Taisy Cleary and her twin brother, Marcus, haven't seen much of their father since he left the family when they were toddlers. Now, Wilson Cleary wants Taisy back in his life: He's writing a memoir, and needs her help. But doing so also means Taisy has to meet her teenaged half-sister for the second time—and confront the love she lost almost 20 years ago.
"Where there's a father saying 'whorish,' there's a boy. Spill it, missy."
I opened my mouth. Shut it.
Trillium reached for my hand. "Hold on. The boy wasn't a bad one, was he? He didn't abuse you or something?"
I shook my head. "He was good."
My mouth was dry. My heart was marbles in a tin can that someone was shaking.
"Name?" asked Trillium.
"Ben Ransom." The tin can shook harder. Clatter, clatter, clatter. After all this time, all it took was saying his name.
What are you reading this week?
Samantha Norman didn't plan to be a novelist, but when her mother, the best-selling writer Ariana Franklin, passed away in 2011 and left a half-finished manuscript, Norman felt called to carry on her mother's legacy. In a guest blog post, she reveals what it was like to finish The Siege Winter.
Guest post by Samantha Norman
When my mother, the best-selling historical novelist, Ariana Franklin, died suddenly and unexpectedly four years ago, she left a great big hole in my life and a half-finished novel.
Although she’d always nagged me to start writing novels of my own—convinced somehow that I’d inherited her talent—I never got round to it. I’d written features, lots in fact, for newspapers and magazines but never anything longer than about 1,500 words and had no particular desire to, either. Writing is hard—I’d done enough of it to know that much—and, what’s more, I’d seen my mother—both parents actually, my father is also a novelist—sweating blood over their work and I just didn’t feel that that sort of hard labour was for me. And yet all of a sudden my Mum was dead and there was a novel to complete and I was suddenly imbued with a zeal I’d never felt about anything before, absolutely determined that I was to be the one to finish it.
It was an enormous responsibility. My mother had a large and devoted fan base whose members were vociferous in their admiration of her beautiful prose and unrivalled attention to historical detail and accuracy. Therefore, to do her justice—I should point out here that mum was an absolute pedant when it came to research and getting things absolutely right—and to continue her remarkable legacy without public outcries of “Shame!” I had to do a crash course in the medieval history she so adored, and in a matter of mere weeks—I had a fairly punishing deadline—assume a knowledge of 12th-century English history which she had carefully garnered over more than 35 years.
Not only that, but I also had to assume her writing style. I had always loved, envied even, the way she wrote, the seemingly effortless almost mellifluous way in which she strung words together, but could I emulate it? Well, only you can be the judge of that. The book’s out now and I’m terribly proud of it and I hope, I really, really hope that my mum would be too.
Happy St. Patrick's Day! When you raise a (green) beer to honor an Irish saint for his brave 5th-century snake-banishing (via Riverdance, perhaps?) take a moment to consider Ireland's rich literary legacy. Here are a few of our favorites from today's best Irish authors:
A Death in Summer by Benjamin Black
Black's atmopheric mysteries are as full of twists as they are elegantly written (Black is a pseudonym for prize-winning author John Banville). We love his take on 1950s Ireland and his savvy amateur detective Garret Quirke.
Nora Webster by Colm Tóibín
This quiet story of the life of an everywoman in 1970s Ireland turns into a wider exploration of the country's past, present and future in the capable hands of Tóibín, one of today's most accomplished Irish writers.
Faithful Place by Tana French
No list of Irish writers would be complete without Tana French, whose textured mysteries have taken the suspense world by storm since she made her debut in 2007. In Faithful Place, she brings the Liberties—a housing project in Dublin—into the spotlight, uncovering the truth behind a decades-old disappearance.
An Evening of Long Goodbyes by Paul Murray
Murray is best known for his excellent second novel, Skippy Dies, but his charming, Wodehous-ian debut, set in a crumbling Irish mansion, is a social satire for the ages.
At the Edge of Ireland by David Yeadon
In the tradition of classics like Under the Tuscan Sun, big-city reportor David Yeadon recounts his adventures and attempts to fit in with the locals after moving to the most isolated outpost in Ireland he could find—the Beara Peninsula.
My Dream of You by Nuala O'Faolain
This novel blends past and present in a time-tested formula. It's the story of modern-day Irishwoman Kathleen de Burca, who becomes obsessed with the story of an ancestor who escaped Ireland during the potato famine.
