Best-selling author Robyn Carr celebrates the release of One Wish—the latest in her Thunder Point series—today, so we thought it would be the perfect time to check in with the author. In this blog post, Carr writes about what women's fiction and romance means to her. If you thought romance novels were just about the steamy scenes, Carr is here to set you straight!
When my son was in Iraq, we Skyped almost every day. We had more long and meaningful discussions while he was in a war zone than we had when he lived under my roof. And there were times it could get a little awkward, like when I was on a writing roll, in the story zone, and his first question is, “Do you know David Baldacci?”
“Not personally,” I said. “Why?”
“Someone gave me one of his books and told me to read it; I might like it.”
“I don’t have one,” he said.
“Stand by,” I said.
So I emailed him a book. It was with great satisfaction that I heard him say, “Hey. This is good.”
The more interesting thing happened later. First, he found that many of his female co-workers had known about me for a long time and were fans. That really jazzed him up; finally made his mother somebody. He did some mild raving about the book, and I offered him the next one in the series.
“No offense, Mom, but it’s a chick book.”
Yes, it’s a chick book, something I’m rather proud of. But what I do is write romance and women’s fiction, which is about women, for women and written largely by women. My books, the chick books of this century, celebrate women. And because of the digital age, the response is immediate! Any writer of fiction for women who doesn’t know what their readers most enjoy, what brings the greatest reader satisfaction, is asleep at the switch. They tell us every day: Dear Ms. Carr, I know just how Mel felt because I lost my husband at a very young age. Dear Ms. Carr, I escaped from an abusive relationship and you really nailed it—thank you. Dear Ms. Carr, My son was bullied in high school and I’m so glad to see one of my favorite romance writers address that subject.
I have a lot of male readers, too—I hear from them regularly. One of them surprised and thrilled me. I lost my leg in Afghanistan and it was after reading your book about a soldier in an almost identical situation, I’ve decided I really need counseling. I don’t know how my wife has lived with me this long!
I realize that what I really do when I write romance is less about love and sex and more about hope.
I write about the things that are part of a woman’s world: the family drama, community cohesiveness, neighbors helping neighbors. My readers visit my books daily for the chance to relate to the characters who share their burdens and joys, to use strong characters as role models, to be entertained while they struggle to find their own happy endings. Sometimes, they come to me at their most vulnerable and entrust me to take them on a meaningful journey. By the time I’m on the home stretch of a new book, I realize that what I really do when I write romance is less about love and sex and more about hope.
My son has been home from Iraq for quite a while now, safe and sound, and I’m meeting the most interesting people in Thunder Point. In One Wish, I met a former figure skating champion who craves a quieter life and Mr. Hottie High School teacher, Troy Headly, who is on hand to prove to her that it doesn’t have to be all that quiet. And in A New Hope, which will be out in June, Ginger Dysart chooses Thunder Point as the town in which she’ll reclaim her life. Who would have guessed she’d find it in the arms of a handsome Basque farmer? And there’s more—join me for Wildest Dreams at the end of summer when a world famous triathlete mixes it up with a local nurse, and together, they dare to dream the wildest dreams.
Join me in Thunder Point—the place where wishes are made, hopes are finally realized and dreams come true.
We're excited to announce that BookPage will be launching Smitten, a monthly romance newsletter, next week. Smitten will feature exclusive guest author blog posts and Q&As with some of your favorite authors along with our monthly Romance Top Pick, a digital-first feature and reviews of some of the month’s biggest romance novels. Sign up for Smitten here.
Andrea Laurence's latest series, Brides and Belles, focuses on the women behind the romance: wedding planners. And we'll admit that we're doubly intrigued by this series because it takes place in Nashville, home of BookPage! In this guest blog post, Laurence writes about her inspiration behind the series and the favorite wedding details.
