Kim Gordon’s memoir, Girl in a Band, begins and ends with two seminal gigs, the final Sonic Youth concert in 2011 that also marked the end of her marriage to front man Thurston Moore and last year’s induction ceremony for the Rock and Roll Hall of Fame when Gordon was invited to sing with the remaining members of Nirvana. These experiences, each cathartic in their own way and each described in Gordon’s carefully crafted but emotionally frank language, set the tone for this remarkable book, one that is passionate without self-pity, revealing but not gossipy and never smug. Gordon’s honesty provides a remarkable window into a personality often regarded as the Queen of Cool but who here shows herself to be as sensitive as she is fearless.
Quirky and raw, Kevin Sessums’ new memoir, I Left It on the Mountain, has all my favorite survival themes, plus cameos from Hugh Jackman and Courtney Love.
In St. Augustine’s Confessions (one of the first spiritual memoirs), he famously prayed “Lord, make me good, but not yet.” In his powerful, visceral new memoir, celebrity journalist Kevin Sessums, like a modern St. Augustine, testifies to the life-threatening pull between carnality and spirituality in his own life.
When Mimi Baird was 6 years old, her father, prominent Boston dermatologist Perry Baird, didn’t come home. In that moment, Baird effectively disappeared forever from his daughter’s life, for her mother told her only that he was “away.” Baird saw her father once in the 15 years between his disappearance and his death in 1959.
Photojournalist Lynsey Addario has reported for the New York Times and other media from the frontlines in the war on terror and the Arab Spring. In her vivid memoir, It's What I Do: A Photographer's Life of Love and War, Addario shows what it’s like to put oneself in danger in search of images to help the world understand life in a war zone.
“It began with a death in the family. My Uncle Ed, the most debonair of the clan, a popular guest of the Gentile social clubs despite being Jewish, had succumbed at age ninety-five with a half glass of Johnnie Walker on his bedside table.”
From the time she was 5 years old, Deborah Voigt was singing with all her heart, joyously belting out hymns like "His Eye is on the Sparrow" in church. In this sanctuary of spiritual sweetness, she discovered her tremendous vocal gift, as well as her love of performing for an attentive crowd. By the time she was a teenager, music possessed Voigt; she was immersed in piano lessons, singing Broadway tunes and eventually discovering and tuning into the pop music of Bobby Sherman and Donny Osmond. It was the voice of Karen Carpenter, however, who helped her realize she could have a career in music, and the voice of God, who told her, "you are here to sing" one morning and propelled her on the path to becoming an acclaimed operatic soprano.
Alexandra Fuller’s hardscrabble African lyricism returns in her third memoir, which focuses on the push-pull of her marriage to American adventurer Charlie Ross. Although much of Leaving Before the Rains Come is set in Wyoming, where Fuller settles uncomfortably into American domesticity, her war-torn childhood in colonial Rhodesia (now Zimbabwe) and the drunken pragmatism of her parents continue to shape her worldview.
Obsessive-compulsive disorder has become a joke in our culture. We label ourselves OCD if we prefer our socks folded a certain way or our desktop arranged just so. In The Man Who Couldn’t Stop: OCD and the True Story of a Life Lost in Thought, David Adam exposes the insensitivity of these casual mentions by sharing his own struggle with this crippling mental illness. His book puts the OCD diagnosis in historical context, but he combines this broader frame of reference with his personal story, which adds humor, pathos and authority.
Grandparents who love their only grandchild fiercely, but haven’t spoken since their divorce 50 years ago, incite her urgent question: What happened? As she writes in A Fifty-Year Silence: Love, War, and a Ruined House in France, Miranda Richmond Mouillot hopes to recreate a fairy tale of love found, and somehow lost, amid the turmoil of World War II. But her grandparents, Armand and Anna, are growing frail and their memories of fleeing Nazi-occupied France are painful.