Here’s another question for you. Does popular fiction translate on the stage?
If you loved Lee Smith’s The Last Girls or Jill McCorkle’s Going Away Shoes, you may want to make a trip to NYC: Paul Fergusen has adapted their stories into a play called Good Ol’ Girls, which seeks to celebrate "childhood through old age with big hair and bigger hearts.” Music is by Marshall Chapman and Matraca Berg, and previews start Feb. 8.
BookPage columnist Julie Hale dubbed Smith “the mistress of modern Southern literature” and The Last Girls a “sassy classic.” McCorkle has been called an “acute observer of the foibles of domestic life.” What do you think—will their stories be a hit in an Off-Broadway production?
Related in BookPage: Read an interview with Smith.
The Solitude of Prime Numbers by Paolo Giordano
Viking, March 18, 2010
Prime numbers are divisible only by 1 and by themselves. They hold their place in the infinite series of natural numbers, squashed, like all numbers, between two others, but one step further than the rest. They are suspicious, solitary numbers, which is why Mattia thought they were wonderful. Sometimes he thought that they had ended up in that sequence by mistake, that they’d been trapped, like pearls strung on a necklace. Other times he suspected that they too would have preferred to be like all the others, just ordinary numbers, but for some reason they couldn’t do it. This second thought struck him mostly at night, in the chaotic interweaving of images that comes before sleep, when the mind is too weak to tell itself lies.
In his first year at university, Mattia had learned that, among prime numbers, there are some that are even more special. Mathematicians call them twin primes: pairs of prime numbers that are close to each other, almost neighbors, but between them there is always an even number that prevents them from truly touching. Numbers like 11 and 13, like 17 and 19, 41 and 43. . .
Mattia thought that he and Alice were like that, twin primes, alone and lost, close but not close enough to really touch each other. He had never told her that.
Here in Nashville, we're still digging out from our biggest snowstorm in years, which dumped several inches of snow and ice on the city and wiped out last Friday's work day. If you've never observed the behavior of Southerners when a snowstorm is approaching, think London during the Blitz. As the snow fell, we were greeted with wintry scenes like this:
It's been cold and dreary for days since the storm hit, so imagine how pleased I was to open my inbox today and find this picture:
The photographer of this beautiful scene is Michael Sims, who writes: "In case it's as gray down there as it is here, herewith a moment of drama and color from E.B. White's garden in Maine, shot last summer. I wonder if Charlotte knows this bee. . . ."
Michael, the author of Apollo's Fire, Adam's Navel and several other books that combine his Renaissance-man interests in science, nature, evolution, literature and goodness knows what else, is working on a fascinating new project: The True Story of Charlotte's Web, coming from Walker/Bloomsbury in 2011. "The subtitle is still unsettled, and for that matter we may well change it," Michael tells us, "but right now it is something like this: The Dramatic Story of E.B. White's Eccentric Affair with Nature and the Birth of a Beloved Children's Book."
Charlotte's Web is my all-time favorite children's book (and it may well be yours, am I right?*), so I can't think of a more interesting project, or a lovelier place to do research, than E.B. White's Maine home. Here's Michael, in a photo taken by his wife Laura Sloan Patterson, in front of EBW's boat house, where Charlotte's Web was written:
Whatever the weather where you are, enjoy the summer greens of Maine, and stay tuned to the Book Case for updates on The True Story of Charlotte's Web.
* We'd like to know: What is your all-time favorite children's book? Tell us in the comments.
As a major Project Runway devotee, I was thrilled to learn that Nina Garcia has sold a book to Hyperion’s Voice imprint. Titled Nina Garcia’s Look Book, the guide will feature advice on what to wear for “every occasion” and include artwork by Ruben Toldeo, who has also illustrated for The New Yorker, Harper’s Bazaar and others (and he’s the husband of Isabel Toledo, who designed Michelle Obama’s Inauguration Day dress and overcoat). The book will be published in August 2010.
By day, Garcia is the fashion director of Marie Claire, although I know and love her as the no-nonsense (and occasionally snippy) judge of the best reality TV show in the history of reality TV shows: Project Runway. (“Don’t bore Nina!” is a favorite warning from designer mentor Tim Gunn.)
