It's February, and everyone has their favorite literary couples: Elizabeth Bennet and Mr. Darcy, Jane Eyre and Mr. Rochester. Sometimes the best duos are the ones you'd never think had anything in common . . . like, who would've thought that Ron and Hermione would stop fighting long enough to fall in love?
Oh, it's just so difficult when everyone loves you. Where will the two medals go, anyway? Here's an attempt to pile them on via Mariko Tamaki's website.
With the recent announcement that This One Summer by Mariko Tamaki and Jillian Tamaki had won both a Printz Honor and a Caldecott Honor—the first graphic novel to win the latter—these two supposedly irreconcilable seals now sit side by side on the book's cover. The young adult (YA) world is buzzing with debate over this pairing, but I'd like to suggest that it's a terrific chance to challenge assumptions about these awards, and to think about what happens when they come together. Here are three ideas worth considering.
The Caldecott has pushed boundaries before.
The Caldecott medal is awarded annually to the artist of the most distinguished American picture book for children, with Honor books considered to be similarly distinguished runners-up.
Most Caldecott winners and Honor books have looked like picture books—they've been 32 pages or so, and generally taller than they are long—and many are appropriate for preschool audiences. But in 2008, the Caldecott medal went to The Invention of Hugo Cabret by Brian Selznick, a book most likely to be enjoyed by late elementary school and early middle-school readers. Clocking in at a hefty 534 pages (and longer and almost wider than it is tall), Hugo Cabret was an unusual choice. And yet its detailed black and white drawings, and its mix of verbal and pictorial storytelling, could certainly be argued to be distinguished.
The two medals' criteria overlap in interesting ways.
In December, I'd predicted that This One Summer would walk away with the Printz award as the best book written for teens this year, based entirely on literary merit. Although "literary" seems at first to refer only to words, books that include both words and pictures have been recognized in the past. Consider American Born Chinese by Gene Luen Yang, the medal winner in 2007.
Similarly, while the Caldecott's "for children" designation seems at first to exclude teens, a deeper dig through its terms and criteria reveals that "children" is actually defined as "persons of ages up to and including fourteen" (possibly a holdover from before the Printz and other YA awards were established, or before YA lit as it's currently understood existed at all). While the Caldecott is usually thought of as a children's illustration-based award and the Printz as a YA word-based one, there's no definitional reason why an illustrated book aimed at 12- to 14-year-olds can't qualify for—and win—medals in both categories.
This One Summer is all about in-between-ness and liminality.
And if any book was the one to show how this overlap might work, it's Mariko Tamaki and Jillian Tamaki's monochromatic, intensely reflective graphic novel. As discussed on this blog series all the way back in November, narrator Rose's age is never actually specified. We know that her younger friend Windy is still very much a child and her aspirational "like eighteen"-year-old crush is too old for her, making Rose probably around 12.
But by writing (and drawing) Rose as an in-between character, the Tamaki cousins actively invite readers to think about liminality, or what it means to be part one thing and part another. Suspended between childhood and young adulthood, Rose is the perfect protagonist of a book that's the first ever to be recognized by both the Caldecott and the Printz committees.
Sure, there've already been calls to redefine the Caldecott criteria to include only books aimed at children 12 and under—and already questions of whether collections that're determined to buy every Caldecott book will wind up with a title that doesn't quite belong. But I think the dual recognition of This One Summer is great for the book, great for children's and YA lit, great for graphic novels and great for ongoing discussions about what these awards are . . . or should be. Like Ron and Hermione, these two opposites might have more in common than they first appear.
What do you think of This One Summer's dual win? Do you think young-leaning YA graphic novels should be eligible for the Caldecott? Tell us in the comments!
Locker Combinations is a Book Case feature by BookPage contributor and young adult (YA) literature expert Jill Ratzan. Using a variety of literary, cultural and educational perspectives, Jill guest blogs about the latest in YA lit and the general direction, trends and changes of the field. Read more BookPage reviews, interviews and posts by Jill here.
We always look forward to the Newbery, Caldecott and Printz Awards, and this morning was filled with delight (and some surprise!) over this year's recipients.
We're perhaps most ecstatic that Kate DiCamillo won the 2014 Newbery Medal for Flora & Ulysses, the adventurous, hilarious story of a cynical, comic-loving girl who befriends a most unusual squirrel. (We were looking forward to this one several months before it came out; watch us chat with DiCamillo about seal blubber, poetry and giant donuts here.)
Mad props to our teen literature expert, Jill Ratzan, for predicting the Printz winner! She shared her prediction for Midwinterblood by Marcus Sedgwick, saying, "Midwinterblood makes its readers work hard to uncover its secrets. That makes it a top Printz contender in my book." Seven intertwined narratives, full of blood and magic, unfold in reverse chronological order on a mysterious, remote island.
We are also tickled that Brian Floca won the Caldecott Medal for Locomotive, a gorgeous picture book about the beginnings of the transcontinental railroad in the United States.
Here's a (partial) list of the 2014 Youth Media Award winners. Find the full list here, and click the links below to read coverage in BookPage.
2014 CALDECOTT MEDAL
Locomotive by Brian Floca (Atheneum)
CALDECOTT HONOR BOOKS:
2014 NEWBERY MEDAL
Flora & Ulysses by Kate DiCamillo (Candlewick)
NEWBERY HONOR BOOKS:
2014 PRINTZ AWARD
Midwinterblood by Marcus Sedgwick (Roaring Brook)
PRINTZ HONOR BOOKS:
MARGARET A. EDWARDS AWARD (lifetime achievement in writing for young adults)
Markus Zusak (The Book Thief)
So, what do you think, readers? We're definitely thrilled by some, surprised by others.
For even more recommendations for fantastic children's and teen books, see our list of the Best Children's Books for 2013.
Earlier this week we posted about this year's Youth Media Awards, and since then we've been lucky enough to interview two of the honorees!
First up: Daniel Handler, aka Lemony Snicket, talks to us about Why We Broke Up, an "intoxicating, melancholy meditation on love" that is even more special for its illustrations by Maira Kalman. In the interview, Handler discusses writing from a teenage girl's perspective, collaborating with the talented Kalman and why he won't reveal his own worst breakup. Why We Broke Up received a Printz Honor. Read more here.
John Corey Whaley, a 28-year-old debut novelist (and former schoolteacher) probably had the best day of his life earlier this week when Where Things Come Back was honored with the Printz Award. In his enthusiastic interview, Whaley tells us about how he reacted to this incredible news, how he came to write this story and what he's working on next. This book is of special interest to me because it takes place in Arkansas, and one of the themes is the rediscovery of the Ivory-Billed Woodpecker! (As a native Arkansan, I have gone searching for this very bird in the Big Woods.) Read more about Whaley and his Printz Award-winning novel here.
Finally, I know that not all of our readers are children's book enthusiasts, but both of these novels definitely have "crossover" appeal—the stories are universal, the writing is superb and you don't have to be 14 to connect with the characters.
We featured both of these interviews—as well as 10+ other book recommendations—in this morning's edition of Children's Corner. Click here if you'd like to sign up for the enewsletter.
Will you be checking out these novels? What teen books do you think will appeal most to adult readers?