The New York Times published their holiday movie guide over the weekend, and after giving it a thorough read, I am very excited for the upcoming movie season. . . especially because some of the best-looking picks are based on great books.
“Precious,” based on Sapphire’s 1996 novel, Push, will be in theaters tomorrow. The raw story of an abused African-American girl from Harlem is #1 on the NYT’s paperback trade fiction bestseller list, and the movie version received the prestigious Grand Jury Prize and the Audience Award at this year’s Sundance Film Festival. The cast includes stars Mo’Nique, Mariah Carey and Lenny Kravitz.
Roald Dahl is one of my all-time favorite authors, and I have rarely been disappointed by the movie adaptations of his books – from Matilda, to The Witches, to both versions of Charlie and the Chocolate Factory. On Nov. 13, you can bet I’ll be in line to see Fantastic Mr. Fox, a stop motion film directed by the great Wes Anderson. George Clooney voices Mr. Fox. See trailer below.
When The Lovely Bones came out in July 2002, BookPage reviewer Becky Ohlsen wrote that Alice Sebold found an “inventive way of expressing the universal alienation and powerlessness we all feel, trapped in our own small worlds apart from each other.” This bestseller will be on the big screen Dec. 11. Saoirse Ronan (nominated for an Academy Award in “Atonement”) stars as Susie, the murdered 14-year-old narrator.
These three are just a few of the upcoming literary adaptations. The biggest blockbuster of all needs no introduction: The film version of Stephenie Meyer’s New Moon hits theater Nov. 20.
Which books-to-movies are you going to see in the coming weeks?
Variety announced recently that Philipp Meyer's critically acclaimed fiction debut, American Rust, will be adapted for film by Walter Salles and Jose Rivera. That's the same writer/director duo who worked on The Motorcycle Diaries and are just finishing up work on the film version of The Brief Wondrous Life of Oscar Wao (read our review of Oscar Wao here).
Scott Stuber, whose most recent project was the Vince Vaughn movie Couples Retreat (about the furthest thing from American Rust we can imagine!) bought the rights and will produce.
Book-to-film is always a risky transition, but the quiet, compelling American Rust, which follos two friends who both long to escape their dying Pennsylvania mining town, might make the jump better than most. If you've read the book, what do you think?
Fans of Nancy Holder and Debbie Viguié’s New York Times bestselling Wicked series got a huge surprise on Monday. DreamWorks Studios (known for other book adaptations such as The Kite Runner and forthcoming The Lovely Bones ) bought the movie rights to the five-book saga, which tells the story of Holly Cathers, a descendent of a coven of witches (who falls for a guy from their rival House).
Since we know that a call from DreamWorks is a dream-come-true for an author hoping for a movie deal, we had to contact Holder and Viguié for their reactions to the news.
“Once we hit the New York Times bestseller list, the nibbles we'd had on our books became more serious,” said Holder in an e-mail interview. “Then about three months ago, our literary agent, Howard Morhaim, and our film agent, Michael Prevett of Gotham Group, started preparing us that serious negotiations were about to begin, but I kept a lid on my hopes. Once we were in negotiations with DreamWorks, it dawned on me that we’d been writing about the reality of magic for seven years, and something magical was happening to us. I really took a look at the name of the studio...dream/works. A place that creates dreams. And makes them come true. I think every writer daydreams about selling a novel to a place like DreamWorks, but in our case, we stand to sell them five.”
What Wicked scene do you most want to see on the big screen?
Nancy Holder: Well, avoiding any spoilers, I would love to see one of the big battles. I want to see Holly face down Michael Deveraux. And I would really love to see the scene with the birds in the skies of London. A certain song based on a ballad that we used would be lovely to hear on the soundtrack.
Debbie Viguié: Is it cheating if I say “all of them”? Seriously, from the second book, I’d love to see the scene where Nicole meets up with the Spanish coven in Europe.
Are there any actresses you envision as Holly, Amanda or Nicole?
NH: There have been some great fan YouTubes suggesting various actresses. I loved talking to the casting director(s) at “Buffy the Vampire Slayer” about how the show was cast. So much more goes into it than simply figuring out who would make a great Holly or a wonderful Nicole. The actors have to have chemistry with each other as well. Here are some actresses I would hope could have some sort of role in Wicked: Danielle Panabaker, Emily Browning, Zoe Saldana, Bryce Dallas Howard, Eva Green, Emily Blunt, Evan Rachel Wood, Keira Knightley, Scarlett Johansson and Natalie Portman. I would love it if Adrien Brody could have a part. BTW, Richard Dean Anderson is my guilty pleasure. I usually watch between five and ten episodes of “Stargate SG-1” a week.
DV: “Who would you cast?” is one of the favorite games my husband and I play. I’ve got ideas for several of the older parts, and I also love all the fan suggestions. I’d love to see Molly C. Quinn as either Nicole or Amanda, Jensen Ackles as Eli and Jackie Earle Haley as Uncle Richard.
What project are you working on right now?
NH: I’m so happy that Debbie and I are still working together! We’re just about to turn in Crusade: Converted, the first book in a new series for Simon and Schuster. It’s similiar in style and tone to Wicked, but it concerns a band of vampire hunters based in Salamanca, Spain, after the “Cursed Ones” have declared war on the human race. I’m in love with it.
