Quirky and raw, Kevin Sessums’ new memoir, I Left It on the Mountain, has all my favorite survival themes, plus cameos from Hugh Jackman and Courtney Love.
In St. Augustine’s Confessions (one of the first spiritual memoirs), he famously prayed “Lord, make me good, but not yet.” In his powerful, visceral new memoir, celebrity journalist Kevin Sessums, like a modern St. Augustine, testifies to the life-threatening pull between carnality and spirituality in his own life.
When Mimi Baird was 6 years old, her father, prominent Boston dermatologist Perry Baird, didn’t come home. In that moment, Baird effectively disappeared forever from his daughter’s life, for her mother told her only that he was “away.” Baird saw her father once in the 15 years between his disappearance and his death in 1959.
Before writing Kaufman’s Hill, it was my meditative essays that often veered toward the personal; my fiction was about stories I made up. Then in 1996, on a whim, I wrote a story about when I was seven, based on an image I had in my head for years—late afternoon, playing down at the creek with the Creely brothers who were often cruel to me, and one of them finds a dead rat.
Photojournalist Lynsey Addario has reported for the New York Times and other media from the frontlines in the war on terror and the Arab Spring. In her vivid memoir, It's What I Do: A Photographer's Life of Love and War, Addario shows what it’s like to put oneself in danger in search of images to help the world understand life in a war zone.
Ah, love—everyone wants it, but many feel unsure how to get it or keep it. These titles offer valuable, often entertaining insight on many facets of love. Personal stories, wit and wisdom abound. Go forth and be romantic!
“It began with a death in the family. My Uncle Ed, the most debonair of the clan, a popular guest of the Gentile social clubs despite being Jewish, had succumbed at age ninety-five with a half glass of Johnnie Walker on his bedside table.”
From the time she was 5 years old, Deborah Voigt was singing with all her heart, joyously belting out hymns like "His Eye is on the Sparrow" in church. In this sanctuary of spiritual sweetness, she discovered her tremendous vocal gift, as well as her love of performing for an attentive crowd. By the time she was a teenager, music possessed Voigt; she was immersed in piano lessons, singing Broadway tunes and eventually discovering and tuning into the pop music of Bobby Sherman and Donny Osmond. It was the voice of Karen Carpenter, however, who helped her realize she could have a career in music, and the voice of God, who told her, "you are here to sing" one morning and propelled her on the path to becoming an acclaimed operatic soprano.
Alexandra Fuller’s hardscrabble African lyricism returns in her third memoir, which focuses on the push-pull of her marriage to American adventurer Charlie Ross. Although much of Leaving Before the Rains Come is set in Wyoming, where Fuller settles uncomfortably into American domesticity, her war-torn childhood in colonial Rhodesia (now Zimbabwe) and the drunken pragmatism of her parents continue to shape her worldview.
Obsessive-compulsive disorder has become a joke in our culture. We label ourselves OCD if we prefer our socks folded a certain way or our desktop arranged just so. In The Man Who Couldn’t Stop: OCD and the True Story of a Life Lost in Thought, David Adam exposes the insensitivity of these casual mentions by sharing his own struggle with this crippling mental illness. His book puts the OCD diagnosis in historical context, but he combines this broader frame of reference with his personal story, which adds humor, pathos and authority.