Today’s Debut of the Day pick is Dear American Airlines, a comic novel from Jonathan Miles that blends humor with heart. Stranded at a New York airport, Bennie Ford pens an increasingly desperate letter to the airline whose change in schedule just might deny him the opportunity to change his life. Miles, a journalist who has studied fiction with Larry Brown, has a second novel, Want Not, coming in November.
This gritty, hilarious, heartbreaking novel illustrates a life gone awry, the regret of years lived without notice and the hope of finally being able to make a change. Readers will root for Bennie to get on his plane and start making up for the lost years when he gets off. A perfect read for summer airport delays, Dear American Airlines just might get readers thinking differently about that idle time.
Read the full review from our June 2008 issue here.
Today’s Debut of the Day pick is Mrs. Kimble, by Jennifer Haigh, a novel that was one of the most buzzed-about releases of 2003—it sold within a month. Tackling the difficult subject of why women think they have to marry with elegant writing and plenty of insight, Haigh's ambitious debut is well worth looking back on (and her later work has fulfilled its promise and then some).
"Ken Kimble is what I call a serial marrier," Haigh says by phone from Boston, where she moved after graduating from the Iowa Writers Workshop last year. "He has these serious character flaws, but he has no problem finding women to marry." Haigh has firm opinions about why such a man can always find a bride. "We're raised as women to value marriage and family," she says, "and to believe that unless we've achieved those things, the rest of our accomplishments don't really count for very much."
Read the full interview from our February 2003 issue here.
Today’s Debut of the Day pick is The Madonnas of Leningrad, by Debra Dean, a historical novel set during the 1941 Siege of Leningrad. For months, the city was cut off from supply routes, driving its residents to desperate measures. One young woman, Marina, takes refuge in the Hermitage, wandering the bare halls while preserving in her memory the artwork that used to hang there. Near the end of her life, her memory failing, this time returns to Marina, and she begins to share her wartime experiences with her own daughter for the first time.
Dean merges past and present in prose that shines like the gilt frames in the Hermitage. The story shifts seamlessly from 1941 to the present, just as Alzheimer's shifts time within Marina's mind. The heart of the story is its flashbacks, when we walk the Spanish Hall with Marina, aching with loss and hunger. As she commits scenes, colors, even brushstrokes to memory, the paintings come alive. Chapters narrated by her daughter Helen show us the present, when Marina slips away at a family gathering. During the search, Helen, herself a mother and an artist, wonders about the memories parents choose to tell their children and the memories they keep secret.
Read the full review from our April 2006 issue here.
Today’s Debut of the Day pick is Amy & Isabelle, by Elizabeth Strout. Strout went on to win the Pulitzer Prize with her third book, Olive Kitteridge, but her debut, a sensitive story about mothers and daughters, marked her as an author to watch. Isabelle thinks she knows everything about her daughter, Amy, but when she discovers that Amy has been having an affair with her math teacher, their relationship is tested.
Amy's deceit makes Isabelle, a single mother, question her own parenting skills, remembering her own lies that began when she first moved to Shirley Falls when Amy was a baby. Horrified by her daughter's actions, Isabelle commits an act that they later regret, igniting the hostile silence throughout the summer. Unsure how to make amends, Amy and Isabelle begin the arduous process of learning to see each other as adults and recognizing their respective limits. . . . In this quiet but exhilarating novel, the reader becomes involved in the life of Shirley Falls, able to peer through everyone's roofs at night and empathize with their struggles.
Read the full review from our January 1999 issue here.
In his debut novel, Kevin Maher offers a story of challenges faced head-on with humor and the strength of family. The Fields depicts the struggles of 14-year-old Jim Finnegan as he navigates family, friends and girls while growing up in Dublin during the 1980s. Coming across situations he never imagined, Jim looks to his family for solutions as he faces the realities of becoming a man.
Dublin native Kevin Maher brings truth to his characters as Jim travels from Dublin to London in search of redemption. To learn more about Kevin Maher and his writing of The Fields, watch the book trailer below from Hachette Book Group and be sure to read our full review.
What do you think, readers? Will you be reading The Fields?
Today’s Debut of the Day pick is Mr. Peanut by Adam Ross, a psychologically acute tale that weaves together three different storylines together to chart the darkest depths of love and marriage. Though this isn't an easy read, it's a completely absorbing and rewarding one—if you enjoyed Gone Girl for its portrait of a twisted relationship, Mr. Peanut is for you.
To say this is a thematically rich book is hardly to do Mr. Peanut justice. For with every theme Ross presents—the Hitchcockian fallen hero, the classic “wrong man” trope, the Möbius strips and Escher imagery that emerge again and again, lest we forget the unending nature of marriage, love and murder—there is a way in which this too-clever-to-be-neat story resists such thematics, indeed calls into question the expectation/fulfillment nature of storytelling itself. And yet Ross cleaves closely to all the pleasures of the genre: mystery, suspense, romance, surprise. And in this sense, Mr. Peanut is highly unique—a disturbingly funny and remarkably poignant novel from one of the year’s most promising new voices.
Read the full review from our July 2010 issue here.
Every author finds their calling—and their material—differently. Sarah Bruni, whose first novel, The Night Gwen Stacy Died, was published just last month, shares her path to publication in a guest blog post. Perhaps it's not surprising that such a fresh and unusual story—which blends the Spider-Man mythology with the story of two unconventional loners—didn't present itself in a normal way!
I didn’t set out to write a novel at all. If I had I known from the start that’s what I was doing, I probably would have approached the task very differently. I began writing a collection of short stories set in Chicago in 2006. In one of them, a lonely young woman working in an Iowa gas station, eager for escape, allowed herself to be kidnapped by a gun-wielding taxi driver who called himself Peter Parker. Making a pact to rob her gas station and drive to Chicago in his stolen taxi, these two outcasts were my collection’s only characters who behaved so oddly: borrowing identities from comic books, acting out on the fringes of society. I didn’t know what to make of them; neither did my readers.
"Writing short fiction, I was always anxious to get into a new character’s headspace each time I finished a story. Working as a novelist taught me a particular kind of patience."
The thing that’s struck me most about the novelist’s task this first time through is the incredible sense of commitment that it requires to spend so much time in a single created world. Writing short fiction, I was always anxious to get into a new character’s headspace each time I finished a story. Working as a novelist taught me a particular kind of patience. It was sometimes a challenge to stay committed to these characters I had first encountered nearly seven years ago, to continue to find new ways to move with them through their experiences. But being a long and imperfect form, a novel allows opportunities for digression and experimentation that are different from those available in shorter fiction. I was surprised by how much my characters were able to change and develop with me as a writer, how their behaviors shifted along with my interests—that’s in some way what made me stick with them for so long.