Rainey Royal by Dylan Landis
Soho, $25, ISBN 9781616954529
on sale September 9, 2014
Coming of age in Greenwich Village in the 1970s isn't easy for teenaged Rainey Royal. Her mother has left her and her father alone in their tumbledown brownstone, and he's too busy trying to build a jazz career to notice his best friend and housemate, Gordy, making moves on Rainey. In these 14 linked short stories, O. Henry Award winner Dylan Landis chronicles Rainey's journey from teen to woman, focusing on the strange power of teen girls—and its limits.
"You come in my room while I'm sleeping?" From the way he looks at her, she knows they both know that she knows. She waits for him to laugh at her. "Don't you dare laugh," she says.
He doesn't laugh. "You have no right," she says. She pulls back her hand and slaps him on the face, to see if it will relieve her of the horrible knowing feeling. It does, a little, though her hand must be burning at least as much as his cheek. His skin turns bright red. She wonders if he is really albino or just incredibly pale. He makes no move to slap her back.
"You sent me signals," says Gordy. "You've sent me signals your entire life."
Signals? She sends signals to everyone, all the time, even if the signals are submerged, like telexes in cables on the ocean floor. It's what she does. It doesn't seem to be something a person can learn; Leah is hopeless at it.
Gordy raises his elbows to block her raised hand. "You never said no." He backs up toward his bedroom door.
Two flights down, the doorbell rasps. "You weren't listening," says Rainey, and shoulders past him and downstairs.
What are you reading this week?
Boston writer and visual artist Annie Weatherwax's perceptive debut, All We Had (Scribner) is the story of an unusual mother-daughter duo attempting to find a place to belong. At just 13 years old, Ruthie convinces her mother, Rita, to leave her no-good boyfriend and start a new life. The pair hits the road, cruising through small-town America—a vista of diners, local businesses and memorable characters that Weatherwax describes with flair.
In a guest blog post, Weatherwax explores the appeal of the road novel, explaining what the pressure-cooker of car travel brings out in her characters.
At the beginning of my debut novel, All We Had, my protagonist, Ruthie, and her mother, Rita, spend a lot of time in their used Ford Escort. The car is central to their lives. It’s the only thing they own, and when they have no other choice, it doubles as their home.
The car is a built-in pressure cooker. With nothing to distract them their highs and lows become heightened and intensify.
At first they feel invincible. Speeding along the freeway, with the windows down and the music blaring, they are full of almost exalted hope as they escape their California and head east towards Boston to what they are certain is the promise land.
But car rides can become endlessly boring and boredom can quickly lead to irritability. “[A]ll the things my mother usually did—tapping the steering wheel with her thumbs when she liked a song, biting her bottom lip when she wasn’t smoking—suddenly annoyed me,” Ruthie says.
If you leave characters in a car long enough there is bound to be drama. When emotions escalate there is no way to avoid them. Characters are restricted in their seats. When arguments are over they must sit with their feelings and negotiate the psychic space between them and, in a speeding car, there is a limit to the actions they can take.
At one point after a particularly bad fight, Ruthie rummages through the glove compartment and when she finds gum shoves the whole pack into her mouth. One piece after another, she crumples up the empty wrappers, throws them on the floor then abruptly hawks the entire wad of gum out. Her mother retaliates by blatantly ignoring her.
The lack of distraction in the confines of a car lends itself to the exploration of daydreams. Could there be a better vehicle (pardon the pun) for a writer?
The vantage point from inside a car is unique. The whoosh and rhythm of sounds has a particular quality. The skyline looks different and the fragmented glimpses from rearview and side mirrors can be astonishingly beautiful. In fiction a car can do many things. Most obviously it can reveal status and move characters from point A to point B.
For this writer, it’s the confinement of a car that exhilarates me. Limitation takes away choice but it also relieves the paralysis of choice. Creativity is often fostered by such constraints. Restrictions and obstacles can spark connections between things that are not necessarily obvious. The true nature of a human being can reveal itself when characters make decisions under pressure and a car can provide that pressure.
A car ride implies that the desired time and place resides at some point in the future. But the destination is often not what’s important; it’s what happens on the journey that can truly move a story forward.
For more on Annie Weatherwax and All We Had, visit her website.
Author photo by Lou Goodman
This year's best crime fiction debuts kept us entertained and on the edges of our seats as if they were authored by seasoned pros.
