BookPage contributor Julie Danielson features authors and illustrators on her children's literature blog, Seven Impossible Things Before Breakfast. Her book, Wild Things! Acts of Mischief in Children’s Literature, written with Betsy Bird and the late Peter D. Sieruta, is out now. This lively and well-researched book sheds light on some of the common misconceptions about children's literature, shares behind-the-scenes anecdotes and thoughtfully explores the changes and realities of the industry. (Read our review.)
To celebrate her book's release, we asked Danielson (known as "Jules" to her Seven Imp fans) to select 10 of her favorite new picture book illustrators.
Next to the coffee bean, a good picture book is my favorite thing. To be asked to weigh in on my 10 favorite new illustrators is both a little bit thrilling, as well as very challenging. And that’s because I think there are a lot of talented up-and-coming illustrators in children’s literature today. I may or may not have gnashed my teeth for weeks, fine-tuning this list. (Case in point: I can’t help but cheat and zippy-quick add two bonus illustrators to my list. Just humor me. I love my picture books.) But I like how my list turned out, and if these illustrators are entirely new to you, I highly recommend you check out their work.
I don’t think this list would be worth its salt without the inclusion of Aaron Becker. His debut picture book, Journey, is a 2014 Caldecott Honor Book. This fall’s epic Quest will be a sequel, and fans will eventually be treated to a third picture book in what Becker calls the Journey trilogy.
Check out my Breakfast interview with Becker, and keep an eye out for a Meet the Illustrator interview in the September issue of BookPage.
Robinson is one of my favorite illustrators, and I’m not alone: He is the 2014 Ezra Jack Keats New Illustrator Award winner, and Patricia Hruby Powell’s vibrant Josephine, which he illustrated, is a 2014 Boston Globe-Horn Book Nonfiction Honor Winner. It’s also, thus far, one of my very favorite picture books of all of 2014.
Keep your eye on Ms. Wheeler. Her debut picture book, last year’s Miss Maple’s Seeds, was a tender story of friendship. And her illustrations for this year’s The Grudge Keeper, an original fable of sorts written by Mara Rockcliff, are just as inviting.
Wheeler shares some sketches here.
Campbell not only illustrated the reigning Newbery winner, Kate DiCamillo’s Flora & Ulysses: The Illuminated Adventures, but he’s also received both the 2013 and 2014 Ezra Jack Keats Award New Illustrator Honor (for, respectively, Lester’s Dreadful Sweaters, which he also wrote, and Ame Dyckman’s Tea Party Rules). His illustrations for The Mermaid and the Shoe are some of the most beautiful you’ll see this year.
View some of his illustrations here.
Originally from Mexico City, Dominguez has three picture books on shelves and Knit Together coming early next year. The delightful Maria Had a Little Llama with a text in both Spanish and English is a 2014 Pura Belpré Award Illustrator Honor Book.
Angela shares some sketches here.
The Brothers Hilts
Brothers Ben and Sean managed to make the night-time palette of Karina Wolf’s The Insomniacs warm and inviting. For that, they received the Society of Illustrators’ 2012 Founders Award, an award given to new talent. I can’t wait to see what’s next on their plate.
Check out my Breakfast interview with the Brothers Hilts.
Theodore Taylor III
The recipient of the 2014 John Steptoe Award for New Talent, Taylor’s been working for years in graphic design, web design, photography and more, but it was last year’s illustrations for Laban Carrick Hill’s When the Beat Was Born: DJ Kool Herc and the Creation of Hip Hop that proved he’s also one to watch in picture book illustration.
View some of Taylor's work here.
Idle’s been illustrating books for more than a couple of years, but it’s been in just the last year that she’s gained copious recognition for her work. A 2014 Caldecott Honor (for the utterly charming Flora and the Flamingo) will do that. Flora fans will be in for a treat, come September, with Flora and the Penguin.
Check out my Breakfast interview with Idle.
Greg didn’t waste any time showing readers what he’s capable of when his debut picture book, last year’s very funny The Watermelon Seed, up and won the 2014 Theodor Seuss Geisel Award for the most distinguished beginning reader book. This year’s Number One Sam is a winner, too.
Check out my Breakfast interview with Pizzoli.
Tonatiuh’s work, more prominent in the past couple of years, has been recognized by the Tomás Rivera Mexican American children's book award, as well as multiple Pura Belpré Award committees. Last year’s Pancho Rabbit and the Coyote: A Migrant’s Tale was awarded 2014 Pura Belpré Award Honors in the categories of both Author and Illustrator.