Garcia has also published other style guides: The One Hundred: A Guide to the Pieces Every Stylish Woman Must Own, The Style Strategy: A Less-Is-More Approach to Staying Chic and Shopping and The Little Black Book of Style.
While you wait for Look Book, browse the BookPage fashion archive, where we’ve highlighted everything from Barbie fashion to street fashion.
What’s your favorite style guide?
Jennie Bentley is the author of the best-selling Do-It-Yourself home renovation mysteries from Berkley Prime Crime. She doesn't just write about home renovation, she lives it—working as a renovator and real estate assistant as well as a writer. Today, Jennie shares her top 5 cheap and easy renovation tips with Book Case readers.
On March 2, the third installment in my Do-It-Yourself Home Renovation mysteries featuring textile-designer-turned-renovator Avery Baker, and her boyfriend, handyman Derek Ellis, will be in bookstores everywhere.
I’ve always done my best to make Avery and Derek ‘real people,’ the kind of fictional characters most of us can relate to and that we might like to hang out with. Inherited house and lapsed medical degree notwithstanding, they’re not independently wealthy and they’re not dilettantes. They’re hard-working people trying to make ends meet the same as the rest of us. At the beginning of Plaster and Poison, they find themselves in a place we all are likely to find ourselves sooner or later, especially in these economic times: short of cash.
In Derek’s and Avery’s case, what this means is that instead of buying a new house to renovate, they’re forced to go to work for someone else until their cash flow situation improves. For the rest of us, being short of cash usually means tightening the belt, skimping on luxuries like going out to eat and going to the movies. Updating our homes go on the back burner, except for fixing important things like leaking roofs or dripping faucets.
Sometimes, though, a change of scenery can do wonders for the morale. Here are a few tips from Avery for updating the look of your home on a budget:
Rearrange your furniture. You’d be amazed at the difference it can make. While you’re at it, try to get rid of some of the clutter, too. We all accumulate lots, and it can obscure and even make you forget the things you like about your home.
Paint a wall—or four. At $20-$25 per gallon, paint is the quickest and cheapest picker-upper, because it can totally change the look of a room. Even if all you do is paint one wall, it’ll change the entire space. With not much more money and a little more work, try a special effect, like sponge painting or crackling. Remember too, that paint doesn’t just work on walls: you can paint floors, doors, furniture, kitchen cabinets . . . all kinds of things.
Have some fun with fabrics. New curtains can make a huge difference, at not too prohibitive a price. Slipcovers are great: they totally change the look of a sofa or chair. Toss some new, cheap throw pillows on the furniture to update the look. For a dining room or kitchen, try a new tablecloth. If you’re feeling adventurous—and have access to a sewing machine—grab some cheap fabric remnants at a craft store and whip up your own pillows and window treatments. Or do a Scarlett O’Hara and recycle an old pair of curtains or even a shirt or sweater. Slipcovers, pillows, and window treatments in different fabrics can transform a room in no time flat.
Update your accessories. It’s amazing how the artwork on the walls and the tchotchkes on the table can define a room. Try changing your accessories to get a different look. Move things from one room to another, and update both spaces at the same time.
Play hardball with your hardware. Change out your doorknobs, the kitchen or bathroom faucets, or the cabinet handles and drawer pulls. The difference something so small can make is profound. On a slightly larger scale, a new chandelier above the dining room table, or replacing an outdated ceiling fan with a new, streamlined model, can make a world of difference as well.
So there you have it. It doesn’t have to take an arm and a leg, or a fortune, to update your house. And if you run out of ideas, you can always pick up a DIY-book for some inspiration. Preferably one of mine.
Jennie Bentley lives in Nashville with her husband (a realtor), two kids, two frogs, two goldfish, a parakeet, and a hyperactive dog. Learn more about Jennie and the DIY books on her website.
Yesterday we highlighted features from our February issue, including an interview with romance novelist Kristan Higgins, author of The Next Best Thing (February 1 from Harlequin). Today, we have a special treat: A guest post from interviewer (and BookPage Production Designer) Karen Elley, who brings us more behind-the-book quotes from her conversation with Higgins.
Ever wondered why your favorite romance heroine has a pet? Or how an author feels at the conclusion of writing a book? Read on to get the scoop. Then tell us in the comments: What's your favorite romance novel?
