On a cold, sunless planet named Eden, 500 or so descendants of two stranded travelers live beneath light and heat-giving “trees,” converting the slowly decaying knowledge of their own beginnings into a tribal mythology. Among them, John Redlantern chafes at the slavish, innovation-quenching traditions the Family upholds as it huddles in its small valley and refuses to even question what lies beyond the “Snowy Dark” that surrounds it. Soon, John makes a series of decisions that threaten to disrupt the peace—and ignorance—his tribe holds dear.
As a literary thought experiment, Kenneth Calhoun’s Black Moon has an exceedingly elegant trigger for the end of it all. No aliens, mutating viruses or celestial cataclysms are needed. All it takes is the removal of one basic yet profound capacity every single human has: the ability to sleep.
If Lily Potter and Voldemort had a love child, he would be Nathan Byrn. Born out of an illicit love affair between a White Witch and a Black Witch, Nathan is an abomination, a Half Code. His father, Marcus, is the vilest Black Witch in all of Great Britain. His White Witch mother committed suicide in shame.
There’s nothing more peaceful than a 3 A.M. jog on an ocean boardwalk with waves lapping in the distance and no one around—or is there? In Runner, the debut novel in Patrick Lee’s new thriller series, retired special forces op Sam Dryden finds he’s not jogging alone but running for his life, along with a young stranger—an 11-year-old girl who’s fleeing from some smart, devious pursuers . . .
Time-travel and alternate realities have been a rich and unending source for fiction pretty much since the invention of the genre. But an ounce of temporal weirdness brings pounds and pounds of complications, convolutions and headaches along with the overall plot potential. Paradoxes pop up, as do disruptions of any attempt at linear storytelling. The confusion that can result on behalf of the reader—and sometimes even the writer—can capsize even the most promising tale. As a result, it’s rare to see a writer dive headlong into multiple streams of chronological mayhem and emerge with anything coherent, let alone riveting.
If NASA ever launches a manned mission to Mars, space-watchers worldwide will scan the skies anxiously, imagining all the things that could go wrong for travelers more than 30 million miles from home. But no one is likely to imagine it as vividly as Andy Weir has in his debut novel, an interplanetary adventure story about an astronaut facing the ultimate worst-case scenario.
Three time-spanning tales with touches of magic make excellent picks for reading groups this January.
Set initially in Russia during the reign of Empress Anna Ioanovna in the 1740s, J.M. Sidorova’s The Age of Ice turns on a single premise: Alexander Velitsyn, the novel’s narrator and protagonist, is born immune to cold. What’s more, all those emotions that inflame others—passion, rage, shame, etc.—cause him, instead, to generate cold to an equal...
One can forgive publishing execs if all they saw was franchise potential in The Bone Season (the first in a projected seven-book series). After all, recent Oxford graduate Samantha Shannon’s debut features a young, resourceful female protagonist—19-year-old Paige Mahoney—who lives in a dystopian future rife with supernatural elements. And for much of the book, Paige is...
Is there anything more nerve-racking than publishing a first novel? For authors and publishers alike, it’s a nail-biting moment of sink or swim. Here are 10 debuts from the year (so far!) that signal the start of promising careers.THE HOUSE GIRLBy Tara ConklinFor fans of: Tracy Chevalier, Kathryn Stockett, Geraldine BrooksFirst line: “Mister hit Josephine with the palm of his hand...