It's been a great year for children's books (and it's not over yet), and it's always fun to see which of our favorites get recognized during awards season.
Kicking it off is the 2013 National Book Award Longlist for Young People’s Literature, released today:
• Kathi Appelt, The True Blue Scouts of Sugar Man Swamp
• Kate DiCamillo, Flora & Ulysses
• Lisa Graff, A Tangle of Knots
• Alaya Dawn Johnson, The Summer Prince
• Cynthia Kadohata, The Thing About Luck
• David Levithan, Two Boys Kissing
• Tom McNeal, Far Far Away
• Meg Rosoff, Picture Me Gone (BookPage review coming in October)
• Anne Ursu, The Real Boy
• Gene Luen Yang, Boxers & Saints
Got any favorites out of this bunch?
Stay tuned throughout the rest of the week for National Book Award longlist announcements for nonfiction (Sept 18) and fiction (Sept 19)!
Young adult mysteries and thrillers tap into some really creepy ideas—often with the help of a supernatural element—that keep teen readers burning through the pages. Few characters in YA mysteries are like cops and spies—they're not out looking for trouble, but it finds them anyway, and the pursuit of the truth is impossible to resist. And this year, it's all about the girls.
17 and Gone by Nova Ren Suma
Seventeen-year-old Lauren has visions of girls who have gone missing—always without a trace. As the missing girls reveal their stories to Lauren, she becomes obsessed with one girl in particular: Abby Sinclair, who vanished from summer camp. What happened to her? Is she dead like the other missing girls? A chilling psychological thriller with whispered warnings for young readers.
The Caged Graves by Dianne K. Salerni
It's 1867, and Verity Boone has just moved to Pennsylvania to live with her father and meet her future husband. But when she discovers that her mother and aunt, who both died 15 years before, are buried in unhallowed ground outside the cemetery and are guarded by a cage, she begins to dig into the mystery of the two women's deaths—and the secrets of her father's town. A great historical mystery.
What We Saw at Night by Jacquelyn Mitchard
Three kids with Xeroderma Pigmentosum (or XP, a disease that requires complete avoidance of sunlight) take to the nighttime rooftops, practicing Parkour and slighting their own vulnerability. But one night, they spy through an open window a possible murder in progress. The daredevils begin an investigation, and it seems to be no limit to their ability to risk their own lives.
This Is W.A.R. by Lisa and Laura Roecker
Revenge is sweet for an unlikely alliance between four girls. When popular girl Willa Ames-Rowan is pulled from the lake at Hawthorne Lake Country Club, everyone knows golden boy James Gregory was the last person to see her alive. Willa’s friends Sloane and Lina, Willa’s sister Madge and outsider Rose team up to solve Willa's death and make the killer pay.
The Waking Dark by Robin Wasserman
Coming September 10
The publishers are calling this one an homage to Stephen King, and that's dead on. This horror thriller finds 12 people dead, killed by five murderers who were all friends and family. Only one murderer didn't take her own life, and she has no idea why she did it. It falls to five survivors to stop whatever's happening. A terrifying, thrilling read.
Anyone up for something creepy?
A few years ago, YA lit fans were calling for more sci-fi, and it's safe to say that the genre answered. With YA's built-in fanbase for apocalyptic thrillers, the opportunities were endless: zombies, contagions, aliens, interplanetary romances and doomsdays that can be thwarted only by 16-year-olds.
Characters in high-action teen lit are right at home a hundred years in the future on Mars (Losers in Space, Black Hole Sun), surviving on space stations (Glow, Mothership), waking from stasis to discover a strange new future world (Across the Universe, A Long, Long Sleep) and thwarting dominate species (The Lunar Chronicles).
But this summer, it gets personal.
YA sci-fi comes to the home front as alien invasions sweep this summer's crop of teen lit. Naturally, many are set post-invasion, because honestly, YA dystopia will never die.
Here are a few of the big ones:
The 5th Wave by Rick Yancey (Putnam, 5/7)
Aliens quickly and mercilessly destroy the majority of the human race in attacks called "Waves." The few survivors include Cassie, who runs along an abandoned highway in search of her missing brother, completely unaware that the aliens' most terrifying strike is yet to come. Think The Host, only much better. Read our review from the May issue.
Icons by Margaret Stohl (Little, Brown, 5/7)
The aliens in this one barely show their faces—but that's what makes them creepy. The survivors of this post-alien invasion world are so scared of their overlords that they perpetuate the aliens' horrors willfully. Four teens with a special immunity to the aliens are Earth's only hope. Fans of Stohl's Beautiful Creatures series will enjoy this one.