We had no idea how much we craved a new curmudeonly private detective and his girl Friday until Sidney Grice and March Middleton entered the scene via British author Kasasian's new series. After 21-year-old March's father dies, she moves in with the celebrated and socially inept Grice. March is outspoken and whipsmart—an unlikely even match to Grice. Together they investigate the murder of a young woman, and the result is an enjoyable mystery that relishes the darker elements of Victorian London, a classic setting that can't keep its dirty little secrets from this unlikely sleuthing team. Read our review.
The Ways of the Dead by Neely Tucker
Washington Post staffer Tucker, author of memoir Love in the Driest Season, drew on his own experiences as a reporter to craft an edgy and tense thriller set in 1990s Washington, D.C. When a politically connected judge's daughter turns up dead, three young black men are arrested. This seems a bit suspicious to world-weary reporter Sully Carter, who sees a connection between the girl's murder and several other cold cases. Tucker's debut stands out for its ingenious, multilayered plotting, its juicy depiction of shady journalism and its thoughtful exploration of questions of race and class. Above all, Tucker's dialogue is in a league of its own. Our Whodunit columnist called it "textured and nuanced," and compared it to the work of Elmore Leonard, James Crumley and George Pelecanos. Read our review.
Northeastern Pennsylvania author Bouman perfectly captures the dark and dilapidated milieu of rural PA in his debut thriller, bringing to life all the sadness and—somehow—good humor that permeate a region poisoned by poverty and drug use. Things start to change when corporations begin buying up all the land for fracking and gas drilling, which introduces some wealth to the region as well as a new set of problems. Meanwhile Officer Henry Farrell, already quite busy struggling with his own demons, is trying to track down the killer of an unknown victim. Then Henry's deputy is found dead, and tension in this already-suspicious community begins to rise. It's a sad story, but Bouman's storytelling is so seamless and his prose so poetic, we don't mind a little heartbreak. Read our review.
Ten years after she was convicted of her mother's murder, Janie Jenkins has been released from prison on a technicality. But Janie didn't kill her mother, at least she doesn't think so. She was, however, found covered in her mother's blood, and the two didn't exactly get along. Now a notorious criminal, Janie sets out to prove her innocence, armed with a false identity and the smallest of leads. It's a great thriller based on plot alone, but Little's voice is what makes this one so special. It's been called stylish, sassy and assured; our reviewer called it "one of the cheekiest voices in recent memory." Whatever you call it, it's one of a kind, and we can't wait to see more of it. Read our review.
A one-night stand resulted in Mia Dennett's kidnapping, but her abductor inexplicably takes her to a remote cabin in the woods rather than turn her over to the guy in charge. After Mia returns home, she cannot seem to recall all the details of her experience. Kubica's intricately plotted debut alternates between past and present—before and after Mia's abduction—and multiple perspectives: Mia’s mother, Eve; Mia's abductor, Colin; and Gabe, the detective on the case. This is a puzzler on par with Gone Girl, so expect to be surprised. Read our review and a Q&A with Kubica.
The power of TaraShea Nesbit's first novel, The Wives of Los Alamos, builds slowly and catches the reader by surprise. Told in a chorus of women's voices, the book provides a powerful portrait of life in Los Alamos, New Mexico, during the years of the fateful Manhattan Project. Clothed in secrecy, the project's aim was unknown to even many of the men who worked on it—and their long-suffering wives, torn from homes across the country and brought to this desolate area, knew even less.
As Nesbit writes,
“What did we think our husbands were doing in the lab? We suspected, because the military was involved, that they were building a communication device, a rocket, or a new weapon. We ruled out submarines because we were in the desert—but we closely considered types of code breaking.”
A time capsule in book form, this masterful debut recreates a lost world. Check out our full review here.
Usually, the magic happens on Christmas Eve. But not in Marie-Helene Bertino's debut novel, 2 A.M. at The Cat's Pajamas, in which the eve of Christmas Eve proves to be a pivotal night for almost-10-years-old Madeleine Altimari. Her goal is to become a jazz star, and she sets out to find the infamous club The Cat's Pajamas and make her debut. Our reviewer writes: "Bertino’s prose easily dips in and out of the lives of her characters as she weaves them together, including insight into secondary figures at each turn. With vivid description and great character development, Bertino brings Philadelphia and its inhabitants to life in an unforgettable tale." (Read the full review here).
