Whiskey Tango Foxtrot by David Shafer
Mulholland • $26 • ISBN 9780316252638
Published August 5, 2014
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Whiskey Tango Foxtrot

There's something ominous circling the three characters in David Shafer's debut novel, but quite frankly, I haven't been giving it much attention. I've been far too caught up in Shafer's unrelenting humor—which is wicked and dark, just how I like it—and his spotless characterization. That being said, Whiskey Tango Foxtrot also fulfills all the requirements of an outstanding technothriller, with pulsing strains of paranoia and those all-seeing technological powers-that-be.

First Fiction MonthThe story centers around 30-somethings Leila, Leo and Mark. Leo and Mark were friends at Harvard, but Leo is now a bit of a loser, while Mark is a phony self-help guide who works for the Committee, a data collection agency that seeks to privatize all information. Leila is a disillusioned nonprofit worker on the other side of the world. The only thing keeping the Committee from its goal is a secret underground Internet called Dear Diary. With jabs at every political angle, a love story and plenty of cool tech, Whiskey Tango Foxtrot is a pageturner of the highest order.

Read on for an excerpt from Leo's first scene:

There was no one even near Leo when he flew from his bike. His mind cast about for a culprit, for someone to blame other than himself. The bike just ceased its forward motion and he did not. How surprising, how nifty physics was. And as he trebucheted toward a four-inch curb, aware at once that his meeting with it would be physically calamitous, he remembered that he was wearing no helmet, and his surprised turned to fear. A month ago, at a party to which his friend Louis had brought him, Leo had heard (well, overheard) the host claiming that he wasn't afraid of death. That particular claim seemed to Leo to be demonstrably false. So, costumed as Jesus (for this was a Halloween party), Leo had decided to explore the man's reasoning. Not afraid of death, huh? My, that must make you a real psychopath. But he had seen almost immediately that he should not have told the man that he was like a Holocaust denier. "I said like a Holocaust denier. Like," he protested lamely when Louis escorted him out of the party and told him to enjoy the bracing walk home dressed as Jesus.

No, thought Leo, as he landed his right hand, fingertips first, on the cold nubbly of the curb, I am definitely more than a body, but I believe I am less than a soul.

Then, with a fluid agility that hadn't been his in years, Leo tucked his head and vertical body behind the leading edge of his rounded arm. Some latent muscle memory from five months of jujitsu at the McBurney YMA on West Sixty-Third Street from when he was ten? Leo seemed to recall that this YMCA had in fact served the adventurous class of men described in the song. Now, he felt a point beneath his stomach become the axis of his spinning mass, and he knew to use that dragony breath to take the hit when, after about 120 degrees, his trunk met the sidewalk, hard. Next was his hip and ass, which rolled over not just the concrete but also a busted padlock on the scene by chance. Then came his knees and feet, with a thwack. That was followed by his trailing left arm, which lay down gently, and his gloved palm, which landed and sprang back, the way a conguero lands a hand on the taut hide of his drum.

Leo stood up. He was fine. Just fine. Right as rain.

Leo stood up again, this time more carefully. Okay, maybe fine was an overstatement. But ambulatory and intact. A bit exhilarated, actually.

His bike lay twisted in the street behind him, its front tire still clamped in the groove of the new light-rail system tracks they were laying all over town. Only now did he notice the yellow-and-black warming signs that would have made him aware of the hazard his bike had to cross. The graphics depicted pretty much what had just happened: a bicycle with its front wheel caught in the maw of the track, the blockish pictogram rider hurtling over the handlebars. An honest piece of graphic art; a tiny, two-line picture poem, thought Leo, and he started to upbraid himself for his carelessness and lack of attention.

But wait. On one corner—the direction from which he'd come—the warning sign was there, but it was swathed in black plastic, taped up tight.

The thought came like a revelation: This was no accident. They obscured that sign because they want me eliminated.

Some part of him said, No, don't be ridiculous. But then why was only one sign shrouded?

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