In most biographies, an epilogue provides the story of what happens after the subject of the book has died or somehow left the scene. It’s a wrapping up, a life-after-life afterthought.
The voice behind the popular web series “Ask a Mortician” exposes the grisly, hilarious details of working in a crematorium—and argues that everyone needs to be more closely connected to the realities of death.
Pioneering journalist Gail Sheehy has lived a life jam-packed with work, love, politics and writing. Best-selling author of 1976’s Passages, which revolutionized the way Americans thought about the phases of their adult lives, Sheehy has spent a lifetime documenting American culture. Now in her 70s, she casts a retrospective eye on the chapters of her own life in an absorbing new memoir.
As a new school year begins, four new titles reveal that teachers can but do change lives in classrooms every day. Chronicling how teachers adapt to change, improve their methods and even learn from their own students, these books will appeal to all those interested in the impact of education.
In a Rocket Made of Ice is an extraordinary book about an extraordinary place. Wat Opot Children’s Community is a Cambodian orphanage started with $50 by Wayne Matthysse, a former Vietnam medic driven to make life better for children in war-torn countries. The orphanage is home to children and women affected by HIV and AIDS, where they can get the powerful antiretroviral drugs they need to stay healthy, as well as education and a community in which they belong.
Journalists typically don’t like to write about themselves. It comes from years of writing in the third person and striving for objectivity. And with so many critics of the press, reporters assume no one likes them. Robert Timberg grapples with this issue in his moving memoir, Blue-Eyed Boy. After nearly 40 years as a journalist and three noteworthy books, perhaps he has a story to tell. But he also has self-doubts. Then he looks in the mirror and sees his disfigured face. It is an image he has been trying to forget since 1967, when as a young soldier in Vietnam, just days away from the end of his tour, he suffered third-degree burns from a land mine explosion. He finally decides to confront this defining moment of his life. “I want to remember how I decided not to die,” he writes. “To not let my future die.”
Dante scholar Joseph Luzzi recounts his immigrant childhood and his complicated relationship with his parents’ homeland in a captivating new memoir, My Two Italies.
Although he speaks repeatedly of his “two Italies”—a phrase he borrows from the poet Shelley—Joseph Luzzi is neither fully at home among the coarse elements of Calabrian culture his immigrant parents brought with them to America nor within the borders of Italy itself, what with its infuriating mix of high art and low purpose. But it is this unresolved quality of Luzzi’s musings—the back and forth tugging of a splendid mind—that makes this book so alive and such a pleasure to read.
Amid the 21st-century glut of overindulgent memoirs, The Removers is a poignant, near-perfect addition to the genre. Andrew Meredith writes of growing up in a crumbling Philadelphia neighborhood, his family quietly imploding in the wake of a scandal that cost his father his university job.
There are many reasons to love a good misery memoir: In my case, reading about other people’s dysfunctional childhoods offers a sense of community, a sisterhood of resilient Gen Xers who survived a 1970s childhood. Cea Sunrise Person’s engaging new memoir, North of Normal, evokes both the miserable excesses and occasional beauty of growing up in a counterculture family in the wilderness of the Me Decade.