We were curious about the books Bertino has enjoyed reading, so we asked her to recommend three favorites, which she graciously agreed to share.
I confess: I am a slow-ish, picky reader. I would rather read Raise High The Roofbeam, Carpenters for the hundredth time than just about anything—I’m that kind of bird. Maybe it’s because I find it difficult to turn my editor’s mind off—I am always twisting and turning words as I’m reading them. Those books that are able to turn my mind off secure my lifelong devotion. Here are three of them.
A book for dreamers and originals:
By Deb Olin Unferth
I can’t remember what fortuitous circumstance led Deb Olin Unferth’s work into my path, but the very first time I read it, I was gobsmacked. She can be wildly specific, totally universal and make a miraculous reversal, all in one line. In the story called “Deb Olin Unferth,” she places a fingertip on every person’s fear (every writer, at least), and presses. In “La Pena,” the unraveling of a couple’s relationship is chronicled in a shatteringly beautiful anecdote. Deb has lines that hold the whole world in them. But, she also has lines like:
He held my hand and we were brave.
I’ve read and taught this collection many times, but it still always manages to surprise me.
I’ve owned this book for several years but it wasn’t until a recent vacation that I chucked it into my suitcase thinking I’d give it a try. The first voice in the book, main character Leopold Gurtsky, frustrated me, charmed me, and held me rapt. By the time I met the second main character, Alma, I knew I was involved with something very special. Kraus reveals decades of pain while leaving room for life’s lightness. Even the physical pages feel important. The History of Love contains some brilliant musings on devotion and aging, and contains an anecdote about a telephone made out of two cans and string that you could read at your wedding. No matter how skillful the body of a book, its overall success is tied up in the way it lands. The last few pages don’t just satisfy, they soar.
A book for all time:
The Little Prince
By Antoine de Saint-Exupery
The Little Prince is a baffling and perfect book. It works on the line level, the story level, the character level, the level of insight, and the last level that has no name but is the most essential, if you will—the quality Hemingway referred to as “what butterflies have on their wings.” It also has the #1 dedication ever written. I still struggle with the “lesson” the fox teaches the pint-sized main character, that if you “tame” something, you make it special. Every time I read the book I am newly distressed by that word, “tame.” Yet, at the heart of The Little Prince is an author who understood something about human beings that goes unnoticed by most. Saint Exupery’s exactness makes my exact mind delight. He tried many different manifestations of its most famous line. Can you imagine how the meaning of the book would have changed if he had gone with one of the following?
What can be seen does not matter.
What is important is always somewhere else.
What is important is always invisible.
Both Antoine de Saint-Exupery and another of my favorite writers, Roald Dahl, were pilots. In a biography filmed about the latter, a researcher wondered if the cramped space of a cockpit counter-intuitively sparked an expansiveness of imagination. Dahl famously wrote in a small house on his property, on a wooden lap tray that constricted movement, until he died. I think about this sometimes when I am in my sacred, cramped apartment.
Do any of Bertino's books pique your interest?
(Author photo by Ted Dodson)
One of the most notable debuts of the century so far is Alice Sebold's strikingly inventive The Lovely Bones, the story of a murdered young girl who watches from above as her family attempts to find her killer. For today's Flashback Friday, we're swinging back to 2002 to see what our reviewer—one of the first to pick up this bestseller—had to say about a book that eventually reached millions.
"When you kill off your narrator in the first 10 pages of a novel and tell readers who the killer is you'd better have one compelling story up your sleeve. Alice Sebold does."
During RWA this year, we had the pleasure of talking to many of the most popular romance novelists writing today. But we were also able to chat with a few new voices on the scene. One of the debut authors we chatted with was Rachel Lacey, whose romance Unleashed is set for an October release.
Unleashed, the first book in Rachel Lacey's Love to the Rescue series, follows Cara, a dedicated member of the Triangle Boxer Rescue team. Rachel explains, "Cara is a cancer survivor, and her plan is to be in remission for ten years before she adds anything permanent in her life." Although she adores the dogs she rescues, she only feels ready to commit to fostering the boxers as she helps them find a "forever" home. And of course, men are equally as off limits when it comes to forming an attachment. "But then she gets involved with Matt, a sexy private investigator on animal abuse cases, and sparks start to fly. So she has to make the decision: Do I go for it?"
