The Science Fiction and Fantasy Writers of America, Inc. announced the Nebula Award Nominees today. The awards celebrate—you guessed it—the best in science fiction and fantasy writing. The Awards honor a short story, novelette, novel, YA book and movie. View the complete list of nominees here. Click the highlighted titles below to read reviews on BookPage.com.
Best Novel nominees:
The Windup Girl by Paolo Bacigalupi (Nightshade)
The Love We Share Without Knowing by Christopher Barzak (Bantam)
Flesh and Fire by Laura Anne Gilman (Pocket)
The City & The City by China Mieville (Del Rey)
Boneshaker by Cherie Priest (Tor)
Finch by Jeff VanderMeer (Underland Press)
Hotel Under the Sand by Kage Baker (Tachyon)
Ice by Sarah Beth Durst (Simon and Schuster)
Ash by Malinda Lo (Little, Brown and Company)
Eyes Like Stars by Lisa Mantchev (Feiwel and Friends)
Zoe’s Tale by John Scalzi (Tor)
When You Reach Me by Rebecca Stead (Wendy Lamb Books)
The Girl Who Circumnavigated Fairyland In A Ship Of Her Own Making by Catherynne M. Valente (Catherynne M. Valente)
Leviathan by Scott Westerfeld (Simon)
Any one else surprised that Newbery Medal winner When You Reach Me is on that list? Time travel is certainly an important element of the plot, but I never would have placed the book in the fantasy genre. (Although Stead does repeatedly refer to A Wrinkle in Time, which is probably one of the most beloved YA fantasy books of all time.)
Do any of our Sci-Fi fans have award predictions?
Readers these days have an insatiable desire for the undead. Luckily, authors seem to be equally fascinated. The latest to succumb: Karen Essex, a historical fiction author who made a name for herself telling the story of the Egyptian Queen in Kleopatra (read Essex's behind the book story about Kleopatra) and had a bestseller in 2008 with Stealing Athena.
Essex's August 2010 release, provocatively titled Dracula in Love, is the imagined diary of Mina Harker, the woman who escaped the vamp's clutches—but not before he got a taste of her blood. Essex has been researching the book, and the Victorian Gothic sensibility, for the last few years—her blog has lots of details, including a post on a visit to Highgate Cemetery (where a particularly memorable scene in Dracula was set—as well as Audrey Niffenegger's latest novel).
But Essex isn't the only one to find this topic intriguing: Syrie James, who previously wrote The Secret Diaries of Charlotte Bronte, is also publishing, you guessed it, The Secret Diaries of Mina Harker (Avon). In August!
And those are just the two books about Mina Harker and Dracula. May brings a new Sookie Stackhouse mystery from Charlaine Harris; June, the anticipated vampire/apocalyptic novel The Passage by Justin Cronin (see an earlier post on Cronin here) . . . shall I go on? Eternal life might come in handy if you want to read all of these!
ETA: just found a related post from NPR -- if you want a comprehensive vampire reading list, this is it.
I have a confession that will probably embarrass my co-workers: I loved Avatar. Yes, there were holes in the plot. And yes, I thought it was predictably annoying that a white guy had to swoop in and save the natives on Pandora. (Haven’t seen the movie and need a summary?)
Throughout the nearly-three-hour movie, though, I watched with my jaw dropped, enraptured by the vibrant colors and awesome plants and animals of Pandora. I completely bought the love story between Jake and Neytiri, and I liked the environmental parable of the story. To tell you the truth, I don’t think I’ve ever been so engrossed in a movie before, and I might even have suffered from some post-Avatar blues after I returned to regular ole’ Earth.
So, I read with great interest when the news broke that director/writer James Cameron is planning to write an Avatar prequel. The book will not be a “novelization” (a.k.a. summary) of the movie, but rather a “big, epic story that fills in a lot of things,” according to producer Jon Landau. The prequel will be Cameron's first book.