A Greyhound of a Girl by Roddy Doyle
Roddy Doyle is best known for his novels for adults, but in this magical middle-grade novel has an Irish setting that shines, a tough heroine and, best of all, a ghost.
Big news for Fall 2015: Jojo Moyes will publish a sequel to her blockbuster 2013 hit, Me Before You, on September 29. After You (Pamela Dorman) continues the story of Lou Clarke, a working-class girl whose unlikely romance with wealthy, wheelchair-bound Will Traynor changed her life forever.
Moyes credits her work on the script for the film adaptation of Me Before You (due in 2016) for her continued interest in the characters' lives, adding, "It has been such a pleasure revisiting Lou and her family, and the Traynors, and confronting them with a whole new set of issues. As ever, they have made me laugh, and cry. I hope readers feel the same way at meeting them again."
Moyes' British publisher has posted a brief trailer here, complete with a specially commissioned song. Are you looking forward to this one?
The longlist for this year's Baileys Women's Prize for Fiction has been announced. The prize (formerly known as the Orange Prize) recognizes one outstanding female author who writes in English and has been published in the U.K., and comes with a prize of £30,000. The shortlist will be announced on April 13, and the winner will be announced at an awards ceremony held at the Royal Festival Hall on June 3.
Eleven of the 20 longlisted authors have made the long or shortlist for the prize before—and a record-setting 16 of them are British. A few have yet to be published in the U.S. Who are you rooting for?
Rachel Cusk, Outline (FSG)
Lissa Evans, Crooked Heart (Harper, July)
Patricia Ferguson, Aren’t We Sisters? (no scheduled U.S. publication)
Xiaolu Guo, I Am China (Nan A. Talese)
Samantha Harvey, Dear Thief (Atavist Books)
Emma Healey, Elizabeth Is Missing (Harper)
Emily St. John Mandel, Station Eleven (Knopf)
Grace McCleen, The Offering (no scheduled U.S. publication)
Sandra Newman, The Country of Ice Cream Star (Ecco)
Heather O’Neill, The Girl Who Was Saturday Night (FSG)
Laline Paull, The Bees (Ecco)
Marie Phillips, The Table of Less Valued Knights (no scheduled U.S. publication)
Rachel Seiffert, The Walk Home (Pantheon)
Kamila Shamsie, A God in Every Stone (Bloomsbury)
Ali Smith, How to be Both (FSG)
Sara Taylor, The Shore (Crown, June)
Anne Tyler, A Spool of Blue Thread (Knopf)
Sarah Waters, The Paying Guests (Riverhead)
Jemma Wayne, After Before (Legend Times Group, April)
PP Wong, The Life of a Banana (Legend Times Group, May)
On the eve of her wedding, a young woman wonders if she's ready to commit to her picture-perfect fiancé.
A lonely, overweight 20-something is working a dead-end job as an advice columnist when someone unexpected enters her life and shakes things up.
These may sound like stories you've read before. But this summer, two fearless debut novelists are pushing the boundaries, releasing female-centered stories that blend dark twists and searing social commentary.
Lily Wilder, the narrator of Eliza Kennedy's I Take You (Crown, May), is doubting her decision to marry—but not for the reasons you'd expect. Lily, a successful lawyer, isn't afraid that the ceremony won't be perfect, that she's not good enough for Will or that he'll run out on her: She's worried that marriage will cramp her not-exactly-monogamous lifestyle.
And Plum Kettle, the overweight protagonist of Sarai Walker's Dietland (HMH, June)? The person she meets who changes her life isn't a man, but a mysterious young woman who initiates the virtually housebound Plum (who is planning on having bariatric surgery) into a secret society of guerrilla fighters who are committing terrorist acts against the patriarchy. (No surprise, The Sun's page 3 is among the targets.)
Both Lily and Plum are heroines who lie outside the social norms. Lily loves her fiancé, Will, but she also loves sex—lots of it. She isn't sure if she can change that about herself, or if she even wants to, even though by accepting his proposal she's signed on to try.
Likewise, Plum is not conventionally beautiful–and maybe not even unconventionally beautiful, although it's hard to tell since Plum is only ever described through her own very critical eyes. All her life, Plum has defined herself by her weight, spending years on thankless diets waiting for her skinny self—whom she calls Alicia—to emerge so she can finally start living.