Just like Cara, Rachel had to make a leap of faith in her own life to see her novel published. "I had been writing since high school," she says, "and I always thought it would be so cool to publish a book. But it was more of a personal hobby. Then, about four years ago, I decided, why don't I try to make this happen?" But Rachel's first authorial instinct wasn't to write romance. "I love reading suspense, so at first I tried writing it. . . . And then I realized that with all the books I read, I'd be kind of disappointed if there weren't two people falling in love." So she switched paths and began focusing exclusively on romance.
After signing up for a writing class with romance novelist Lori Wilde, Rachel realized it would take quite a lot of work to bring her goal of publishing a novel to fruition. "I found out I didn't really know anything about how to write a book or get it published," she says. "So I sort of started over and focused on learning the craft." It all came together for her, and three years later, she sold her series to Forever publishing.
And of course, Rachel loves dogs. All of her pets are rescues, and she adores boxers. "I'm pretty partial to them; I have other breeds in the book, but boxers are near and dear to my heart." Hence, Cara's involvement in a boxer-focused rescue. If you'll note, the cutest model on the cover is a boxer puppy!
Connecticut writer Kristen Harnisch brings a little-known portion of women's history to light in her compelling first novel, The Vintner's Daughter (She Writes Press). Set in 1890s France and America, it follows one woman's relentless quest to become a master winemaker—something that only a handful of real-life women have managed today. In a guest blog post, Harnisch explains the inspiration behind her remarkable heroine.
Sara Thibault is my hero. She fights against a rival to reclaim her family’s Loire Valley vineyard, sails across the Atlantic to bring herself and her sister to safety, and then journeys to Napa, California, determined to follow in her father’s footsteps as a master winemaker. Sara is passionate, principled and self-possessed, and although she leapt from my imagination onto the page, Sara’s spirit was inspired by the women winemaking pioneers of the late 1800s.
Three wine women in particular served as the inspiration for Sara’s character. A Frenchwoman, the Duchesse de Fitz-James, was the first to tout the benefits of replanting French vineyards with American rootstock to combat the devastation wrought in the 1870s by the phylloxera. This pale yellow louse attacked nearly 40% of France’s vineyards, sucking the vines dry of nutrients. The Duchesse’s French neighbors refused to try her idea, but she persisted, citing the recent success she’d had replanting the resistant rootstock in her own vineyard. Although it took years, the French winemakers did eventually replant, saving most of the vineyards that had been affected.
During the 1880s, California women were beginning to trade their kitchen chores for increasingly important roles in their family-owned businesses. The wine men of the region generally ignored their efforts. In 1886, after her husband’s suicide, Josephine Tyschon finished the winery they had planned to build on the 26 acres of land they’d purchased along Route 29 in St. Helena. The Tyschon Winery (now the site of Freemark Abbey) opened with a capacity of 30,000 gallons. By 1891, Tyschon had cultivated 55 acres of zinfandel, reisling and burgundy grapes. However, when the phylloxera struck in 1893, she lost 10 acres to the bug, and soon sold the winery and vineyard to her foreman, Nels Larson.
Josephine Tyschon’s neighbor, Mrs. J.C. Weinberger, also took over the family winery after her husband’s death. Weinberger’s operation was much larger than Tyschon’s, boasting eighty acres of grape bearing vines and a first-class winery with 90,000 gallons of capacity. Mrs. Weinberger won a silver medal at the 1889 World’s Fair in Paris for her wine, and was the only woman in California to bring home this coveted award.
What compelled these amazing women to create such fine wines? Every bottle of wine contains nearly three pounds of grapes and the vulnerability of this fruit is striking: over the last century and a half, grapes have fallen victim to pests, rodents, frost, mildew and Prohibition in the United States. Still, with a precise blend of hard labor, science and art, winemakers continue to perfect the wines that fill our glasses.
According to the American Association of Wine Economists, as of 2011, only 12% of winemakers in Sonoma and 12% of winemakers in Napa, were women. In an industry long dominated by men, I raise my glass of Cabernet to these adventurers, and to the wine women of long ago who sparked the inspiration for The Vintner’s Daughter.
Author’s Note: William Heintz’s California’s Napa Valley (Stonewall Associates, 1999), and Sherry Monahan’s California Vines, Wines & Pioneers (American Palate, A Division of the History Press, 2013), were particularly helpful in my research of this topic.
