On Friday, we heard that Stephen King's Under the Dome had been optioned by DreamWorks TV as an "event series." I think the new novel is extremely well-suited to a miniseries format and can't wait to see how it turns out (if you haven't seen my review of Under the Dome, it's here).
Of course, this news can only mean one thing—coming up with casting ideas! I could see Elizabeth Mitchell of "Lost" doing a good job as Julia. She's about the right age and could play the role of a relentless reporter without batting an eye.
Actor Cillian Murphy has a talent for being creepy without becoming a caricature (Red Eye, anyone?), so he'd be a great Junior. But at 33, is he too old for the role?
As for Big Jim and Barbie—I'm stumped! And what about the endearing Joe McClatchy and his teen cohorts? Other Under the Dome readers, share your ideas in the comments.
Update: Nadia won a copy of Thanksgiving Rules by Laurie Friedman.
We love hearing about the books you're thankful for, however, so feel free to keep commenting on our original Thanksgiving post.
P.S. If, like Nadia, you like Bernard Waber, here's a handwritten interview with the author/illustrator.
This afternoon I had the incredible good fortune to get to interview Gary Paulsen over the phone about his January 2010 release Woods Runner. I won’t reveal too many details from the conversation (for that, you’ll have to wait for our January feature on BookPage.com), but I will give this teaser: In our hour-long conversation, I somehow managed to seriously crack up over Paulsen’s jokes; be incredibly inspired by his love of reading and writing; and feel compelled to buy a used copy of Hatchet on my lunch hour since my own copy is on the shelf in the house where I grew up. If you love Paulsen (and what fan of children’s literature doesn’t?), then you are in for a treat come January. Woods Runner is excellent, and it was made many times better when I got some background information from the author.
I did manage to extract a bit of news you may be interested in. Paulsen is an amazingly prolific writer (he’s written over 175 books), and 2010 will be no exception. Besides Woods Runner (out on Jan. 12), you can look forward to the release of Lawn Boy Returns on May 11. This is the sequel to Paulsen’s Lawn Boy, a novel about a kid who makes nearly half a million dollars when he starts up his own lawn business. BookPage reviewer Angela Leeper wrote of the novel: “With his quick-paced, conversational narration and such chapter headings as ‘The Law of Increasing Product Demand Versus Flat Production Capacity,’ Paulsen presents capitalism and storytelling at its best in this delightful summer story.”
Paulsen has another intriguing project in the works. He has written a book about kids who read books (such as Moby Dick), then try to re-enact them. The book was inspired by a fan who sent him a homemade video re-enactment of Hatchet (that involved the kid taking his mom’s fur coat into a swamp). No publication date on this one yet, but we'll keep you posted.
Related in BookPage: An interview with Paulsen from 2003.
What’s your favorite Paulsen book? There are a lot to choose from! My favorite is Harris & Me. I found out today that “Me” is really Gary.
Will a new cover on a classic inspire you to purchase a book you’d long looked over?
You all loved HarperPerennial’s Olive Editions and Penguin’s Classics. Now, Vintage is getting in on the action with a redesign of Nabokov’s works (coinciding with Tuesday’s publication of Nabokov’s posthumous novel, The Original of Laura).
Over at the Vintage and Anchor Books blog, there’s a post from Art Director John Gall on the project. He writes, “Every so often, a dream project lands on your desk. Here’s one: redesign Vladimir Nabokov’s book covers. All twenty-one of them. Let me rephrase. Every so often the most daunting project of your entire life arrives on your desk.”
What do you think of the result? Because Nabokov was an avid butterfly collector, each cover is designed to appear like a classic specimen box. Gall had a variety of designers help him with the project. I have to say that I love these retro, stylish covers. A few of my favorites are below. You can see a slideshow here.
Designers: Chip Kidd for Ada, or Ardor; Charles Wilkin for Look at the Harlequins!; Paul Sahre for The Luzhin Defense; Marian Bantjes for Transparent Things.
