If you've ever wondered whether modern art is trash disguised by critical theory or whether critical theory is trashy modern art, Will Chancellor's debut novel, A Brave Man Seven Stories Tall, may settle the wager. It is a spirited sendup of the frauds found in art, academia and their "liminal" intersections.
Erika Johansen’s new novel, The Queen of the Tearling, uses a familiar fantasy premise: a special child—a chosen one, if you will—is born, and then hidden from those with murderous intent. As the book opens, it is 19 years later, and the time has come for Kelsea Glynn, the rightful queen of a benighted land, to leave hiding and assume her throne.
Early on in Rufi Thorpe’s elegant yet intense debut novel, the narrator, Mia, makes a prescient observation: “Normally, friendships between girls are stowed away in boxes of postcards and ticket stubs, but whatever was between me and Lorrie Ann was not so easy to set aside.”
St. Louis writer Michele Andrea Bowen made a splash in the inspirational fiction world with her Church Folk series, which followed the loves and losses of a tight-knit church community in Durham, North Carolina. Her latest release, Pastor Needs a Boo, launches a spin-off of that series, the Pastor’s Aide Club, and finds reader favorite Denzelle Flowers—a former FBI agent turned pastor—the woman who will be the making of him. In a behind-the-book essay, Bowen explains why she chose Reverend Flowers to kick things off.
Antonio Hill follows up his Spanish sun-soaked crime debut The Summer of Dead Toys with his second Inspector Salgado mystery, The Good Suicides. A cryptic and unnerving message is sent to a select group of managers at a cosmetics company: a horrifying photo of dogs hanging from a tree accompanied by the line, "Never forget." Soon, those on the receiving end of the email begin committing suicide in grotesquely creative ways, and the rattled Salgado is thrust into the investigation. We caught up with Hill and chatted about Barcelona's best (and not-so-great) qualities, his work in literary translation and more in a 7 questions interview.
The lives of twin siblings are often deeply intertwined—first physically, and later emotionally, mentally and spiritually—and Josh Weil’s The Great Glass Sea explores the tender, yet tenuous, relationship between Russian twin brothers Yarik and Dima. Though they have been inseparable since childhood, life with the Oranzheria, a sea of glass stretching over a section of the country to make the largest greenhouse in the world, is slowly pushing them apart.
Laura Lane McNeal’s debut novel is a gift to readers who long for an iced-tea-sipping, front-porch-swing kind of escape. With Dollbaby, McNeal took this New Orleans native on a trip back to my hometown, complete with the smells, landmarks and traditions that make me proud to call the Crescent City home.
Emily Gould has built a career as a blogger for her own Emily Magazine and Gawker, as well as the part owner of Emily Books. She is also author of the memoir, And the Heart Says Whatever. With her first novel, Friendship, Gould turns her eye toward the spectacle of female adulthood friendships.
In One Plus One, British novelist Jojo Moyes (Me Before You) once again introduces her readers to two mismatched lovers who have troubles of their own but find a safe haven in each other.
World War II-era nurse Claire Randall stumbled through a stone circle into the 18th century—and straight into the hearts of readers, who have gobbled up Diana Gabaldon’s Outlander series since its 1991 debut. Gabaldon returned this summer with Written in My Own Heart’s Blood, the eighth book in the series—and this month the first book, Outlander, has been turned into a TV series that will air on Starz. We asked Gabaldon a few questions about the series and the new book.