The creepy motel is a staple of the horror genre—think the Overlook or the Bates. In her chilling seventh novel, The Night Sister, Jennifer McMahon has created a worthy addition to that roster: the Tower Motel.
The good and useful thing about scary stories is their variety. They may leave you sad, mad or contemplative—but all of the good ones make the hair on the back of your neck stand up.
When eight-year-old Carolyn stood in the kitchen in her home, helping her mother make potato salad for a Labor Day picnic, she had no idea her life was going to change drastically in a few short hours. Soon, she and several other children from her quiet suburban neighborhood of Garrison Oaks would be orphaned and forced into apprenticeships with a man who could raise the dead and make light from darkness.
Something terrible has happened to Triss. It’s worse than the story her parents tell, that Triss fell in the lake and came back with a raging fever. It’s stranger than the bratty behavior of Triss’ little sister, who seems tortured by Triss’ presence. Triss’ memories are spotty, but when she finds herself devouring one of her own dolls, she can no longer ignore the truth that she is no longer Triss. As Not-Triss, she finds herself in an eerie game of cat-and-mouse with a bizarre magical force that seems to be terrorizing her family.
The horror, the horror—oh, how we love the horror. Creepy children, bloodlust and white specters dominate the best novels for sending chills down your spine this Halloween.
Most of the time, interviews about an author’s new novel take place a year or so after the book’s completion. So it might take a bit of doing for an author to feel up-to-date, especially if he or she is already ears-deep into the next project. Carlos Ruiz Zafón had to travel much further back in time when he spoke with BookPage from his home in Los Angeles about his fourth young adult novel, Marina: A Gothic Tale, which was first published in his native Spain in 1999.
Warning to the reader: It is impossible for this review to proceed without a number of spoilers. In case anyone still holds the charming belief (as I do) that the mechanics of plot have a bearing on our enjoyment of a novel, the reviewer feels obliged to perform his task up front. I shall do it The Quick (pardon the pun) way: If you are a fan of literary Gothic—think Susanna Clarke or John Harwood—buy this book. You won’t regret it.
With The Quick, Lauren Owen has created a brilliant literary debut to rival the work of classic Gothic authors like Radcliffe and Brontë.
In this fascinating and deeply creepy novel by South African author Sarah Lotz, four commercial flights go down on the same day. Everyone on board perishes except three children: a British preteen named Jess; an American boy named Bobby; and a Japanese boy named Hiro. The children are uninjured, but their personalities have changed.
It is a cool October night on Falstaff Island, about nine miles off of Prince Edward Island, and Scoutmaster Tim Riggs is enjoying a sip of scotch. He can hear his five 14-year-old scouts talking and laughing in the next room, most likely telling ghost stories before they fall asleep. All six are completely unaware of the horrifying turn their annual camping trip is about to take.