Sophie Barnes was born in Denmark and spent her childhood traveling extensively with her parents. She has lived in five different countries on three continents, speaks five languages and has a degree from Parsons School of Design. Barnes draws on all of these experiences while dreaming up the vivid, unconventional characters and highly entertaining stories featured in her historical romance novels, including the just-published The Scandal in Kissing an Heir—the second in her At the Kingsborough Ball series.
In this guest blog post, Barnes shares how her own adventurous life has influenced her work.
When I was four, my parents and I relocated from Denmark to Spain, but we would always return to Denmark, where my parents kept a holiday home, for the summer. On many of these occasions, we traveled by car, allowing ourselves a week or two to explore the different countries and their towns/cities along the way. I’ll admit that there was a point where I got a bit fed up with churches and cathedrals, but I have to say that I never tired of castles. Having visited many historical buildings from different time periods and built in varying styles, I can often find a way in which to describe the exact setting I’m looking for.
If I close my eyes, I can easily transport myself to one of the places I’ve visited in the past. I can feel what the ground is like beneath my feet: soft, prickly, rough, hot, cold . . . the climate, the sounds, the smallest detail of each object. I do this from time to time with places I miss, and I think it’s a wonderful exercise for me as a writer since it helps with the whole visualization process. Take the Kingsborough ballroom, for example: The feeling I wished to evoke in its description was largely inspired by the Grand Foyer of the Palais Garnier in Paris. It’s a breathtaking room, and I remember how extravagant I found it when I visited it for the first time at the age of 18.
In The Scandal in Kissing an Heir, Lady Rebecca is locked away by her horrid aunt and uncle in a tower. The castle I describe here is largely inspired by a medieval one that a family acquaintance owns in France. I’ve only visited it once, when I was 14, but I remember the tower room and the large closet that was in there—not at all the tiny piece of furniture you find these days at Ikea. In fact, I’m sure there are rooms for rent in Manhattan with less space inside them than that closet. This, coupled with my own love of hiding in closets when I was little, led to the scene in which Rebecca has sought solitude in her wardrobe and Daniel asks if she will allow him to join her.
There’s also a scene in which Daniel and Rebecca visit a gaming hall on Piccadilly—a place named Riley’s. When Daniel and Rebecca sit down to play, whist is the game of choice, a game that I have fond memories of playing with my parents and grandparents when I was little. I definitely think that being raised with some knowledge of typical pastime activities from the Regency era has helped me with my writing. For instance, I’ve tried my hand at needlepoint, cutwork, and watercolors. I’ve taken piano lessons, walked along cobblestone streets and stood on the deck of a frigate. And although it’s been a few years, I’ve also ridden a horse and enjoyed a ride in a carriage.
In my opinion, it’s impossible to write a good book without pouring a lot of who you are as a person into your writing, which is why I often mention art in my books. The Scandal in Kissing an Heir is no exception. Lady Rebecca often finds solace in her sketchbook and watercolors, just as I have done on many occasions. In fact, I spent four years in art school, traipsing through museums and studying the great painters of years gone by. During that time, I drew a lot, filling sketchbook upon sketchbook with all kinds of drawings and watercolors. When I imagined Rebecca sitting in her tower room, I knew she wouldn’t have the patience for embroidery because she’s too lively, but lively people need a bit of quiet time from time to time, and when those moments present themselves, I just know that she’ll be drawing. But if it’s a fruit bowl, flower arrangement or landscape that you imagine will grace the pages of her sketchbook, think again, because this lady, like me, is a dreamer.
Thank you, Sophie! What do you think, readers? Will you be adding The Scandal in Kissing an Heir to your TBR list?