One of the biggest deals of the year was announced last week at BEA. Jean M. Auel's Earth's Children series has been capturing the imaginations of millions since 1980. We interviewed Auel in 2002 about Shelters of Stone, the fifth book in the series, and ever since have been receiving questions about when, oh when, Auel would release the sixth and final book. The answer: March 2011. Here's the deal as announced by Publisher's Marketplace:
THE LAND OF PAINTED CAVES, continuing the story of Ayla, her mate and their little daughter, taking readers on a journey of discovery and adventure as Ayla struggles to find a balance between her duties as a new mother and her training to become one of the Ninth Cave community's spiritual leaders and healers; rendering the terrain, dwelling places, longings, beliefs, creativity, and daily lives of Ice Age Europeans as real to the reader as today's news, to Bantam Dell.
This expanded version of the popular feature from the print edition of BookPage shares the release dates for some of the guaranteed blockbusters hitting shelves in June. Which June release are you most looking forward to? Tell us in the comments.
The Passage By Justin Cronin
The buzz book of the summer, this is the beginning of a trilogy set in a bleak future. Read our interview with Cronin.
The Lion By Nelson DeMille
Grand Central, $27.99
Special agent John Corey returns to track—and kill—a Libyan terrorist (known as “The Lion”) in DeMille’s sequel to The Lion’s Game.
Death Echo By Elizabeth Lowell
Two special ops agents are drawn together as they investigate a global conspiracy.
Uncharted TerriTORI By Tori Spelling
More candid reflections on celebrity life in Hollywood from wife, mother and TV fixture Tori Spelling.
Imperial Bedrooms By Bret Easton Ellis
The author of Less than Zero returns with another chilling take on American life—about a screenwriter who must confront personal demons.
Frankenstein: Lost Souls By Dean Koontz
Koontz's take on one of the classic scary stories of all time is haunting, timely and fierce.
Sizzling Sixteen By Janet Evanovich
St. Martin’s, $27.99
Evanovich’s 16th novel featuring spunky New Jersey bounty hunter Stephanie Plum is sure to be another sassy, sizzling romp.
Family Ties By Danielle Steel
A woman fights to escape a sociopath who has her under his control in Steel's thrilling new novel.
Sena Jeter Naslund is not the type of author who does the same thing twice. She's told the story of Moby Dick from the woman's point of view (Ahab's Wife); portrayed race relations in the Civil Rights Era South (Four Spirits); and channeled a queen's point-of-view to tell Marie Antoinette's tragic tale (Abundance).
Her new book, Adam & Eve (Morrow), which is being published on September 28, is another departure. Set in the near future—2020—it tells the story of Lucy, a young widow whose astrophysicist husband has entrusted her with a major secret. There is life in outer space, and just before Thom died he had come up with the evidence to prove it. Lucy is the only one who knows, and she has the evidence on a flash drive she wears around her neck. The repercussions from this ripple out, affecting three religions and endangering Lucy's own life, as Naslund explores the explosive intersection of religion, tolerance and science.
Sometimes I wish I were still assigning fiction -- I'd love to get the first crack at reading Nicole Krauss' Great House (Norton), which will be published October 4.
The first novel from Krauss since The History of Love, Great House also explores the effects of the Holocaust and the Diaspora, though its scope encompasses other acts of erasure, like Pinochet's Chile. It centers on "a stolen desk that contains the secrets, and becomes the obsession, of the lives it passes through." In the lives of Krauss' four narrators, the desk comes to represent all that they have lost and all that has been forgotten in the chaos of life. Let's hope this one is just as multilayered and moving as The History of Love.
Related in BookPage: Read an interview with Krauss about The History of Love.
If these covers are any indication, we're going to be starting at the backs of a lot of people's heads this fall.
At least this brunette beauty is letting her locks flow free! Probably because she's an unconventional woman for her time, just like Cleopatra. The Improper Life of Bezellia Grove (Crown, August) is the second novel from Susan Gregg Gilmore, and it's set in Nashville! We're looking forward to giving it a read.
No one does "wistful" like an Anita Shreve heroine, and this photograph evokes that emotion perfectly. It's possible that Shreve's novels kicked off this back-of-the-head trend; her last book, A Change in Altitude, featured this motif as well.
