Centered around Fiona Maye—a high-powered English judge appointed to the Family Proceedings Court of London’s High Court—McEwan's 13th novel is rife with conflicts of love, law and morality.
Fiona's marriage is being torn asunder by the "slow decline of ardour" and her husband's request for permission to take a mistress. But her work life soon becomes equally fraught when Fiona is assigned to the case of a 17-year-old Jehovah’s Witness suffering from leukemia who has declined the blood transfusion that may save his life.
Our reviewer has high praise for this slow burning novel, especially for "McEwan’s keen judgment of human character and his ability to translate it so deftly that through his characters we can see ourselves with new eyes."
Watch the mesmerizing trailer below:
What do you think, readers?
Canadian author Emily St. John Mandel's artfully haunting new novel Station Eleven is our September Top Pick in fiction!
After a major flu pandemic wipes out a huge portion of the world's population, a group of traveling performers strive to bring art back to those left behind in the rubble: “What was lost in the collapse: almost everything, almost everyone, but there is still so much beauty.”
Post-apocalyptic stories may seem a bit overdone for some, but Mandel's is an especially unique take.
Watch the trailer from Knopf below:
What do you think, readers? Interested in reading more about Station Eleven? Check out an interview with Mandel here.
So, you did it. You made it through all 700+ pages of Donna Tartt's epic, Pulitzer-winning third novel, hauling it on the plane, balancing its considerable weight on your knees at the beach, or trading sympathetic looks with those who were also struggling to turn the pages while clinging to a pole on the subway.
Now you're hungry for a book that's just like it. Let's go with the bad news first: There is no book that's exactly like The Goldfinch. But the good news is there are plenty of books that should resonate with Goldfinch readers in various ways. Read on for our list.
If Tartt's wrenching portrait of a young boy coping with the loss of a parent was your favorite thing about The Goldfinch, pick up Foer's emotional second novel. This story of a vulnerable young boy, Oskar, who is mourning the death of his father in the 9/11 attacks, is heartfelt and poignant.
James Wood's takedown of The Goldfinch in The New Yorker accused the novel of hewing too close to the tropes of children's literature, with the quaint basement shop in the West Village and the Hagrid-like figure of Hobie being the worst offenders. These elements just added to the novel's charm for me, and recalled childhood favorites like Nesbit's Five Children and It—highly recommended for readers of any age who don't mind a little magic in their literature.
Was the art underworld drama what kept the pages turning? If so, don't miss Theft: A Love Story, the 2006 tale of a formerly famous artist who gets caught up in a scheme to produce fake expressionist paintings. As you'd expect from a two-time Booker winner, Carey is a top-notch writer, and his first-hand experience with the New York art scene provides a satire as authentic as a reader could hope for.
Readers who thrilled to the backstory of Fabritius and Amsterdam's Golden Age should pick up The Miniaturist, Burton's meticulously detailed first novel set in 1689 Amsterdam, where a newlywed country girl must negotiate the secrets of her new family—and of the city's high society. Though the mystery element is a bit flawed, Burton's writing chops—especially when it comes to her depiction of Amsterdam itself—are strongly evident.
The permanence of art vs. the impermanence of human life is one of the strongest themes in Tartt's book—and it's also the focus of the fourth novel from Canadian writer Mandel, Station Eleven. Years after a devastating flu decimates the population, a young woman is on the deserted roads with a traveling theatre troupe, performing Shakespeare plays and playing music. Her talisman is a one-of-a-kind graphic novel that she guards carefully.
If the "bromance" between Theo and his Eastern European best friend, Boris, was what got you hooked on The Goldfinch, we recommend the work of Andrew Smith, especially Grasshopper Jungle. Smith can hold his own with Tartt when it comes to teenaged-boy speak, and the BFFs in this book, Austin and Robby, are almost as debauched as Theo and Boris—and Austin is even Polish.
What do you think, readers? What would you suggest reading after The Goldfinch?
RELATED CONTENT: Read our previous "Read it Next" posts.
Peter Carey, one of the few authors to win the Booker Prize twice, returns next year with a new novel. Amnesia (Knopf) will be published on January 13.
The story follows an Australian journalist who is investigating a link between the U.S. and Australian prison systems that was revealed when a computer virus allowed the release of not only several thousand Australian asylum-seekers, but also opened the doors of some five thousand U.S. prisons. Did the attacker do it for the lulz, or is this a case of hacktivism?
Carey's British editor calls the book "a thrilling and witty journey to the place where the cyber underworld of radicals and hackers collides with international power politics" that "could not be more timely."
Will you read it?
Anita Diamant is known for her thought-provoking novels about women's lives, from Biblical times (as in her 1997 bestseller The Red Tent) to the present day (2005's The Last Days of Dogtown). She's returning this December with her first novel in five years, The Boston Girl (Scribner).
The novel tells the story of Addie Baum, born in 1900 to Jewish parents who have recently arrived in Boston. Though the Baums came to America to get a better life for their three daughters, the precocious Addie's world is almost unrecognizable to them. Told in the voice of the 85-year-old Addie, who is looking back on her life, The Boston Girl becomes the story of the 20th century and the ever-changing roles of women within it.
Will you read it?
RELATED CONTENT: Don't miss our previous coverage of Anita Diamant.
Laird Hunt's newest historical novel centers on a particularly under-the-radar aspect of the Civil War.
In Neverhome, Hunt focuses on an Indiana farmer's wife, Constance, who disguises herself as a man in order to enlist with the Union Army. Her fearless nature, stoicism and marksmanship quickly impress her peers, and she earns respect on the battlefield.
