Best-selling author Jennifer Weiner will return this summer with a new novel. Who Do You Love will be published by Atria on August 11.
Weiner's 2014 release, All Fall Down, was a darker book that focused on a suburban mother's struggle with addiction. Who Do You Love is a romance that sounds reminiscent of Weiner's earlier works: When 8 year olds Rachel and Andy meet one night in the ER, they can't imagine how important they will eventually become to each other. Per the catalog description,
Over the course of three decades, through high school and college, marriages and divorces, from the pinnacles of victory and the heartbreak of defeat, Andy and Rachel will find each other again and again, until they are finally given a chance to decide whether love can surmount difference and distance and if they’ve been running toward each other all along.
Sounds intriguing! Will you read it?
What if you could go back to the past to prevent the biggest mistake of your life? That's the premise of Mark Andrew Ferguson's genre-bending debut novel. In The Lost Boys Symphony, college student Henry has broken up with his longtime girlfriend, Val, upsetting the triumvirate they were a part of with best friend Gabriel. Henry and Gabe just aren't the same without Val, so it takes Gabe a little longer than it probably should to notice Henry's spiral into schizophrenia. But when Henry is kidnapped by his two future selves—41 and 80, who dub Henry "19" accordingly—it looks like there might be a chance to set things right.
80 tapped the table with his fork. 41 stared at the last bits of dried orange yolk on his plate.
"You asked 80—before—you asked him if he wanted to begin," said Henry. "What are we beginning?"
80 stopped tapping. "To answer your stated question, 41 was referring to the difficult conversation we're all enjoying this very moment. But to answer your real question"—and with this 80 looked at 41—"the moment we took you from the bridge a whole new universe was formed. If we hadn't picked you up you would have become someone else. 41 and I have been that person. We've lived whole lives as that person. But we're not him anymore because that Henry is gone forever. Our pasts have been replaced many times over, and you as you might have been able to tell by 41's attitude toward me, those changes haven't all been for the better. But if we can teach you how to control yourself, your travel through time, we can begin a new future for you and a new past for ourselves. One we can all be happy with."
What are you reading this week?
One of Canada's finest returns on September 29 with The Heart Goes Last (Nan Talese), her first standalone novel since 2000's Booker-winning The Blind Assassin.
Atwood's powerful imagination shines through in the story's premise: In the not-so-distant future, the world's economy has collapsed and most people are struggling to get by. This includes couple Stan and Charmaine, who are living in their car and struggling to make ends meet no matter how much they work. When they're offered a spot in the co-op community of Consilience, it seems like an answer to prayer. But in exchange for a comfortable life, Stan and Charmaine must alternate: One month in suburbia, the next in prison.
I'm happy to see an Atwood outside the Oryx and Crake universe, which I haven't gotten a chance to dive into yet. Will you read this one?
RELATED CONTENT: Find out about more 2015 releases here.
The list of books to look forward to this fall just got a little bit longer: Pulitzer Prize winner Geraldine Brooks will publish a novel based on the life of King David, The Secret Chord, on September 22 with Viking.
The novel will be narrated by Nathan, the biblical prophet Brooks has described as "the keeper of the king's conscience." Though it is impossible to call a choice of subject for a Brooks novel predictable—all four of her previous books have had vastly different settings—the theme of faith is a recurring one for the author. As she told BookPage in 2005, "I'm intrigued by people who have strong beliefs, because I don't."
David is an Old Testament figure who appears in Judiasm, Islam and Christianity, and it's a safe bet that Brooks—who has studied Arabic and worked as a Middle East correspondant for the Wall Street Journal in the 1990s—will draw from all three traditions for her portrayal of the legendary king. And of course, he's a popular subject in art, film and literature, from Dryden to Faulkner.
Will you read it?
RELATED CONTENT: More on 2015 releases here.
Despite having only two novels to her credit, Lauren Groff is one of the most original voices in American literature today. Rumor has it she cements that reputation on September 15, when she'll release novel #3, Fates and Furies (Riverhead). A tour de force about a marriage, it's a story that posits that "the key to a great marriage is not its truths but its secrets." Lotto and Mathilde married at 22, in secret, and their whirlwind romance and creative partnership is the envy of their friends. But 10 years on, we revisit the couple to find that there is more beneath the surface.
Check out an excerpt here. Who else is looking forward to this one?
Taisy Cleary and her twin brother, Marcus, haven't seen much of their father since he left the family when they were toddlers. Now, Wilson Cleary wants Taisy back in his life: He's writing a memoir, and needs her help. But doing so also means Taisy has to meet her teenaged half-sister for the second time—and confront the love she lost almost 20 years ago.
"Where there's a father saying 'whorish,' there's a boy. Spill it, missy."
I opened my mouth. Shut it.
Trillium reached for my hand. "Hold on. The boy wasn't a bad one, was he? He didn't abuse you or something?"
I shook my head. "He was good."
My mouth was dry. My heart was marbles in a tin can that someone was shaking.
"Name?" asked Trillium.
"Ben Ransom." The tin can shook harder. Clatter, clatter, clatter. After all this time, all it took was saying his name.
What are you reading this week?
Samantha Norman didn't plan to be a novelist, but when her mother, the best-selling writer Ariana Franklin, passed away in 2011 and left a half-finished manuscript, Norman felt called to carry on her mother's legacy. In a guest blog post, she reveals what it was like to finish The Siege Winter.
Guest post by Samantha Norman
When my mother, the best-selling historical novelist, Ariana Franklin, died suddenly and unexpectedly four years ago, she left a great big hole in my life and a half-finished novel.
