Hannah Rothschild is an established insider of the London art world. Recently appointed Chair of the National Gallery, she is respected as both connoisseur and patron, and a champion of art education.
Garth Risk Hallberg’s debut novel—sold for $2 million in a 10-publisher bidding war—has been the most anticipated, hyped and ballyhooed book of 2015. If the literary gods are fair, it’ll wind up on many shortlists. But unless you’re a connoisseur of literary criticism, you’ve probably never heard of the author.
Golden Age, the third and final volume of Jane Smiley’s splendid The Last Hundred Years trilogy, opens during a 1987 family reunion at the Langdon family farm in Iowa. Gathered are the surviving children and a number of grandchildren of Walter and Rosanna Langdon, the progenitors and subject of the trilogy’s first volume, Some Luck, which began in 1923. By this point, readers know intimately many of these characters and are familiar with the affections and antagonisms that bind and separate parents and children, aunts and uncles, husband and wives, brothers, sisters and cousins. These ups and downs only proliferate as the story unfolds, until this final episode concludes in 2019.
Few debut novels get the kind of attention—and the multi-million dollar advance—that Garth Risk Hallberg’s City on Fire has. But to say that this book deserves the buzz understates what is hardly an understated accomplishment.
When Judy Blume was a teenager in Elizabeth, New Jersey, three commercial jets crashed in her town within months of each other, each narrowly avoiding schools and orphanages. In retrospect, it’s shocking that she hasn’t considered telling this dramatic story before. But only now has Blume written about it in a novel, In the Unlikely Event.
Every professional thrown in contact with the public has at least one client who’s, to put it charitably, challenging. But the husband-and-wife attorney team of Joe and Lisa Stone managed to land an international gold medal champion in The Jezebel Remedy, the fourth novel from Virginia Circuit Court Judge Martin Clark.
Legendary book editor Jonathan Galassi has been at Farrar, Straus and Giroux since 1986 and is now its president and publisher. So why is his rambunctious, captivating first novel, Muse, being published by a rival?
When an author begins a novel with “And then there was the day”—as Kent Haruf begins Our Souls at Night, a brief, final testament completed shortly before his death last November—you know he knows we know what he’s talking about. This is Holt, Colorado.
No book will ever make you thirstier than The Water Knife, Paolo Bacigalupi’s (The Windup Girl) action-packed return to hard science fiction, in which the American Southwest is ravaged by drought.
Of the estimated six million Jews extinguished during the Holocaust, perhaps one-fourth were children. To make this figure somewhat conceivable, imagine if every one of them had, like Anne Frank, left behind a diary—or if that many novelists reconstructed in fiction the horrors these innocents had to face. Something like this imperative motivates National Book Award finalist Jim Shepard’s seventh novel, The Book of Aron,, a loosely historical account of the children of the Warsaw ghetto.