Recently I interviewed romance author Kristan Higgins for the February issue of BookPage. Due to space constraints, several paragraphs had to be cut from the article. So, just in case inquiring minds want to know what I left out, here are more insights into Higgins and her writing style.
For instance, Higgins writes from the first person narrative point of view, something that is unusual in contemporary romance. She said it provides a truer point of view for her because the heroine doesn’t know what the hero is thinking, and neither does the reader.
“In real life,” Higgins says, “you don’t get the other person’s point of view—you have to make assumptions by going on what’s showing in their actions and by what’s being said. It feels like a very natural and honest way to write.”
In Higgins' previous books, a dog is usually the heroine’s best friend, but in The Next Best Thing, Fat Mikey, a cranky, overweight cat takes on that role. “I’m definitely a dog person,” Higgins says, “but I also own a cat.” (Dear reader, cat people will understand that no matter what the author believes, no one owns a cat.) “I decided to pick a pet for each of my (five so far) heroines,” she explained, “because I think the pet the character chooses, and how they relate to it, is very revealing.”
Actually, in The Next Best Thing, the heroine doesn’t pick him; her friend with benefits, Ethan, gets Fat Mikey for Lucy—to be with her while he’s away.” Higgins felt a dog would be too much for Lucy to handle with her job at a bakery and the unusual hours that go with it. “A cat is company but more independent and less needy.” Darn straight.
When she moves on to write a new book, Higgins admits that it’s hard to get the current book’s characters out of her head. “You fall in love with these people. They are so real to you. In your heart you feel their pain, you laugh at what they say, you cry with their sorrows and then when the book is done, I don’t get to see them anymore. It’s almost like breaking up.”
Higgins gave BookPage a sneak preview of the book she’s currently writing, scheduled for publication in August of 2010. All I Ever Wanted is a tale of opposites who attract, starring a woman who has a toxic crush on her boss: “When the book opens it’s her 30th birthday, and she thinks he has given her some reason to hope that things are going to be different. But as it turns out what he really wants to tell her is that he is seeing someone else. The plot revolves around a quirky, funny family and a heroine who feels that if she does everything right, she can fix everything. She’s always trying to solve other people’s problems and make everybody happy.” The hero this time is a vet. “With all the pet references in my other books, sooner or later it had to happen,” Higgins said.
When asked what she likes to read, and what authors influenced her writing, Higgins replied, “I just finished a wonderful book, Thanksgiving Night by Richard Bausch, an absolutely lyrical book about a family.” Other authors she loves and appreciates are Eleanor Lipman, Elizabeth Strout, Monica Macanerny, Steven King, Sherry Thomas and Susan Mallory. “It depends on my mood of the moment. I read a lot of different genres. But I think because I hadn’t always planned to be a writer, I didn’t look at the books I was reading as influence, more as enjoyment.
Higgins admits she doesn’t have a clue as to what the next big thing in romance novels might be. “I don’t pay attention to market trends and predictions, but I think readers are always hungry for great stories. They love characters with conflicts and issues to overcome, and they love when it’s difficult. They love the struggle. A good book with great characters will always sell.”
If she had to do something other than writing, what would it be? “I think I’d like to be an editor, that way I could still read all these great stories.”
Now better known for his standalone successes like Shutter Island, Mystic River and The Given Day, Dennis Lehane made his fiction debut in a more conventional manner—writing a stellar detective series. Boston PIs Patrick Kenzie and Angela Gennaro hit the scene in 1994's Shamus Award-winning novel A Drink Before the War. The two started as friends, then began a rocky romance that hit more than a couple of bumps over the five-book series. Now Lehane has sold a sixth (and final) Kenzie-Gennaro book to Morrow for publication in 2011—the first novel in the series since 1999's Prayers for Rain.
We at BookPage have gotten scads of emails asking whether Lehane would ever return to the series, so we think this should be welcome news for readers!
Happy February! We’re celebrating the end of winter (will it ever come?), Valentine’s Day and our brand new issue with a doozy of a giveaway.
There’s something for everybody in our February issue, from coverage of Don DeLillo’s new novel to an extended love & romance section (including a roundup of relationship memoirs and an interview with Kristan Higgins).