This January, I was very excited to kick off my new Brides and Belles miniseries with Harlequin Desire. It’s the first of four books that follow the love lives of a group of Nashville wedding specialists. I came up with the idea several years ago when I was going through a period when all my friends were getting married. Every wedding was different; every one was special in its own way. It’s also very stressful. While I love the concept of weddings—picking out cake flavors and dresses—the reality is hard work.
It made me wonder about the people who manage weddings for a living. I couldn’t imagine the stress of creating someone’s perfect day each and every week. There’s always drama: The bride can be a handful, and so many little pieces have to fall in place perfectly to pull it off. Hats off to the folks who make these days happen! It got me thinking that it probably takes a toll on their personal lives.
Oh, the irony of being in the wedding industry and incapable of finding someone to marry! That’s where the story began for me. I picked four different women who join together as friends to become business partners. They each have their own specialty—planning, catering, photography and decor. They also each have their own relationship drama.
I started with Bree, the photographer, and asked myself what the single most uncomfortable thing would be for her to do. The answer was to take engagement photos of her ex and his new fiancée. Ouch, right? And so Snowed In with Her Ex was born. In the second book, Amelia, the caterer, is the one who has always wanted the big, fancy wedding. What was the worst thing she could do? Elope in Vegas with her best friend! That’s where my February release, Thirty Days to Win His Wife, starts.
I’m currently finishing up the last two books in the series, and I have to say that writing about weddings and the people who plan them is so much fun. I really do enjoy all the wedding details. It’s hard for me to narrow down my favorite part, but I would have to say it’s seeing which dress each bride chose and what her wedding cake looked like. I think those details tell a lot about the bride and the couple as a whole.
What’s your favorite part of a wedding?
Thanks Andrea! You can visit Andrea's website and find more titles by Andrea Laurence here: BAM | B&N | Indiebound | Amazon
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Best-selling author Jayne Ann Krentz's latest romantic-suspense novel is Trust No One. But you may know the author by one of the two other names she writes under, Jayne Castle or Amanda Quick. So why did she decide to write under three different names? Allow her to explain the allure of the pen name.
Yes, it’s weird but true—I write under three names. Why? It’s complicated.
I swear I did not set out to create three writing careers. I do not recommend this publishing path to aspiring writers. I mean, what kind of strategy is that? The drawback to having three names is obvious at every signing event that I do—about half the people who come through the line will say: “I didn’t know you were Jayne Ann Krentz,” or “I didn’t know you wrote as Amanda Quick” or “I didn’t realize you were Jayne Castle.”
The fact that I write under three names is in every bio on every one of my books. Hey, it’s not like I’m trying to keep it a secret. But evidently very few people actually read those author bios!
So, for what it’s worth, my advice to budding authors is choose one name and stick with it, because if you don’t you will spend the rest of your career trying to explain yourself to readers.
That said, the reason my path took three different names is not because I write three very different kinds of stories. I have always written romantic-suspense under each name. It is my core story—the book of my heart, as writers say—and I expect to spend the rest of my career exploring that story. Romance and danger is a perfect combo for me. It’s what I love to read and it’s what I love to write.
But I do like to shift fictional landscapes, so I decided to use a different pen name for each world. Turns out readers have strong preferences when it comes to settings. A lot of people won’t read my paranormal landscapes, even if they love me in my other worlds. Others only want my historical or contemporary backdrops.
So, the only big advantage of my three-name career? When readers pick up one of my books, they know exactly which fictional landscape they will enter.
In Trust No One, you will enter my Jayne Ann Krentz contemporary world. The setting is Seattle and the Pacific Northwest. The heroine, Grace Elland, has a past that she had hoped would stay buried. Let’s just say that going home can be murder. . .
Thanks Jayne/Amanda/Jayne! You can find Trust No One online here: BAM | B & N | Indiebound | Amazon
(Author photo by Mark Von Borstel)
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Romance author Terry Spear continues her Heart of the Wolf series with a holiday twist in A Highland Wolf Christmas. In this guest post, Terry Spear talks about holiday traditions—both for her family and for her wolfpack!
