick.
Another collection that features a distinctive cross-cultural voice is Snow in May (Holt), the first book from author Kseniya Melnik. Melnik was born in Russia and emigrated to Alaska as a teen, and the stories featured here are connected through her hometown of Madagan, a port city in the Far East of Russia that was a stopover on the way to Stalin's gulags. Spanning the later half of the 20th century and geographical locations from Madagan to Fargo, these stories plumb the weight of history and the struggle to reconcile where you come from with where you are now.
Those interested in coming-of-age stories and tricky relationship dynamics will enjoy the linked stories in Polly Dugan's debut collection, So Much a Part of You (Little, Brown). Featuring characters that reappear across decades, the book explores the way that relationships—romantic and otherwise—change over time. When Anne inadvertently dates her best friend's high school boyfriend, the same mistake destroys both relationships. A student's one-night stand changes her college life. And a deathbed revelation spurs forgiveness. Utterly real and insightful.
Inappropriate Behavior by Murray Farish (Milkweed Editions) is a much wider-randing collection, spanning decades and countries in stories linked only by the strange twists each one takes. The delusional narrator of one story is addicted to making lists, stalking a girl called Allison and writing love songs to Jodie Foster. In the title story, parents struggle with the dual burdens of unemployment and a child with behavior issues. Occasionally experimental, always imaginative.
Another edgy collection comes from Scottish author James Kelman, whose novel How Late It Was, How Late won the Booker Prize in 1994. The stories in If it Is Your Life (Other Press) are mostly written with the stream-of-consciousness style and dark humor that Kelman is known for, and they're a bit more outré than his novels. But readers who like to read about lives lived on the edge will be excited for this new collection.
Take a nostalgic trip back to your childhood (at least, if you're a child of the late 80s like me!) with a newly published collection of Lois Duncan's short stories, Written in the Stars (Lizzie Skurnick Books). The author of teen classics like I Know What You Did Last Summer, Duncan has collected 13 tales from her very early career—including a story she published when she was only 13 years old—and includes a brief contemporary commentary on each one. As you might expect of stories that originally appeared in places like Seventeen or American Girl, these are mostly focused on the concerns of youth, but the glimpse they provide into the shaping of a young writer are fascinating.
Another familiar name with a new collection is David Guterson. The author of Snow Falling on Cedars returns with the playfully titled Problems with People (Knopf), which branches out from the author's typical Pacific Northwest territory to encompass most of the U.S. as well as Nepal and Africa. Though diverse in locale, these 10 tales are united by Guterson's strong storytelling voice and will be a welcome addition to the bookshelves of his fans.
And we'll end with another collection from a beloved voice: Elizabeth McCracken's Thunderstruck (Dial). Though most of these nine stories have been previously published in some of the best short fiction venues—Granta, The New Yorker—taken together, they demonstrate McCracken's remarkable range as well as her ability to truly understand the her characters and her quirky sense of humor (the title story opens with a 12-year-old girl being brought home by the police from a nitrous oxide party).