Author photo by Alix Martinez Photography.
There's something ominous circling the three characters in David Shafer's debut novel, but quite frankly, I haven't been giving it much attention. I've been far too caught up in Shafer's unrelenting humor—which is wicked and dark, just how I like it—and his spotless characterization. That being said, Whiskey Tango Foxtrot also fulfills all the requirements of an outstanding technothriller, with pulsing strains of paranoia and those all-seeing technological powers-that-be.
The story centers around 30-somethings Leila, Leo and Mark. Leo and Mark were friends at Harvard, but Leo is now a bit of a loser, while Mark is a phony self-help guide who works for the Committee, a data collection agency that seeks to privatize all information. Leila is a disillusioned nonprofit worker on the other side of the world. The only thing keeping the Committee from its goal is a secret underground Internet called Dear Diary. With jabs at every political angle, a love story and plenty of cool tech, Whiskey Tango Foxtrot is a pageturner of the highest order.
Read on for an excerpt from Leo's first scene:
There was no one even near Leo when he flew from his bike. His mind cast about for a culprit, for someone to blame other than himself. The bike just ceased its forward motion and he did not. How surprising, how nifty physics was. And as he trebucheted toward a four-inch curb, aware at once that his meeting with it would be physically calamitous, he remembered that he was wearing no helmet, and his surprised turned to fear. A month ago, at a party to which his friend Louis had brought him, Leo had heard (well, overheard) the host claiming that he wasn't afraid of death. That particular claim seemed to Leo to be demonstrably false. So, costumed as Jesus (for this was a Halloween party), Leo had decided to explore the man's reasoning. Not afraid of death, huh? My, that must make you a real psychopath. But he had seen almost immediately that he should not have told the man that he was like a Holocaust denier. "I said like a Holocaust denier. Like," he protested lamely when Louis escorted him out of the party and told him to enjoy the bracing walk home dressed as Jesus.
No, thought Leo, as he landed his right hand, fingertips first, on the cold nubbly of the curb, I am definitely more than a body, but I believe I am less than a soul.
Then, with a fluid agility that hadn't been his in years, Leo tucked his head and vertical body behind the leading edge of his rounded arm. Some latent muscle memory from five months of jujitsu at the McBurney YMA on West Sixty-Third Street from when he was ten? Leo seemed to recall that this YMCA had in fact served the adventurous class of men described in the song. Now, he felt a point beneath his stomach become the axis of his spinning mass, and he knew to use that dragony breath to take the hit when, after about 120 degrees, his trunk met the sidewalk, hard. Next was his hip and ass, which rolled over not just the concrete but also a busted padlock on the scene by chance. Then came his knees and feet, with a thwack. That was followed by his trailing left arm, which lay down gently, and his gloved palm, which landed and sprang back, the way a conguero lands a hand on the taut hide of his drum.
Leo stood up. He was fine. Just fine. Right as rain.
Leo stood up again, this time more carefully. Okay, maybe fine was an overstatement. But ambulatory and intact. A bit exhilarated, actually.
His bike lay twisted in the street behind him, its front tire still clamped in the groove of the new light-rail system tracks they were laying all over town. Only now did he notice the yellow-and-black warming signs that would have made him aware of the hazard his bike had to cross. The graphics depicted pretty much what had just happened: a bicycle with its front wheel caught in the maw of the track, the blockish pictogram rider hurtling over the handlebars. An honest piece of graphic art; a tiny, two-line picture poem, thought Leo, and he started to upbraid himself for his carelessness and lack of attention.
But wait. On one corner—the direction from which he'd come—the warning sign was there, but it was swathed in black plastic, taped up tight.
The thought came like a revelation: This was no accident. They obscured that sign because they want me eliminated.
Some part of him said, No, don't be ridiculous. But then why was only one sign shrouded?
What are you reading today?
Publishers are always on the lookout for the next big thing, which means plenty of choice for fans of new voices. After highlighting four outstanding August debuts in our print issue, it's time to take a look back at the year as a whole. Here are our 12 most notable first novels of the year (so far!).
About the book: A young widow who's always lived in the shadow of her famous husband must take a new tack on life after his unexpected and sudden death. This story of self-discovery is fun, relatable and poignant.
About the author: Radziwill is a star on "The Real Housewives of New York," who honed her writing chops with a best-selling memoir, What Remains, which explores her own widowhood.