In my newest paranormal romance, A Highland Wolf Christmas, the wolves find their Christmas traditions changing with the changing dynamics of the pack, just as they are in my family. We always open one Christmas present on Christmas Eve and have a nice dinner of some sort—usually a roast. When the kids were little, we either spent Christmas at home or visited one set of grandparents. Now my kids live far away from me, and while they're both married, one of them still comes home to visit both her in-laws and me during the holidays. My son, however, is in the Air Force and has had to fly missions the last two Christmases, so we celebrated Christmas early at Thanksgiving last year. This year, my son and his wife are coming to visit, and we'll celebrate Christmas early again.
So you see, family is still very important, but because of jobs and where everyone lives, traditions are always changing. But the one thing I still am able to do with my daughter and son-in-law is have a turkey and all the fixings, open Christmas presents on Christmas Day, play games and watch Christmas movies. Then they’re off to visit the son-in-law’s family for even more Christmas presents and food.
We had a really small family growing up—no cousins, no family to speak of—just Mom, Dad, my sister and me. So we never went anywhere for Christmas; we just stayed home and celebrated with the family. One year, to change things up, we opened all of our Christmas presents Christmas Eve. The next day, getting up to stare at the bare floor around the tree, was a total anticlimax. From then on, we always opened one present on Christmas Eve and saved all the rest for Christmas Day.
Just like with the wolf pack in the Highlands, traditions have evolved as well. Americans have brought some new traditions to the Highland wolf pack, and the Highland wolves have shared some of their interesting customs. The one I loved most was the burning of the Christmas lists in the fire, the smoke going up the chimney and carrying the list to Lapland and Santa. Because of the botanist in the family, the wolves also started a new tradition of putting up a real Christmas tree. And they've started a Christmas bazaar, which has brought the pack together in a fun way. Learning new traditions and keeping the old can be enjoyable and add a spark to holiday celebrations. The key is to share the enjoyment with friends and family!
Valerie Bowman looks to the great Oscar Wilde for inspiration in The Accidental Countess, a Regency romance filled with Wilde-style antics. In this guest post, Bowman discusses her love of the historical romance genre and the art of adaptation.
There is nothing I like better than a romp, a farce. As an English literature major in college, the comedies I read captured my imagination with a far-tighter grip than a tragedy ever could. My medium, however, is the historical romance novel. It’s a genre I adore and am extremely proud to write. I think I fell in love with it when I first read Laura Ingalls Wilder’s These Happy Golden Years. That’s a romance novel, don’t you know?
When I was coming up with my Playful Brides series, I knew I wanted to include my love of romp plays in the stories. Oscar Wilde was always on my short list. He’s a great master of the romp, after all. The Importance of Being Earnest has long been one of my favorite stories ever told and, while it is a bit outlandish, its absurdity is exactly what makes it so entertaining. What could be more fun than inventing a person who does not exist to get out of unwanted social obligations? The moment I read the word “Bunburyist” I was hooked.
The challenge, however, was making that sort of tomfoolery work in a historical romance novel. The Accidental Countess is my attempt! Penelope Monroe has invented a fictitious friend, Patience Bunbury, to avoid seeing her fiancé newly returned from Waterloo. When Captain Julian Swift mistakenly believes Penelope’s cousin, Cassandra, is the elusive Patience, Cassandra may just have the opportunity she’s always dreamed of: spending time with the man she’s loved from afar for the last seven years.
I managed to sneak in a couple of scenes from The Importance of Being Earnest, including the infamous muffin scene and a few of the quotes as well. My favorite line: “The good ended happily, and the bad unhappily. That is what fiction means.”
There’s plenty of angst as well as comedy, and I hope some tender moments as well, for as Wilde says, “The very essence of romance is uncertainty.”
Now what’s not to love about that?
Elizabeth Hoyt's latest romance in her Maiden Lane series, Darling Beast, is out today. In this guest post, Hoyt writes about her love of myths, second chances and the unexpected inspiration behind the novel.
