Henry Kissinger is one of the most controversial statesmen in American history. Some regard him as the country’s greatest strategic foreign relations thinker, while others describe him as conspiratorial or as a war criminal. Noted Harvard historian Niall Ferguson tells the first part of Kissinger’s story in great detail in Kissinger: 1923-1968: The Idealist, the first of a projected two-volume biography.
Dan-el Padilla Peralta’s new memoir does more than chronicle his contrasting lives in the two very different worlds he simultaneously occupied. Undocumented gives the Dominican-born, American-raised Peralta a voice and, perhaps, more importantly, it gives readers a figure they can understand and empathize with.
Photojournalist Lynsey Addario has reported for the New York Times and other media from the frontlines in the war on terror and the Arab Spring. In her vivid memoir, It's What I Do: A Photographer's Life of Love and War, Addario shows what it’s like to put oneself in danger in search of images to help the world understand life in a war zone.
Alexandra Fuller’s hardscrabble African lyricism returns in her third memoir, which focuses on the push-pull of her marriage to American adventurer Charlie Ross. Although much of Leaving Before the Rains Come is set in Wyoming, where Fuller settles uncomfortably into American domesticity, her war-torn childhood in colonial Rhodesia (now Zimbabwe) and the drunken pragmatism of her parents continue to shape her worldview.
Norman Lear wants to show you his scrapbook, and—after 92 years—it’s a pretty thick one. Although he established himself as a comedy writer at the dawn of television in 1950, writing for Dean Martin and Jerry Lewis, Lear didn’t really become a public figure until the 1970s. During that golden decade, he revolutionized TV with such socially conscious sitcoms as “All in the Family,” “Sanford and Son,” “Maude,” “Good Times,” “The Jeffersons” and “One Day at a Time.” Unlike the comedies that preceded them, these series explored such touchy subjects as racism, ethnic prejudices, homophobia, women’s rights, abortion, sex education and single parenthood.
Journalists typically don’t like to write about themselves. It comes from years of writing in the third person and striving for objectivity. And with so many critics of the press, reporters assume no one likes them. Robert Timberg grapples with this issue in his moving memoir, Blue-Eyed Boy. After nearly 40 years as a journalist and three noteworthy books, perhaps he has a story to tell. But he also has self-doubts. Then he looks in the mirror and sees his disfigured face. It is an image he has been trying to forget since 1967, when as a young soldier in Vietnam, just days away from the end of his tour, he suffered third-degree burns from a land mine explosion. He finally decides to confront this defining moment of his life. “I want to remember how I decided not to die,” he writes. “To not let my future die.”
“In the summer of 2005, I was at a Burger King with Harper Lee.” With those tantalizing opening words, former Chicago Tribune reporter Marja Mills has us hooked. We want to know not just why the reclusive Harper Lee is talking to a journalist, but also why she and the novelist are sitting in a Burger King, of all places.
If Emma Brockes’ memoir She Left Me the Gun reminds you of Alexandra Fuller’s Don’t Let’s Go to the Dogs Tonight, don’t be surprised. Both books grapple with a larger-than-life mother whose formative experiences in the harsh landscape of southern Africa turned them somewhat eccentric, even melodramatic. But while Fuller’s mother held on for dear life to their...
In her memoir, The Still Point of the Turning World, Emily Rapp steps into the very center of the horror all parents dread: the death of a child. She doesn’t document her son Ronan’s death from Tay-Sachs disease symptom by symptom, but she maps the progress of her own sorrow as she seeks to accept his fate. As she cares for a baby who is slowly, inexorably dying, she finds counsel...
An admiring Henry Kissinger noted in 1979 that “George Kennan came as close to authoring the diplomatic doctrine of his era as any diplomat in our history.” The origins of what became known as America’s Cold War policy of “containment” began with Kennan’s “long telegram” from the U.S. embassy in Moscow in February 1946 to his superiors in...