And last but not least, a debut novel about a ballerina, Russian Winter (Morrow, September). Her chignon is lovely, but the low back on her top (leotard?) combined with the backwards necklace is giving me an Exorcist flashback.
Have you noticed this trend? Do these covers spark your imagination, make you curious or set a mood? Or would you rather see a person's face on the cover of your book?
Add another buzzed-about debut to your September reading list: The Gendarme, by Mark T. Mustian (Amy Einhorn Books).
It has a provocative premise: a 92-year-old man discovers he has a brain tumor that seems to be unlocking memories of his past as an Ottoman Army soldier during the Armenian genocide. Turns out he fell in love with, and spared the life of, an Armenian girl during that time, and despite his age and frailty, he's determined to go back to Turkey to find her.
The atrocities referred to in Mustian's book are still a point of contention today, as the Turkish government still considers it a crime to refer to the murders, arrests or mass deportations that took place between 1915 and 1918 as "genocide." Mustian traveled the route between Turkey and Syria that many Armenians were forced to travel by foot and without much food, and posted about the journey on his site. "Traveling paved highways in an air-conditioned van, I tried to imagine what it would have been like for old men, women, and children to make this journey on foot. . . . They would have had to leave almost all of their possessions behind. The sun would have been searing, the paths dusty and arduous and long. Water would have been scarce. Disease and lack of food and thievery would have taken their toll. . . . It was easy to see how many would have failed to survive it."
Library Journal says, "A first look suggests that the dreamlike, staccato language opens up into a moving but fiercely unsentimental book. Not for your lighter time-traveler readers; recommend to smart book clubbers in search of something intriguing and different."
Rights have already been sold in at least six countries, and the book's striking cover recalls National Geographic's "Afghan Girl."
Does learning more about this period of history interest you? Will you read?
Coming in October from Little, Brown—The Wolves of Andover, the prequel to the 2008 hit The Heretic's Daughter. Dallas novelist Kathleen Kent tells the story of Martha Allen and Thomas Carrier, who in her earlier novel experienced the Salem Witch Trials. Their courtship sounds equally daunting: Thomas, who played a significant role in the English Civil War, finds himself pursued by assassins sent to the New World from London, while Martha navigates the complicated world of a household servant.
Related in BookPage: Our review of The Heretic's Daughter.
Just a few weeks ago, Random House announced that the Bantam Dell imprint would be merging with Ballantine to form Ballantine Bantam Dell (or BBD), under the leadership of senior vice president and publisher, Libby McGuire. And just yesterday, BBD announced their first major acquisition—a debut novel by Vanessa Diffenbaugh titled The Language of Flowers.
According to BBD, “the novel tells the story of a woman whose gift for flowers helps her change the lives of others even as she struggles to come to terms with her own troubled past as a foster child. When she falls in love with a young farmer at the flower market, she must confront a memory that has haunted her for years, and decide whether it’s worth risking everything for a second chance at happiness.” BBD won North American rights in a “heated auction with eight bidders” and translation deals have already closed in Holland, Spain and Italy, with other international auctions underway.
BookPage traded emails with editor Jennifer Smith, who acquired the novel, and is clearly thrilled to have The Language of Flowers on the BBD list. Smith says, “We all fell in love with this novel immediately. There was such an outpouring of enthusiasm in-house, and nobody could put it down. It’s definitely a special book, and one that we think will really resonate with readers. We’re so excited to be publishing it.”
Author Vanessa Diffenbaugh was “inspired by her own experience as a foster mother. To write the novel, she researched the original Victorian language of flowers—used by lovers to communicate—in which every flower corresponds to a specific meaning.” The novel is set to publish in August 2011, and we can’t wait to hear more about it.
Are you excited about The Language of Flowers?
British author John le Carré, who does spy suspense like few others, has a new book coming this fall—from a new publisher. His 22nd novel, Our Kind of Traitor, will be published by Viking on October 12.
Though not much is known about the new book yet, Viking describes it as "a fast-moving story that reveals the battles of the British Secret Service in addition to the brutal maneuvering of the international criminal world."
Le Carré is nearly 80, but like his compatriot P.D. James, his age hasn't affected the quality of his work, which continues to garner top-notch reviews and hit bestseller lists.
