Today’s Debut of the Day pick is Mrs. Kimble, by Jennifer Haigh, a novel that was one of the most buzzed-about releases of 2003—it sold within a month. Tackling the difficult subject of why women think they have to marry with elegant writing and plenty of insight, Haigh's ambitious debut is well worth looking back on (and her later work has fulfilled its promise and then some).
"Ken Kimble is what I call a serial marrier," Haigh says by phone from Boston, where she moved after graduating from the Iowa Writers Workshop last year. "He has these serious character flaws, but he has no problem finding women to marry." Haigh has firm opinions about why such a man can always find a bride. "We're raised as women to value marriage and family," she says, "and to believe that unless we've achieved those things, the rest of our accomplishments don't really count for very much."
Read the full interview from our February 2003 issue here.
Today’s Debut of the Day pick is The Heretic's Daughter by Kathleen Kent. Set during the Salem Witch Trials of 1692, the story follows the real-life Carrier family, whose sharp-tongued matriarch is accused of consorting with the devil.
A descendent of the Carriers, Kent relates the story quietly, with moments of beauty that give way to horror, then to redemption. The Heretic's Daughter not only chronicles the insanity of the witch trials, but a family learning—maybe too late—to truly value each other.
Read the full review from our September 2008 issue here, and keep a lookout for Kent's next novel, The Outcasts, coming in October.
Today’s Debut of the Day pick is The Madonnas of Leningrad, by Debra Dean, a historical novel set during the 1941 Siege of Leningrad. For months, the city was cut off from supply routes, driving its residents to desperate measures. One young woman, Marina, takes refuge in the Hermitage, wandering the bare halls while preserving in her memory the artwork that used to hang there. Near the end of her life, her memory failing, this time returns to Marina, and she begins to share her wartime experiences with her own daughter for the first time.
Dean merges past and present in prose that shines like the gilt frames in the Hermitage. The story shifts seamlessly from 1941 to the present, just as Alzheimer's shifts time within Marina's mind. The heart of the story is its flashbacks, when we walk the Spanish Hall with Marina, aching with loss and hunger. As she commits scenes, colors, even brushstrokes to memory, the paintings come alive. Chapters narrated by her daughter Helen show us the present, when Marina slips away at a family gathering. During the search, Helen, herself a mother and an artist, wonders about the memories parents choose to tell their children and the memories they keep secret.
Read the full review from our April 2006 issue here.