In case you were unaware, the best-selling author Christina Lauren is actually two authors: best friends Christina Hobbs and Lauren Billings. In this guest post, they talk about what it's like to write as a team, their unconventional creative process and their latest collaboration.
Most writers work alone, so as co-authors, we’ve found that people are curious about how we work as a team. It’s a horrifying prospect to some writers, the idea of letting someone else into the creative process, but we honestly—HONESTLY—don’t see how co-authorless writers do it. We’re guessing alcohol.
Exactly 722 miles separate our doorsteps, but—thankfully—it’s an odd month when we don’t see each other. We outline in person . . . and—thankfully, again—there always seems to be another project to outline. (See also: We are lucky!)
For us, outlining is really just talking about the book. Sometimes it happens in restaurants (oops to anyone sitting within earshot), the car or even while waiting in line at Disneyland. We ask: Who are these characters? Why do they fall in love? What gets in the way? What makes them different? Our outlines are usually pretty simple—a sentence, maybe a very short paragraph reminding us what happens—and we go from there. We try not to go into too much detail at this stage because if we’ve learned one thing after writing fifteen books together, it’s that things change the moment we put words on a page.
We draft alone—our processes are so different we’d drive the other insane—but in shared documents so we always know what comes before and after what we’re writing. Sometimes we divide by POV, sometimes it’s based on who wants to tackle which parts, and sometimes it’s based on our strengths. We draft fast and then revise, revise, revise.
And then we revise some more.
It’s easy for readers and aspiring writers to feel discouraged when they look at their draft and then at glossy finished books on the bookstore shelf. Some writers draft clean; we don’t, and our books come alive in revision. Sweet Filthy Boy started out in alternating POV’s, but had to be cut to one when we realized a character was keeping a secret. Beautiful Secret was finished in July, but went through edits up until January because we hadn’t quite gotten the nuances of the characters right yet. We rewrote about 85 percent of Dark Wild Night because while the story itself was fine . . . it didn’t fit the characters at all.
And that’s okay; sometimes writers need to do the wrong thing before they see the right direction. Writing can be isolating, and any creative work is so subjective. We all wonder if anyone else will ever relate to this thing we’re creating. It’s why we’re grateful to have each other, as well as the editor and agent we have! And priority number one? Get better with every book.
Thanks, you two!
(Author photo by Alyssa Michelle)
New York Times best-selling author Kylie Scott has made a name for herself writing about the scintillating love lives of the (sadly fictional) rock band, Stage Dive. Deep, out now, is the final book in the series. In this guest post, Scott tells us about what drew her to rockers, her decision to feature a pregnant heroine and her thoughts on closing out the series.
Rock stars are funny things. Ever since prime-time TV deemed Elvis’ hip-shaking antics too raunchy to show on air, we’ve been fascinated with their lives, both on stage and off. Rock stars push boundaries and live life on the edge. They stand up beneath the spotlight in front of thousands and both enthrall and entertain. And right from the get go, more than any other topic, they were singing about sex, love and relationships. Take Chuck Berry’s “My Ding-a-Ling” or Little Richard’s “Good Golly, Miss Molly.” Sex, sex and more sex. How about Carole King’s “Will You Still Love Me Tomorrow” or The Rolling Stones’ “Wild Horses”? All of the longing and heartbreak you could ask for and then some.
For me, writing the Stage Dive series meant finally putting all the hours I spent in my youth sitting in front of music video shows, or with my ear glued to the radio hoping to catch a certain song, to good use. In the first book, Lick, there was lead guitar/song writer David. He was the tortured artist, emo-type dude. Next came manic, life-of-the-party drummer Mal, because filters . . . why would you even? Then came lead singer Jimmy, the messed-up, moody-ass show pony with addiction issues (He’s my favorite. I can’t help it. I love an asshole.) And finally, bass player Ben: big, bearded and simple in his ways. The man just wants to make music. So of course I screwed with him big time and had him accidentally knock up his best friend’s kid-sister. Angsty complications—I love them.
But why a pregnant heroine? Good question. You see, as we all know, in real life, sex has consequences. Sometimes those consequences are as simple as losing a bra down the back of the headboard or doing the walk of shame. Other times, they’re unexpected pregnancies that throw your whole life for a loop.