Many reviewers have noted that Avatar’s weak link is the clunky/predictable dialogue (“we’ll fight terror with terror,” “you have a good heart,” etc.), and as the New York Times ArtsBeat blog points out, of the nine Academy Awards nominations Avatar has received, none is for best original screenplay. Are there enough fans out there who’ll overlook Cameron’s shortcomings as a writer, and focus on his ability to transport us to another world?
Since Avatar’s success rests largely on its incredible visuals, I wonder why Cameron’s not choosing to go the graphic novel route with the prequel. What do you think, Avatar fans? Will Cameron’s book be filled with cringe-worthy dialogue and a loose plot? Or will it be a welcome ticket back to Pandora?
If you’ve got a need for fantasy and waiting for Avatar just won’t cut it, check out our February Sci-Fi column on BookPage.com.
Last night the fiction finalists for the Best Translated Book Awards were announced at Idlewild Books in New York City. The awards are sponsored by Three Percent, a program at the University of Rochester (the name comes from the fact that only ~3% of books published in the United States are works in translation). Of the finalists, original languages range from Hebrew to Norwegian. View the complete list here.
The awards caught my attention because two of the most recent books I’ve read have been in translation. I loved the simple, lyrical language in The Solitude of Prime Numbers (originally written in Italian), and I hope future reviews note the work of English translator Shaun Whiteside. I’ve read Isabel Allende in Spanish and in English, and I’ve always been impressed by the English translations—Magda Bogin’s work in The House of the Spirits was especially notable, capturing the author’s flowing prose and mystical imagery. Island of the Sea (translated by Margaret Sayers Peden) is no exception.
If you’re unable to read a work in the original language, it’s hard to tell if a translation is great—although I think it’s clear if one is bad, based on clunky transitions, imagery and diction. What translated works would you recommend? Any you’d avoid?
Island Beneath the Sea by Isabel Allende
Harper, April 27, 2010
So far (I’m about two-thirds finished), the major event in the novel has been the Haitian slave rebellion led by Toussaint Louverture at the turn of the 18th century. The narrative is alternately told from a third-person point of view and from the perspective of Zarité, known as Tété, a mulatto girl who works as a house slave on a sugarcane plantation. Tété wants nothing more than to be free with her children and with Gambo, a slave-turned-rebel. After a rebel mob burns the plantation and takes over Le Cap, the remarkable Tété saves her master and her children’s lives and flees with them to Cuba, then New Orleans.
You’ll have to read the book for yourself to learn why Tété—brave and dignified in the face of cruelty—saves her insufferable master. And as I continue reading, I can only hope that she escapes from slavery and finds her lover.
Music is a wind that blows away the years, memories, and fear, that crouching animal I carry inside me. With the drums the everyday Zarité disappears, and I am again the little girl who danced when she barely knew how to walk. I strike the ground with the soles of my feet and life rises up my legs, spreads up my skeleton, takes possession of me, drives away distress and sweetens my memory. The world trembles. Rhythm is born on the island beneath the sea; it shakes the earth, it cuts through me like a lightning bolt and rises toward the sky, carrying with it my sorrows so that Papa Bondye can chew them, swallow them, and leave me clean and happy. The drums conquer fear. The drums are the heritage of my mother, the strength of Guinea that is in my blood. No one can harm me when I am with the drums, I become as overpowering as Erzulie, loa of love, and swifter than the bullwhip. The shells on my wrists and ankles click in time, the gourds ask questions, the djembe drums answer in the voice of the jungle and the timbales, with their tin tones. The djun djuns that know how to speak make the invitation, and the big maman roars when they beat her to summon the loas. The drums are sacred, the loas speak through them.
What are you reading today?
set in rural West Virginia in the aftermath of WWI, about a veteran who has lost his wife and is caring for their newborn, and finds himself steered in unlikely ways by an angel who has followed him home from the trenches of France
Due first is a five-part graphic series based on Witch & Wizard, Patterson’s YA novel. (“For those who have been waiting for a series as mouthwatering and addictive as Harry Potter, this’ll do it,” said Patterson of the book in a January interview with BookPage.) In June, Patterson’s The Murder of King Tut, a “deft blend of antiquity and whodunit,” will come out as a four-part series. (Both series will be primarily written by coauthors.) We wonder if Patterson will have to re-work the ending of King Tut. According to a report from today's New York Times, the boy pharaoh died from malaria—not murder.
