E L James surprised everyone by announcing on June 1 that she would be publishing a new Fifty Shades novel titled Grey within the month. The novel tells the story of Fifty Shades of Grey from the perspective of Christian Grey, and the pub day is here! The first reviews are in, and they are hilariously entertaining. I'm on page nine of this book, and I have been unable to stop laughing and reading the best lines aloud in the office (sorry, everyone in the office). In my opinion, and apparently many others, Christian Grey's inner monologue is kind of horrifying.
Here are links to some of the best early coverage of Grey:
And I'll leave you with my favorite non-explicit quote from the chapter I've read. Here is Christian answering Anastasia's fascinating question about why he invests in manufacturing:
"I have a love of ships. What can I say?" They transport food around the planet.
Indeed! What can you say. Ships: They transport food around the planet.
Are you planning on reading the latest from James?
Donna Grant's Dark Kings series features a race of dragon shifters who have remained hidden in plain sight for centuries. In this guest post, Grant explains what drew her to the alluring mythology of dragons and talks about her next book in the series, Soul Scorched, out June 30.
Why dragons? I get that question a lot when I tell people my series, Dark Kings, is about dragons who have been around since the beginning of time.
I write about dragons because out of all the mythological creatures—and there are thousands—dragons are the only ones that show up in every culture around the world. From Asian and European countries to Native American folklore—everyone has a dragon myth. Some cultures revered the dragons and almost worshiped them. Other societies feared them and thought of them as bad omens.
I’ve always found that things like that don’t occur by coincidence. It got me asking, Why does every culture have a dragon myth? Why not another mythological creature, like fairies or goblins? Why only dragons?
Was it because there were dragons at one time? How else would societies across the globe have the same legends of huge beings, some with wings and some without, some that could breath fire and some that couldn’t? But if there were dragons, where did they go, and who was to blame for their disappearance? The only logical answer? Humans.
We are responsible for the dragons disappearing. It’s how each civilization knew about them, it’s how they passed down stories of the magnificent, huge beasts—or scary man-eaters—who came down from the sky breathing fire.
Was there a war? Did all the dragons leave? Or did some remain behind, sleeping deep underground, waiting for a time when they could rise once more and take to the skies. Could some be able to shift from dragon to human? Perhaps the man passing you on the street is a dragon in human form.
So I started thinking about how I could turn all those questions into a world of my own. I wanted my dragons to be leaders of their people. So I made them kings—Dragon Kings. I wanted them to be the only creatures on this planet for millions of years. Ever since time began, they ruled the skies, the earth and the seas.
Because of all of the different legends surrounding dragons, I knew the dragons’ downfall had to come at the hands of humans. A war perhaps, but how would the humans win over such creatures as dragons? I decided it was because the dragons vowed to protect humans, and dragons don’t break vows.
So the world of dragons faded to myth. Yet they hid in plain sight, living on their land in Scotland where they can take to the skies at night. Their lavish lifestyle is supported by their distilling and selling of whisky. Beings this powerful, however, have enemies—the Fae, as well as one of their own: a banished Dragon King who is looking for revenge.
Soul Scorched, book six in my Dark Kings series, features Warrick, a Dragon King who finds humans extremely interesting, although he detests being with a crowd. He does better on his own—until he’s sent to the dangerous city of Edinburgh to watch over the unusual Druid Darcy as the Fae and other enemies stalk the streets.
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Nashville, Tennessee, is the home of country stars, line dances, cowboy boots—and BookPage! So we were particularly excited to see that Loving Dallas, the latest in Caisey Quinn's New Adult romance series Neon Dreams, is set in Nashville. In Loving Dallas, a country musician is on the brink of stardom, but the love he left behind to pursue fame refuses to fade. We asked Quinn to tell us more about what she finds so special about Nashville—and got some bar suggestions, to boot!
Everyone has as favorite vacation destination: The beach. The mountains. Ski resorts. Las Vegas. Disney World.
Mine is a little different than most.
Mine is full of neon lights and street musicians and smoky bars.
Doesn’t exactly sound like a dream resort, and that’s because it’s not. It is, however, one of the fastest growing cities in America and lately one of its most popular.
I loved it even before it was a television show. (And yes, I do also love the TV show!)