This morning we posted in the News section of our website that Colum McCann’s novel Let the Great World Spin won the National Book Award for fiction. We predicted that this title would be the winner, not least of all because of Robert Weibezahl’s rave review in our Well Read column – although McCann has long been a favorite of BookPage. If the National Book Award has piqued your interest in this talented novelist, you might enjoy some of his prior works, too.
Dancer, from 2002, is a “glittering biographical novel,” according to reviewer Julie Hale. McCann “tells the story of Rudolf Nureyev, one of the 20th century's greatest ballet dancers and an international star done in by his own decadent lifestyle.”
This Side of Brightness, a story about a man's struggle to raise a family in New York City, demonstrates McCann’s talent to create “lyrical prose that is both refined and urbane,” writes Charles Wyrick. “McCann addresses the big issues of race, love, and time with a literary majesty that completely befits the nature and scope of this family epic. His tone as novelist is a wonderful reminder of the self-assured poetics of his shorter fiction, yet now even more of a literary treat as he traces out his tale through the vicissitudes of time.”
Wyrick also praises McCann’s short story collection, Fishing the Sloe-Black River: “McCann is a master at making his language float about whatever subject or object he has chosen to describe. In his stories his vocabulary slips easily from the archaic to the profane, proving him to be much more than a literary stuffed shirt. McCann's strong knowledge of words is only out done by his even stronger sense of the way words sound. Whether expressing dialect or trying to evoke the emotion of a certain exchange, one cannot help but admire the way McCann's dialogues draw out sounds. The stories of Fishing the Sloe-Back River are a wonderful testament to a writer with an incredible ear for language.”
We also recommend that you check out Zoli, a novel about an exotic singer and poet. The story is based on a real-life Gypsy poet, and McCann enriches “that story with insightful and evocative prose,” writes Deborah Donovan. In Zoli, McCann creates “a vibrant character who is able to maintain her identity and proud heritage, even when abandoned by those she loves.”
Will you be reading any of these books? Also, what is your favorite novel by Colum McCann?
Thanksgiving is nearly a week away, and if you know little ones who love to read, there are many picture books that will help them celebrate the holiday. A couple releases from this year include Jacqueline Jules’ Duck for Turkey Day and Laurie Friedman’s Thanksgiving Rules.
Duck for Turkey Day is about Tuyet, a Vietnamese-American girl in elementary school, who longs for her family to have a traditional Thanksgiving meal (instead, they eat duck). Tuyet ultimately learns that turkey is the least important part of Thanksgiving “as long as you have a good time with family and friends.”
Thanksgiving Rules is a hilarious guide to getting to the Thanksgiving buffet as fast as possible (“After you’re done cleaning, I’m sure you’ll want to EAT. But you can’t do that just yet. First, you have to greet.”)
Full reviews are below the jump, complete with a trailer of Duck for Turkey Day and a podcast with Laurie Friedman.
At BookPage, we have a copy of Thanksgiving Rules. We think a read-a-loud from Friedman’s book would make a great Thanksgiving Day activity, and we’ll choose a commenter at random to get their own copy.
For a chance to win, answer this question in the comments: What book are you thankful for? We'll announce a winner tomorrow afternoon.
The many ways of giving thanks
In these two Thanksgiving-themed picture books, children learn about multicultural holiday traditions, the rules for getting the most out of your meal and the most important Thanksgiving lesson of all: It’s who you spend it with that matters.
Duck for Turkey Day
By Jacqueline Jules
Albert Whitman & Company, $16.99, 32 pages, ages 4-8
The menu’s not important
From feasts on sitcoms to advertisements in magazines, the image of a “traditional” Thanksgiving meal is everywhere this time of year. There is no doubt about what that meal entails: dressing, cranberries, green beans, pumpkin pie – and most important of all, turkey.
But what if your family doesn’t eat turkey on Thanksgiving? Is it still Thanksgiving?
In Duck for Turkey Day, Jacqueline Jules thoughtfully addresses this topic by way of Tuyet, a young Vietnamese-American girl who is troubled by her family’s unconventional Thanksgiving menu. Tuyet has happily participated in all the requisite Thanksgiving school activities – learned about Pilgrims and Native Americans, made a turkey out of a pinecone – and she’s upset that her family’s tradition veers from the norm.
