August is First Fiction Month on! Click here to read all our First Fiction coverage on the blog; click here to read our most recent coverage of debut novels. 

This year's best crime fiction debuts kept us entertained and on the edges of our seats as if they were authored by seasoned pros.

The Mangle Street MurdersThe Mangle Street Murders by M.R.C. Kasasian

We had no idea how much we craved a new curmudeonly private detective and his girl Friday until Sidney Grice and March Middleton entered the scene via British author Kasasian's new series. After 21-year-old March's father dies, she moves in with the celebrated and socially inept Grice. March is outspoken and whipsmart—an unlikely even match to Grice. Together they investigate the murder of a young woman, and the result is an enjoyable mystery that relishes the darker elements of Victorian London, a classic setting that can't keep its dirty little secrets from this unlikely sleuthing team. Read our review.

The Ways of the DeadThe Ways of the Dead by Neely Tucker

Washington Post staffer Tucker, author of memoir Love in the Driest Season, drew on his own experiences as a reporter to craft an edgy and tense thriller set in 1990s Washington, D.C. When a politically connected judge's daughter turns up dead, three young black men are arrested. This seems a bit suspicious to world-weary reporter Sully Carter, who sees a connection between the girl's murder and several other cold cases. Tucker's debut stands out for its ingenious, multilayered plotting, its juicy depiction of shady journalism and its thoughtful exploration of questions of race and class. Above all, Tucker's dialogue is in a league of its own. Our Whodunit columnist called it "textured and nuanced," and compared it to the work of Elmore Leonard, James Crumley and George Pelecanos. Read our review.

Dry Bones in the ValleyDry Bones in the Valley by Tom Bouman

Northeastern Pennsylvania author Bouman perfectly captures the dark and dilapidated milieu of rural PA in his debut thriller, bringing to life all the sadness and—somehow—good humor that permeate a region poisoned by poverty and drug use. Things start to change when corporations begin buying up all the land for fracking and gas drilling, which introduces some wealth to the region as well as a new set of problems. Meanwhile Officer Henry Farrell, already quite busy struggling with his own demons, is trying to track down the killer of an unknown victim. Then Henry's deputy is found dead, and tension in this already-suspicious community begins to rise. It's a sad story, but Bouman's storytelling is so seamless and his prose so poetic, we don't mind a little heartbreak. Read our review.

Dear DaughterDear Daughter by Elizabeth Little

Ten years after she was convicted of her mother's murder, Janie Jenkins has been released from prison on a technicality. But Janie didn't kill her mother, at least she doesn't think so. She was, however, found covered in her mother's blood, and the two didn't exactly get along. Now a notorious criminal, Janie sets out to prove her innocence, armed with a false identity and the smallest of leads. It's a great thriller based on plot alone, but Little's voice is what makes this one so special. It's been called stylish, sassy and assured; our reviewer called it "one of the cheekiest voices in recent memory." Whatever you call it, it's one of a kind, and we can't wait to see more of it. Read our review.

The Good GirlThe Good Girl by Mary Kubica

A one-night stand resulted in Mia Dennett's kidnapping, but her abductor inexplicably takes her to a remote cabin in the woods rather than turn her over to the guy in charge. After Mia returns home, she cannot seem to recall all the details of her experience. Kubica's intricately plotted debut alternates between past and present—before and after Mia's abduction—and multiple perspectives: Mia’s mother, Eve; Mia's abductor, Colin; and Gabe, the detective on the case. This is a puzzler on par with Gone Girl, so expect to be surprised. Read our review and a Q&A with Kubica.

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