View some of Tonatiuh's sketches here.
BONUS (because I can’t help it)
Hop outside of the States with me for a moment, will you?
Iranian artist Hoda Hadadi illustrated last year’s Deep in the Sahara, written by Kelly Cunnane. She’s not new to illustration, but she’s new to Americans. Schwartz & Wade, who published Cunnane’s book, tells me that Hadadi has nothing else lined up for publication in the U.S.—at least not in the immediate future and not as far as they know—but I hope that changes soon. View some of Hadadi's work here.
Finally, hailing from Iceland (but currently living in Sweden) is author-illustrator Birgitta Sif. Her debut, Oliver (2012), is the picture book I’d point to that most accurately gets what it is to be an introvert. And Frances Dean Who Loved to Dance and Dance, coming at the end of August, pretty much nails shyness. And Sif executes it all with style and warmth.
Alright. I’m making myself stop now.
Readers, what new illustrators would you add to this list?
Boston writer and visual artist Annie Weatherwax's perceptive debut, All We Had (Scribner) is the story of an unusual mother-daughter duo attempting to find a place to belong. At just 13 years old, Ruthie convinces her mother, Rita, to leave her no-good boyfriend and start a new life. The pair hits the road, cruising through small-town America—a vista of diners, local businesses and memorable characters that Weatherwax describes with flair.
In a guest blog post, Weatherwax explores the appeal of the road novel, explaining what the pressure-cooker of car travel brings out in her characters.
At the beginning of my debut novel, All We Had, my protagonist, Ruthie, and her mother, Rita, spend a lot of time in their used Ford Escort. The car is central to their lives. It’s the only thing they own, and when they have no other choice, it doubles as their home.
The car is a built-in pressure cooker. With nothing to distract them their highs and lows become heightened and intensify.
At first they feel invincible. Speeding along the freeway, with the windows down and the music blaring, they are full of almost exalted hope as they escape their California and head east towards Boston to what they are certain is the promise land.
But car rides can become endlessly boring and boredom can quickly lead to irritability. “[A]ll the things my mother usually did—tapping the steering wheel with her thumbs when she liked a song, biting her bottom lip when she wasn’t smoking—suddenly annoyed me,” Ruthie says.
If you leave characters in a car long enough there is bound to be drama. When emotions escalate there is no way to avoid them. Characters are restricted in their seats. When arguments are over they must sit with their feelings and negotiate the psychic space between them and, in a speeding car, there is a limit to the actions they can take.
At one point after a particularly bad fight, Ruthie rummages through the glove compartment and when she finds gum shoves the whole pack into her mouth. One piece after another, she crumples up the empty wrappers, throws them on the floor then abruptly hawks the entire wad of gum out. Her mother retaliates by blatantly ignoring her.
The lack of distraction in the confines of a car lends itself to the exploration of daydreams. Could there be a better vehicle (pardon the pun) for a writer?
The vantage point from inside a car is unique. The whoosh and rhythm of sounds has a particular quality. The skyline looks different and the fragmented glimpses from rearview and side mirrors can be astonishingly beautiful. In fiction a car can do many things. Most obviously it can reveal status and move characters from point A to point B.
For this writer, it’s the confinement of a car that exhilarates me. Limitation takes away choice but it also relieves the paralysis of choice. Creativity is often fostered by such constraints. Restrictions and obstacles can spark connections between things that are not necessarily obvious. The true nature of a human being can reveal itself when characters make decisions under pressure and a car can provide that pressure.
A car ride implies that the desired time and place resides at some point in the future. But the destination is often not what’s important; it’s what happens on the journey that can truly move a story forward.
For more on Annie Weatherwax and All We Had, visit her website.
Author photo by Lou Goodman
This year's best crime fiction debuts kept us entertained and on the edges of our seats as if they were authored by seasoned pros.
We had no idea how much we craved a new curmudeonly private detective and his girl Friday until Sidney Grice and March Middleton entered the scene via British author Kasasian's new series. After 21-year-old March's father dies, she moves in with the celebrated and socially inept Grice. March is outspoken and whipsmart—an unlikely even match to Grice. Together they investigate the murder of a young woman, and the result is an enjoyable mystery that relishes the darker elements of Victorian London, a classic setting that can't keep its dirty little secrets from this unlikely sleuthing team. Read our review.
