I’ve made my love for the late Madeleine L’Engle known around the office, so I wasn’t surprised when Lynn showed me a notice from the spring 2010 Farrar, Straus & Giroux catalog: On April 27, L’Engle’s 1949 novel And Both Were Young will be reissued in hardcover with a new jacket (see left). L’Engle’s graddaughter, Léna Roy, will write an introduction.
My battered copy of And Both Were Young features the jacket to the right. Which do you like better?
The novel tells the story of Flip, an American girl away at boarding school in Switzerland, and her unexpected love for Paul, a French boy. Whether you prefer the retro jacket or the new one, the novel’s themes of love, alienation and growing up will no doubt still resonate with contemporary readers.
After learning of the book reissue, I was curious about L'Engle's graddaughter. Turns out that on Dec. 7, 2010, FSG will publish Roy’s debut YA novel, Edges.
It is a story of love and grief, addiction and redemption, set in both NYC’s Upper West Side and in the red rock desert of Moab, Utah. Seventeen-year-old Luke lives and works at the Moonflower Motel in Moab, having fled New York City where his father Frank drowns his sorrows after the death of Luke’s mother. Back in New York, 18-year-old Ava meets Frank at an Alcoholics Anonymous meeting. When these lost souls converge in Moab, what happens transforms them all.
Will you pick up Edges?
For those of us born in the '70s and '80s, all this news about beloved teen series might be too much to handle. (In case you missed the updates, The Baby-Sitters Club is coming back and Sweet Valley High might be turned into a movie.)
Today, Publishers Marketplace confirmed that Francine Pascal has signed a deal to publish Sweet Valley Confidential in early 2011. The book will follow Elizabeth and Jessica Wakefield—and all their Sweet Valley friends—into their late twenties and early thirties. The novel will be published by St. Martin’s Press. No word yet if it will be a single book or the start to a series (here's hoping. . .), or if the target audience will be teens or adults.
Of the book, Pascal said, “I’ve had thousands of queries from fans over the years wondering what Jessica and Elizabeth would be like as adults... Well, Sweet Valley Confidential should give them all the answers. And I can guarantee they will be very surprised. Actually, more like shocked.”
Will Elizabeth get back with boring Todd Wilkins? Are Jessica and Lila Fowler still frenemies? Will the twins still be a "perfect size six"? We’ll have to wait until 2011 to find out.
SVH fans: What are your hopes for the book?
In December we posted the news that The Hunger Games #3 will arrive on August 24, 2010, and asked readers for title predictions. A couple of you suggested “The Victors” (which USA Today claims has been the most popular guess among book bloggers), but BookPage commenter Kali knew what she was talking about when she wrote:
This is my favorite book ever. The whole series is about her being the mockingjay, so I have a suggestion. Mockingjay. That should be the title. Plain and simple, Katniss IS the mockingjay. That says it all.
What do you think, Collins fans?
If you haven’t been sucked into the series yet, it’s not too late. To see if it's something you would like, read an interview with Suzanne Collins about Catching Fire or a review of The Hunger Games.
Last week I spoke to Newbery medalist Laura Amy Schlitz (Good Masters! Sweet Ladies!) about her new release The Night Fairy (Feb. 23 from Candlewick). The middle grade novel tells the story of Flory, a fairy who loses her wings in an accident and must fend for herself in a garden alongside bats, praying mantises and other potentially threatening creatures.
As she learns to appreciate life in the daytime—Flory was born a nocturnal fairy, although she attempts to change her sleep schedule—the little fairy also discovers emotions like empathy and hope.
I predict that this charming story will be a hit with kids who love the outdoors and playing make believe—not only because of the text, but because the accompanying illustrations are truly works of art. Illustrator Angela Barrett studied at the Royal College of Art in England with Quentin Blake (best known for immortalizing Roald Dahl’s characters in cartoons). She has illustrated more than 24 books, and her depictions of Flory’s miniature world will enchant young readers. (Visit this gallery on The Night Fairy’s website for examples.)
On Feb. 23, you can read about Schlitz’s intriguing new project and her interest in fairy stories on BookPage.com. In the meantime, listen to an audio clip from the author. In it, she discusses the joyful moment of winning the Newbery Medal in 2008:
We’re giving away a copy of The Night Fairy to a lucky reader. To enter, tell us in the comments: Who is your favorite fairy from literature? I’ll vote for Titania from A Midsummer Night’s Dream. Deadline: Feb. 17 at 10 a.m.
Her YA art caper novel, Heist Society, hits stores today, and you can read all about it in an interview on BookPage.com. I talked to Carter (also the author of the bestselling Gallagher Girls series) about the book in December and am excited that teens can finally read the book for themselves. (Imagine if Julia Roberts' and George Clooney's characters in Ocean's 11 had a daughter. Who staged a huge heist as a teenager. That would be Kat, the star of Heist Society.)
Carter was a lot of fun to talk to (In response to “How to you feel about Valentine’s Day?” she answered: “Valentine’s Day is the day before all the chocolates go on sale”), so yesterday I was happy to see that Publisher’s Lunch reported a major film rights deal concerning Heist Society. The film rights were optioned to Warner Brothers for seven figures. Denise Di Novi (Sisterhood of the Traveling Pants) is slated to produce.
On her blog, Carter wrote: “The whole time I was writing Heist I always thought of it as a movie. More than once I've said that it's far more cinematic than anything I've ever done. But what do I know, right? I also think cake is a well-balanced breakfast, so I'm wrong. A lot. . . At the end of the day we ended up signing with Warner Brothers and the talented Denise DiNovi as the producer. The screenplay will be written by the fabulous Shauna Cross (who wrote Whip It and the screenplay for If I Stay).” She also reminded readers that a film option is not a guarantee that a movie will get made—but it’s a step in the right direction.