Now, despite the rather loud voices in my head, I know Deep is just a book. As much as I’d love to have a beer with Lena, it ain’t gonna happen. But romance novels are an opportunity for us to explore all those nitty-gritty relationship and female-orientated issues. Hold your horses! I’m not saying men can’t or don’t write romance, or that pregnancy doesn’t affect the other partner. What I am saying is, that in this book, written from the heroine’s perspective, we have a chance to dig deep into the mind of a young woman in this situation. It means we can bring unrequited love (*swoon*) out to play whilst also taking a peek at the biological, emotional and mental changes a woman undergoes when she’s knocked-up—both the funny and the frightening. Another reason I gave Liz a bun in the oven? I hadn’t written about a pregnant heroine before, and I like to mix things up, set myself a challenge. Also, pregnant women can, and do, have sex. We don’t suddenly lose all personality and become solely a breeding machine when sperm meets egg.
I’m going to miss the Stage Dive crew. They taught me a lot over the course of four books and I’m grateful for the experience. Will I ever write another story about them? Honestly, I don’t know. Right now, it’s time for something new. In the future though? There is that god-awful Martha woman still hanging around making side-eyes at Sam . . .
There's a hot new genre that's been floating around the publishing world for a few years called New Adult Romance. If that's leaving you scratching your head, no worries! Best-selling author K.A. Tucker, whose New Adult romance Becoming Rain is now in stores, is here to explain what New Adult really means.
When I'm asked what genres I write in and answer "New Adult Contemporary Romance" and "New Adult Romantic Suspense," the follow-up question tends to be: "What does ‘New Adult’ mean?” It's a question with an answer that varies depending on whom you ask. But over the past few years, a number of defining characteristics have emerged.
Most New Adult authors will agree that their characters should fit into an age window of 18 to 26 years old. Anything younger is typically termed Young Adult; anything older is simply Adult.
These characters are not simply a specific age, however; they’re also emerging into the world as adults and are no longer under parental supervision. They're making decisions about their futures and, many times, those decisions are inspired by a sense of newfound freedom. They're driven by emotion and learning through mistakes. This is a very real stage of growth that most people go through, and New Adult is meant to capture the triumphs and struggles that accompany it.
How these triumphs and struggles play out varies drastically for the individual, however. Many young people go to college, but many don't. Some still have the financial support of their parents to keep them afloat; others are maintaining full-time jobs just to keep a roof over their heads. Some are already looking for that significant person to spend the rest of their lives with, while others can't see themselves settling down for another decade. Most really don't have a clue what they want to do with the rest of their lives now that they're in the driver's seat.
All of these motivators, combined with evolving personalities, make this stage incredibly rich for story-telling.
In fiction, an author's own experiences, belief systems and comfort levels influence how their characters will handle the obstacles they face. I like to create characters that make bad decisions. I put them in uncomfortable situations and weave in unusual challenges to see how it will all play out for them. This makes for somewhat unconventional New Adult plot lines (in Becoming Rain, the two main protagonists are an undercover police officer and a guy entering a car theft ring), but I don’t let that deter me. The only question I ask myself is, "If it were me, how would I have handled this in my early 20s—and how would I handle it now?" If the answers are drastically different, that's when I know I'm onto something.
Best-selling author Robyn Carr is celebrating the release of One Wish, the latest novel in her Thunder Point series. In this blog post, Carr writes about what women's fiction and romance mean to her. If you thought romance novels were just about the steamy scenes, Carr is here to set you straight!
When my son was in Iraq, we Skyped almost every day. We had more long and meaningful discussions while he was in a war zone than we had when he lived under my roof. And there were times it could get a little awkward, like when I was on a writing roll, in the story zone, and his first question is, “Do you know David Baldacci?”
“Not personally,” I said. “Why?”
“Someone gave me one of his books and told me to read it; I might like it.”
“I don’t have one,” he said.
“Stand by,” I said.
So I emailed him a book. It was with great satisfaction that I heard him say, “Hey. This is good.”
The more interesting thing happened later. First, he found that many of his female co-workers had known about me for a long time and were fans. That really jazzed him up; finally made his mother somebody. He did some mild raving about the book, and I offered him the next one in the series.
“No offense, Mom, but it’s a chick book.”