Myths and fairy tales have always fascinated me, perhaps because they’re a pre-Freud peek into how the human brain works—what frightens us, what awes us and what we desire deep in our hearts. Fairy tales and myths are storytelling at its most basic. There is no room for character development. Dialogue, setting and description are all usually very sketchy. What remains are stories in which the fat has been removed; underneath are bare, beautiful bones in which it’s easy to trace motif, themes and morality.
I like to include an accompanying fairy tale in each of my books as a sort of foil to the main story. My latest book, Darling Beast, is no exception. The hero of Darling Beast, Apollo Greaves, Viscount Kilbourne is on the run from the law after escaping Bedlam. He’s a big, rather physically intimidating man, and he’s lost his voice after being viciously beaten by the guards in Bedlam. Apollo is in hiding in an isolated, ruined pleasure garden where he’s supervising the restoration of the grounds. Living in the back of the burned-out theater in the gardens is Lily Stump, a successful actress and playwright who’s a bit down on her luck. As far as Lily knows, she has the gardens to herself. . . that is until her 7-year-old son, Indio, comes home one day and informs her that he’s seen a ‘monster’ in the gardens.
Now you might think that the obvious fairy tale for this story would be Beauty and the Beast—and in a way you’re right—but I chose a much older myth to highlight the story—The Minotaur. If you know your Greek myths, you’ll remember that the Minotaur was half man, half bull, born out of the unnatural union of a spell-bound queen and a magical bull. The Minotaur was a monster in the true sense of the word—in the original myth he lived at the center of a labyrinth and he ate human sacrifices. He provokes some of our most basic fears: deformity, unnatural sexual urges, cannibalism and being eaten by a big scary monster.
But what of the Minotaur? What does he think about a fate he never asked for? After all, he didn’t choose to be born a monster. Is he a cannibal by choice or because no one ever sends in anything else to eat but nubile youths and girls? In the original myth, the Minotaur has no voice. He’s simply a thing to be feared. He has the head—and tongue—of a bull and, like Apollo, he’s physically unable to speak. And isn’t speech the thing that makes us human and sets us apart from the animals?
Here’s the thing. I believe that often monsters—both in real life and in myth—are simply ourselves in a form we cannot recognize. We get caught up in that bull-head thing, in primitive fear and faulty first impressions, and fail to look beneath the outer horror.
Fortunately for Apollo, Lily is a kind woman—a woman willing to allow her opinions to change when she gets to know more about him. And isn’t that all each of us needs? Kindness and the willingness to give people—even monsters—a second chance.
Series following emotionally (and physically!) intense relationships have been big the past few years—especially when they feature tormented leading men with some devilish proclivities in the bedroom.
E.L. James' Fifty Shades of Grey series launched this insanely successful, broodingly sexy bandwagon, and Sylvia Day’s Crossfire series followed shortly after, with huge amounts of success as well. Day's Crossfire novels are all international bestsellers, and have sold 15 million copies worldwide (that is a lot). The books were so popular that Day has extended Crossfire from a trilogy to a five-book series, delighting her fans. Today, Berkley Books announced that book four, Captivated by You, will be in stores on November 18. The series follows the (of course) passionate, obsessive love affair of the (of course) wealthy and tortured Gideon Cross and his wife, the (of course) beautiful and witty Eva. Read our Q&A with Day for more background on the series!
The series has also been optioned for television by Lionsgate. I have no idea how they are going to put this series on television, but it should be interesting.
In Janet Chapman's Spellbound Falls series, time-traveling Scottish Highlanders (you read that right) keep popping up in a small Maine town. Luckily for the women of Spellbound Falls, they're a handsome bunch. The Highlander Next Door, the latest novel in the series, focuses on Birch, a no-nonsense woman who harbors no desire for a man in her life. Watching her mother's four divorces and running a women's shelter has made her swear off men for life. The case for males is not helped by her gruff, stubborn neighbor, Niall MacKeage. But that Scottish brogue is quite charming, and as Birch discovers, Niall is not at all like other men.