Still, it's not entirely unusual for stories to start out with women who don't conform to the norms. After all, that's why their lives aren't perfect, right? As the pages turn, you're waiting for the moment when Lily and Plum transform, become what society expects—which makes you realize just how well-trodden the tropes of women's fiction can be. But as Dietland and I Take You approach their very different but equally satisfying conclusions, it becomes clear that this isn't the point. Plum and Lily aren't the ones who need to change—the world is.
These two daring debuts introduce authors who have something to say.
Author Jennifer Chiaverini is no stranger to research—she's included historical elements in many of her 23 novels. In her latest, Mrs. Grant and Madam Jule, she goes back to the 19th century to explore the life of First Lady Julia Grant and her slave, Jule. In a guest blog post, Chiaverini shares five of the most memorable tidbits from her extensive research.
guest post by Jennifer Chiaverini
In March 1865, only a few weeks before the end of the Civil War, the tempestuous Mary Lincoln accompanied her husband on a visit to General Ulysses S. Grant’s military headquarters at City Point, Virginia, where she had a very public meltdown. In the thankless role of Mrs. Lincoln’s hostess, Julia Grant tried to calm her, only to bring Mrs. Lincoln’s wrath down upon herself. Mrs. Lincoln angrily accused the general’s wife of coveting her place in the White House, a charge Mrs. Grant calmly denied—little suspecting that four years later, her husband would be sworn in as the 18th president of the United States and she would become First Lady.
This astonishing altercation between Mary Lincoln and Julia Grant has gone down in history thanks to the many eyewitness accounts recorded in letters and memoirs, but most people today don’t know these five other surprising things about the famously friendly and admired First Lady Julia Grant:
1. Julia Grant was afflicted with strabismus, more colloquially known as crossed eyes.
Her vision was so impaired that she could read, write or sew only briefly before the strain exhausted her, so Ulysses often read aloud or wrote letters for her. She was self-conscious of her appearance, and whenever she was photographed, she almost always sat in profile in an attempt to disguise her condition. As Ulysses’ fame grew and Julia became more of a public figure, she inquired about corrective surgery so that she “might not be so very, very plain.” She was disappointed to learn that nothing could be done, for the operation could have succeeded only if it had been performed in childhood.
2. Julia claimed to experience prophetic visions and dreams
She was correct so often that her family learned to trust her intuition. In her memoirs, published 73 years after her death, she describes several unsettling premonitions that she later learned coincided with moments her husband had been in grave danger on the battlefield. In Washington a few days after Confederate General Robert E. Lee’s surrender, she was seized by such intense, overwhelming dread that she begged Ulysses to depart for their home in New Jersey immediately. A few hours after their train left the capital, the actor John Wilkes Booth shot President Abraham Lincoln at Ford’s Theatre.
3. Although Julia and Ulysses enjoyed a long and happy marriage, when they first fell in love, their families did not want them to wed.
Although Julia’s mother thought highly of Ulysses and supported the match, her father argued that Julia’s constitution made her poorly suited for the arduous, roving life of a military wife and suggested Ulysses marry her younger sister instead. When Ulysses rejected this proposal, Julia’s father insisted on a long engagement while the enamored lieutenant was off serving in the Mexican War. For their part, Ulysses’ staunchly abolitionist parents were appalled that their son intended to marry the daughter of Missouri slaveowners, and they refused to attend the wedding.
4. Throughout the Civil War, rather than remain safe at home, Julia often lived with her husband at military headquarters.
Ulysses hated to be away from his family, and as the army moved, he would summon Julia to join him as soon as he established a secure location. According to historian Candice Shy Hooper, during the four years of the Civil War Julia traveled more than 10,000 miles to be with her husband, sometimes through enemy territory. In an era when long-distance travel was difficult and exhausting even when the trains ran on time, the weather was fair, and the roads weren’t thick rivers of mud, Julia—and her four young children, who often accompanied her—risked disease, death and capture whenever they journeyed between home and headquarters.
5. Although Julia was married to the commander in chief of the Union armies in the war that would end slavery in the United States forever, she herself kept slaves.
