Maryglenn McCombs is a local book publicist and a great friend to BookPage. Maryglenn emailed us with a great story this morning, and we just had to share:
Those of you who know me probably know that I love dogs—especially my beloved and humongous Old English Sheepdog, Garcia. Some of you have any suggested that I am obsessed with Garcia. (Note the absence of denial.) Most of you probably also know that I am, by trade, a book publicist who loves books. I am writing to share a story about the unusual collision of my love of dogs and love of books.
Please let me introduce one of my all-time favorite mystery writers, Don Bruns (www.donbrunsbooks.com) with whom I have worked for years.
When Don came to me with the idea for his ninth novel, I asked (okay, begged) that he consider including Garcia, in all his Old English Sheepdog glory, as a character in the book.
Well, he did.
And much to Don’s surprise, Garcia wound up “taking over” the plot and ultimately becoming a major character in Don’s new novel, Don’t Sweat the Small Stuff, which Oceanview Publishing will release in hardcover and eBook on December 6, 2010. Don’t Sweat the Small Stuff is a hilarious mystery about two stumbling, bumbling amateur detectives who get mixed up in investigating a crazy traveling carnival show—and nearly lose their lives in the process of contending with a cantankerous cast of carnies who don’t take kindly to the investigation.
While many of us think of the summer months as prime reading season, publishers tend to save plenty of their sure-to-be fiction hits for fall. And this year’s crop of late 2010 novels is certainly no different.
Our September issue has already gone to press, and we are particularly excited about our interviews with Jonathan Franzen and Emma Donoghue. Franzen’s Freedom and Donoghue’s Room are two of the most talked-about upcoming releases, and we can’t wait to see what readers make of them once they go on sale in the coming weeks (for Freedom, that’s August 31 and Room, September 13).
September also marks the release of Sara Gruen’s follow-up to the smash hit Water for Elephants, Ape House, (Sept. 7), Ken Follett’s first part in a new trilogy, Fall of Giants (Sept. 28), another love story from Nicholas Sparks, Safe Haven (Sept. 14) and Michael Cunningham’s first novel since Specimen Days, By Nightfall (Sept. 28).
But things don’t slow down in October. Nicole Krauss is back (after The History of Love) with Great House on Oct. 12 (be sure to check out our interview with Krauss in the October issue of BookPage) and John le Carré returns with Our Kind of Traitor (also on sale Oct. 12).
In November, we’re excited about a new—and very dark—story collection from Stephen King, Full Dark, No Stars (on sale Nov. 9) and Dennis Lehane’s follow up to Gone, Baby, Gone, Moonlight Mile (on sale Nov. 2).
If courtroom dramas and thrillers are your cup of tea, you are certainly in luck this fall. Vince Flynn, John Grisham, Lee Child, David Baldacci, Patricia Cornwell, James Patterson, Tom Clancy and Steve Berry all have new releases in the coming months.
So as the kids go back to school and the leaves change from green to red, be sure to pick up one of these new novels. You won’t be disappointed!
If you’re an avid Glee fan like me, last night’s season finale was more bitter than sweet. Sure, the kids from New Directions sang their hearts out at regionals, several romantic entanglements got even more complicated and Quinn finally had her baby girl. But with our favorite show on hiatus, what’s a Gleek to do? Well, it turns out you don’t have to watch endless reruns of season one or listen to the cast recordings over and over on your iPod . . . because Glee is hitting bookstores this fall!
Glee: The Beginning: An Original Novel by Sophia Lowell goes on sale September 1 from Poppy, a young adult publishing division of Hachette. And while this first book is a prequel to the TV show, multiple book projects are in the works—and all are authorized by Twentieth Century Fox. Now that’s music to our ears.
Are you a fan of Glee? Will you read the books?
It’s always a treat to have the opportunity to speak with authors after you’ve read their books. So I was thrilled to interview Emily Giffin about her latest novel, Heart of the Matter, for our May issue.