Nashville, Tennessee, encompasses all of the things I love. It’s in the South, it’s constantly filled with music, and you can’t walk five feet without running into a cowboy with a guitar strapped to his back. So it’s no surprise that several of my books are set in the world of country music and many either take place in Nashville or feature characters who spend a great deal of time there.
Traditional romance heroes generally fall into one of several established tropes: athlete, billionaire, CEO, cowboy, soldier, rancher, rock star. I wanted to read about guys more like Luke Bryan, Eric Church or Brantley Gilbert. Personally, I prefer my heroes country with an edge. Mostly I began writing books about country musicians because I wanted to know what in the world happened on that tour bus between Blake Shelton and Miranda Lambert. I couldn’t find those books. So I decided to write them myself. Much more experienced writers than me will tell you to write what you want to read and write what you know. So that’s what I did.
Luckily, Birmingham, Alabama, (where I live) is close to Nashville, and my brother and several of my friends are musicians that were happy to answer any questions about the musician lifestyle I had along the way. And I had a lot. Each trip I take to Nashville, I find myself in a bar like The Stage or Crossroads, watching a band and wondering about their story. If I’m lucky, I get to chat with them after the show. If I’m not, I make it up. Either way, each trip provides more inspiration for future novels. So it may not be the bright lights of Vegas or the relaxing vibe of a five-star resort, but Nashville is my second home and there’s nowhere I’d rather be—or rather write about. ;)
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We've all heard this piece of wisdom: "Food is the way to a man's heart." But Audrey Shulman took that advice to heart and set out on a year-long quest to find the man of her dreams by bringing home-made cakes to bars. Her book, Sitting in Bars with Cake, details her bar-and-cake crawl of love. In this guest post, Shulman tells us about her journey and the end result of all that cake.
Two years ago, I was 26, and I had been single for about 26 years. I had tried online dating, blind dating, and yes, I'll admit it, hosting large scale southern potlucks in hopes of enticing well-mannered male dinner guests who would offer to bring a side dish and stay after to help clean up.
Despite my best efforts, none of these dating strategies worked, so I decided to bake cakes and take them to bars until I found a boyfriend.
What's wrong with you? You might be asking. You must be, like, seriously deranged.
I just really thought it could work.
I had stumbled upon the idea after bringing homemade cake to a bar for my best friend's birthday resulted in some unexpected success. I had been serving pieces to all of our friends, when I looked up to see a group of guys ogling the cake from across the courtyard; offering them each a piece gave way to loud, hyperbolic feedback. "You MADE this?" they asked, inhaling the cake. "Are you an ANGEL?"
It seemed that cake was not only a boy magnet, but also the icebreaker of the century. I never would have had the gumption to go up to a guy in a bar, but with a cake in my hands, I could talk to anyone. So I decided to try it. For an entire year. Sure, I would have to start baking a lot, and I guess I would probably have to learn to drink, but sitting in bars with cake sounded like a fun experiment.
When I started this project, I had about as much male experience as a fairly progressive nun. Now I was meeting actors and surfers and cardiologists at 2:00 in the morning, forging BFF friendships because I was giving them cake for free. I was chatting up toy designers and comics and rocket scientists, dating Hollywood assistants and writers and a guy who claimed he stole other people's information for work but in a legal way. The guys I was meeting were from Los Angeles and Texas and England and India, occasionally married, engaged or very recently dumped. I was learning valuable lessons from our interactions, such as: You can bond with frat boys over more than beer pong and Cancun. Male follow-up skills are slower than dial-up. Sometimes your best self is just your real one.
The mission to find a boyfriend slowly turned into more of a mission to find myself. By committing to this sugar-fueled dating strategy, I was getting more confident as a baker and more confident as a single person in the murky relationship waters of LA. By opening myself up in ways I never had before, I was winning, regardless—boyfriend or no boyfriend.
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Former comedian Eric Jerome Dickey has made a name for himself as the New York Times best-selling author of steamy romances, and his latest novel, One Night, is out now. Of course, you may have noticed that Dickey is male, which is quite the anomaly in a genre dominated by female authors. In this guest post, Dickey tells us how he got started in romance writing.
“Your book sucks.”
I was at a convention in St. Louis, with an anticipated crowd of tens of thousands. I was seated at table alone, a few of my books in front of me, watching hundreds of people pass by, when a 30-something lady stopped and stood over me, scowling like I had slapped her momma with a cold pork chop on Vegetarian Day.
I paused, took a breath, and asked myself WWJPD?