The Ways of the Dead by Neely Tucker
Washington Post staffer Tucker, author of memoir Love in the Driest Season, drew on his own experiences as a reporter to craft an edgy and tense thriller set in 1990s Washington, D.C. When a politically connected judge's daughter turns up dead, three young black men are arrested. This seems a bit suspicious to world-weary reporter Sully Carter, who sees a connection between the girl's murder and several other cold cases. Tucker's debut stands out for its ingenious, multilayered plotting, its juicy depiction of shady journalism and its thoughtful exploration of questions of race and class. Above all, Tucker's dialogue is in a league of its own. Our Whodunit columnist called it "textured and nuanced," and compared it to the work of Elmore Leonard, James Crumley and George Pelecanos. Read our review.
Northeastern Pennsylvania author Bouman perfectly captures the dark and dilapidated milieu of rural PA in his debut thriller, bringing to life all the sadness and—somehow—good humor that permeate a region poisoned by poverty and drug use. Things start to change when corporations begin buying up all the land for fracking and gas drilling, which introduces some wealth to the region as well as a new set of problems. Meanwhile Officer Henry Farrell, already quite busy struggling with his own demons, is trying to track down the killer of an unknown victim. Then Henry's deputy is found dead, and tension in this already-suspicious community begins to rise. It's a sad story, but Bouman's storytelling is so seamless and his prose so poetic, we don't mind a little heartbreak. Read our review.
Ten years after she was convicted of her mother's murder, Janie Jenkins has been released from prison on a technicality. But Janie didn't kill her mother, at least she doesn't think so. She was, however, found covered in her mother's blood, and the two didn't exactly get along. Now a notorious criminal, Janie sets out to prove her innocence, armed with a false identity and the smallest of leads. It's a great thriller based on plot alone, but Little's voice is what makes this one so special. It's been called stylish, sassy and assured; our reviewer called it "one of the cheekiest voices in recent memory." Whatever you call it, it's one of a kind, and we can't wait to see more of it. Read our review.
A one-night stand resulted in Mia Dennett's kidnapping, but her abductor inexplicably takes her to a remote cabin in the woods rather than turn her over to the guy in charge. After Mia returns home, she cannot seem to recall all the details of her experience. Kubica's intricately plotted debut alternates between past and present—before and after Mia's abduction—and multiple perspectives: Mia’s mother, Eve; Mia's abductor, Colin; and Gabe, the detective on the case. This is a puzzler on par with Gone Girl, so expect to be surprised. Read our review and a Q&A with Kubica.
Hampton Sides' true-life Arctic thriller, In the Kingdom of Ice is our August Top Pick in nonfiction.
Sides, best-selling author of Blood and Thunder and Ghost Soldiers, displays his knack for narrative history yet again as he chronicles the journey of American officer George Washington De Long and his crew of 33 aboard the USS Jeannette. The crew set out from San Francisco in 1879, hoping to prove the popular theory that the polar sea was free of ice past the Bering Strait, but those hopes are soon dashed when the Jeannette becomes trapped in ice—where it stayed for the next 21 months.
Drawing on newly available letters, diaries, journals and other archives as well as his own first-hand experience in the Arctic terrain, Sides delivers an utterly spellbinding tale that's sure to keep you reading into the wee hours.
Watch the trailer from Doubleday below:
What do you think, readers? Are you interested in this heroic and harrowing tale?
Locker Combinations is a Book Case feature by BookPage contributor and young adult (YA) literature expert Jill Ratzan. Using a variety of literary, cultural and educational perspectives, Jill guest blogs about the latest in YA lit and the general direction, trends and changes of the field. This month, Jill pairs classic high school reads with great teen fiction.
For avid teen readers, the end of summer vacation can herald the end of reading what they want and a return to reading what they must. The teen who devoured The Fault in Our Stars may be less enthusiastic about the source of its title, Shakespeare's Julius Caesar. But pitting YA books against the classics of Western literature doesn't have to be an either-or proposition: Some pairs can illuminate each other in new and interesting ways.
Direct retellings of well-known tales abound (see this chart from Epic Reads), but works that complement rather than duplicate the classics can be harder to find. Here are four suggestions of great YA books to read alongside some staples of high school English.
SALEM WHICH TRIALS?
If you read The Crucible in American Lit class, you might remember your teacher saying that Arthur Miller's 1953 play was really about McCarthyism, using the Salem witch trials as a metaphor. Another interpretation is that The Crucible is about what happens when issues of gender, power, illness and social class combine in a high-pressure environment.