Yes, it’s a chick book, something I’m rather proud of. But what I do is write romance and women’s fiction, which is about women, for women and written largely by women. My books, the chick books of this century, celebrate women. And because of the digital age, the response is immediate! Any writer of fiction for women who doesn’t know what their readers most enjoy, what brings the greatest reader satisfaction, is asleep at the switch. They tell us every day: Dear Ms. Carr, I know just how Mel felt because I lost my husband at a very young age. Dear Ms. Carr, I escaped from an abusive relationship and you really nailed it—thank you. Dear Ms. Carr, My son was bullied in high school and I’m so glad to see one of my favorite romance writers address that subject.
I have a lot of male readers, too—I hear from them regularly. One of them surprised and thrilled me. I lost my leg in Afghanistan and it was after reading your book about a soldier in an almost identical situation, I’ve decided I really need counseling. I don’t know how my wife has lived with me this long!
I realize that what I really do when I write romance is less about love and sex and more about hope.
I write about the things that are part of a woman’s world: the family drama, community cohesiveness, neighbors helping neighbors. My readers visit my books daily for the chance to relate to the characters who share their burdens and joys, to use strong characters as role models, to be entertained while they struggle to find their own happy endings. Sometimes, they come to me at their most vulnerable and entrust me to take them on a meaningful journey. By the time I’m on the home stretch of a new book, I realize that what I really do when I write romance is less about love and sex and more about hope.
My son has been home from Iraq for quite a while now, safe and sound, and I’m meeting the most interesting people in Thunder Point. In One Wish, I met a former figure skating champion who craves a quieter life and Mr. Hottie High School teacher, Troy Headly, who is on hand to prove to her that it doesn’t have to be all that quiet. And in A New Hope, which will be out in June, Ginger Dysart chooses Thunder Point as the town in which she’ll reclaim her life. Who would have guessed she’d find it in the arms of a handsome Basque farmer? And there’s more—join me for Wildest Dreams at the end of summer when a world famous triathlete mixes it up with a local nurse, and together, they dare to dream the wildest dreams.
Join me in Thunder Point—the place where wishes are made, hopes are finally realized and dreams come true.
We're excited to announce that BookPage will be launching Smitten, a monthly romance newsletter, next week. Smitten will feature exclusive guest author blog posts and Q&As with some of your favorite authors along with our monthly Romance Top Pick, a digital-first feature and reviews of some of the month’s biggest romance novels. Sign up for Smitten here.
Andrea Laurence's latest series, Brides and Belles, focuses on the women behind the romance: wedding planners. And we'll admit that we're doubly intrigued by this series because it takes place in Nashville, home of BookPage! In this guest blog post, Laurence writes about her inspiration behind the series and the favorite wedding details.
This January, I was very excited to kick off my new Brides and Belles miniseries with Harlequin Desire. It’s the first of four books that follow the love lives of a group of Nashville wedding specialists. I came up with the idea several years ago when I was going through a period when all my friends were getting married. Every wedding was different; every one was special in its own way. It’s also very stressful. While I love the concept of weddings—picking out cake flavors and dresses—the reality is hard work.
It made me wonder about the people who manage weddings for a living. I couldn’t imagine the stress of creating someone’s perfect day each and every week. There’s always drama: The bride can be a handful, and so many little pieces have to fall in place perfectly to pull it off. Hats off to the folks who make these days happen! It got me thinking that it probably takes a toll on their personal lives.
Oh, the irony of being in the wedding industry and incapable of finding someone to marry! That’s where the story began for me. I picked four different women who join together as friends to become business partners. They each have their own specialty—planning, catering, photography and decor. They also each have their own relationship drama.
I started with Bree, the photographer, and asked myself what the single most uncomfortable thing would be for her to do. The answer was to take engagement photos of her ex and his new fiancée. Ouch, right? And so Snowed In with Her Ex was born. In the second book, Amelia, the caterer, is the one who has always wanted the big, fancy wedding. What was the worst thing she could do? Elope in Vegas with her best friend! That’s where my February release, Thirty Days to Win His Wife, starts.
I’m currently finishing up the last two books in the series, and I have to say that writing about weddings and the people who plan them is so much fun. I really do enjoy all the wedding details. It’s hard for me to narrow down my favorite part, but I would have to say it’s seeing which dress each bride chose and what her wedding cake looked like. I think those details tell a lot about the bride and the couple as a whole.
What’s your favorite part of a wedding?