What would James Patterson do?
She stepped closer, one hand on her hip, in my space like she owned St. Louis, and repeated, “Your book sucks.”
“Did you read it?”
“I don’t have to,” she snapped.
“You didn’t read Sister, Sister, so how do you know anything about it?”
She motioned toward the carefree professional women on the cover, tsked and looked me up and down. “You’re a man writing about women. I don’t have to read it to know it sucks. Men know nothing about women.”
Then she walked off, her hips showing me how happy she was to have delivered her message.
So it goes. So it went for a long while. I received hate mail based entirely on the fact that I was a guy who had written female characters.
I read all genres, from Stephen King to Angelou, from Mosley to Judy Blume. I assumed the rest of the reading world was like me, that they read across the board, more amazed by stories than by the gender of the writer. A good story makes you forget about the writer and cling to the characters.
More than one book club told me I should be happy they selected my novel because they usually only selected novels by female writers. That’s what it was like for me at the start.
So how did I end up being the man writing female characters? Glad you asked. I was in a writing class at Cal Poly Pomona, only two guys and about 15 women. Our assignment was to write 500 words from the opposite gender’s POV. The idea terrified me. But over two days, I wrote what eventually turned into Sister, Sister—close to 10,000 words. The lead character was a woman, nothing to indicate race, vague on description; the women in the classroom were ecstatic. They were so sure that another woman had written my piece that when I raised my hand to claim the story, they shrugged it off as a joke.
Back in the 90s I was on the incoming wave of male writers who weren’t writing political thrillers or angry fiction—but that was the genre suggested to me in the 300 rejection letters I received. Men wrote certain things and women wrote certain things; that was just how it went.
That first book tour, I left St. Louis having sold only three novels in eight hours. I’ve now written more than 100 characters, won many awards and had a novel banned. But sometimes I think about that insulted-and-enraged-for-no-reason-lady I met in St. Louis.
I chuckle and hope she’s well, healthy and blessed.
I am. That has never changed.
I have to admit, as my latest offering, One Night, prepares to hit the stands, my grin is a bit broader these days. Even on dark days, I feel the sun on my face.
I hope that woman has found what brings her joy.
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In case you were unaware, the best-selling author Christina Lauren is actually two authors: best friends Christina Hobbs and Lauren Billings. In this guest post, they talk about what it's like to write as a team, their unconventional creative process and their latest collaboration.
Most writers work alone, so as co-authors, we’ve found that people are curious about how we work as a team. It’s a horrifying prospect to some writers, the idea of letting someone else into the creative process, but we honestly—HONESTLY—don’t see how co-authorless writers do it. We’re guessing alcohol.
Exactly 722 miles separate our doorsteps, but—thankfully—it’s an odd month when we don’t see each other. We outline in person . . . and—thankfully, again—there always seems to be another project to outline. (See also: We are lucky!)
For us, outlining is really just talking about the book. Sometimes it happens in restaurants (oops to anyone sitting within earshot), the car or even while waiting in line at Disneyland. We ask: Who are these characters? Why do they fall in love? What gets in the way? What makes them different? Our outlines are usually pretty simple—a sentence, maybe a very short paragraph reminding us what happens—and we go from there. We try not to go into too much detail at this stage because if we’ve learned one thing after writing fifteen books together, it’s that things change the moment we put words on a page.
We draft alone—our processes are so different we’d drive the other insane—but in shared documents so we always know what comes before and after what we’re writing. Sometimes we divide by POV, sometimes it’s based on who wants to tackle which parts, and sometimes it’s based on our strengths. We draft fast and then revise, revise, revise.
And then we revise some more.
It’s easy for readers and aspiring writers to feel discouraged when they look at their draft and then at glossy finished books on the bookstore shelf. Some writers draft clean; we don’t, and our books come alive in revision. Sweet Filthy Boy started out in alternating POV’s, but had to be cut to one when we realized a character was keeping a secret. Beautiful Secret was finished in July, but went through edits up until January because we hadn’t quite gotten the nuances of the characters right yet. We rewrote about 85 percent of Dark Wild Night because while the story itself was fine . . . it didn’t fit the characters at all.
And that’s okay; sometimes writers need to do the wrong thing before they see the right direction. Writing can be isolating, and any creative work is so subjective. We all wonder if anyone else will ever relate to this thing we’re creating. It’s why we’re grateful to have each other, as well as the editor and agent we have! And priority number one? Get better with every book.
