Readers can expect major entertainment in two paranormal thrillers that bridge the gap between mystery and horror, starring a couple of detectives who are in way over their heads.
In V.E. Schwab’s A Darker Shade of Magic, three versions of London exist side by side in parallel universes. There’s Grey London, where magic is basically extinguished; Red London, where it’s abundant; and White London, where it’s somewhere in between (and where the control of it as a resource is jealously and viciously contested). There was also a fourth—Black London—whose inhabitants were devoured by magic and which should no longer exist. Schwab’s male protagonist, Kell, is one of the few with the power to travel between those Londons, and as such, serves as a diplomatic courier of sorts between the monarchies of each.
In the magical, feuding lands of Norta, a poor young woman is thrust into the center of an elite world where she must hide her true self and discover her inner strength and power to survive.
“Down a path worn into the woods, past a stream and a hollowed-out log full of pill bugs and termites, was a glass coffin . . . and in it slept a boy with horns on his head and ears as pointed as knives.” So begins Holly Black’s exquisite story about siblings Hazel and Ben and the sleeping faerie prince they swore to protect. When Hazel and Ben were children, they would disappear into the forest, whisper their secrets to the horned boy and protect unsuspecting humans from the evil faeries. Ben subdued them with his haunting music, while Hazel wielded a sword against the sinister fae who lured tourists to their deaths. As they grew older, Hazel put away her sword and Ben gave up his music. But then one day the horned boy woke up. Hazel, now 16, once made a bargain with the fae, and they’ve come to collect.
Without question, Tolkien set the standard for worldbuilding. Readers of epic fantasy aren’t content with a few generations of kings mentioned in some measly footnotes; they want a world so vast and detailed that it could be real. With Tolkien’s template in mind, George R.R. Martin addresses fans’ demands for a truly epic history.
Ember is a dragon. Her life has been spent at an isolated training school run by Talon, the organization that governs all dragons. To fulfill the next stage of training—assimilation into human society—Ember and her brother, Dante, must assume human form.
Gregory Maguire steps out of Oz and into Tsarist Russia in this magical twist on the classic prince and the pauper folk tale.
In the summer of 1976, 19-year-old David Barwise takes a job at a holiday resort in the seaside town of Skegness, England, hoping to avoid spending the summer with his mother and stepfather. But there is something more sinister underlying David’s reasoning: The beach resort is where his biological father died 15 years earlier, and David feels strangely drawn to the area, despite the tension it causes within his family.
British author Nick Harkaway is known for his ability to fearlessly blend genres in novels like The Gone-Away World. In his third novel, Tigerman, he mixes parenting, superheroes and geopolitics in the story of Lester Ferris, a British Army sergeant sent to a remote island outpost on what is supposed to be a simple assignment. But Lester refuses to ignore the shady goings-on in Mancreau, and his growing relationship with a native street kid complicates things further. We asked Harkaway a few questions about superheroes and being a dad.
Nick Harkaway has a strange way of making us feel at home as readers even when we are in a decidedly strange place, of immersing us in something new and somehow making it feel familiar at the same time. With Tigerman, he again spellbinds with witty prose and inviting characters while taking us into a world that needs an unexpected hero.