Thanks Andrea! You can visit Andrea's website and find more titles by Andrea Laurence here: BAM | B&N | Indiebound | Amazon
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Best-selling author Jayne Ann Krentz's latest romantic-suspense novel is Trust No One. But you may know the author by one of the two other names she writes under, Jayne Castle or Amanda Quick. So why did she decide to write under three different names? Allow her to explain the allure of the pen name.
Yes, it’s weird but true—I write under three names. Why? It’s complicated.
I swear I did not set out to create three writing careers. I do not recommend this publishing path to aspiring writers. I mean, what kind of strategy is that? The drawback to having three names is obvious at every signing event that I do—about half the people who come through the line will say: “I didn’t know you were Jayne Ann Krentz,” or “I didn’t know you wrote as Amanda Quick” or “I didn’t realize you were Jayne Castle.”
The fact that I write under three names is in every bio on every one of my books. Hey, it’s not like I’m trying to keep it a secret. But evidently very few people actually read those author bios!
So, for what it’s worth, my advice to budding authors is choose one name and stick with it, because if you don’t you will spend the rest of your career trying to explain yourself to readers.
That said, the reason my path took three different names is not because I write three very different kinds of stories. I have always written romantic-suspense under each name. It is my core story—the book of my heart, as writers say—and I expect to spend the rest of my career exploring that story. Romance and danger is a perfect combo for me. It’s what I love to read and it’s what I love to write.
But I do like to shift fictional landscapes, so I decided to use a different pen name for each world. Turns out readers have strong preferences when it comes to settings. A lot of people won’t read my paranormal landscapes, even if they love me in my other worlds. Others only want my historical or contemporary backdrops.
So, the only big advantage of my three-name career? When readers pick up one of my books, they know exactly which fictional landscape they will enter.
In Trust No One, you will enter my Jayne Ann Krentz contemporary world. The setting is Seattle and the Pacific Northwest. The heroine, Grace Elland, has a past that she had hoped would stay buried. Let’s just say that going home can be murder. . .
Thanks Jayne/Amanda/Jayne! You can find Trust No One online here: BAM | B & N | Indiebound | Amazon
(Author photo by Mark Von Borstel)
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Romance author Terry Spear continues her Heart of the Wolf series with a holiday twist in A Highland Wolf Christmas. In this guest post, Terry Spear talks about holiday traditions—both for her family and for her wolfpack!
In my newest paranormal romance, A Highland Wolf Christmas, the wolves find their Christmas traditions changing with the changing dynamics of the pack, just as they are in my family. We always open one Christmas present on Christmas Eve and have a nice dinner of some sort—usually a roast. When the kids were little, we either spent Christmas at home or visited one set of grandparents. Now my kids live far away from me, and while they're both married, one of them still comes home to visit both her in-laws and me during the holidays. My son, however, is in the Air Force and has had to fly missions the last two Christmases, so we celebrated Christmas early at Thanksgiving last year. This year, my son and his wife are coming to visit, and we'll celebrate Christmas early again.
So you see, family is still very important, but because of jobs and where everyone lives, traditions are always changing. But the one thing I still am able to do with my daughter and son-in-law is have a turkey and all the fixings, open Christmas presents on Christmas Day, play games and watch Christmas movies. Then they’re off to visit the son-in-law’s family for even more Christmas presents and food.
We had a really small family growing up—no cousins, no family to speak of—just Mom, Dad, my sister and me. So we never went anywhere for Christmas; we just stayed home and celebrated with the family. One year, to change things up, we opened all of our Christmas presents Christmas Eve. The next day, getting up to stare at the bare floor around the tree, was a total anticlimax. From then on, we always opened one present on Christmas Eve and saved all the rest for Christmas Day.
Just like with the wolf pack in the Highlands, traditions have evolved as well. Americans have brought some new traditions to the Highland wolf pack, and the Highland wolves have shared some of their interesting customs. The one I loved most was the burning of the Christmas lists in the fire, the smoke going up the chimney and carrying the list to Lapland and Santa. Because of the botanist in the family, the wolves also started a new tradition of putting up a real Christmas tree. And they've started a Christmas bazaar, which has brought the pack together in a fun way. Learning new traditions and keeping the old can be enjoyable and add a spark to holiday celebrations. The key is to share the enjoyment with friends and family!
Valerie Bowman looks to the great Oscar Wilde for inspiration in The Accidental Countess, a Regency romance filled with Wilde-style antics. In this guest post, Bowman discusses her love of the historical romance genre and the art of adaptation.