Thanks, you two!
(Author photo by Alyssa Michelle)
New York Times best-selling author Kylie Scott has made a name for herself writing about the scintillating love lives of the (sadly fictional) rock band, Stage Dive. Deep, out now, is the final book in the series. In this guest post, Scott tells us about what drew her to rockers, her decision to feature a pregnant heroine and her thoughts on closing out the series.
Rock stars are funny things. Ever since prime-time TV deemed Elvis’ hip-shaking antics too raunchy to show on air, we’ve been fascinated with their lives, both on stage and off. Rock stars push boundaries and live life on the edge. They stand up beneath the spotlight in front of thousands and both enthrall and entertain. And right from the get go, more than any other topic, they were singing about sex, love and relationships. Take Chuck Berry’s “My Ding-a-Ling” or Little Richard’s “Good Golly, Miss Molly.” Sex, sex and more sex. How about Carole King’s “Will You Still Love Me Tomorrow” or The Rolling Stones’ “Wild Horses”? All of the longing and heartbreak you could ask for and then some.
For me, writing the Stage Dive series meant finally putting all the hours I spent in my youth sitting in front of music video shows, or with my ear glued to the radio hoping to catch a certain song, to good use. In the first book, Lick, there was lead guitar/song writer David. He was the tortured artist, emo-type dude. Next came manic, life-of-the-party drummer Mal, because filters . . . why would you even? Then came lead singer Jimmy, the messed-up, moody-ass show pony with addiction issues (He’s my favorite. I can’t help it. I love an asshole.) And finally, bass player Ben: big, bearded and simple in his ways. The man just wants to make music. So of course I screwed with him big time and had him accidentally knock up his best friend’s kid-sister. Angsty complications—I love them.
But why a pregnant heroine? Good question. You see, as we all know, in real life, sex has consequences. Sometimes those consequences are as simple as losing a bra down the back of the headboard or doing the walk of shame. Other times, they’re unexpected pregnancies that throw your whole life for a loop.
Now, despite the rather loud voices in my head, I know Deep is just a book. As much as I’d love to have a beer with Lena, it ain’t gonna happen. But romance novels are an opportunity for us to explore all those nitty-gritty relationship and female-orientated issues. Hold your horses! I’m not saying men can’t or don’t write romance, or that pregnancy doesn’t affect the other partner. What I am saying is, that in this book, written from the heroine’s perspective, we have a chance to dig deep into the mind of a young woman in this situation. It means we can bring unrequited love (*swoon*) out to play whilst also taking a peek at the biological, emotional and mental changes a woman undergoes when she’s knocked-up—both the funny and the frightening. Another reason I gave Liz a bun in the oven? I hadn’t written about a pregnant heroine before, and I like to mix things up, set myself a challenge. Also, pregnant women can, and do, have sex. We don’t suddenly lose all personality and become solely a breeding machine when sperm meets egg.
I’m going to miss the Stage Dive crew. They taught me a lot over the course of four books and I’m grateful for the experience. Will I ever write another story about them? Honestly, I don’t know. Right now, it’s time for something new. In the future though? There is that god-awful Martha woman still hanging around making side-eyes at Sam . . .
There's a hot new genre that's been floating around the publishing world for a few years called New Adult Romance. If that's leaving you scratching your head, no worries! Best-selling author K.A. Tucker, whose New Adult romance Becoming Rain is now in stores, is here to explain what New Adult really means.
When I'm asked what genres I write in and answer "New Adult Contemporary Romance" and "New Adult Romantic Suspense," the follow-up question tends to be: "What does ‘New Adult’ mean?” It's a question with an answer that varies depending on whom you ask. But over the past few years, a number of defining characteristics have emerged.
Most New Adult authors will agree that their characters should fit into an age window of 18 to 26 years old. Anything younger is typically termed Young Adult; anything older is simply Adult.
These characters are not simply a specific age, however; they’re also emerging into the world as adults and are no longer under parental supervision. They're making decisions about their futures and, many times, those decisions are inspired by a sense of newfound freedom. They're driven by emotion and learning through mistakes. This is a very real stage of growth that most people go through, and New Adult is meant to capture the triumphs and struggles that accompany it.