Everyone's been buzzing about The Last Song, a book/film project Nicholas Sparks cooked up for teen singing sensation Miley Cyrus. But that's not the only upcoming film sparked (I can't resist) by the writer's work. Before Last Song's premiere in April, fans will be able to spend Valentine's Day watching Dear John, a movie starring Amanda Seyfried and Channing Tatum. (Read our interview with Sparks about Dear John here.)
Sparks' page-to-screen record has been uneven, veering from home runs like The Notebook to big misses like last year's Nights in Rodanthe. According to Sparks, the book Dear John was inspired by the film Casablanca. Lasse Hallstrom at the helm is promising, but somehow I just don't see Seyfried and Tatum as Bacall and Bogart—but judge for yourself in the trailer below.
As for the Miley movie—so far, that trailer has only been shown at her concerts. After the jump, the fearless among you can see a YouTube video of the trailer, taken at a concert. The jumbotron is blurry and sometimes the squealing fans drown out the dialogue, but it's enough to get the idea.
Sparks is also making waves in the book blogosphere: Trish from Hey Lady! has challenged Rebecca of The Book Lady's Blog to give him a try during this weekend's Read-a-Thon. Rebecca will be tweeting her impressions of Sparks' work under the hashtag #IHeartTheSpark on Saturday, if you want to keep up with her reactions. Are you a Sparks fan? What's your favorite book or film?
At BookPage, we have been struck by the number of high-profile movie adaptations of beloved children’s picture books. Cloudy with a Chance of Meatballs and Where the Wild Things Are immediately come to mind, but there are others, too: The Polar Express (written in 1985, adapted for the big screen in 2004); Curious George (1941, 2006); Horton Hears a Who! (1954, 2008).
On Tuesday, HarperCollins launched a Where the Wild Things Are website with the theme, “Read it Before You See It.” As many of you know, Spike Jonze’s “Wild Things” movie – based on Maurice Sendak’s unforgettable 1963 classic – hits theaters on Friday. (See trailer below the jump.)
Sendak’s book includes 10 sentences. Many readers will remember the simple and powerful last line, about Max’s dinner: "And it was still hot.” Sendak’s language may be wonderful, but it is undeniably sparse. Reading this book as a child, I would never have picked it to be a clear choice for a movie adaptation. Based on the trailer (cool music, cooler costumes, muted colors -- a definite departure from typical kids' flicks), I can't wait to see the movie.
Browse the book, courtesy of HarperCollins, here:
Browse Inside this book
Get this for your site
Click here to read an interview with Sendak in BookPage.
“Cloudy with a Chance of Meatballs,” based on Judi Barrett’s 1978 story (illustrated by Ron Barrett), was released in theaters on Sept. 18. I haven’t seen it yet, but reception has been positive – the movie was #1 in the box office for two weeks in a row (see trailer below). Barrett’s prose does lend itself to animation, I think:
The menu varied. By the time they woke up in the morning, breakfast was coming down. After a brief shower of orange juice, low clouds of sunny-side up eggs moved in followed by pieces of toast. Butter and jelly sprinkled down for the toast. And most of the time it rained milk afterwards.
Has anyone seen "Cloudy with a Chance of Meatballs"? Did the animation live up to the fabulous illustrations in the book? Based on the trailer, there seem to be some notable differences in the movie (where is Grandpa Henry?).
What other children’s books would you like to see as movies? Lynn nominated Goodnight Moon. I’d like to see movie versions of The Lorax, The Giving Tree (“Once there was a tree, and she loved a little boy” . . . my heart breaks just thinking about it), and one of my all-time favorites, Mercer Mayer’s Liza Loo and the Yeller Belly Swamp.
Where the Wild Things Are trailer:
Cloudy with a Chance of Meatballs trailer:
Whether we loved it or hated it, many of us who grew up in the ’80s and ’90s will never forget Francine Pascal’s perennial middle school soap opera, Sweet Valley High. The series, which began in 1983, included over 150 books about the beautiful Wakefield Twins, Elizabeth and Jessica.
What it lacked in depth, the series made up for in romantic subplots, cat-fights and descriptive gems such as:
“Jessica stared at herself in the full-length mirror and saw a picture of utter heartbreak and despair. But what was actually reflected in the glass was about the most adorable, most dazzling sixteen-year-old girl imaginable.”
SVH fans may soon be able to see their favorite blue-eyed-blonde heroines on the big screen. On Tuesday, Hollywood trade paper Daily Variety reported that Diablo Cody (of Juno fame) has signed on to write a screenplay of the series.
Over the past couple of days, Cody’s Twitter page has been abuzz with reassurances for die-hard SVH fans. A recent tweet reports: “Attn. Sweet Valley residents: I’ll need your guidance in this process, so please keep in touch.” Or a comment that many readers can relate to: “Like most girls, I’m a Jelizabeth.” (Don’t most of us waver between identifying with nerdy Elizabeth or fun-loving Jessica?”)