In the After by Demetria Lunetta (HarperTeen, 6/25)
Amy and a toddler she calls "Baby" survive after aliens invade Earth and kill almost all of the population. But when Amy and Baby are miraculously rescued, everything is not as it seems, and she begins to discover the truth behind "Them."
Neptune's Tears by Susan Waggoner (Holt, 6/25)
Call this one an alien invasion of the heart. Set in London in the year 2218, an empath named Zee falls in love with David, a member of a mysterious alien race. Sure, there's some fighting, but it's mostly fighting for their love. An alien invasion tale for the romantic set.
And one more to look forward to: The fourth book in Pittacus Lore's I Am Number Four series, The Fall of Five, comes out on August 27.
Are you a fan of YA sci-fi? Are you excited for the upcoming thrilling alien reads?
Eleanor & Park by Rainbow Rowell
St. Martin's Griffin • $18.99 • ISBN 9781250012579
Published February 26, 2013
Ages 13 and up
Pretty much every YA novel that comes out these days has at least some element of romance. With all those twitterpated hormones in teen readers, it's practically a requirement for YA characters to find their soulmate at 16. There is no growing up with typical fictional true love: It is eternal and halting, with ever after more a natural progression than a rare gift.
But it rarely works like that, doesn't it? That's what makes young love such an incredible thing. Its intensity is nearly impossible to maintain.
That's why I found Eleanor & Park so special. Neither character really believes in ever after. They do, however, get to experience every surprising moment of young love, every second of anticipation as they fall for each other. Rowell's new book for teens is one of my favorite depictions of teenage love, and adult readers will find it to be a wrenching, wonderful reminder of their own first loves.
Keep an eye out for my interview with the author in the March issue of BookPage! And read on for an excerpt from one of my favorite parts, when Eleanor and Park hold hands for the first time. From Park's perspective:
Holding Eleanor's hand was like holding a butterfly. Or a heartbeat. Like holding something complete, and completely alive.
As soon as he touched her, he wondered how he'd gone this long without doing it. He rubbed his thumb through her palm and up her fingers, and was aware of her every breath.
Park had held hands with girls before. Girls at Skateland. A girl at the ninth-grade dance last year. (They'd kissed while they waited for her dad to pick them up.) He'd even held Tina's hand, back when they "went" together in the sixth grade.
And always before, it had been fine. Not much different from holding Josh's hand when they were little kids crossing the street. Or holding his grandma's hand when she took him to church. Maybe a little sweatier, a little more awkward.
When he'd kissed a girl last year, with his mouth dry and his eyes mostly open, Park had wondered if maybe there was something wrong with him.
He'd even wondered—seriously, while he was kissing her, he'd wondered this—whether he might be gay. Except he didn't feel like kissing any guys either. And if he thought about She-Hulk or Storm (instead of this girl, Dawn) the kissing got a lot better.
Maybe I'm not attracted to real girls, he'd thought at the time. Maybe I'm some sort of perverted cartoon-sexual.
Or maybe, he thought now, he just didn't recognize all those other girls. The way a computer will spit out a disk if it doesn't recognize the formatting.
When he touched Eleanor's hand, he recognized her. He knew.
Do you make room on your TBR list for excellent YA reads? Will you check this one out?
More and more often we're hearing about self-published e-book sensations that go viral and eventually get scooped up by traditional publishers. With more than 150,000 e-books sold in the U.S. (not to mention the weeks it has spent on the New York Times bestseller list), Tammara Webber's Easy definitely fits into that category. Penguin took over the rights in October, and Berkley published a trade paperback edition on November 6. Many readers are already hooked on this story of a 19-year-old who deals with tough issues in college—from sexual assault to falling in love again.
However, there's an interesting "trend" angle to this novel that makes it unique. Easy is part of an emerging subgenre called "New Adult" literature. NA books are appropriate for older teens and adults, and they typically feature characters who are transitioning from teendom to adulthood. Webber is very passionate about writing stories that explore this life stage. In a guest blog post she tells us what "New Adult" means—and why it's important.
New Adult—or just new marketing?
By Tammara Webber
I confess, my initial reaction to the term “New Adult” was lukewarm, because I thought it was a seriously dumb label for a literary category. Who wants to be called a new adult? When I was a college student, a bookstore couldn’t have paid me to walk down an aisle with that designation at the head of it.
What intrigued me, though, was the concept behind the harebrained title. A long-standing decree from publishers warned agents (and therefore, authors) against submitting manuscripts with main characters older than 18 or younger than mid-20s. The justification? They won’t sell.