There is nothing I like better than a romp, a farce. As an English literature major in college, the comedies I read captured my imagination with a far-tighter grip than a tragedy ever could. My medium, however, is the historical romance novel. It’s a genre I adore and am extremely proud to write. I think I fell in love with it when I first read Laura Ingalls Wilder’s These Happy Golden Years. That’s a romance novel, don’t you know?
When I was coming up with my Playful Brides series, I knew I wanted to include my love of romp plays in the stories. Oscar Wilde was always on my short list. He’s a great master of the romp, after all. The Importance of Being Earnest has long been one of my favorite stories ever told and, while it is a bit outlandish, its absurdity is exactly what makes it so entertaining. What could be more fun than inventing a person who does not exist to get out of unwanted social obligations? The moment I read the word “Bunburyist” I was hooked.
The challenge, however, was making that sort of tomfoolery work in a historical romance novel. The Accidental Countess is my attempt! Penelope Monroe has invented a fictitious friend, Patience Bunbury, to avoid seeing her fiancé newly returned from Waterloo. When Captain Julian Swift mistakenly believes Penelope’s cousin, Cassandra, is the elusive Patience, Cassandra may just have the opportunity she’s always dreamed of: spending time with the man she’s loved from afar for the last seven years.
I managed to sneak in a couple of scenes from The Importance of Being Earnest, including the infamous muffin scene and a few of the quotes as well. My favorite line: “The good ended happily, and the bad unhappily. That is what fiction means.”
There’s plenty of angst as well as comedy, and I hope some tender moments as well, for as Wilde says, “The very essence of romance is uncertainty.”
Now what’s not to love about that?
Elizabeth Hoyt's latest romance in her Maiden Lane series, Darling Beast, is out today. In this guest post, Hoyt writes about her love of myths, second chances and the unexpected inspiration behind the novel.
Myths and fairy tales have always fascinated me, perhaps because they’re a pre-Freud peek into how the human brain works—what frightens us, what awes us and what we desire deep in our hearts. Fairy tales and myths are storytelling at its most basic. There is no room for character development. Dialogue, setting and description are all usually very sketchy. What remains are stories in which the fat has been removed; underneath are bare, beautiful bones in which it’s easy to trace motif, themes and morality.
I like to include an accompanying fairy tale in each of my books as a sort of foil to the main story. My latest book, Darling Beast, is no exception. The hero of Darling Beast, Apollo Greaves, Viscount Kilbourne is on the run from the law after escaping Bedlam. He’s a big, rather physically intimidating man, and he’s lost his voice after being viciously beaten by the guards in Bedlam. Apollo is in hiding in an isolated, ruined pleasure garden where he’s supervising the restoration of the grounds. Living in the back of the burned-out theater in the gardens is Lily Stump, a successful actress and playwright who’s a bit down on her luck. As far as Lily knows, she has the gardens to herself. . . that is until her 7-year-old son, Indio, comes home one day and informs her that he’s seen a ‘monster’ in the gardens.
Now you might think that the obvious fairy tale for this story would be Beauty and the Beast—and in a way you’re right—but I chose a much older myth to highlight the story—The Minotaur. If you know your Greek myths, you’ll remember that the Minotaur was half man, half bull, born out of the unnatural union of a spell-bound queen and a magical bull. The Minotaur was a monster in the true sense of the word—in the original myth he lived at the center of a labyrinth and he ate human sacrifices. He provokes some of our most basic fears: deformity, unnatural sexual urges, cannibalism and being eaten by a big scary monster.
But what of the Minotaur? What does he think about a fate he never asked for? After all, he didn’t choose to be born a monster. Is he a cannibal by choice or because no one ever sends in anything else to eat but nubile youths and girls? In the original myth, the Minotaur has no voice. He’s simply a thing to be feared. He has the head—and tongue—of a bull and, like Apollo, he’s physically unable to speak. And isn’t speech the thing that makes us human and sets us apart from the animals?
Here’s the thing. I believe that often monsters—both in real life and in myth—are simply ourselves in a form we cannot recognize. We get caught up in that bull-head thing, in primitive fear and faulty first impressions, and fail to look beneath the outer horror.
Fortunately for Apollo, Lily is a kind woman—a woman willing to allow her opinions to change when she gets to know more about him. And isn’t that all each of us needs? Kindness and the willingness to give people—even monsters—a second chance.