After decades of transforming everyday life into a service industry, Americans are embracing DIY as a second language, with whole industries devoted to restoring the lost garden of earthly delights.
One of the first artists featured in Sarah Thornton’s fascinating 33 Artists in 3 Acts is American Jeff Koons, who tells her that he never wants people to feel small when they view his art. Clearly Thornton ascribes to a similar principle. In this witty, smart follow-up to her 2008 bestseller, Seven Days in the Art World, Thornton generously cracks the sometimes perplexing code of modern art.
Though they often deal in dark themes—humanity’s rampant destruction of the earth is a common backdrop—Lydia Millet’s books are also, paradoxically, hilarious. Granted, it’s a grim humor, laced with sadness—but even so, it’s probably no surprise that the author in conversation is warm-voiced and inclined toward laughter.
In our media-saturated Age of Celebrity, it can be hard to fathom that there was once a time when people were not famous merely for being famous. While today we think of Oscar Wilde as an eminent playwright and novelist, he was one of the first self-made public figures, who crafted his persona and gained widespread renown long before he had done anything of much note. An early impetus behind his fame was a lecture tour he made to the United States in 1882, when he was only 27 years old and the author of one tepidly reviewed, self-published volume of verse.
“So, really, what’s a nice girl like me doing working at a ghastly ol’ crematory like Westwind?” Caitlin Doughty asks near the beginning of Smoke Gets in Your Eyes: And Other Lessons from the Crematory, her by turns shockingly gruesome, mordantly funny and, ultimately, richly thought-provoking memoir about working in an Oakland, California, mortuary and crematorium.
Ah, we humans, what have we wrought? Essayist and naturalist Diane Ackerman (author of A Natural History of the Senses, The Zookeeper’s Wife and many other books) tackles this musing—and not merely rhetorical—question in The Human Age: The World Shaped by Us, examining what geologists are calling our current epoch, the Anthropocene, or Human Age.
The voice behind the popular web series “Ask a Mortician” exposes the grisly, hilarious details of working in a crematorium—and argues that everyone needs to be more closely connected to the realities of death.
As a new school year begins, four new titles reveal that teachers can but do change lives in classrooms every day. Chronicling how teachers adapt to change, improve their methods and even learn from their own students, these books will appeal to all those interested in the impact of education.
There are several ways to know whether you’ve got a really fine novel on your hands, and you can tell pretty quickly that Dry Bones in the Valley is a debut of that caliber.
First, author Tom Bouman knows his rural Pennsylvania setting and is familiar with its smallest details, from inhabitants’ accents and manners to their dilapidated trailer homes, and from animal tracks in the woods to the winds and the night sky.
The True American: Murder and Mercy in Texas tells the interlocking stories of these two men whose lives collided in September 2001. Like the very best creative nonfiction, this suspenseful true crime book uses the techniques of literature to develop its characters, themes and plot. Bhuiyan is our appealing protagonist, a man who never gives up trying to better himself, and who treats all humans with respect—including the man who tried to kill him. Antagonist Stroman is downwardly mobile, a lower-middle-class kid who never caught a break, and who is filled with rage toward anyone who isn’t white (and male).