Patterson claims he wants to expand to the graphic novel market so his stories can “reach as many people as possible.” Ted Adams, CEO of IDW Publishing, the company producing the books, wanted to work with the prolific author because he sells a ton of books and he’s a “creative genius.” What do you think, Patterson fans? Will the books translate well to the graphic novel medium?
Also look out for a straight-to-graphic-series from Patterson: Beer Belly and the Fat Boy. (Can’t wait until we get a review copy of that one!)
Actress Uma Thurman is in the news for her roles in two upcoming book-to-film adaptations. First up, she plays Medusa in Percy Jackson and the Olympians: The Lightning Thief, which hits theaters next month (director Chris Columbus says of the "seductive" star, "you'll look into her eyes and forget that she has 75 snakes on her head.").
But the role that's making waves this week is the one Thurman is taking on in the 2011 adaptation of Guy de Maupassant's Bel Ami: an older love interest of up-and-coming journalist Georges Duroy--who will be played by Twilight star Robert Pattinson. Christina Ricci and Kristin Scott Thomas are also on board to play two more women seduced by Duroy during his rise to the top in this adaptation of the 1885 classic, which is a fresh and vivid read even today. Over at iVillage, they're wondering if Uma is too old to play the love interest of 23-year-old RPattz, but I think it's more likely that this role fulfills some teen fantasies of his. How about you?
Readers might be most familiar with de Maupassant for his short story, "The Necklace," which also deals with intrigue in Parisian society.
I’ve made my love for the late Madeleine L’Engle known around the office, so I wasn’t surprised when Lynn showed me a notice from the spring 2010 Farrar, Straus & Giroux catalog: On April 27, L’Engle’s 1949 novel And Both Were Young will be reissued in hardcover with a new jacket (see left). L’Engle’s graddaughter, Léna Roy, will write an introduction.
My battered copy of And Both Were Young features the jacket to the right. Which do you like better?
The novel tells the story of Flip, an American girl away at boarding school in Switzerland, and her unexpected love for Paul, a French boy. Whether you prefer the retro jacket or the new one, the novel’s themes of love, alienation and growing up will no doubt still resonate with contemporary readers.
After learning of the book reissue, I was curious about L'Engle's graddaughter. Turns out that on Dec. 7, 2010, FSG will publish Roy’s debut YA novel, Edges.
It is a story of love and grief, addiction and redemption, set in both NYC’s Upper West Side and in the red rock desert of Moab, Utah. Seventeen-year-old Luke lives and works at the Moonflower Motel in Moab, having fled New York City where his father Frank drowns his sorrows after the death of Luke’s mother. Back in New York, 18-year-old Ava meets Frank at an Alcoholics Anonymous meeting. When these lost souls converge in Moab, what happens transforms them all.
Will you pick up Edges?
Happy President's Day! Has the holiday (whether observed with a day off of work or not) influenced your reading choices?
If you're looking for a presidential read, we have some suggestions. His Excellency, by Joseph J. Ellis, just might be the definitive look at George Washington, as BookPage contributor Alden Mudge said in an interview with Ellis about the book. For kids, What Presidents Are Made Of by Hanoch Piven is pure fun. And last year, in honor of Lincoln's 200th birthday, BookPage published a great roundup of Lincoln books that should be out in paperback right about now, including Ronald C. White's A. Lincoln, as well as a feature on Lincoln books for the younger set.
But the Lincoln story that stands out in my mind isn't actually about the president at all--it's a fictionalized account of the life of his wife, Mary Todd Lincoln, that was published in 2006. As I said in my review of Janis Cooke Newman's Mary, it's a sympathetic account that paints Mary as "a deeply passionate, intelligent woman in a time when these qualities in women were discouraged and feared."
Do you have a favorite book with a presidential link?