First Fiction Month may be winding down, but not to worry—there are plenty of new voices to look forward to this fall. Here's a sneak peek at some of our most anticipated debuts for next season.
We Are Not Ourselves by Matthew Thomas (S&S). Thomas sold his debut for a startling $1 million—not a bad payday for an English teacher. It's the story of an Irish-American family chasing the American dream across three generations that's already being compared to The Corrections. Worthy? We'll find out.
A Girl Is a Half-Formed Thing by Eimear McBride (Coffee House Press). Published in the Commonwealth last year, this first novel is a challenging stream-of-consciouness narrative, told from the perspective of a young girl, that proved a tough sell: McBride spent most of a decade shopping it around before finding a home with a small press. But its vital, visceral voice—one UK reviewer called the book "an instant classic"—earned it the Bailey's Prize for Women's Fiction for 2014. Will it be equally lauded by American critics?
The Miniaturist by Jessie Burton (Norton). Set in the rigid society of 17th-century Amsterdam, this jewel box of a debut follows a young wife after her marriage to a wealthy merchant. But when her new husband gives her gives her a miniature replica of their home, strange things start happening . . .
Fives and Twenty-Fives by Michael Pitre (Bloomsbury). Though many novels have come from the Iraq War, Pitre's stands out as one of the first to include the Iraqi perspective as well as that of the occupying forces, demonstrating once again that despite appearances, there are no winners when it comes to conflict.
The Story of Land and Sea by Katy Simpson Smith (Harper). Smith's heart-rending debut takes Revolutionary-era North Carolina as its setting, where three generations of women and the men they love contend with a very imperfect world. Smith excels at depicting not only how characters from this time lived, but how they thought, how they view the world through the lens of religion and myth.
How to Build a Girl by Catlin Moran (Harper). Humorist, feminist and pop culture icon Catlin Moran wades into the waters of fiction with her debut, a semi-autobiographical look at a young girl's coming-of-age in the Midlands in the 1980s.
Gretel and the Dark by Eliza Granville (Riverhead). Fairy tales and psychoanalysis combine in this darkly compelling, magical debut that follows twin storylines: one about a girl in 1899 Vienna who is certain she is a machine, and the other about another child living 40 years later who clings to the stories of the Grimm brothers to shut out the approach of war.
The Ploughmen by Kim Zupan (Holt). A 77-year-old hired gun awaiting trial strikes up an unlikely friendship with a lawman just starting out in Zupan's haunting Western, set in the author's native Montana.
Crooked River by Valerie Geary (Morrow). Fans of writers like Tana French and Laura McHugh will enjoy Geary's atmospheric first novel, set in the Pacific Northwest. Two young girls find a body in the river, and their father is the prime suspect in the murder. Can they prove his innocence?
If I Knew You Were This Beautiful, I Never Would Have Let You Go by Judy Chicurel (Amy Einhorn). Composed of linked short stories, this first novel follows a young woman's coming of age in the 1970s and should please fans of Cowboys Are My Weakness or The Girls' Guide to Hunting and Fishing.
What debuts are you looking forward to this year? Tell us in the comments!