Related in BookPage: Review of le Carré's last thriller, A Most Wanted Man.
It’s always a treat to have the opportunity to speak with authors after you’ve read their books. So I was thrilled to interview Emily Giffin about her latest novel, Heart of the Matter, for our May issue.
We mostly talked about Heart of the Matter, of course, but I was delighted as our conversation veered off-course a few times. I couldn’t include all of the great content in my print interview, so here's the dish on Giffin’s writing process, how she balances a full-time writing career with raising three young children and—gasp—some then “off-the-record” (and now public) details on the upcoming movie version of her debut novel, Something Borrowed.
We’ve heard the good news that Something Borrowed (and Something Blue) are being adapted for film. Something Borrowed is slated to begin filming this summer. What can you tell us about that experience?
It’s been totally thrilling and I’ve been very involved with the details and become very close to both producers and the director. It’s been such a positive experience. I’ve heard that it can be a very negative experience for writers and they can be completely not involved and hate the direction. They have listened to my thoughts, and they don’t always agree with what I say—which is fine, because I’ve always viewed it as a separate project—but they listen and they are just great people. So it’s been awesome. Ginnifer Goodwin has been cast as Rachel—she’s perfect. So sweet. And John Krasinski is in for Ethan.
[This is where Abby devolved into total celeb geek mode and Emily and Abby discussed all the casting options and possibilities. Recently, more of the cast has been revealed (and even seen on set the week of April 19), including: Kate Hudson as Darcy, Colin Egglesfield (from the new Melrose Place) as Dexter and Steve Howey (who co-starred with Hudson in Bride Wars) as Marcus. Giffin said the movie is slated for release in early spring 2011, and you can bet I’ll be first in line at the theaters.]
So will you get to be on set and meet all these fabulous people?
My book tour starts May 11 and filming starts April 27 and I’m like, 95% of my life is totally boring, why do these two things have to happen at once? But I should be able to get up there a few times. And technically, in the contract, I’m supposed to have a small speaking part.
How does your creative process work? What comes to you first? The characters? The situations?
It’s pretty much worked the same with all of my books. It’s more of a very general premise. What would happen if a woman fell in love with her best friend’s fiancé, or what would happen if a couple got married and then, a few years into their marriage, one changed their mind about something that was fundamental to their marriage? Or what would happen if you ran into your “one who got away” and suddenly you realized that being with him was an option. I think I always start with that scenario, and I try to make it very relatable. Most everyone has someone from their past who they wonder about; and most of us have a friendship that is not 100% pure, marked by an undertone of insecurity or competitiveness, or something toxic about it. I think women—people—of all ages can relate to that. So the situation comes first and then the characters emerge from that. And then as I get to know the characters and write about them, the plot comes after [that]. It’s a very character-driven process for me.
Do you outline and plan it all out?
No, I don’t. I haven’t for any of my books. I have a very general sense of beginning, middle and end, but I don’t outline any scenes or specifics. I just think to myself, “Ok, this is where they’re starting out, this is where they’re going and this is where I think they’ll end up.” But in many cases they don’t end up where I think they will because as I get to know them, I think to myself, “Well, that’s not actually what this person would do.” You get to know the characters as you spend time with them, and sometimes I’m very surprised. For me, it’s a lot more fun to write that way. It’s inefficient, but I enjoy the little surprises along the way.
How do you balance a full-time writing career with raising three young children?
I think it’s interesting that people often ask that question. In a way, I think it gives me too much credit. I think every time we go into a bookstore, Harriet that she’ll have a role model—someone who does both.
You initially tried to break into publishing by writing a YA novel. Do you ever think of revisiting that genre and writing anything for a younger audience now that you’re a best-selling author?
Occasionally. If I had more time, I definitely would. I have been writing the screenplay for Baby Proof and I’ve been thinking about young adult books. I just wish I had more time because there is so much I would like to do. But I have to prioritize because I do have small children and I don’t have all the time in the world to work. So I think I’m going to stick with what I’m doing, for the most part.
Are you working on your sixth novel? Can you tell us anything about it?
I’ve started it. But it’s a little too new to get into what it’s about.
Read the complete interview with Giffin on BookPage.com.