If so, Katherine Howe's new YA novel Conversion is the play's perfect readalike. Half of Conversion focuses on high school senior Colleen and her classmates at a highly competitive, all-female Massachusetts school where dozens of girls suddenly come down with unexplained, seemingly unconnected symptoms. (The story is based on a real incident that took place in LeRoy, New York, in 2012, a topic also explored in the recent adult novel The Fever by Megan Abbott.) The other half is narrated by Ann Putnam Jr., a teen at the center of the 1692 witch panic in Salem. The two halves, initially connected only by Colleen's extra credit project about The Crucible, soon converge. Like Arthur Miller, Howe leaves readers wondering exactly how much of a metaphor the Salem witch trials might be for contemporary goings-ons.
TURNING AROUND IN REVOLUTIONARY FRANCE
Dual, possibly intersecting narratives also characterize Revolution by Jennifer Donnelly, another contemporary YA novel that takes place partially in the present day and partially in the past—specifically, during the French revolution. This setting makes it the perfect choice to read alongside A Tale of Two Cities by Charles Dickens.
Like Charles Darney, Sydney Carton and Dickens' other characters, the dual narrators of Revolution watch their personal dramas play out against the backdrop of a larger political and social upheaval.
The 150-year gap between these two works might be the most thought-provoking aspect of this pairing. Historical perspectives on the French revolution have changed over time, with Dickens' heroic Bastille-stormers giving way to more nuanced modern interpretations. And readers of both books might want to remember the multiple senses of the word "revolution": It can mean both a war for independence and the act of changing direction.
WHITE DRESSES DRIPPING BLOOD
No one writes the macabre quite like Edgar Allan Poe. Teens who've read his short story "The Fall of the House of Usher" and want more creepy old houses haunted by revenge-seeking, bloodsoaked-dress-wearing gals—but with less onerous vocabulary and more running jokes about Ghostbusters—can't do better than Anna Dressed in Blood by Kendare Blake. Like Poe's classic short story, Blake's novel positively drips with Gothic horror—but it also features biology study sessions, talk of crushes (both ghostly and human) and pop culture references to everything from Harry Potter to "Buffy the Vampire Slayer." And fans of both authors can follow up with further works: Poe wrote dozens of short stories and poems, and Blake's sequel, Girl of Nightmares, picks up where the first book ends.
After leaving a place of chaos and conflict, our hero wanders for many miles, meeting people and learning about the world as they travel. But when they finally reach home, they find that their journey is actually just beginning.
This is the plot of Homer's Odyssey and Cynthia Voigt's Homecoming, both classics of their particular canons. While Odysseus navigates giants, sea monsters and other dangers of the ancient, mythological Mediterranean, teenage Dicey has a much more mundane but no less challenging task: bringing her younger siblings to safety after their mother abandons them in a Connecticut parking lot. First published in 1981, Voigt's novel is filled with pay phones, two-dollar bus fares and other relics of bygone decades, but that only adds to its charm. Besides, Homer's epic is almost 3,000 years old, making Homecoming (and its sequels) seem positively contemporary in comparison.
By pairing YA lit with classics, teen readers can apply what they learn from older works to newer and potentially more relevant contexts. Or they can use YA lit to rethink their interpretations of classic works. Either way, the start of school doesn't have to mean the end of reading YA.
The power of TaraShea Nesbit's first novel, The Wives of Los Alamos, builds slowly and catches the reader by surprise. Told in a chorus of women's voices, the book provides a powerful portrait of life in Los Alamos, New Mexico, during the years of the fateful Manhattan Project. Clothed in secrecy, the project's aim was unknown to even many of the men who worked on it—and their long-suffering wives, torn from homes across the country and brought to this desolate area, knew even less.
As Nesbit writes,
“What did we think our husbands were doing in the lab? We suspected, because the military was involved, that they were building a communication device, a rocket, or a new weapon. We ruled out submarines because we were in the desert—but we closely considered types of code breaking.”
A time capsule in book form, this masterful debut recreates a lost world. Check out our full review here.
Usually, the magic happens on Christmas Eve. But not in Marie-Helene Bertino's debut novel, 2 A.M. at The Cat's Pajamas, in which the eve of Christmas Eve proves to be a pivotal night for almost-10-years-old Madeleine Altimari. Her goal is to become a jazz star, and she sets out to find the infamous club The Cat's Pajamas and make her debut. Our reviewer writes: "Bertino’s prose easily dips in and out of the lives of her characters as she weaves them together, including insight into secondary figures at each turn. With vivid description and great character development, Bertino brings Philadelphia and its inhabitants to life in an unforgettable tale." (Read the full review here).