Enter the birth of digital self-publishing, the rapid growth of the e-reader market, and more recently, widespread apps that turn any smart phone into an e-reader. Those college-aged protagonists no one wanted to read about? Indie authors offered those stories to readers directly. Lo and behold, the previously nonexistent audience appeared.
Shocking? Not really. Much of the “NA” audience is just an extension of the YA audience, as well as a natural progression from it. Is an 18-year-old—who is a legal adult—an adult in every sense of the word? Not until she’s financially independent. Until then, she’s on the same coming-of-age path she was before—she’s just closer to her goal. A professor friend told me that she hadn’t realized how young her students were until her own sons were in college. “They have adult bodies and more advanced language skills, but their thought processes and reasoning haven’t quite caught up,” she said.
This leads me to confession number two: I’m not convinced publishing needs a new category. Heck yeah, I slapped a “New Adult” tag on each of my “Mature YA” books, because I’m not stupid. If everyone is going to say I’m writing “NA,” and that tag helps readers find my books, then by all means, I’ll add it. But what needed to happen has happened: Authors are writing and selling novels with characters in the college age range, without benefit of a distinct category.
Where those books should be “shelved” is something brick-and-mortar retailers will have to figure out. The idea that these stories can be edgier because the protagonists are 18 and up is unnecessary. Unless you’ve been living under a rock, you know that plenty of YA books are edgy—they contain swearing, drinking, drugs and sex. In other words, reality.
If by edgy one means tackling tough topics—well, anyone who reads YA on even the most intermittent basis knows that’s been done and done well: Speak, Thirteen Reasons Why, The Sky is Everywhere, Looking for Alaska, Some Girls Are, Shine, I Know It’s Over . . . No one needs to look for a New Adult designation to find edgy, or dark, or titillating literature—and thank God for that.
Lest you question my credentials for welcoming edgy content to YA, I have an incontestable qualification: I’m the parent of three children between the ages of 17 to 23. I love that my son brought Going Bovine into my room at 2 a.m. with tears on his face and said, “Read this.” I love that my daughter and I could discuss and contrast Alex Fuentes (from Perfect Chemistry by Simone Elkeles) with “real boys.” I’m a parent who welcomed the edgy stuff, and recognized the importance of it for creating dialogue with my kids. It wasn't about what I wanted to talk about—because I can do that without assistance from literature or celebrity-endorsed commercials, thanks—but about what they wanted to talk about.
I’ve heard that NA seeks to appeal to readers “18 to 35.” Or 34. Or 30. Or starting at 17. Again, unnecessary. The elimination of the weird dearth of characters in the 19-23 year-old age range was the essential thing. The placement of those stories should be based on content, not the ages of the protagonists. If a book has a YA voice, if it speaks to serious issues as archetypal YA does, then it should be categorized as YA, and perhaps given a “mature” label to let the parents of 14-year-olds know that this book should be parentally-guided. Books like Easy and Slammed fall into that category. As for those 20-somethings (and older) being able to find them? We already read YA. We’ll find them just fine.
As a self-published author, I found enough readers to put Easy on the NYT bestseller list for nine weeks—three of those on the combined and the e-book lists. The audience is there. Now let’s publish for them.
Readers: What do you think of the "New Adult" designation? Do you like to read about protagonists who are in that stage between living at home and being a full-on adult?
Out of the Easy by Ruta Sepetys
Philomel • $17.99 • ISBN 9780399256929
On sale February 12, 2013
When we blogged about Sepetys' new book a month ago, BookPage readers were so excited. So, in honor of Teen Read Week (October 14-20), we're reading her upcoming novel, Out of the Easy, set in the French Quarter of New Orleans in 1950.
Sepetys made major waves with her first novel, Between Shades of Gray, the story of a teenager named Lina in 1940s Lithuania. Lina and her family are forced by the Soviet secret police to leave their home and travel in a miserable, crammed train car to labor camps in Siberia. In an interview, Sepetys shared why she felt the world needed to learn about the Baltic deportations during Joseph Stalin's regime:
“It’s as if the voice of an entire generation was swallowed. . . . The story sort of went dark and now the people that still have ties to it are in their late 80s. A whisper is left and we’re just about to lose it.”
Sepetys has made a home of edgy historical fiction with Out of the Easy, the story of plucky, resourceful Josie Moraine. She's the daughter of a brothel prostitute, and she dreams of getting out of NOLA for good. However, a murder leaves Josie scrambling for someone to trust. Atmospheric, clever and sharp, Out of the Easy is the rich follow-up we all hoped Sepetys would deliver.