In this blog post, Chapman discusses how her foray into time travel began—and how much fun she's had on the journey.
When my agent set out to sell my first book, Charming the Highlander, I asked her to please tell the editors she submitted it to that this time-travel gig was a one-time thing, as I really wrote contemporary romance and didn’t want them to expect more magical stories from me. (If only I’d been listening at the time, I would have heard the Universe laughing its ethereal head off.) But in my mind even that book was a contemporary, because besides the prologue, the entire story took place in 21st-century Maine.
I think readers believe authors are deliberate creators—which may be true for many—but for me, the characters are in control. They suddenly show up in a book and start demanding a book of their own, and no matter how outrageous their stories are, I am compelled to tell them.
Good Lord, I actually rearranged my wild and beautiful state of Maine! Well, it was really Maximilian Oceanus who moved those mountains and turned a large freshwater lake into an inland sea, but I wasn’t about to argue with the powerful magic-maker. And anyway, the Bottomless Sea gave me an even more amazing venue for my stories.
Wait. There. Do you hear that? The Universe is still laughing.
And so we come to Niall MacKeage, a 12th-century highlander who was brought forward in time as one of six suitors for Maximilian’s sister, Carolina. Niall wasn’t really interested in marrying Carolina; he just wanted to see if the fantastical tales his long-lost, time-traveling father had told him were true. And becoming Spellbound Falls’ chief of police gave the displaced warrior a good excuse to stay, for not only did Niall embrace modern technology, he also found himself attracted to 21st-century women—and to Birch Callahan in particular, the pint-sized spitfire hired to run the town’s new women’s shelter.
I often feel like nothing more than a stenographer furiously taking notes.
Oh, yeah; instead of leaving me alone, the magic seems to be ramping up. But I suppose that’s what I get for letting my fictional characters run the show. Yes, I know they’re not really real, but I simply don’t have the heart to tell them. And besides, they keep providing me with all sorts of wonderful—albeit outrageous—stories.
I silently chuckle when people say they’re amazed by my imagination, because what they don’t know is that instead of being a deliberate creator, I am merely. . . heck, I often feel like nothing more than a stenographer furiously taking notes. Oh, sometimes my characters let me make suggestions, and sometimes they even use them. But for the most part I graciously do their bidding, since they in turn graciously allow my name to appear on the cover of their books.
So with that being said, I invite you to come join me in Spellbound Falls by way of The Highlander Next Door, and let’s see if I can’t persuade you that the magic truly is real. Okay, the mountain-moving part might be a bit of a stretch. But all that other stuff in my stories? Well, I can’t imagine anything more real than the magical power of love.
The fast-paced world of romance publishing is always offering up great new authors to discover. As part of our #FirstFictionMonth coverage, we're spotlighting three new voices who are each debuting in their own way this year.
Jennifer Ryan will be making her print debut with At Wolf Ranch (on sale February 24, 2015), the first in her thrilling romantic suspense series, Montana Men. The novel focuses on Ella Wolf as she flees to her family’s ranch, certain that the man who murdered her sister is now after her. Luckily for Ella, a ruggedly handsome cowboy is bent on protecting her from the killer.
Despite finding eBook success with her best-selling The Hunted and The McBrides series, Ryan is excited to finally have a novel in bookstores, admitting during our discussion at RWA that she's “really more of a print person.” And her path to print publication is the stuff of writers' dreams. While attending a panel discussion during a previous RWA convention, Avon editor Lucia Macro mentioned that she would love to see more romantic suspense novels. Taking the cue, Ryan sent Macro her manuscript, and a short three weeks later, Avon bought her series. It's no surprise, really; Ryan is adept at writing those gripping scenes that leave you flipping pages till the end.
Ryan’s romance-writing career took off with a bit of a happy shock: the discovery that she was pregnant with third child. “I was reading all the time—I read 10 books a week while my kids were growing up!” she says of her time as a stay-at-home mom with her first two children. But when they grew older, she decided it was time to go back to work as a computer programmer. That plan quickly changed when she discovered that she was pregnant again with her daughter. With another baby on the way, she decided that writing romance novels from home just made sense.
