Land of Love and Drowning is narrated by the “old wives” of the island. They are the ones who receive and pass on the stories, including this one about the soldiers in New Orleans. An old wives’ tale is generally a label given to a tale thought to come from myth and superstition, and so should be considered with derision. But worse, an old wives’ tale is one that is often considered false in part because it is told by old women.
Set against the colorful backdrop of the Virgin Islands from 1916 to the 1970s, Land of Love and Drowning weaves an intricate tale of the legacy of an island family as it grapples with love, magic and death over more than six decades. A heartbroken patriarch purposefully sinks his ship into the Caribbean, leaving two daughters and their half-brother to make their own way, each in possession of a particular magic and unusual beauty.
A liberated Asian at odds with her conservative family or homeland is not a new story. Literature abounds with such declarations of independence in prose, doggedly demolishing superstitions and customs. This is especially true when it comes to an Asian woman's "proper" role in courtship and marriage, or non-role in the workplace. Jean Kwok's entertaining second novel, Mambo in Chinatown, thus breaks no new ground, except perhaps that it is her father, not her mother, who proves the protagonist's foil. Also: ballroom dancing!
Emma Straub’s delightful second novel, The Vacationers, is the best work yet from this Brooklyn-based writer, who previously penned the quirky short story collection Other People We Married and the historical novel Laura Lamont’s Life in Pictures.
Ah, WASPs: Those guilt-ridden, uptight, real estate-obsessed traditionalists. In Perfectly Miserable: Guilt, God and Real Estate in a Small Town, Sarah Payne Stuart captures the essence of this distinctive culture, tracing both her own childhood in Concord, Massachusetts, and the lives of some of Concord’s famous residents, including Ralph Waldo Emerson and Louisa May Alcott.
Consider one of these novels—now out in paperback—for your book club's next read.
Philippe Petit’s famous tightrope walk between the twin towers of the World Trade Center in 1974 was just one of many such performances by the artist. He made the crossing without a permit or permission to be in the building, so it’s little wonder he thinks of his actions as “coups” and has titled his book Creativity: The Perfect Crime. This is not a how-to book—it’s more of a this-is-how-I primer—but close readers will come away with both inspiration and useful instruction.
Who risks the most when a literary lion well into his ninth decade writes a novel? The legend, who is putting his legacy on the line, or the longtime reader, who shoulders the load of vicarious shame in the event the book is a mess?
With In Paradise, readers can rest assured the risk is worthwhile.
Leah Hager Cohen’s new novel, No Book but the World, takes its title from a quote by philosopher Jean-Jacques Rousseau. Ava and her younger brother, Fred, were raised by progressive parents who followed Rousseau’s “free” education and parenting model, letting their children discover the world on their own and without inhibitions or formal constrictions. Memories of their imaginative childhood in the woods flood forth as an adult Ava visits the town where her brother is now in jail.
Here’s the first thing you should know about Helen Oyeyemi: She’s got a soft spot for twisted fairy tales. Her widely acclaimed first novel, The Icarus Girl, drew from both African and Western mythology to tell the story of a biracial 8-year-old and her wicked secret friend.