It's February, and everyone has their favorite literary couples: Elizabeth Bennet and Mr. Darcy, Jane Eyre and Mr. Rochester. Sometimes the best duos are the ones you'd never think had anything in common . . . like, who would've thought that Ron and Hermione would stop fighting long enough to fall in love?
Oh, it's just so difficult when everyone loves you. Where will the two medals go, anyway? Here's an attempt to pile them on via Mariko Tamaki's website.
With the recent announcement that This One Summer by Mariko Tamaki and Jillian Tamaki had won both a Printz Honor and a Caldecott Honor—the first graphic novel to win the latter—these two supposedly irreconcilable seals now sit side by side on the book's cover. The young adult (YA) world is buzzing with debate over this pairing, but I'd like to suggest that it's a terrific chance to challenge assumptions about these awards, and to think about what happens when they come together. Here are three ideas worth considering.
The Caldecott has pushed boundaries before.
The Caldecott medal is awarded annually to the artist of the most distinguished American picture book for children, with Honor books considered to be similarly distinguished runners-up.
Most Caldecott winners and Honor books have looked like picture books—they've been 32 pages or so, and generally taller than they are long—and many are appropriate for preschool audiences. But in 2008, the Caldecott medal went to The Invention of Hugo Cabret by Brian Selznick, a book most likely to be enjoyed by late elementary school and early middle-school readers. Clocking in at a hefty 534 pages (and longer and almost wider than it is tall), Hugo Cabret was an unusual choice. And yet its detailed black and white drawings, and its mix of verbal and pictorial storytelling, could certainly be argued to be distinguished.
The two medals' criteria overlap in interesting ways.
In December, I'd predicted that This One Summer would walk away with the Printz award as the best book written for teens this year, based entirely on literary merit. Although "literary" seems at first to refer only to words, books that include both words and pictures have been recognized in the past. Consider American Born Chinese by Gene Luen Yang, the medal winner in 2007.
Similarly, while the Caldecott's "for children" designation seems at first to exclude teens, a deeper dig through its terms and criteria reveals that "children" is actually defined as "persons of ages up to and including fourteen" (possibly a holdover from before the Printz and other YA awards were established, or before YA lit as it's currently understood existed at all). While the Caldecott is usually thought of as a children's illustration-based award and the Printz as a YA word-based one, there's no definitional reason why an illustrated book aimed at 12- to 14-year-olds can't qualify for—and win—medals in both categories.
This One Summer is all about in-between-ness and liminality.
And if any book was the one to show how this overlap might work, it's Mariko Tamaki and Jillian Tamaki's monochromatic, intensely reflective graphic novel. As discussed on this blog series all the way back in November, narrator Rose's age is never actually specified. We know that her younger friend Windy is still very much a child and her aspirational "like eighteen"-year-old crush is too old for her, making Rose probably around 12.
But by writing (and drawing) Rose as an in-between character, the Tamaki cousins actively invite readers to think about liminality, or what it means to be part one thing and part another. Suspended between childhood and young adulthood, Rose is the perfect protagonist of a book that's the first ever to be recognized by both the Caldecott and the Printz committees.
Sure, there've already been calls to redefine the Caldecott criteria to include only books aimed at children 12 and under—and already questions of whether collections that're determined to buy every Caldecott book will wind up with a title that doesn't quite belong. But I think the dual recognition of This One Summer is great for the book, great for children's and YA lit, great for graphic novels and great for ongoing discussions about what these awards are . . . or should be. Like Ron and Hermione, these two opposites might have more in common than they first appear.
What do you think of This One Summer's dual win? Do you think young-leaning YA graphic novels should be eligible for the Caldecott? Tell us in the comments!
Locker Combinations is a Book Case feature by BookPage contributor and young adult (YA) literature expert Jill Ratzan. Using a variety of literary, cultural and educational perspectives, Jill guest blogs about the latest in YA lit and the general direction, trends and changes of the field. Read more BookPage reviews, interviews and posts by Jill here.
We always look forward to the Newbery, Caldecott and Printz Awards, and this morning was filled with delight (and some surprise!) over this year's recipients.
We're perhaps most ecstatic that Kate DiCamillo won the 2014 Newbery Medal for Flora & Ulysses, the adventurous, hilarious story of a cynical, comic-loving girl who befriends a most unusual squirrel. (We were looking forward to this one several months before it came out; watch us chat with DiCamillo about seal blubber, poetry and giant donuts here.)
