British author Charles Lambert’s latest, The Children’s Home, is like a strange dream in which you can’t quite tell if you’re awake. Morgan, its disfigured, 20-something protagonist, lives isolated in his powerful family’s sprawling home. His estranged sister sent a housekeeper to live with him, and soon after, children began arriving. They appear with no backstory—one, in fact, materializes out of thin air—and Morgan and the housekeeper, Engel, become parents of sorts. The resulting story is a weird, poignant journey reminiscent of Calvino that explores fear, power, revenge and redemption.
With an unsparing eye for all the details, Kevin Hazzard takes readers on a chaotic ride through a city’s crack houses and road carnage, a hospital’s turbulent mental health ward and still-smoldering scenes of domestic violence.
Two new books cover the careers and histories of some of the most prominent writers and editors for the long-running magazine, The New Yorker.
Just after well-known British mystery writer Ruth Rendell died in May of this year, at the age of 85, her life and talents were described in the media with words like “brilliant,” “discomfiting” and “challenging.” Readers who’ve long been gripped by Rendell’s imaginative crime fiction, however, knew that already. From her popular Chief Inspector Wexford series with such hallmarks as the top-notch An Unkindness of Ravens and Not in the Flesh, to standalone classics like A Dark Adapted Eye (as Barbara Vine) and A Judgment in Stone, right up to her last, Dark Corners, the author’s unsettling prose has always attracted legions of readers.
The lives of musical greats continue to fascinate us, and this fall once again features biographies and memoirs of key players, from the producer credited with inventing rock ’n’ roll to a woman at the forefront of feminist rock.
Celebrity memoirs often have a predictable arc: I was born, and for a brief while I was much like you, eating cereal and riding bicycles, then (big famous thing) happened and now here I am, not much like you at all. These memoirs fill a need, because we want to know about the famous thing but also the steps that led to it, in hopes that we might trade our own cereal bowls for shrimp forks. By that metric, Mary-Louise Parker’s Dear Mr. You, a memoir written by an actress, is the farthest thing imaginable from a celebrity memoir. For this we can rejoice and be glad.
'Tis the season for spooky reads! As the days in October get a little colder and the nights get a little longer, it's the perfect time to curl up with best-selling author Audrey Niffenegger's new and lovingly curated collection of ghost stories, Ghostly. Featuring Niffenegger's original illustrations and a few of her own stories alongside classics (Poe's "The Black Cat") and newer works by Neil Gaiman and Kelly Link, readers are sure to find something that moves and quietly haunts them in this book.
The challenge for an author who writes about a lonely character is to make that character interesting—and keep him that way. Happily, this is what Lori Ostlund has done in After the Parade, her sensitive and realistic tale of the excruciatingly lonely Aaron Englund. What’s intriguing about him is that he seems not to mind his loneliness. This may seem odd, for the difference between loneliness and solitude is that a person minds the former and doesn’t mind the latter. But Aaron holds his pain like a shield against a world that never had much use for him.
This month's best suspense novels take readers on a trip around the world, with four tales from Austria, the Philippines, Denmark and Japan.
The sequel to breakout hit The Rosie Effect, a return to Jan Karon's beloved Mitford and a spirited historical novel make for lively group discussion this month.