Exhilarated by her newfound passion for archeology, Catherine Lemay is left feeling deflated when she's assigned to a dig in the sprawling sagebrush of 1950s Montana. Here, she must ascertain if there is anything significant worth saving in the deep pit of a canyon before plans for a major dam can progress. If she finds nothing of importance, the canyon, considered sacred to the local Crow Native Americans, will be drowned. Accustomed to thrilling, richly rewarding digs in England, Catherine is less than enthused by the endless, seemingly empty landscape before her.
A sliver of gray stone pierced the rubber tread like a spike. She stood there and watched the tire empty and for the first time since the day she watched the English coast recede behind her, felt as though she might break down and cry. She fought the tears until the wave passed.
Jessie Burton pairs lavish descriptions of life in 17th-century Amsterdam with a clever touch of intrigue in her debut historical novel, The Miniaturist.
Eighteen-year-old Petronella "Nella" Oortman is the shy new bride of an enigmatic and wealthy merchant, Johannes Brandt, but too often she finds herself alone in her new, unfriendly household.
Johannes tries to comfort Nella with the gift of a tiny cabinet house, which is an exact replica of their own. But when Nella employs a miniaturist to furnish it, his cryptic clues lead her to uncover long-hidden secrets about the Brandt family.
Get the in-depth scoop from Burton herself in the video below:
The Miniaturist is out today! Will you be picking up a copy?
Exiles and emigrés haunt the pages of Vanessa Manko's evocative debut novel, which spans decades and continents. The story begins in 1913 Connecticut, where Russian emigré Austin has come to escape the pogroms and turmoil of his native land. After several years of hard work, he can afford to leave his cheap men's lodging house for a real boarding house, where he finds not only a room that only belongs to him, but an American woman he loves. But when the Bolshevik Revolution really takes hold in Russia, Austin finds himself under suspicion and expelled from his new home along with Julia, whom he marries at Ellis Island just before they are sent to Russia. Will he ever find his way back to the country he longs to call home?
The newspapers were calling it the Soviet Ark. The New York Times, January 1920, ran photos. A massive ship, anchored at Ellis Island on a bitter day. They stood on the peir amid the wind and ice. The sky opaque, flurries like chipped ice. The only sounds the murmur of men's conversations, seagulls crying, the moan of the boat on the day's hard air. The anchor cranking like a scream; the massive chain lifted out of the ocean, iron red with rust, calcified with sea salt, seaweed. Just moments before, he'd sat on the long benches of the waiting room, the very room he'd sat in only years prior eager to get beyond the bottled-glass windows whose light he knew was day in America—a country behind glass, the new country's light. . . . Somewhere, a man named Hoover had his name on an index card: Voronkov. Affirmed anarchist. Bail set at $10,000. Deported.
What are you reading this week?
The power of TaraShea Nesbit's first novel, The Wives of Los Alamos, builds slowly and catches the reader by surprise. Told in a chorus of women's voices, the book provides a powerful portrait of life in Los Alamos, New Mexico, during the years of the fateful Manhattan Project. Clothed in secrecy, the project's aim was unknown to even many of the men who worked on it—and their long-suffering wives, torn from homes across the country and brought to this desolate area, knew even less.
As Nesbit writes,
“What did we think our husbands were doing in the lab? We suspected, because the military was involved, that they were building a communication device, a rocket, or a new weapon. We ruled out submarines because we were in the desert—but we closely considered types of code breaking.”
A time capsule in book form, this masterful debut recreates a lost world. Check out our full review here.
Connecticut writer Kristen Harnisch brings a little-known portion of women's history to light in her compelling first novel, The Vintner's Daughter (She Writes Press). Set in 1890s France and America, it follows one woman's relentless quest to become a master winemaker—something that only a handful of real-life women have managed today. In a guest blog post, Harnisch explains the inspiration behind her remarkable heroine.
Sara Thibault is my hero. She fights against a rival to reclaim her family’s Loire Valley vineyard, sails across the Atlantic to bring herself and her sister to safety, and then journeys to Napa, California, determined to follow in her father’s footsteps as a master winemaker. Sara is passionate, principled and self-possessed, and although she leapt from my imagination onto the page, Sara’s spirit was inspired by the women winemaking pioneers of the late 1800s.
Three wine women in particular served as the inspiration for Sara’s character. A Frenchwoman, the Duchesse de Fitz-James, was the first to tout the benefits of replanting French vineyards with American rootstock to combat the devastation wrought in the 1870s by the phylloxera. This pale yellow louse attacked nearly 40% of France’s vineyards, sucking the vines dry of nutrients. The Duchesse’s French neighbors refused to try her idea, but she persisted, citing the recent success she’d had replanting the resistant rootstock in her own vineyard. Although it took years, the French winemakers did eventually replant, saving most of the vineyards that had been affected.
