It’s hard to say whether Ruth Reichl is best known for her scrumptiously honest memoirs (Tender at the Bone, Comfort Me with Apples, Garlic and Sapphires) or her long stints as restaurant reviewer for the New York Times and editor of Gourmet magazine.
A beehive is a place of order, control, maybe even oppression. In Laline Paull’s debut novel, The Bees, Flora 717 is a sterile worker bee from the lowest caste of an orchard hive. Like her sisters, she is bound by the motto to accept, obey and serve. But during a period of famine and environmental crisis, Flora is asked to take on new tasks: first, feeding the newborns in the hive’s nursery and then becoming a forager, flying freely in search of pollen and nectar. Her size and strength make her a formidable worker, and she proves to be a quick learner.
Three excellent novels from 2013 are now available in paperback, perfect for sparking discussion in your reading group.
Every now and then, a reader stumbles across a debut novelist and thinks to herself: What took you so long? Bret Anthony Johnston—current Director of Creative Writing at Harvard University and named one of the National Book Foundation’s 5 under 35 following the publication of his 2004 short story collection—is such an author. His first novel is so spellbinding, so moving, that one’s only complaint is that we had to wait 10 years to read it.
Writer Kaui Hart Hemmings had a lot to live up to with her second novel: Her best-selling, polished debut, The Descendants, was made into an Oscar-winning film starring George Clooney. With The Possibilities, she delivers on her early promise while making a striking departure setting-wise, moving from the tropical islands of her native Hawaii to the snowy mountains of Colorado.
Fresh settings, quirky characters and original twists abound in our favorite new cozies. Whether you prefer to sample exotic recipes, explore antique-filled English mansions, take a little break at a charming B&B or create a custom floral bouquet, a delightful adventure awaits in these books—oh, and murders, too. But don’t worry: The strong, determined and often hilarious women at the center of the action are sure to figure things out before it’s too late—if only just.
Joshua Ferris, who previously examined the culture of the contemporary workplace (Then We Came to the End) and family life (The Unnamed) turns his attention to social media in To Rise Again at a Decent Hour. At first, the novel seems to be a satiric look at the way Facebook and Twitter could be used to hijack a person’s identity. But as the main character heads toward an existential crisis, it is clear that Ferris is also exploring how technology both connects us and reinforces our isolation.
Our author can’t seem to make up her mind on a fairly important issue: Is she “Mary Rickert” or just plain “M. Rickert”? Under the abbreviated M., she has published a set of haunting short stories considered to be among the very best of fantasy. With The Memory Garden, her first novel, she makes her bid to enter the literary mainstream, enlarging her name and her imaginative landscape in one grand stroke.
On March 8, 2011, shortly before his life took an unexpected turn, Mississippi novelist Greg Iles was stopped at an intersection, lost in creative thought as he debated what to do with his new thriller about unsolved civil rights murders—a subject that was too big for one book, or maybe even two. Most writers would consider that a great problem to have. But for Iles, being forced to choose between art and commerce always sends him into a desultory funk. In such moments, he readily admits, he should not be driving.
In The Girl Who Saved the King of Sweden, Jonas Jonasson unfurls a wide, whimsical net that readers will relish being caught up in. Things go from just bad to comically worse to enjoyably ridiculous in this tongue-in-cheek tale. From South Africa to Sweden, from latrine cleanup to atom bomb cover-up, from pillows to presidents and potato farms, Jonasson’s wittily constructed web intertwines historical figures and facts with the exploits of a decidedly less plausible (but more entertaining) cast of characters.