Dive into the first chapter, when Josie flashes back to her first day in New Orleans:
My mother's a prostitute. Not a filthy, streetwalking kind. She's actually quite pretty, fairly well spoken, and has lovely clothes. But she sleeps with men for money or gifts, and according to the dictionary, that makes her a prostitute.
She started working in 1940 when I was seven, the year we moved from Detroit to New Orleans. We took a cab from the train station straight to a fancy hotel on St. Charles Avenue. Mother met a man from Tuscaloosa in the lobby while having a drink. She introduced me as her niece and told the man she was delivering me to her sister. She winked at me constantly and whispered that she'd buy me a doll if I just played along and waited for her. I slept alone in the lobby that night, dreaming of my new doll. The next morning, Mother check us into our own big room with tall windows and small round soaps that smelled like lemon. She received a green velvet box with a strand of pearls from the man from Tuscaloosa.
"Josie, this town is going to treat us just fine," said Mother, standing topless in front of the mirror, admiring her new pearls.
Are you one of the many BookPage readers who look forward to Out of the Easy?
Also, be sure to check out our four favorites for Teen Read Week.
Lois Lowry's The Giver won a Newbery Medal for its thought-provoking exploration of a world without choices. Then came Gathering Blue and Messenger, which explore the same haunting themes. Technically for children, these books and the questions they invoke have stuck with me into adulthood and I've met many others who agree.
Now, Lois Lowry has finally announced the end of The Giver series with the release of Son, which is available in bookstores and online today! Set in the same familiar world, Son follows a 14-year-old birth mother's quest to find her son after he is taken from her. This is an especially meaningful choice for the author, whose Air Force pilot son died in a plane crash.
But Lowry never thought she would write a sequel to The Giver, and certainly she didn't think it would become a series. An interview with BookPage explains why she kept on writing about the world of The Giver:
“I thought The Giver would be a single book,” laughs the author, speaking from her home in Maine. She was inspired to continue Jonas’ story in part because of young readers’ reactions to The Giver’s ambiguous ending.
“Kids like things tied up a little more,” she explains. “It was clear from letters and emails that kids didn’t like the ambiguity of the ending.” This led to the next books in the series, Gathering Blue and Messenger.
Are you excited about the final book of the series or, like me, are you a little sad to see it end? Will you be reading Son, or sharing it with a child in your life?
These days, tales of mermaids in young adult fiction are a far cry from The Little Mermaid. Mermaids are more like monsters than princesses, and their stories are some of the most violent and graphic in the teen genre. Nevertheless, it's clear readers love them, because the wave of mermaid YA shows no signs of slowing.
However, I've noticed a slight transition in the sea creature trend, and it might give mermaids a run (swim) for their money—the selkie. Based in Scottish and Irish folklore, selkies appear as seals in water but can also take human form. In some myths, if you hide the selkie's seal skin, it belongs to you and cannot return to seal form.
So as we head into 2013, I'm wondering who will win in this throwdown: Mermaids vs. Selkies.
Below, the contenders.
Fathomless by Jackson Pearce
This re-imagined Little Mermaid introduces Lo, a creature of the sea who still clings to her remaining human life. But in order to be human again, she must convince a boy to love her—and then steal his soul.
Teeth by Hannah Moskowitz
Rudy and his family move to a remote island to save his sick younger brother—an island where the fish have strange healing properties. He spots a merman (well, merboy) off the coast, learns that the fish-kid's name is Teeth and discovers that Teeth has creepy, violent secrets. Look for it in January.
Plus, a few others: Wrecked by Anna Davies, Of Poseidon by Anna Banks, Sarah Porter's Lost Voices series and Tera Lynn Childs' Fins series.
The Brides of Rollrock Island by Margo Lanagan
In this dazzling book (our Children's Top Pick for September), all of the women on Rollrock are seal-women. The witch Misskaella uses her connections with the seals to introduce the men to seal-women. There are few YA books—whether about selkies, mermaids or something else—that better capture the sea than this one from Printz Honor-winning Lanagan. Read our review.
And a quick peek into the children's books coming out in 2013 proved that the selkie myth is no one-hit wonder—and I predict I'll stumble across a few more before its June pub date:
Tides by Betsy Cornwell
This debut from Cornwell tells the story of high school senior Noah and his adopted teenage sister, Lo (probably not the same Lo from Fathomless . . .). Noah tries to save a girl from drowning, and she probably turns out to be a seal-woman, or something like that.