How these triumphs and struggles play out varies drastically for the individual, however. Many young people go to college, but many don't. Some still have the financial support of their parents to keep them afloat; others are maintaining full-time jobs just to keep a roof over their heads. Some are already looking for that significant person to spend the rest of their lives with, while others can't see themselves settling down for another decade. Most really don't have a clue what they want to do with the rest of their lives now that they're in the driver's seat.
All of these motivators, combined with evolving personalities, make this stage incredibly rich for story-telling.
In fiction, an author's own experiences, belief systems and comfort levels influence how their characters will handle the obstacles they face. I like to create characters that make bad decisions. I put them in uncomfortable situations and weave in unusual challenges to see how it will all play out for them. This makes for somewhat unconventional New Adult plot lines (in Becoming Rain, the two main protagonists are an undercover police officer and a guy entering a car theft ring), but I don’t let that deter me. The only question I ask myself is, "If it were me, how would I have handled this in my early 20s—and how would I handle it now?" If the answers are drastically different, that's when I know I'm onto something.
Best-selling author Robyn Carr is celebrating the release of One Wish, the latest novel in her Thunder Point series. In this blog post, Carr writes about what women's fiction and romance mean to her. If you thought romance novels were just about the steamy scenes, Carr is here to set you straight!
When my son was in Iraq, we Skyped almost every day. We had more long and meaningful discussions while he was in a war zone than we had when he lived under my roof. And there were times it could get a little awkward, like when I was on a writing roll, in the story zone, and his first question is, “Do you know David Baldacci?”
“Not personally,” I said. “Why?”
“Someone gave me one of his books and told me to read it; I might like it.”
“I don’t have one,” he said.
“Stand by,” I said.
So I emailed him a book. It was with great satisfaction that I heard him say, “Hey. This is good.”
The more interesting thing happened later. First, he found that many of his female co-workers had known about me for a long time and were fans. That really jazzed him up; finally made his mother somebody. He did some mild raving about the book, and I offered him the next one in the series.
“No offense, Mom, but it’s a chick book.”
Yes, it’s a chick book, something I’m rather proud of. But what I do is write romance and women’s fiction, which is about women, for women and written largely by women. My books, the chick books of this century, celebrate women. And because of the digital age, the response is immediate! Any writer of fiction for women who doesn’t know what their readers most enjoy, what brings the greatest reader satisfaction, is asleep at the switch. They tell us every day: Dear Ms. Carr, I know just how Mel felt because I lost my husband at a very young age. Dear Ms. Carr, I escaped from an abusive relationship and you really nailed it—thank you. Dear Ms. Carr, My son was bullied in high school and I’m so glad to see one of my favorite romance writers address that subject.
I have a lot of male readers, too—I hear from them regularly. One of them surprised and thrilled me. I lost my leg in Afghanistan and it was after reading your book about a soldier in an almost identical situation, I’ve decided I really need counseling. I don’t know how my wife has lived with me this long!
I realize that what I really do when I write romance is less about love and sex and more about hope.
I write about the things that are part of a woman’s world: the family drama, community cohesiveness, neighbors helping neighbors. My readers visit my books daily for the chance to relate to the characters who share their burdens and joys, to use strong characters as role models, to be entertained while they struggle to find their own happy endings. Sometimes, they come to me at their most vulnerable and entrust me to take them on a meaningful journey. By the time I’m on the home stretch of a new book, I realize that what I really do when I write romance is less about love and sex and more about hope.
My son has been home from Iraq for quite a while now, safe and sound, and I’m meeting the most interesting people in Thunder Point. In One Wish, I met a former figure skating champion who craves a quieter life and Mr. Hottie High School teacher, Troy Headly, who is on hand to prove to her that it doesn’t have to be all that quiet. And in A New Hope, which will be out in June, Ginger Dysart chooses Thunder Point as the town in which she’ll reclaim her life. Who would have guessed she’d find it in the arms of a handsome Basque farmer? And there’s more—join me for Wildest Dreams at the end of summer when a world famous triathlete mixes it up with a local nurse, and together, they dare to dream the wildest dreams.
Join me in Thunder Point—the place where wishes are made, hopes are finally realized and dreams come true.
We're excited to announce that BookPage will be launching Smitten, a monthly romance newsletter, next week. Smitten will feature exclusive guest author blog posts and Q&As with some of your favorite authors along with our monthly Romance Top Pick, a digital-first feature and reviews of some of the month’s biggest romance novels. Sign up for Smitten here.