Read more: Check out the review from our February issue.
About the book: A family of four leaves their home in Alabama to reach the California coast by the time the Rapture arrives. Teenaged Jess and her older sister, Elise, have plenty of earthly problems to deal with along the way—and they're not as sure as their parents that the end is near.
About the author: Miller, who grew up in Mississippi, is currently the John and Renée Grisham Writer-in-Residence at Ole Miss. She published a short story collection, Big World, in 2009.
About the book: Told in the voices of five very different childhood friends, Butler's debut is a paean to small-town Midwestern life and an exploration of how friendships can change over time. Bonus: One of the characters just might be kinda-sorta based on a famous Wisconsin musician who went to high school with Butler.
About the author: A Wisconsin native, Butler attended the Iowa Writers' Workshop and lived in the Twin Cities before moving back home to Fall Creek with his wife, an attorney, and their two children.
Read more: Check out the interview from our March issue.
About the book: Set in a small town in the Ozarks, McHugh's debut follows a young girl whose friend's disappearance stirs up questions—and secrets—relating to her own missing mother.
About the author: McHugh drew inspiration from her own experience of moving with her family to the Ozarks as a teen—where she first discovered that small-town life didn't necessarily mean an idyllic life—as well as from the real-life disappearance of a Missouri teen.
About the book: The story begins four years after then-11-year-old Justin Campbell was kidnapped—on the day that his father, Eric, receives a phone call saying Justin is coming home. Though they're overjoyed, the Campbells soon discover that putting their family back together might be just as painful as having it ripped apart.
About the author: Johnston is the current Director of Creative Writing at Harvard, and he was one of the National Book Foundation's "5 Under 35" in 2005.
Read more: Check out the review from our May issue.
About the book: Maud is worried about her best friend, Elizabeth, whom she hasn't seen in what feels like ages. But her daughter, and Elizabeth's son, blame Maud's worry on her increasing dementia. It soon becomes clear to the reader that Elizabeth's disappearance is bringing long-buried memories to the surface of Maud's now-cloudy mind, and the reader is completely involved in this double mystery.
About the author: Healey not only writes books—she knows how to bind them, having completed a book-binding degree in London before getting her MA in creative writing at the University of East Anglia.
Read more: Check out the review from our June issue.
About the book: A forgotten American life takes center stage in this compelling debut, which tells the story of Laura Bridgman, a deaf, blind and mute woman who was born in the early 1800s. She was the first person to learn to communicate by finger-spell, a language that was later taught to Helen Keller.
About the author: Elkins is a screenwriter, playwright and essayist who has lived in cities around the globe. She has degrees from Duke, Boston University and Florida State.
About the book: This homage to all things Gothic is the rare book that both feels completely grounded in its period setting and completely relevant to our modern times—and puts a creative twist on the somewhat tired vampire trend.
About the author: British author Owen is currently completing her doctorate in English Literature at Durham University.
About the book: After the apocalypse, a young couple finds all the society they need in each other—until Frida realizes she's pregnant. Their search for civilization leads them to a mysterious settlement that may or may not provide the sanctuary they seek.
About the author: A graduate of Oberlin and the University of Iowa Writers' Workshop, Lepucki has worked as a staff writer for The Millions.
Read more: Check out the review from our July issue.
About the book: Decades of colorful Caribbean history come to life in this engaging first novel, which follows the fortunes of one family after their arrival in the Virgin Islands and includes a touch of magic.
About the author: Yanique is a native of the Virgin Islands and now lives with her family in Brooklyn. She has received a Fulbright scholarship for her writing.
About the book: Research scientist David Leveraux starts to wonder whether the artificial sweetener he's created in his lab—and unleashed on the world—has a dark side.
About the author: Born in Germany to a Norwegian mother and Texan father, Clark has lived in five states and five countries. He is the author of a short story collection, Vladimir's Mustache, and currently teaches writing at Augsburg College in St. Paul, Minnesota.
Read more: Check out the review from our August issue.
About the book: Alma thinks she has left her small-town past behind her, but when her troubled younger sister is found dead on the side of the road, she is pulled back to Montana to discover the truth—and care for her orphaned young niece.
About the author: Like her main character, La Seur is a lawyer who left her home state of Montana to practice in the big city.
Agree? Disagree? let us know in the comments!
Related in BookPage: Check out our 2013 list of noteworthy debuts.