Leah Westfall can sense the presence of gold. It sings to her, thrumming and tingling. This secret talent helps keep her family afloat in their fading mining town in 1849 Georgia. When news of boundless California gold reaches town, her best friend Jefferson dreams of joining the burgeoning gold rush.
Every once in a while a book comes along that inspires readers to rethink everything they thought they knew about how fiction works. Given author A.S. King’s talent for writing boundary-pushing YA lit, it’s no surprise that her latest offering does exactly that.
Chloe was born a teenager and will always be one. Like her sisters, the middle-aged Serena and the elderly Xinot, she exists only to spin, measure and cut the threads of human lives. Chloe and her sisters are the Fates of Greek mythology, living and working on an island far from human entanglements—until a desperate teenage girl, Aglaia, seeks shelter in the Fates’ home.
I admit it: In junior high I had the soundtrack from Les Misérables on permanent replay. I saw the musical on Broadway and even read the unabridged book by Victor Hugo, all 1,500 pages of it. So when I heard that adult author Susan Fletcher’s debut YA novel would retell this classic novel from Eponine’s point of view, I jumped at the chance to review it.
Novels- and memoirs-in-verse are always welcome additions to the young adult canon, especially those that show world history through diverse voices. In Enchanted Air, poet Margarita Engle introduces readers to her “Two countries / Two families / Two sets of words” and her own “two selves.”
In her new memoir-in-verse, Newbery Honor-winning poet Margarita Engle introduces readers to her “Two countries / Two families / Two sets of words” and her own “two selves.” We spoke with the author about Enchanted Air and how traveling between her two countries has turned the "chasm [of biculturalism] into a bridge."
Three intersecting narratives combine in this spinoff to Morgan Rhodes’ best-selling Falling Kingdoms series.
Ever since her father died in a plane crash two years ago, Eva’s ability to write poetry has dried up, and much to her feminist mother’s frustration, she’s begun gobbling up poorly written romance novels. So when real romance comes into her life, in the form of the enigmatic senior Will, Eva’s more than ready for the happiness that comes from mooning looks and stolen kisses.
Margo Rabb’s new YA novel, Kissing in America, follows two teens as they travel from New York City to Los Angeles to compete in a game show . . . and catch the boyfriend who got away. Along the way, they visit friends and relatives whose sometimes quirky, sometimes funny and sometimes challenging situations force them to rethink their own views on everything from friendship to family to future plans. BookPage talked to Rabb about romance novel euphemisms, handwritten letters and putting an end to genre shaming.
YA novels have been written in the form of letters, diary entries, text messages . . . and now, in a long-anticipated follow-up to John Green and David Levithan’s collaboration Will Grayson, Will Grayson, the script of a musical theater production. In Green and Levithan’s original book, the 16-year-old openly gay, bodily large and ironically named “Tiny” Cooper writes and directs a musical, which fans now have the chance to read in its entirety.