In any case, Diablo Cody is certain to add a little spunk to a movie that could be (in the words of Jessica) “boring as butter” in the wrong hands.
Any readers have a shoebox full of SVH novels lurking in their closets? Or ideas about who should portray real-life Elizabeth and Jessica?
How about a notable SVH memory? As a flute player in 8th grade band class, I used to get scolded for reading Sweet Valley High (the “Senior Year” shoot-off) during long rests.
Over the weekend, I went to see The Time Traveler's Wife with my book club. As someone who liked Niffenegger's novel but wasn't enthralled with it, I expected to the enjoy film version—especially since it starred one of my favorite actresses. Unfortunately even Rachel McAdams couldn't save the clunky script. (The guys from "Mystery Science Theater 3000" would have had a ball with this one.) There's a lot going on--jumping through time, marriage, miscarriage, childbirth--but the film never pauses to take a breath and allow the characters to contemplate the questions that loving someone who travels through time (or being the person who travels through time) raises. The few and far-between scenes that do explore Henry and Clare's feelings about their strange lives feel heavy-handed, forced and out of place, especially when supported by the cheesy score.
It didn't help that the darker edges of Niffenegger's novel, like Henry's alcoholism and the real dangers he faces during time-travel, Gomez's politics and Clare's family issues, are all absent. This, I presume, was so that a good 30 minutes of the film could be used to establish that time-travel 1.) is real and 2.) freaks people out, as Henry spends them explaining his impairment to one character after the other in gravelly tones ("I'm a time-traveler") and then deals with their disbelief by slowly dissolving into a puddle of clothing.
My book club also pointed out that while the book tries to be more evenhanded and tell Clare's story as well (it is called The Time Traveler's Wife after all) the film is most definitely all about the time-traveler. Also, Gomez is supposed to be blond.
Have you seen the film? How did you think it compared to the novel?
As a child growing up in the early 1980s, I loved the picture book Cloudy with a Chance of Meatballs and its goofy—but oddly realistic—illustrations of such meteorological events as the floods of orange juice and storms of hamburgers that engulfed the town of Chewandswallow. (My father, who read the book aloud to my brother and me many hundreds of times, was less fond of it, which may explain why I never saw the sequel, Pickles to Pittsburgh, until I was an adult.) So I was excited to find out that Sony Pictures Animation has done a movie adaptation of this classic book by husband-and-wife team Judi and Ron Barrett, although its distinctive illustrations have been replaced Pixar-style animation. The movie, which will be released in the U.S. on September 18, includes the voices of such talented and funny actors as Lauren Graham, Neil Patrick Harris, and Bruce Campbell.
Those of us who miss Ron Barrett’s illustrations can see more of them in the Barretts’ newest book, The Marshmallow Incident. This book tells the tale of the towns of Left and Right, and how they are brought together by a marshmallow war that looks more like a blizzard than a military campaign. With its detailed drawings of the two towns and their curious establishments (“Lefty’s: We Proudly Serve Leftovers”), The Marshmallow Incident is a delightful story about how the towns of Left and Right learned right from wrong.
The box office success of Julie & Julia has spurred sales of Julia Child’s opus, Mastering the Art of French Cooking. Amazon sold out of copies on Aug. 10 and has yet to restock, though there are copies available from private sellers; The Associated Press reports that Knopf has rushed 75,000 copies into print.
The book of the same name by blogger Julie Powell that inspired the movie has seen sales volume pick up as well. ABC News reported that it sold 42,000 copies the week of the movie’s debut. Here’s our take on Julie & Julia. If you’re waiting for a review on all 750+ pages of Mastering, you’ll have to give us a minute on that one! Or just check out our interview with Child's grand-nephew, Alex Prud'homme, who collaborated with her on a memoir about her life with her beloved Paul and her years in France.
Today’s publication of Nick McDonell’s third novel, An Expensive Education, probably has more than a few would-be writers twitching with jealousy—McDonell’s first novel, Twelve, was published when the author was just 18 years old.
On Sunday, the New York Times profiled the now 25-year-old writer. McDonell comes from a literary background—his father edits Sports Illustrated, and Hunter S. Thompson was a family friend. Although these connections no doubt helped McDonell get his first book deal, critic Michiko Kakutani validated the writer’s talent by calling Twelve “as fast as speed, as relentless as acid.” In BookPage, the novel was praised as being “energetic and episodic, brimming with tension. . . . McDonell, who is only 18, writes with a worldliness and wisdom that exceed his years.” Currently, Twelve is being turned into a movie by director Joel Schumacher, starring Kiefer Sutherland, Chace Crawford and 50 Cent.
Does anyone have other favorite authors who were discovered at a young age? A few immediately come to mind: Michael Chabon (The Mysteries of Pittsburgh was Chabon’s honors thesis and published when he was 25); Marisha Pessl (Special Topics in Calamity Physics debuted when Pessl was 28; Night Film is forthcoming in 2010); and Jonathan Safran Foer (Everything Is Illuminated was drawn from Foer’s senior thesis and published when he was 25). Young writer Kaleb Nation (age 20) is starting to get some buzz. His YA novel Bran Hambric: The Farfield Curse will be published on Sept. 1.