We mostly talked about Heart of the Matter, of course, but I was delighted as our conversation veered off-course a few times. I couldn’t include all of the great content in my print interview, so here's the dish on Giffin’s writing process, how she balances a full-time writing career with raising three young children and—gasp—some then “off-the-record” (and now public) details on the upcoming movie version of her debut novel, Something Borrowed.
We’ve heard the good news that Something Borrowed (and Something Blue) are being adapted for film. Something Borrowed is slated to begin filming this summer. What can you tell us about that experience?
It’s been totally thrilling and I’ve been very involved with the details and become very close to both producers and the director. It’s been such a positive experience. I’ve heard that it can be a very negative experience for writers and they can be completely not involved and hate the direction. They have listened to my thoughts, and they don’t always agree with what I say—which is fine, because I’ve always viewed it as a separate project—but they listen and they are just great people. So it’s been awesome. Ginnifer Goodwin has been cast as Rachel—she’s perfect. So sweet. And John Krasinski is in for Ethan.
[This is where Abby devolved into total celeb geek mode and Emily and Abby discussed all the casting options and possibilities. Recently, more of the cast has been revealed (and even seen on set the week of April 19), including: Kate Hudson as Darcy, Colin Egglesfield (from the new Melrose Place) as Dexter and Steve Howey (who co-starred with Hudson in Bride Wars) as Marcus. Giffin said the movie is slated for release in early spring 2011, and you can bet I’ll be first in line at the theaters.]
So will you get to be on set and meet all these fabulous people?
My book tour starts May 11 and filming starts April 27 and I’m like, 95% of my life is totally boring, why do these two things have to happen at once? But I should be able to get up there a few times. And technically, in the contract, I’m supposed to have a small speaking part.
How does your creative process work? What comes to you first? The characters? The situations?
It’s pretty much worked the same with all of my books. It’s more of a very general premise. What would happen if a woman fell in love with her best friend’s fiancé, or what would happen if a couple got married and then, a few years into their marriage, one changed their mind about something that was fundamental to their marriage? Or what would happen if you ran into your “one who got away” and suddenly you realized that being with him was an option. I think I always start with that scenario, and I try to make it very relatable. Most everyone has someone from their past who they wonder about; and most of us have a friendship that is not 100% pure, marked by an undertone of insecurity or competitiveness, or something toxic about it. I think women—people—of all ages can relate to that. So the situation comes first and then the characters emerge from that. And then as I get to know the characters and write about them, the plot comes after [that]. It’s a very character-driven process for me.
Do you outline and plan it all out?
No, I don’t. I haven’t for any of my books. I have a very general sense of beginning, middle and end, but I don’t outline any scenes or specifics. I just think to myself, “Ok, this is where they’re starting out, this is where they’re going and this is where I think they’ll end up.” But in many cases they don’t end up where I think they will because as I get to know them, I think to myself, “Well, that’s not actually what this person would do.” You get to know the characters as you spend time with them, and sometimes I’m very surprised. For me, it’s a lot more fun to write that way. It’s inefficient, but I enjoy the little surprises along the way.
How do you balance a full-time writing career with raising three young children?
I think it’s interesting that people often ask that question. In a way, I think it gives me too much credit. I think every time we go into a bookstore, Harriet that she’ll have a role model—someone who does both.
You initially tried to break into publishing by writing a YA novel. Do you ever think of revisiting that genre and writing anything for a younger audience now that you’re a best-selling author?
Occasionally. If I had more time, I definitely would. I have been writing the screenplay for Baby Proof and I’ve been thinking about young adult books. I just wish I had more time because there is so much I would like to do. But I have to prioritize because I do have small children and I don’t have all the time in the world to work. So I think I’m going to stick with what I’m doing, for the most part.
Are you working on your sixth novel? Can you tell us anything about it?
I’ve started it. But it’s a little too new to get into what it’s about.
Read the complete interview with Giffin on BookPage.com.