We were curious about the books Bertino has enjoyed reading, so we asked her to recommend three favorites, which she graciously agreed to share.
I confess: I am a slow-ish, picky reader. I would rather read Raise High The Roofbeam, Carpenters for the hundredth time than just about anything—I’m that kind of bird. Maybe it’s because I find it difficult to turn my editor’s mind off—I am always twisting and turning words as I’m reading them. Those books that are able to turn my mind off secure my lifelong devotion. Here are three of them.
A book for dreamers and originals:
By Deb Olin Unferth
I can’t remember what fortuitous circumstance led Deb Olin Unferth’s work into my path, but the very first time I read it, I was gobsmacked. She can be wildly specific, totally universal and make a miraculous reversal, all in one line. In the story called “Deb Olin Unferth,” she places a fingertip on every person’s fear (every writer, at least), and presses. In “La Pena,” the unraveling of a couple’s relationship is chronicled in a shatteringly beautiful anecdote. Deb has lines that hold the whole world in them. But, she also has lines like:
He held my hand and we were brave.
I’ve read and taught this collection many times, but it still always manages to surprise me.
I’ve owned this book for several years but it wasn’t until a recent vacation that I chucked it into my suitcase thinking I’d give it a try. The first voice in the book, main character Leopold Gurtsky, frustrated me, charmed me, and held me rapt. By the time I met the second main character, Alma, I knew I was involved with something very special. Kraus reveals decades of pain while leaving room for life’s lightness. Even the physical pages feel important. The History of Love contains some brilliant musings on devotion and aging, and contains an anecdote about a telephone made out of two cans and string that you could read at your wedding. No matter how skillful the body of a book, its overall success is tied up in the way it lands. The last few pages don’t just satisfy, they soar.
A book for all time:
The Little Prince
By Antoine de Saint-Exupery
The Little Prince is a baffling and perfect book. It works on the line level, the story level, the character level, the level of insight, and the last level that has no name but is the most essential, if you will—the quality Hemingway referred to as “what butterflies have on their wings.” It also has the #1 dedication ever written. I still struggle with the “lesson” the fox teaches the pint-sized main character, that if you “tame” something, you make it special. Every time I read the book I am newly distressed by that word, “tame.” Yet, at the heart of The Little Prince is an author who understood something about human beings that goes unnoticed by most. Saint Exupery’s exactness makes my exact mind delight. He tried many different manifestations of its most famous line. Can you imagine how the meaning of the book would have changed if he had gone with one of the following?
What can be seen does not matter.
What is important is always somewhere else.
What is important is always invisible.
Both Antoine de Saint-Exupery and another of my favorite writers, Roald Dahl, were pilots. In a biography filmed about the latter, a researcher wondered if the cramped space of a cockpit counter-intuitively sparked an expansiveness of imagination. Dahl famously wrote in a small house on his property, on a wooden lap tray that constricted movement, until he died. I think about this sometimes when I am in my sacred, cramped apartment.
Do any of Bertino's books pique your interest?
(Author photo by Ted Dodson)
One of the most notable debuts of the century so far is Alice Sebold's strikingly inventive The Lovely Bones, the story of a murdered young girl who watches from above as her family attempts to find her killer. For today's Flashback Friday, we're swinging back to 2002 to see what our reviewer—one of the first to pick up this bestseller—had to say about a book that eventually reached millions.
"When you kill off your narrator in the first 10 pages of a novel and tell readers who the killer is you'd better have one compelling story up your sleeve. Alice Sebold does."
It looks like Hollywood has discovered Liane Moriarty, but let the record show that BookPage was there first!
Yesterday it was announced that Reese Witherspoon's production company had optioned Moriarty's latest, Big Little Lies, for film, in a partnership with the production company of Australian actor Nicole Kidman. Although that wasn't a total surprise to those who follow Witherspoon on Instagram.
Moriarty is credited as a producer of the film. Both Kidman and Witherspoon are set to star, but which role they will play remains a mystery. My vote puts Kidman as the ethereally lovely Celeste, and Witherspoon as the sassy Madeline—or perhaps she'll go against type and play quiet single mom Jane? Either way, sounds like a winning adaptation to me. What do you think?