Her favorite maid—a woman also named Julia but usually called Black Julia or Jule—often accompanied her mistress when she joined Ulysses at military headquarters. Both women risked certain danger as they journeyed to and from the field of war, but for Jule, the hazards of travel also brought knowledge and opportunity, and she eventually made a daring bid for freedom. Though historians debate whether Julia or her father was actually Jule’s legal owner, there is no doubt that the future First Lady benefited from the enslavement and exploitation of other human beings for almost 40 years.
author photo by Steven Garfinkel
It's still early in 2015, but at least one unknown female author has already rocketed to the top of bestseller lists (we're looking at you, Paula Hawkins!). Which other women will join her this year? Here's our list of the top 10 candidates.
THE FAIR FIGHT
Riverhead • April 14
Fans of authors like Sarah Waters and Michel Faber will thrill to Anna Freeman's debut, The Fair Fight, an exciting historical novel set in the little-known world of women's bare-knuckle boxing. Yes, in 1800s England, women—at least, some women—were allowed to escape the confines of the home to fight for prizes that were twice the annual salary of a housemaid (one of the few occupations for women at the time). But Freeman, who is a poet and lectures in English at Bath Spa University, goes beyond the blood splatters and missing teeth to take a broader look at the limitations of class and gender, encouraging readers to ponder who (if any) among her characters is given a fair fight.
Thomas Dunne • April 21
An artful mix of suspense, fantasy and social critique, Emily Schultz's The Blondes puts a feminist twist on the dystopian stories that have been crowding fiction shelves for the last several years. It's the near future in New York City, and grad student Hazel is pregnant after an affair with a married man. She's also confined to the house thanks to a mysterious virus that is turning blonde women into cold-blooded killers (luckily, Hazel is a natural redhead). Now blondes are no longer the butt of jokes but the world's worst nightmare. Schultz's work has been praised by the likes of Margaret Atwood and Stephen King (who gave an unwitting bump to her first novel, Joyland, when he published a book by the same name)—look for The Blondes to be embraced by an equally diverse group of readers.
Pamela Dorman • May 5
Retellings of Jane Eyre are not exactly thin on the ground (see 1 2 3 4), but Queens-born writer Patricia Park takes a fresh tack in her debut, Re Jane. She casts the quiet but strong-willed heroine as a mixed-race Korean orphan living with relatives in 2001 Flushing—and that's just the first twist Park puts on her decidedly 21st-century, girl-power take on the beloved classic, which sends its heroine from Brooklyn to Gangam and back again. Park, a Korean-American who spent time in Seoul on a Fulbright scholarship and has studied under the novelist Ha Jin, expertly details the cultural divides facing her heroine, adding another dimension to a tale that might otherwise seem too familiar.
GIRL AT WAR
Random House • May 12
It's impossible for those who have not experienced civil war to truly know what it's like—and that's one of the themes of 28-year-old Sara Nović's sensitive debut novel, Girl at War. Moving back and forth between 1991 Croatia and 2001 New York City, the story follows main character Ana as she survives a dangerous childhood and attempts to transition to a new family and culture in the United States. Nović's descriptions of Ana's wartime childhood convey how war can be both shocking and mundane as violence becomes part of everyday life. Girl at War was acquired and edited by Random House's David Ebershoff, who knows his talent: He was the editor of not one but two of the 2013 Pulitzer winners (The Orphan Master's Son and Embers of War).
Amistad • May 26
Novelist Dolen Perkins-Valdez's 2010 debut, Wench, was a word-of-mouth hit with readers and explored a lesser-known corner of American history: the resorts where plantation owners would vacation with their enslaved mistresses. Her long-awaited second novel, Balm, takes an equally unflinching look at America's past and should bring this talented writer to an even bigger audience. Set in post-Civil War Chicago, it follows three strangers—a widowed white woman, a freeborn black woman from Tennessee and a former slave whose wife was sold away from him before the war—who move to the city for a chance to start over but are unable to completely shed their pasts.
THE BOOK OF SPECULATION
St. Martin's • June 23
Erika Swyler's debut, The Book of Speculation, is a bookish mystery with a supernatural twist. In a dilapidated house on Long Island Sound, librarian Simon Watson presides over a crumbling family legacy—until the day an old book arrives on his doorstep. It's the journal of a carnival owner, and it's connected to the drowning death of Simon's mother. Can he solve the mystery before his sister meets the same fate? Swyler, who has written short fiction and worked as a playwright, probes the bonds of sibling love and loyalty with the same authenticity she brings to the book's more magical elements, giving the novel surprising depth. Fans of family sagas with a touch of the fantastic should flock to it.