Mad props to our teen literature expert, Jill Ratzan, for predicting the Printz winner! She shared her prediction for Midwinterblood by Marcus Sedgwick, saying, "Midwinterblood makes its readers work hard to uncover its secrets. That makes it a top Printz contender in my book." Seven intertwined narratives, full of blood and magic, unfold in reverse chronological order on a mysterious, remote island.
We are also tickled that Brian Floca won the Caldecott Medal for Locomotive, a gorgeous picture book about the beginnings of the transcontinental railroad in the United States.
Here's a (partial) list of the 2014 Youth Media Award winners. Find the full list here, and click the links below to read coverage in BookPage.
2014 CALDECOTT MEDAL
Locomotive by Brian Floca (Atheneum)
CALDECOTT HONOR BOOKS:
2014 NEWBERY MEDAL
Flora & Ulysses by Kate DiCamillo (Candlewick)
NEWBERY HONOR BOOKS:
2014 PRINTZ AWARD
Midwinterblood by Marcus Sedgwick (Roaring Brook)
PRINTZ HONOR BOOKS:
MARGARET A. EDWARDS AWARD (lifetime achievement in writing for young adults)
Markus Zusak (The Book Thief)
So, what do you think, readers? We're definitely thrilled by some, surprised by others.
For even more recommendations for fantastic children's and teen books, see our list of the Best Children's Books for 2013.
• Publishers Weekly asked 20 children's books editors to share some behind-the-scenes stories about their experiences editing some true classics, including The Napping House and Roll of Thunder, Hear My Cry.
• On Buzzfeed, a whole slew of authors offer up advice on how they combat writer's block and how they got their first books published.
• As you've likely heard by now, James McBride's National Book Award win for The Good Lord Bird was a surprise to many. Vulture published this dishy history of the ups and downs of the award's 64-year history.
In our office we discuss and anticipate the announcement of the Newbery, Caldecott and Printz Awards with passion and glee—and let's just say that this morning there was a fair bit of squealing when the ALA named this year's recipients.
Perhaps most of all, we are thrilled that Jon Klassen was awarded the Caldecott Award for This Is Not My Hat, the story of a big fish in pursuit of a tiny thief. For the October 2012 issue of BookPage, Klassen hand-illustrated a Q&A for us. We loved the result (and of course we loved the book itself!):
We are also tickled that Katherine Applegate won the Newbery Award for The One and Only Ivan, which we reviewed in January 2012. Reviewer Keven Delecki praised this "brave, moving story" about the animals who live at the Exit 8 Big Top Mall.
The Printz Award went to In Darkness by Nick Lake, which BookPage reviewer Kimberly Giarrantano described as "an incredible novel." It's a harrowing and compelling story about a teen boy in the aftermath of the 2010 Haitian earthquake.
For more on these award-winning books—and other fantastic picks for young readers—subscribe to Children's Corner, our bimonthly e-newsletter. The next edition goes out Wednesday and will feature some very special interviews. (Hint, hint.)
And without further ado, here is a (partial) list of the 2013 Youth Media Award winners. Find the full list here, and click the links below to read coverage in BookPage.
2013 NEWBERY AWARD
The One and Only Ivan by Katherine Applegate (HarperCollins)
2013 CALDECOTT AWARD
This Is Not My Hat by Jon Klassen (Candlewick)
2013 PRINTZ AWARD
In Darkness by Nick Lake (Bloomsbury)
For even more recommendations for fantastic children's and teen books, see our list of the Best Children's Books for 2012.
After last week's Newbery and Caldecott announcements at ALA Midwinter, we have been dying to hear from the big winners.
Clare Vanderpool won the Newbery Medal for Moon Over Manifest, the Depression-era story of 12-year-old Abilene Tucker, and Erin E. Stead won the Caldecott Medal for A Sick Day for Amos McGee, described in BookPage as "a heart-warming story, comforting without a lot of fuss."
Today, both winners answered seven of our most pressing questions. Like: Are they nervous about writing an acceptance speech? What was the first thing to go through their heads when they found out they had won? Who provides inspiration? And perhaps my favorite question: Which book character would be the best desert island companion?
What would you like to ask the Newbery and Caldecott winners?
Curious about who will receive this year's Newbery and Caldecott Medals (and Honor distinctions)?
In 15 minutes (9:45 a.m. CST), you can watch a live webcast of the awards. Watch the webcast here.
For those who can't watch the webcast, we'll keep you posted on the winners.