Okay, readers: How do you feel about the new nature of mermaids in teen lit? And in the battle of selkie vs. mermaid, which sea creature wins? What makes the better YA novel?
The Diviners by Libba Bray
Little, Brown • $19.99 • ISBN 9780316126113
On sale September 18, 2012
Ages 15 and up
With the recent news that Baz Luhrmann's take on The Great Gatsby (Fitz, help us) has been pushed back to Summer 2013, you'll need something to tide you over until then. I know you've already purchased your flapper dress and bedazzled your dancing shoes, but you can still go crazy about the Roaring Twenties with the help of Printz Award-winning author Libba Bray's newest, The Diviners.
This atmospheric novel is technically for teens, but it'll fit right in on your TBR list with Laura Moriarty's The Chaperone and Emma Straub's upcoming Laura Lamont's Life in Pictures (9/4).
Evie O'Neill comes to glamorous NYC in 1926, where she's thrilled to explore speakeasies, shopping, Broadway and more. The only downside is she has to live with her uncle, curator of the Museum of American Folklore, Superstition, and the Occult. Not to mention, Evie has a supernatural secret of her own: She can uncover details about people by holding any object that belongs to them. When a girl is found murdered and branded with a cryptic symbol, Evie might be able to use that power to find a killer.
And that's only the beginning! Check out an excerpt from the opening gin party, where Bray draws you in with her pitch-perfect '20s flair:
The hostess, a pretty and spoiled young thing, notes her guests' restlessness with a sense of alarm. It is her eighteenth birthday, and if she doesn't do something to raise this party from the dead, it will be the talk for days to come that her gathering was as dull as a church social.
Raising from the dead.
The weekend before, she'd been forced to go antiquing upstate with her mother—an absolutely hideous chore, until they came upon an old Ouija board. Ouija boards were all the rage; psychics have claimed to receive messages and warnings from the other side using Mr. Fuld's "talking board." The antiques dealer fed her mother a line about how it had come to him under mysterious circumstances.
"They say it's still haunted by restless spirits. But perhaps you and your sister could tame it?" he'd said with over-the-top flattery; naturally, her mother lapped it up, which resulted in her paying too much for the thing. Well, she'd make her mother's mistake pay off for her now.
The hostess races for the hall closet and signals to the maid. "Do be a darling and get that down for me."
The maid retrieves the board with a shake of her head. "You oughtn't to be messing with this board, Miss."
"Don't be silly. That's primitive."
With a zippy twirl worthy of Clara Bow, the hostess bursts into the formal living room holding the Ouija board. "Who wants to commune with the spirits?" She giggles to show that she doesn't take it seriously in the least. After all, she's a thoroughly modern girl—a flapper, through and through.
The wilted girls spring up from their club chairs. "What've you got there? Is that a wee-gee board?" one of them asks.
"Isn't it darling? Mother bought it for me. It's supposed to be haunted," the hostess says and laughs. "Well, I don't believe that, naturally." The hostess places the heart-shaped planchette in the middle of the board. "Let's conjure up some fun, shall we?"
Everyone gathers 'round. George angles himself into the spot beside her. He's a Yale man and a junior. Many nights, she's lain awake in her bedroom, imagining her future with him. "Who wants to start?" she asks, positioning her fingers close to his.
"I will," a boy in a ridiculous fez announces. She can't remember his name, but she's heard he has a habit of inviting girls into his rumble seat for a petting party. He closes his eyes and places his fingers on the scryer. "A question for the ages: Is the lady to my right madly in love with me?"
The girls squeal and the boys laugh as the planchette slowly spells out Y-E-S.
"Liar!" the lady in question scolds the heart-shaped scrying piece with its clear glass oracle.
"Don't fight it, darling. I could be yours on the cheap," the boy says.
Now spirits are high; the questions grow bolder. They're drunk on gin and good times and the silly distraction of the fortune-telling. Every mornin', every evenin', ain't we got fun?
"Say, let's summon a real spirit," George challenges.
Be sure to check out some of the other great crossover YA novels from this year!
Ever wished the handsome hero in the book you’re reading could jump out of the page and into your life? That is just what happens in Jodi Picoult’s new teen novel, Between the Lines, written with her 16-year-old daughter Samantha van Leer.
Delilah, a loner who spends most of her time reading and rereading her favorite fairytale from the library, finds she has caught her fictional Prince Charming’s attention. What follows is a charming revision of an ancient fairytale, one that blurs the lines between fiction and reality.
Check out our interview with Picoult and her daughter here, and enjoy this trailer put out by Allen and Unwin:
What do you think of Between the Lines?