So what inspired her to base her series on the cowboys of Big Sky country? “When I was younger, I had a friend in California with a small ranch and horses. I would spend my weekends riding horses with her, and I just thought it was the most wonderful thing in the world," she explains. "I grew up daydreaming about cowboys, because who wouldn’t? I remember thinking, there’s got to be a cowboy our there for me—And I ended up marrying a military man!" Ryan lives in the San Francisco Bay Area with her husband and three children, and can usually be found immersed in a world of books.
We chatted with debut author Lillian Marek over email about her first novel, the Victorian romance Lady Elinor’s Wicked Adventures (on sale November 4). This novel answers the call for romance in exotic locales, since its heroine Lady Elinor and a distractingly handsome family friend find love while exploring Italy and the ruins of the ancient Etruscan civilization. Marek writes with humor, historical knowledge and just enough spice to keep things interesting.
Writing historical romance was an easy choice for Marek. “I’ve never wanted to do anything else—you could call it a compulsion. For a number of years, I got my writing fix, so to speak, as a journalist, but it’s much more fun writing fiction,” she says. Her focus on romance was inspired by a friend’s suggestion to pick up Loretta Chase’s romance novel Mr. Impossible. “I absolutely adored it,” she says. “I started devouring romance novels, especially historical ones, and had a glorious time. Then I thought it would be fun to write them, so I did.” As simple as that!
Getting published was a bit more complex than her decision to write, but after winning a few romance-writing contests, Marek felt confident enough to pitch her book to Sourcebooks. Not only did Sourcebooks buy Lady Elinor’s Wicked Adventures, they bought the rest of the proposed series as well. "I was, as you can imagine, ecstatic," she says. Marek lives near Long Island Sound with her husband, where she enjoys taking long walks along the coast. We're excited to see where the next intrepid installment in Marek's Victorian Adventurers series takes us!
Rhonda Helms is venturing into the world of New Adult print with her love- and music-inspired novel, Scratch (on sale September 30). Scratch is a departure from her usual romantic young adult novels, which are “frothy and fun,” she says during our conversation at the hotel Starbucks. New Adult is an up-and-coming genre, marketed towards young women in their early 20s—a grown-up YA reader, if you will. New Adult focuses on characters finding themselves and struggling with choices and consequences, from first jobs to first loves, as they explore life after high school. “It’s got that young adult voice [first person], but with more adult situations. I like the fact that you can write these characters that are a little bit older, and there’s lots of high emotion,” Helms explains. Helms has a knack for writing convincing dialogue between her young characters, perhaps inspired by conversations with her 18-year-old daughter!
In Scratch, college senior Casey attempts to keep memories of an unpleasant past at bay by losing herself in her gigs as a DJ. She tends to keep others at a distance, but when a fellow student takes an interest in her, she wonders if letting him in might be worth the risk. Helms knew music would be a big part of the book, and explains, "Music is really important to me. I was a DJ too for a while—It was awesome!" Scratch even includes a track list which “reflects stuff that would be on Casey’s personal playlist or music that she would play in the club,” Helms says. Here's a sample track from the list.
Along with her interest in music, Helms has always loved romance novels. “I started reading romance when I was a kid,” Helms says. “I would hide in my mom’s bathroom and read her Harlequins!” Growing up with those Harlequins, she knew she wanted to write. However, she says, “The first book I wrote, I had no idea what I was doing. I just sort of vomited out five chapters, and then didn’t know what to do next. . . It took me a year, but after that first book, I learned my process. But that first book was rough!” Seven books later, it looks like she’s gotten the hang of it.
Helms lives in Cleveland with her family, where you may find her enjoying time with her pets, reading or perhaps sampling her favorite cheeses. “A good aged Gouda is divine, and Asiago cheese is exquisite,” she says. Romance with a side of cheese: what more could you want?