However, this game of keeping up appearances becomes too difficult after a trip to the nurse, and Ash is exposed to her superiors: Her mesmerizing, heart-rending journey from her jail cell back to her beloved Bartholomew is sure to absolutely captivate readers.
Watch the Ken Burns-inspired narrative trailer below:
What do you think, readers? Are you interested in checking out Neverhome?
Today's guest post comes from writer Shelly King, whose first novel, The Moment of Everything, goes on sale next week. It's set in a used bookstore, where former Silicone Valley employee Maggie has found part-time work after the failure of the tech startup she was working for. When Maggie finds a lovers' conversation written in the margins of a used copy of Lady Chatterley's Lover, she embarks on a quest to discover who they were—and what happened to their romance.
In a guest post, King—who moved to California from the South and once worked for a Silicon Valley startup herself—explains the mystery of found objects and shares some of her favorite found objects in literature.
I was 15 the first time I found a letter in a used book. I was in Montana visiting family and had wandered into a used bookstore. There I found Ernest Hemingway: Selected Letters. I hadn’t read Hemingway yet, but I knew he was an important writer and that he’d spent a lot of time in Africa. I opened the front flap and saw it was covered in writing. It was the letter from a father to a young boy.
The details are fuzzy, but I remember the father was traveling in Africa. I thought it was nice that he was sending his son a book about another man who had been to Africa. He missed his son. He signed the letter “Papa.” I fell in love with this letter. But I didn’t buy the book. I didn’t have much money, so I left it behind. But that letter stayed with me. I thought of it for days, wishing that I’d bought that book, not for the letters of Hemingway, but for that letter written in the book. I finally told my mother about it, and she took me back to the bookstore. But the book was gone.
About 15 years after I first found that letter from the father in Africa, I was in Seattle at another used bookstore where I saw a copy of Ernest Hemingway: Selected Letters. I smiled thinking of that other copy I found years ago in Montana. I opened up the front flap, and there it was—the handwritten letter from a father traveling in Africa to his son. Only this time I was more familiar with Hemingway, whom I now knew was also known as Papa. And this time, I noticed the letter was dated decades before this book was published. When I looked closer, I realized the letter wasn’t written in the book. It was a reproduction of a Hemingway letter that decorated the inside flap.
Even though the letter was not what I thought it was, I’m grateful for my misunderstanding. It started a lifelong search for treasures of the past in old books. Over the years, I’ve found drawings, letters, postcards, ticket stubs, restaurant receipts, photographs, recipes, and inscriptions. The people who owned these books before left a bit of their lives in them. I love not just the story the author intended but also the story of the book itself.
My favorite novels (and one play!) that have someone discovering something in a book:
Exhilarated by her newfound passion for archeology, Catherine Lemay is left feeling deflated when she's assigned to a dig in the sprawling sagebrush of 1950s Montana. Here, she must ascertain if there is anything significant worth saving in the deep pit of a canyon before plans for a major dam can progress. If she finds nothing of importance, the canyon, considered sacred to the local Crow Native Americans, will be drowned. Accustomed to thrilling, richly rewarding digs in England, Catherine is less than enthused by the endless, seemingly empty landscape before her.
A sliver of gray stone pierced the rubber tread like a spike. She stood there and watched the tire empty and for the first time since the day she watched the English coast recede behind her, felt as though she might break down and cry. She fought the tears until the wave passed.
Exiles and emigrés haunt the pages of Vanessa Manko's evocative debut novel, which spans decades and continents. The story begins in 1913 Connecticut, where Russian emigré Austin has come to escape the pogroms and turmoil of his native land. After several years of hard work, he can afford to leave his cheap men's lodging house for a real boarding house, where he finds not only a room that only belongs to him, but an American woman he loves. But when the Bolshevik Revolution really takes hold in Russia, Austin finds himself under suspicion and expelled from his new home along with Julia, whom he marries at Ellis Island just before they are sent to Russia. Will he ever find his way back to the country he longs to call home?
The newspapers were calling it the Soviet Ark. The New York Times, January 1920, ran photos. A massive ship, anchored at Ellis Island on a bitter day. They stood on the peir amid the wind and ice. The sky opaque, flurries like chipped ice. The only sounds the murmur of men's conversations, seagulls crying, the moan of the boat on the day's hard air. The anchor cranking like a scream; the massive chain lifted out of the ocean, iron red with rust, calcified with sea salt, seaweed. Just moments before, he'd sat on the long benches of the waiting room, the very room he'd sat in only years prior eager to get beyond the bottled-glass windows whose light he knew was day in America—a country behind glass, the new country's light. . . . Somewhere, a man named Hoover had his name on an index card: Voronkov. Affirmed anarchist. Bail set at $10,000. Deported.
What are you reading this week?
Japanese novelist Haruki Murakami is known to strike up quite a fervor among his fans with each new release. His latest novel to reach American shores, Colorless Tsukuru Tazaki and His Years of Pilgrimage has been no different, and our reviewer, Megan Fishmann, affirms that this sorrow-steeped novel was worth the wait.
Tsukuru Tazaki had a group of four loyal, close-knit friends in high school . . . until the day they unceremoniously cut off all contact with him.
Now in his mid-30s, Tsukuru works as a train engineer in Tokyo, but his new girlfriend spurs him on a journey to discover just exactly why this rift was opened so many years ago. Tsukuru sets off on a pilgrimage—covering Japan and then reaching into Finland—to visit each friend individually and find the closure he has longed for.
Watch the gorgeous animated trailer from Knopf below:
What do you think, readers? Have you picked up a copy yet?