So commenters: Who would you pick to play Kat, the daughter of notorious art thieves, or her love interest Hale? What’s your favorite heist book?
Young adult author Barry Lyga recently signed a deal with Little, Brown for a book that Publisher's Marketplace described as "'Dexter' meets 'The Silence of the Lambs' for teens, about a teen boy who uses his killer instinct, inherited from his serial killer father, to help solve a series of gruesome murders." The book, I HUNT KILLERS, will be published in spring 2012.
Lyga is a rising star in the field of teen fiction, with four YA novels under his belt, all set in the town of South Brook, Maryland. I wonder if I HUNT KILLERS will take place in South Brook as well — and if so, should fans of his earlier books fear for the lives of their favorite characters? But even if the place and people are all new, Lyga's ability to create fully realized and believable characters will no doubt have me hiding under the covers with a flashlight, frantically turning the pages to find out who survives.
Related in BookPage: A Q&A with Lyga about his most recent book, Goth Girl Rising.
And a question for readers: What was the scariest book you read as a teenager?
We were happy to hear that Libba Bray has signed a contract with Little, Brown Books for Young Readers to write a new YA series for major bucks—$2 million, rumor has it. Editor Megan Tingley (who also publishes Stephenie Meyer) will be working with Bray on The Diviners, a trilogy set in the 1920s. Bray describes the series as "a wild new ride full of dames and dapper dons, jazz babies and Prohibition-defying parties, conspiracy and prophecy—and all manner of things that go bump in the neon-drenched night.”
Bray's success comes on the heels of winning the Printz Medal for Going Bovine, a picaresque tale of a teenage boy searching for a cure for mad cow disease, but she is also known for her atmospheric Victorian-era series that started with A Great and Terrible Beauty and contains supernatural elements.
One mystery: in our interview with Bray, she told us her work-in-progress was something quite different, “a satire about a group of teen beauty queens whose plane crashes on a deserted island. Sort of Lord of the Flies as channeled by P.J. O’Rourke and [National Lampoon writer] Doug Kenney.” Though we're eager to see what she makes of the 1920s, we're hoping this intriguing project will also see the light of day!
All you have to do is look at our February cover to know we’re excited about Valentine’s Day here at BookPage. To celebrate even more, we’re giving away a box of beautiful picture books—a perfect gift for any child. The collection features both board books for babies and picture books for young readers, including:
Related in BookPage: See our Valentine’s Day coverage (relationship guides and memoirs, romance column and more) in the February print edition.
Here in Nashville, we're still digging out from our biggest snowstorm in years, which dumped several inches of snow and ice on the city and wiped out last Friday's work day. If you've never observed the behavior of Southerners when a snowstorm is approaching, think London during the Blitz. As the snow fell, we were greeted with wintry scenes like this:
It's been cold and dreary for days since the storm hit, so imagine how pleased I was to open my inbox today and find this picture:
The photographer of this beautiful scene is Michael Sims, who writes: "In case it's as gray down there as it is here, herewith a moment of drama and color from E.B. White's garden in Maine, shot last summer. I wonder if Charlotte knows this bee. . . ."
Michael, the author of Apollo's Fire, Adam's Navel and several other books that combine his Renaissance-man interests in science, nature, evolution, literature and goodness knows what else, is working on a fascinating new project: The True Story of Charlotte's Web, coming from Walker/Bloomsbury in 2011. "The subtitle is still unsettled, and for that matter we may well change it," Michael tells us, "but right now it is something like this: The Dramatic Story of E.B. White's Eccentric Affair with Nature and the Birth of a Beloved Children's Book."
Charlotte's Web is my all-time favorite children's book (and it may well be yours, am I right?*), so I can't think of a more interesting project, or a lovelier place to do research, than E.B. White's Maine home. Here's Michael, in a photo taken by his wife Laura Sloan Patterson, in front of EBW's boat house, where Charlotte's Web was written:
Whatever the weather where you are, enjoy the summer greens of Maine, and stay tuned to the Book Case for updates on The True Story of Charlotte's Web.
* We'd like to know: What is your all-time favorite children's book? Tell us in the comments.
The Magician's Book by Laura Miller
December 2008, Little, Brown
The Magician's Book, which details Miller's reconciliation with Narnia, is a thoughtful and heartfelt book, and her exploration of the Chronicles resonates with me as much as the books themselves once did. She discovers that Narnia is big enough to contain not just the adventures she loved as a child, and not just the Christian themes that now appear obvious, but a whole world full of stories and wildness, bravery and treachery, ancient myths and Santa Claus; that loving Narnia allowed her to love all the stories it contained, referenced or built upon, and thus opened up untold worlds.
To me, the best children's books gave their child characters (and by extension, myself) the chance to be taken seriously. In Narnia, the boundary between childhood and adulthood—a vast tundra of tedious years—could be elided. The Pevensies not only get to topple the White Witch, fight in battles, participate in an earthshaking mystical event, and be crowned kings and queens; they do it all without having to grow up. Yet they become more than children, too. Above all, their decisions have moral gravity. In contrast to how most children experience their role in an adult world, what the child characters in these stories do, for better or for worse, really matters, and nowhere more so than in Edmund's betrayal.
. . . To the adult skeptic, the evident Christianity of the Chronicles makes their morality seem pat, the all-too-familiar stuff of tiresome, didactic tales. . . . But that's an illusion, fostered by an adult's resistance to what appears to be religious proselytizing. True, Lewis does populate Narnia with semiallegorical figures who represent eternal aspects of human nature in addition to more realistic characters like the Pevensies. The White Witch is bad through and through, almost as uncomplicated as a fairy-tale villain. But she's not the moral ground on which the story's moral battle is fought. Edmund is.
What are you reading today?