Harper • July 28
TV producer and author Lissa Evans is well known in her native England (fellow Brit Paula Hawkins is a fan), but this summer she's being published for the first time in the U.S. Crooked Heart is her fourth novel, and her second for an adult audience. Set during World War II, it follows a 10-year-old orphan who's a crime novel aficionado. He's evacuated during the Blitz and rehomed with Vera Sedge, a down-on-her-luck single mother with a penchant for money-making schemes, and the two form an unlikely bond. Their odd-couple friendship will appeal to readers of books like Lost & Found, and Evans' authentic period tone evokes the subtle charm of midcentury classics like I Capture the Castle.
Touchstone • August 18
Susan Barker made the 2008 longlist for the Dylan Thomas Prize with her second novel, The Orientalist and the Ghost, but she's hovered just below most readers' radars. That just might change with the release of The Incarnations, a suspenseful tour through Chinese history and folklore that was described as "China's Midnight's Children" when it was published in the U.K. last year. In modern-day Beijing, Wang, a taxi driver, is being stalked by someone who claims to be his soul mate. As letters appear in his taxi telling the stories of their past lives over the last 1,000 years—all of which end in tragedy or betrayal—Wang's paranoia about his watcher's identity increases, and he begins to wonder if history will repeat itself.
St. Martin's • August 18
Celebrity authors may strike seven-figure deals without breaking a sweat, but for unknown writers, having a book snapped up at a price like that is a little less common. That is just one of the things that makes New York Times reporter Stephanie Clifford's first novel, Everybody Rise, a standout. Set in 2006 New York City, the book plumbs the unfailingly popular literary trope of the young and privileged in Manhattan, as seen through the eyes of an imposter in their ranks. The film rights have been secured by Fox 2000.
FSG • October 6
OK, so maybe it's a little sneaky to put an author who's already a bestseller on a list like this. But Sloane Crosley (I Was Told There'd Be Cake) is making a transition from humorous essays to fiction—and I for one am intrigued about how she'll do it. The Clasp is described as "a comedy of manners," which is a novelistic genre that's a perfect match for Crosley's talents. Other intriguing elements include the exploration of how college friendships start to change in your late 20s, a madcap search for a missing family heirloom and a nod to Guy de Maupassant.
Check out our track record by viewing past women to watch lists here.
It's Oscar Season, and if you have Hollywood on the brain, it's the perfect time to dive into Kate Alcott's new novel. In A Touch of Stardust, the author of The Dressmaker turns back the clock to the 1930s and puts readers on the tension-filled set of Gone With the Wind.
We see through the eyes of Julie Crawford, a would-be screenwriter who's still somewhat starstruck by the personalities she encouters during her work at the studio's publicity offices. But when Carole Lombard—who is currently involved with Clark Gable—hires Julie as her PA, the Midwestern girl starts seeing celebrities in a whole new light. But the magic of the movies persists.
Each morning, she pulled herself from bed and joined the cleaning ladies and the plumbers and other sleepy travelers on the 5:00 a.m. bus to get to the studio early. That way, she could step onto the back lot alone and be in the old South and feel the magical world of Gone with the Wind come to life. In front of Tara, the trees that had been fashioned over telephone poles looked real, and if she hadn't known the dogwood blossoms were made of white paper, the illusion would have been complete. It just took believing. She loved watching it grow—over fifty building façades now, and two miles of streets. It didn't matter that she walked in a landscape of glued plasterboard, a place of fake structures held together by little more than Selznick's frenzied dreams. It was vividly real.
What are you reading this week?
Actor, writer and onetime Oscar host James Franco has been tapped to star in TV streaming service Hulu's adaptation of 11/22/63 by Stephen King. Franco will play Jake Epping, an unassuming high school teacher who travels back in time to kill Lee Harvey Oswald.
King has an executive producer credit for the adaptation, which was optioned by J.J. Abrams' production company and will air as a nine-part "limited series." This is the highest profile original program to date for Hulu, which has yet to have a breakout hit like Netflix's "House of Cards" or "Orange Is the New Black." Though previous adaptations of King's work are definitely hit or miss, they're always high profile, and the hook of 11/22/63 is an attention-grabber. Will you watch it?