Jean Zimmerman’s new novel, Savage Girl, is the ideal historical fiction narrative: The history is accurate, and the story nicely fits into the facts.
The novel opens with Hugo Delegate, son of an outrageously wealthy captain of industry, found next to the mutilated body of one of his friends. Because he can’t, or perhaps, will not, explain why he was found at such a gruesome scene, he is taken into custody and asked to tell his side of the story.
“There’s a scene in your story that’s unrealistic. The one where your main character’s marriage was arranged so quickly. In those days, matchmaking could take years, especially between old, wealthy families.”
This was the feedback from a family friend who read the manuscript for Three Souls during its early stages of editing. This friend grew up in a very traditional family and had majored in Chinese literature. If my novel’s depiction of Chinese family life in the years before World War II passed her critical judgement, I could breathe a sigh of relief.
Failure and sin, redemption and healing form the backbone of these five novels, much as they do in the Bible that inspires writers of Christian fiction. From thrilling mystery and longed-for relationships to tests of will and heart, these works of fiction highlight God’s grace to man—who desperately needs it.
Louis Bayard blends historical narrative and otherworldly mystery in his reimagining of Theodore and Kermit Roosevelt’s 1914 Amazon expedition.
What was the initial inspiration for Roosevelt’s Beast?
That’s a bit shrouded in mystery.
BookPage Fiction Top Pick, March 2014
Alice Hoffman’s latest novel has the word “extraordinary” in the title for good reason: The best-selling author of The Dovekeepers has served up another historical novel that will dazzle readers until the last page.
The term “Middle Ages” contains a prejudice: that the era was merely an unremarkable void straddling antiquity and modernity. Recent scholarship has eroded this perception. The era produced Dante, Chaucer and Boccaccio as well as significant leaps in mathematics and even algorithms and cryptography. It was, moreover, a time when the lust for life was great and the powerful had lust aplenty. Bruce Holsinger’s captivating historical novel A Burnable Book is testimony to this more accurate view of a fascinating period.
As World War II is to the United States, a conflict endlessly memorialized, representing the nation's crowning achievement before its inevitable decline, so World War I is to Great Britain. Little surprise, then, that on the latter war's centennial, another novel that centers on it should appear: Wake, by British author Anna Hope. As the homonym title suggests, however, Wake is less about the war than its aftermath. It's also less about men than women.
In 1894, Paris was rocked by the infamous Dreyfus affair, which reverberated in France for decades after Captain Alfred Dreyfus was convicted of treason in “a monstrous miscarriage of justice.” Robert Harris’ new novel, An Officer and a Spy, builds on the riveting trial and its aftermath, perfectly demonstrating its anti-Semitic core and the sense of justice gone awry in a rigid military hierarchy.
Nebraska author Timothy Schaffert sets his sweeping new novel against the dramatic backdrop of the 1898 World's Fair, where a con man falls in love with a beautiful magician's assistant. We caught up with Schaffert, currently a professor at the University of Nebraska/Lincoln, to ask him a few questions about the book.
First the woman behind Frank Lloyd Wright and now Robert Louis Stevenson’s wife—author Nancy Horan has carved a niche for herself as a novelist who gives voice to strong, influential yet largely forgotten women.
“Women have been underrepresented in the history books,” Horan says by phone from her home on an island near Seattle. “I’ve chosen to write about two women who were very strong in their own right.”