Tuyet nearly bursts into tears on her classroom’s “story rug” after the holiday weekend; she’s embarrassed to share that her family ate duck . . . that is, until she hears what her classmates had to eat: lamb, enchiladas, even tofu turkey. Tuyet’s teacher explains that turkey is the least important part of Thanksgiving, “as long as you have a good time with family and friends.”
Kathryn Miller’s colorful illustrations realistically portray Tuyet’s range of emotions as she grapples with being different on the most American of holidays. And Jules, who has written 14 children’s books, will convince any child that her family’s traditions have a place in our multicultural nation.
By Laurie Friedman
Carolrhoda Books, $16.95, 32 pages, ages 4-8
A kid’s guide to Thanksgiving
Percy Isaac Gifford, the precocious young narrator in Laurie Friedman’s Thanksgiving Rules, knows the secrets to stuffing yourself on Turkey Day: get dressed (in whatever clothes Mom wants); help clean up the house; be nice to your family . . . and then you get to eat! Percy explains these rules in hilarious, energetic rhymes (“After you’re done cleaning, I’m sure you’ll want to EAT. But you can’t do that just yet. First, you have to greet.”). Teresa Murfin’s wonderful illustrations of turkey, pie and Percy’s large family will keep any young reader alert as they bounce along to the story’s climax – the moment of approaching the Thanksgiving buffet.
For some, Thanksgiving has a reputation of being a tedious obligation filled with strained family reunions and mediocre mincemeat, but you wouldn’t know it from Friedman’s guide to enjoying the holiday. And although food is the main event for Percy Isaac Gifford, there are plenty of small lessons squeezed into this delicious story. Percy explains that appreciating your family – especially the ones who prepared your feast – is a “big deal.” Although he wants to give his family members a giant hug after the meal, Percy gives everyone a “light peck on the cheek” to prevent the overeaters from exploding – and shows us how fun it can be to give thanks with loved ones.
Watch the YouTube trailer of Duck for Turkey Day:
Listen to a podcast with Laurie Friedman, author of Thanksgiving Rules.
Related in BookPage: "A harvest of thankful books."
Sex and the City fans have more to look forward to than “Sex and the City 2” (in theaters May 28, 2010). On April 27, Candace Bushnell’s Sex and the City prequel, The Carrie Diaries (part 1 of 2) will hit shelves. The cover was revealed yesterday.
Whereas Bushnell’s original Sex and the City—published in 1996, two years before we ever saw Sarah Jessica Parker swoon over Mr. Big—was an adult novel based on Bushnell's columns in The New York Observor, The Carrie Diaries are being published by HarperCollins’ kids imprint Balzer + Bray (the novel is for teens 14 & up, according to the pub info). The diary will chronicle Carrie’s high school years.
In a statement from HarperCollins, Bushnell said, “I’ve always been interested in exploring Carrie's teenage years. . . Carrie in high school did not follow the crowd—she led it. It was there that she began observing and commenting on the social scene.”
The cover art is supposedly related to an incident with Carrie’s mother. Any predictions?
Related in BookPage: a handwritten interview with Candace Bushnell.
True Confections by Katharine Weber
January 2010, Crown Publishing Group
In the form of an affidavit, narrator Alice Tatnall Ziplinsky (formerly known as “Arson Girl”) chronicles the history – the good, the ugly and the absurd – of her family-by-marriage’s candy company.
“Candy makes people happy,” Sam used to say as a way of summing up and moving the conversation past a challenging moment, “and I make candy. So my business is to make people happy. Who could ask for anything better?”
Zip’s Candies might make people happy, but it doesn’t make the Ziplinskys happy. I take peculiar solace in finding myself part of a great American tradition of troubled candy families. At an awards dinner during a candy and snack show in Atlanta last year, an inebriated vendor told me fascinating details of two Mars family divorces, which make my situation seem like a piece of cake. And let us reflect for a moment on Hart Crane’s suicidal leap into the sea from a ship sailing between Havana and Florida at age thirty-three, in 1932. His father, Clarence, had invented Life Savers candy twenty years before, inspired by the recent innovation of round flotation lifesaving rings on ships.