Three February novels look especially good: Louise Erdrich’s Shadow Tag; Adriana Trigiani’s Brava, Valentine; and Michael J. White’s Weeping Underwater Looks a Lot Like Laughter. . . and we’re giving them away to one lucky reader. Leave a comment for a chance to win: Which book from our February issue do you MOST want to read? (Browse our print edition webpage for a complete list of titles.) Deadline: Friday at 10 a.m. U.S. entries only, please.
Here’s a rundown of the goods:
Shadow Tag tells the story of Irene America, the wife of a painter who creates adoring, sensual and humiliating portraits—of Irene. Her husband starts reading her diary as their marriage deteriorates, and Irene starts a second, secret diary. In BookPage, reviewer Jillian Quint writes, “Erdrich is a muscular and fearless writer, and she explores her characters with both compassion and criticism and through lyrical and visceral prose.”
Reader favorite Adriana Trigiani is back with a sequel to Very Valentine. In Brava, Valentine, series star Valentine Roncalli takes over her family’s shoe business, goes on a quest to Argentina and discovers a family scandal. The novel is “laugh-out-loud funny” and “an unexpectedly poignant examination of the power and pull of family, faith and love,” writes reviewer Amy Scribner.
In debut novel Weeping Underwater Looks a Lot Like Laughter, 17-year-old George Flynn moves to Des Moines and becomes infatuated with the Schell sisters until a tragic accident almost tears them apart. “While they’re familiar to all, the territories of love and grief have no signposts,” writes Harvey Freedenberg. “Michael J. White has marked out a memorable path through this often forbidding landscape.”
Enter now for a chance to win these books!
By now I’m sure you all know that J.D. Salinger died on Wednesday, at age 91. Since yesterday's announcement, publications and blogs have been buzzing with Salinger articles and tributes. (Read his obituary in the New York Times or this article in Slate about Holden Caufield-inspired movie characters.)
In honor of what might be America’s most famous "rite of passage” novel, I wanted to ask readers of The Book Case: When did you first read The Catcher in the Rye? What did the book mean to you?
I read it when I was 13—the same copy that my mom read as a boarding school student three decades before. I still have that copy, a 1964 Bantam paperback, on my bookshelf. As you can see from the photo, it’s been around. (I’m pretty sure I spent all of eighth grade carrying it in my backpack and calling my classmates “phonies” under my breath.)
Just for fun, here are two other Catcher covers. Also, see an iconic excerpt below the jump.
From Chapter 22 of The Catcher in the Rye:
“Daddy’s going to kill you. He’s going to kill you,” she said.
I wasn’t listening, though. I was thinking about something else—something crazy. “You know what I’d like to be?” I said. “You know what I’d like to be? I mean if I had my goddam choice?”
“What? Stop swearing.”
“You know that song ‘If a body catch a body comin’ through the rye’? I’d like—“
“It’s ‘If a body meet a body coming through the rye’!” old Phoebe said. “It’s a poem. By Robert Burns.”
“I know it’s a poem by Robert Burns.”
She was right, though. It is “If a body meet a body coming through the rye.” I didn’t know it then, though.
“I thought it was ‘If a body catch a body,’” I said. “Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody’s around—nobody big, I mean—except me. And I’m standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff—I mean if they’re running and they don’t look where they’re going I have to come out from somewhere and catch them. That’s all I’d do all day. I’d just be the catcher in the rye and all. I know it’s crazy, but that’s the only thing I’d really like to be. I know it’s crazy.”
Old Phoebe didn’t say anything for a long time. Then, when she said something, all she said was, “Daddy’s going to kill you.”
Congratulations to Tricia—the winner of an autographed copy of Paris Under Water by Jeffrey Jackson! (Click here to read the original post.)
Here’s what Tricia said about her favorite work of nonfiction:
Love that enthusiasm!
In BookPage, reviewer John Slania said that Outliers, a book about what makes people smart, wealthy or famous, is “a clever, entertaining book that stimulates readers' minds and broadens their perspectives.” Read the full review here.
We’re going to have more giveaways in the month of February, so keep your eyes on this spot for announcements. In the meantime, have you entered our sweepstakes to win a book a week for the next year?