Although she’d always nagged me to start writing novels of my own—convinced somehow that I’d inherited her talent—I never got round to it. I’d written features, lots in fact, for newspapers and magazines but never anything longer than about 1,500 words and had no particular desire to, either. Writing is hard—I’d done enough of it to know that much—and, what’s more, I’d seen my mother—both parents actually, my father is also a novelist—sweating blood over their work and I just didn’t feel that that sort of hard labour was for me. And yet all of a sudden my Mum was dead and there was a novel to complete and I was suddenly imbued with a zeal I’d never felt about anything before, absolutely determined that I was to be the one to finish it.
It was an enormous responsibility. My mother had a large and devoted fan base whose members were vociferous in their admiration of her beautiful prose and unrivalled attention to historical detail and accuracy. Therefore, to do her justice—I should point out here that mum was an absolute pedant when it came to research and getting things absolutely right—and to continue her remarkable legacy without public outcries of “Shame!” I had to do a crash course in the medieval history she so adored, and in a matter of mere weeks—I had a fairly punishing deadline—assume a knowledge of 12th-century English history which she had carefully garnered over more than 35 years.
Not only that, but I also had to assume her writing style. I had always loved, envied even, the way she wrote, the seemingly effortless almost mellifluous way in which she strung words together, but could I emulate it? Well, only you can be the judge of that. The book’s out now and I’m terribly proud of it and I hope, I really, really hope that my mum would be too.
Happy St. Patrick's Day! When you raise a (green) beer to honor an Irish saint for his brave 5th-century snake-banishing (via Riverdance, perhaps?) take a moment to consider Ireland's rich literary legacy. Here are a few of our favorites from today's best Irish authors:
A Death in Summer by Benjamin Black
Black's atmopheric mysteries are as full of twists as they are elegantly written (Black is a pseudonym for prize-winning author John Banville). We love his take on 1950s Ireland and his savvy amateur detective Garret Quirke.
Nora Webster by Colm Tóibín
This quiet story of the life of an everywoman in 1970s Ireland turns into a wider exploration of the country's past, present and future in the capable hands of Tóibín, one of today's most accomplished Irish writers.
Faithful Place by Tana French
No list of Irish writers would be complete without Tana French, whose textured mysteries have taken the suspense world by storm since she made her debut in 2007. In Faithful Place, she brings the Liberties—a housing project in Dublin—into the spotlight, uncovering the truth behind a decades-old disappearance.
An Evening of Long Goodbyes by Paul Murray
Murray is best known for his excellent second novel, Skippy Dies, but his charming, Wodehous-ian debut, set in a crumbling Irish mansion, is a social satire for the ages.
At the Edge of Ireland by David Yeadon
In the tradition of classics like Under the Tuscan Sun, big-city reportor David Yeadon recounts his adventures and attempts to fit in with the locals after moving to the most isolated outpost in Ireland he could find—the Beara Peninsula.
My Dream of You by Nuala O'Faolain
This novel blends past and present in a time-tested formula. It's the story of modern-day Irishwoman Kathleen de Burca, who becomes obsessed with the story of an ancestor who escaped Ireland during the potato famine.
A Greyhound of a Girl by Roddy Doyle
Roddy Doyle is best known for his novels for adults, but in this magical middle-grade novel has an Irish setting that shines, a tough heroine and, best of all, a ghost.
Big news for Fall 2015: Jojo Moyes will publish a sequel to her blockbuster 2013 hit, Me Before You, on September 29. After You (Pamela Dorman) continues the story of Lou Clarke, a working-class girl whose unlikely romance with wealthy, wheelchair-bound Will Traynor changed her life forever.
Moyes credits her work on the script for the film adaptation of Me Before You (due in 2016) for her continued interest in the characters' lives, adding, "It has been such a pleasure revisiting Lou and her family, and the Traynors, and confronting them with a whole new set of issues. As ever, they have made me laugh, and cry. I hope readers feel the same way at meeting them again."
Moyes' British publisher has posted a brief trailer here, complete with a specially commissioned song. Are you looking forward to this one?
The longlist for this year's Baileys Women's Prize for Fiction has been announced. The prize (formerly known as the Orange Prize) recognizes one outstanding female author who writes in English and has been published in the U.K., and comes with a prize of £30,000. The shortlist will be announced on April 13, and the winner will be announced at an awards ceremony held at the Royal Festival Hall on June 3.
Eleven of the 20 longlisted authors have made the long or shortlist for the prize before—and a record-setting 16 of them are British. A few have yet to be published in the U.S. Who are you rooting for?
Rachel Cusk, Outline (FSG)
Lissa Evans, Crooked Heart (Harper, July)
Patricia Ferguson, Aren’t We Sisters? (no scheduled U.S. publication)
Xiaolu Guo, I Am China (Nan A. Talese)
Samantha Harvey, Dear Thief (Atavist Books)
Emma Healey, Elizabeth Is Missing (Harper)
Emily St. John Mandel, Station Eleven (Knopf)
Grace McCleen, The Offering (no scheduled U.S. publication)
Sandra Newman, The Country of Ice Cream Star (Ecco)
Heather O’Neill, The Girl Who Was Saturday Night (FSG)
Laline Paull, The Bees (Ecco)
Marie Phillips, The Table of Less Valued Knights (no scheduled U.S. publication)
Rachel Seiffert, The Walk Home (Pantheon)
Kamila Shamsie, A God in Every Stone (Bloomsbury)
Ali Smith, How to be Both (FSG)
Sara Taylor, The Shore (Crown, June)
Anne Tyler, A Spool of Blue Thread (Knopf)
Sarah Waters, The Paying Guests (Riverhead)
Jemma Wayne, After Before (Legend Times Group, April)
PP Wong, The Life of a Banana (Legend Times Group, May)