Amid the 21st-century glut of overindulgent memoirs, The Removers is a poignant, near-perfect addition to the genre. Andrew Meredith writes of growing up in a crumbling Philadelphia neighborhood, his family quietly imploding in the wake of a scandal that cost his father his university job.
James Joyce’s Ulysses is a novel that is both highly celebrated and much hated. Termed “diffuse” and “pretentious” by the likes of Virginia Woolf, the dense book is the subject of much debate within the literary community, with some dismissing it and others embracing it (but very few fully understanding it). Either way, it’s inarguable that Ulysses has made an indelible cultural mark since its publication in 1922. And the release of Maya Lang’s debut novel, The Sixteenth of June, provides more evidence of its lasting influence.
Stephen King has been thrilling readers for four decades, ever since the 1974 publication of Carrie. So it’s particularly remarkable that such a long-lived (and prolific) writer can still generate buzz for doing something different. But that’s exactly what’s happening with King’s 51st novel, Mr. Mercedes, which is being billed as his first “hard-boiled detective tale.”
There is a near irresistible urge to believe what we want to believe, even in the face of conflicting evidence. Seldom has that regrettable impulse been demonstrated more starkly than in 2006 when three members of the Duke University lacrosse team were charged with raping a woman they had hired to perform at a party as an “exotic dancer.” The accused were white men from well-to-do Northern families and the accuser a poor local black woman with two young children to support. With its overtones of racism, regionalism, gender advantage and class privilege, the situation couldn’t have been more dramatic—or potentially explosive.
10 years after his acclaimed novel Tijuana Straits, author Kem Nunn—whom our columnist credits for the creation of the "Surf Noir" genre—returns with a compelling new psychological thriller, Chance. Set in the foggy Bay Area, the story follows Dr. Eldon Chance, a neuropsychiatrist caught up in a dangerous affair with one of his beautiful, fractured patients, Jaclyn. When her husband's jealousy grows to sinister extremes, Dr. Chance finds himself in the middle of some serious danger.
This month's best new mysteries include a deadly oil spill, a charming francophile's mystery, the finale to Leif GW Persson's Story of a Crime Trilogy, plus an "ink-dark" psychological thriller from Kem Nunn.
BookPage Fiction Top Pick, March 2014
Alice Hoffman’s latest novel has the word “extraordinary” in the title for good reason: The best-selling author of The Dovekeepers has served up another historical novel that will dazzle readers until the last page.
Oak Park, Illinois, lies at the center of journalist and NPR contributor Rachel Louise Snyder’s riveting debut novel, What We've Lost Is Nothing. This community, situated on the border between Chicago’s declining, predominantly black west side and the affluent suburbs, precariously bridges those two enclaves, with all their racial, monetary and cultural disparities. The story opens just after one quiet cul-de-sac of homes—Ilios Lane—is shocked by an afternoon of home invasions, all eight families affected to varying degrees, from a single cell phone taken, to the loss of multiple electronic devices, to one house completely trashed.
Three of the best books of 2013 are now available in paperback—and guaranteed to delight your reading group. Spanning the globe from Texas to Italy to Chechnya, these memorable stories are sure to spark discussion.
Martha Grimes—an official Grand Master crime writer—has returned. After the author was “let go” from her longtime publisher, Knopf, she responded with a best-selling novel, Foul Matter (2003), that tackled (and tore apart) the publishing industry. Now in a sequel, The Way of All Fish, Grimes continues to eviscerate the rapidly changing publishing world with her quick wit...