During the 1880s, California women were beginning to trade their kitchen chores for increasingly important roles in their family-owned businesses. The wine men of the region generally ignored their efforts. In 1886, after her husband’s suicide, Josephine Tyschon finished the winery they had planned to build on the 26 acres of land they’d purchased along Route 29 in St. Helena. The Tyschon Winery (now the site of Freemark Abbey) opened with a capacity of 30,000 gallons. By 1891, Tyschon had cultivated 55 acres of zinfandel, reisling and burgundy grapes. However, when the phylloxera struck in 1893, she lost 10 acres to the bug, and soon sold the winery and vineyard to her foreman, Nels Larson.
Josephine Tyschon’s neighbor, Mrs. J.C. Weinberger, also took over the family winery after her husband’s death. Weinberger’s operation was much larger than Tyschon’s, boasting eighty acres of grape bearing vines and a first-class winery with 90,000 gallons of capacity. Mrs. Weinberger won a silver medal at the 1889 World’s Fair in Paris for her wine, and was the only woman in California to bring home this coveted award.
What compelled these amazing women to create such fine wines? Every bottle of wine contains nearly three pounds of grapes and the vulnerability of this fruit is striking: over the last century and a half, grapes have fallen victim to pests, rodents, frost, mildew and Prohibition in the United States. Still, with a precise blend of hard labor, science and art, winemakers continue to perfect the wines that fill our glasses.
According to the American Association of Wine Economists, as of 2011, only 12% of winemakers in Sonoma and 12% of winemakers in Napa, were women. In an industry long dominated by men, I raise my glass of Cabernet to these adventurers, and to the wine women of long ago who sparked the inspiration for The Vintner’s Daughter.
Author’s Note: William Heintz’s California’s Napa Valley (Stonewall Associates, 1999), and Sherry Monahan’s California Vines, Wines & Pioneers (American Palate, A Division of the History Press, 2013), were particularly helpful in my research of this topic.
Author photo by Alix Martinez Photography.
Today’s Debut of the Day pick is Mrs. Kimble, by Jennifer Haigh, a novel that was one of the most buzzed-about releases of 2003—it sold within a month. Tackling the difficult subject of why women think they have to marry with elegant writing and plenty of insight, Haigh's ambitious debut is well worth looking back on (and her later work has fulfilled its promise and then some).
"Ken Kimble is what I call a serial marrier," Haigh says by phone from Boston, where she moved after graduating from the Iowa Writers Workshop last year. "He has these serious character flaws, but he has no problem finding women to marry." Haigh has firm opinions about why such a man can always find a bride. "We're raised as women to value marriage and family," she says, "and to believe that unless we've achieved those things, the rest of our accomplishments don't really count for very much."
Read the full interview from our February 2003 issue here.
Today’s Debut of the Day pick is The Heretic's Daughter by Kathleen Kent. Set during the Salem Witch Trials of 1692, the story follows the real-life Carrier family, whose sharp-tongued matriarch is accused of consorting with the devil.
A descendent of the Carriers, Kent relates the story quietly, with moments of beauty that give way to horror, then to redemption. The Heretic's Daughter not only chronicles the insanity of the witch trials, but a family learning—maybe too late—to truly value each other.
Read the full review from our September 2008 issue here, and keep a lookout for Kent's next novel, The Outcasts, coming in October.
Today’s Debut of the Day pick is The Madonnas of Leningrad, by Debra Dean, a historical novel set during the 1941 Siege of Leningrad. For months, the city was cut off from supply routes, driving its residents to desperate measures. One young woman, Marina, takes refuge in the Hermitage, wandering the bare halls while preserving in her memory the artwork that used to hang there. Near the end of her life, her memory failing, this time returns to Marina, and she begins to share her wartime experiences with her own daughter for the first time.
Dean merges past and present in prose that shines like the gilt frames in the Hermitage. The story shifts seamlessly from 1941 to the present, just as Alzheimer's shifts time within Marina's mind. The heart of the story is its flashbacks, when we walk the Spanish Hall with Marina, aching with loss and hunger. As she commits scenes, colors, even brushstrokes to memory, the paintings come alive. Chapters narrated by her daughter Helen show us the present, when Marina slips away at a family gathering. During the search, Helen, herself a mother and an artist, wonders about the memories parents choose to tell their children and the memories they keep secret.
Read the full review from our April 2006 issue here.