Is there anything more to say? We'll just cut to the chase and post the video.
Related content: Stephenie Meyer on BookPage.com
In the years since 9/11, there have been no shortage of novelists willing to take on the subject. Some of the best examples were published about 4 or 5 years ago: Jonathan Safran Foer's Extremely Loud and Incredibly Close; Don DeLillo's Falling Man; S.J. Rozan's Absent Friends; Jess Walter's The Zero; Jay McInerney's The Good Life.
In recent months, another round of novelists has taken on the topic. One of the most recent, and most notable, is James Hynes' Next, which our reviewer Lauren Bufferd says is his best book yet. Other reviewers agree; Next has had a lot of buzz, including a rave review in the New York Times.
And on April 6, Sue Miller's take on the tragedy, The Lake Shore Limited, hits shelves. Watch for an interview in our April print edition. A sneak preview of the piece:
The fictional what-ifs of her new novel were sparked by a real-life connection to the events of that tragic day. “I had a friend who was staying with someone whose sister was killed on 9/11. Due to the circumstances, my friend felt it was necessary to stay longer than she would have otherwise, and to enact a role, something my main character ends up doing in the novel.”
Variety reports that we have a couple of very different TV adaptations to anticipate from Craig Anderson Productions: Chris Bohjalian’s Secrets of Eden and Donna VanLiere’s The Christmas Secret. (So far, only the rights for these books have been purchased; there’s no network attached to the projects, or air dates.) Secrets of Eden is a “mystery that does not at first appear to be a mystery.” The Christmas Secret is an inspirational tale—classic VanLiere—about a single mom “with a jerk of an ex-husband.”
Bohjalian told BookPage contributor Alden Mudge that he’s “interested in seeing what happens to ordinary people in extraordinary circumstances.” That doesn’t sound unrelated to what attracted Anderson to the novel: "I'm fascinated by people who have lives we think [are] normal, but there are actually sort of demons in their closets,” he said.
The Christmas Secret is Anderson’s fourth deal with VanLiere, who told us she “never imagined” she’d write about Christmas or get TV deals back when she brainstormed her first book idea “on a hot, sweaty day in July.”
What do you think, readers? Can TV adaptations do justice to a book?
Senator Scott Brown—the Republican who surprised many when he beat out Martha Coakley for Ted Kennedy’s seat in Massachusetts—has signed a deal with HarperCollins to publish a memoir. The book, which comes out in 2011, will address Brown’s “family background, his early career, and his ascent to the office of Massachusetts senator, one of the biggest political coups of the decade.”
But will he mention his stint as a Cosmopolitan centerfold?
Do you have a favorite political biography or memoir?
Last night I saw the new Alice in Wonderland film by Tim Burton, in 3D.
Despite a weak ending, the film was incredibly entertaining. Burton's world was weird and wonderful, and seemed true to the spirit of Carroll's work. It helps that the story isn't a retelling, but a sequel of sorts that follows Alice's return to Wonderland 10 years later.
The effects were amazing, especially the Cheshire cat, and strong performances by Burton regulars Johnny Depp and Helena Bonham Carter, as well as newcomer Mia Wasikowska as Alice (aside: I coveted every one of her costumes, including the spangly-skirted suit of armor), carry the day.
Have you seen Alice yet? What's your favorite literary adaptation?
Related in BookPage: Review of Melanie Benjamin's Alice I Have Been; review of Helen Oxenbury's illustrated Alice's Adventures in Wonderland.
Faithful Place by Tana French
Viking, July 13, 2010
"Howyis," I said, in the doorway.
A ripple of mugs going down, heads turning. My ma's snappy black eyes and five bright-blue pairs exactly like mine, all staring at me.
"Hide the heroin," Shay said. He was leaning against the window with his hands in his pockets; he'd watched me coming down the road. "It's the pigs." . . .
"Francis," Ma said. She eased back into the sofa, folded her arms where her waist would have been and eyed me up and down. "Could you not be bothered putting on a decent shirt, even?"
I said, "Howya, Ma."
"Mammy, not Ma. The state of you. The neighbors'll think I raised a homeless."
Somewhere along the way I'd swapped the army parka for a brown leather jacket, but apart from that I still have much the same fashion sense I left home with. If I'd worn a suit, she would have given me hassle for having notions of myself. With my ma you don't expect to win.
Stieg Larsson fans have something to look forward to until the release of The Girl Who Kicked the Hornet’s Nest on May 25. I knew that there had been Swedish film adaptations of the Millennium Trilogy, and that a Hollywood version is in the works. What I didn’t know—until last night, when a trailer screened at the Belcourt movie theater in Nashville—is that the Swedish version of The Girl with the Dragon Tattoo is coming to the United States. Directed by Niels Arden Oplev, the movie has already grossed $100 million abroad. It’s also 153 minutes long and features brutally violent scenes.
According to The Hollywood Reporter, the adaptation is worth a watch:
The film adaptation of the first book, "The Girl With the Dragon Tattoo," is, like its source material, at once formula thriller, scathing social commentary and dark history lesson. But it's also a more eloquent work; smartly condensing the novel's sprawl, the feature forgoes prosaic detail for cinematic vigor. The result is a character-driven mystery of considerable emotional power, often harrowing and always compelling.
I first heard about Helen Grant's debut, The Vanishing of Katherina Linden, in a British look ahead at anticipated debuts of 2010. Intrigued by the description of the novel, which is told in the voice of an 11 year old in a small German town who is the last one to see her missing classmate alive, I searched for a U.S. release date. No dice.
Until today, when I heard that Delacorte would be publishing the book in August. I love the deliciously creepy cover, which is a good fit for a book that sounds like a blend of The Curious Incident of the Dog in the Night-Time and the Brothers Grimm. According to the Guardian, "The excellent writing, and the eschewing of anything remotely winsome or mawkish, make this an eerily subtle literary page-turner." Sleeper hit? We'll find out.
A month ago we reported on Libba Bray’s $2 million deal to write a jazz-age trilogy for Little, Brown Books for Young Readers. Now, it looks like the huge YA contract of the month is going to a newcomer: HarperTeen has paid seven figures to Josephine Angelini for a trilogy billed as "a Percy Jackson for teenage girls.”
From Publisher’s Weekly:
In Starcrossed, which brings Greek tragedy to high school, a shy Nantucket teenager named Helen Hamilton attempts to kill the most attractive boy on the island, Lucas Delos, in front of her entire class. The incident proves more than a bit inconvenient for Helen, who's already concerned that she's going insane—whenever she's sees Lucas (or any of his family members) the image of three crying women appear to her.
Last week—on the publication date of House Rules—Simon & Schuster released the official iPhone app for Jodi Picoult. With the app, you can keep up with Picoult’s news and Twitter feed; write on a fan wall; receive tour updates; and even read “exclusive recipes from Jodi and music that she's written.”
Picoult’s not the only author with an iPhone app; in December, Random House launched a line of apps for authors, including Steve Berry, Sophie Kinsella and Karen Marie Moning.
Do any Book Case readers use author apps? What feature do you find most fun/useful? Or is reading the author’s book enough?