Related in BookPage: Katharine Weber writes a behind-the-book essay about Triangle, her fourth novel.
What are you reading today?
Instead of egg and pasta salads, and peanut butter and jelly sandwiches for the kids, tables were stocked with SunButter (peanut butter substitute made from sunflower seeds), Caramel and Apple Bars, and soft Snickerdoodle Cookies (dairy, gluten, wheat, nuts, tree nuts, soy, egg, fish and shellfish free). Other tables were staffed by EpiPen employees, and allergists filtered through the crowd talking to their patients, getting to know these families.
So what was I doing there? A writer without any family members with food allergies?
I was meeting my characters.
When I wrote Matters of Faith I didn't know anyone with food allergies, and I relied on medical research and empathy to imagine what a family dealing with them goes through. Though an adverse reaction figures prominently in the plot, I didn't set out to write a book about food allergies, I simply wrote a book about a family. But once it was published, the reader mail I received was frequently from mothers of food allergic children thanking me for presenting a realistic, if terrifying, possibility that they had to live with every day.
Most surprising and gratifying was that many of them gave the book as a gift to family members, friends and acquaintances in order to help educate them about how serious food allergies can be.
Over the last year I've met many of these families, and on that Saturday in November I was the Honorary Chair of the Tampa FAAN Walk. Copies of Matters of Faith were raffled off, and I signed them to people very much like the Tobias family in the book.
It was a humbling and exhilarating day. I am filled with admiration for these families and thank them deeply for sharing such an important event with me.
One of the first big releases of January 2010 is Elizabeth Kostova's follow-up to her hit debut, The Historian, a literary vampire story that topped bestseller lists in the summer of 2005. Her new novel, The Swan Thieves, is a tale of love, obsession and art that, like The Historian, goes backward and forward in time to unravel a mystery. We asked Kostova a few questions about the book as a teaser for fans--and a preview of our full-length BookPage interview coming in January.
What elements in The Swan Thieves will most appeal to fans of The Historian?
I think readers who enjoyed The Historian will probably enjoy the mix of historical and contemporary settings in The Swan Thieves, as well as the travel to France and through time.
Impressionist art is frequently referenced in books (yours!) and films (Amelie), and probably adorns 8 out of 10 dorm room walls. What is it about these artists that continues to speak to people today?
I think we still look at and love the Impressionists because they capture something about nature that is both vivid and idealized. As we watch the destruction of natural beauty in our world, we probably value these images in a new and piercing way. I think it's also important to note that many people are understandably sick of Impressionist art from sheer over-exposure to it, and because in reproduction it radiates a certain prettiness. Looking closely at an original Impressionist masterwork is still a radical experience, and very different from looking at a notecard or tote bag.
The mystery of The Swan Thieves revolves around a 19th-century female artist, and the sacrifices women in particular must make to pursue art. Is there a real-life artist who inspired this character?
Beatrice de Clerval is not based on a single real artist, but in developing her I was inspired by the life of Berthe Morisot, one of the six original exhibiting Impressionists, a dedicated and very gifted painter who also protected the conventions of her social and family life.
Who is your favorite character in the new novel, and why?
I think I'm fondest of Andrew Marlow, because he changes the most over the course of the book. I feel very close to him in his struggles to figure out who he is, and I like the way he evolves from vanity to love--rather as Professor Rossi does in The Historian.
How was writing this book different from writing The Historian?
In writing The Swan Thieves, I had to move away from using the models of Victorian literature and into something more exactly fitting my story in terms of language and structure. I also wrote it in large swathes, as different episodes became vivid for me, and then rearranged these in the editing, rather than writing straight through from beginning to end as I did with The Historian. I learned a tremendous amount from writing The Swan Thieves and it is a deeply felt book, for me.