Author Heather Brittain Bergstrom has won awards for her short fiction from the Chicago Tribune and Atlantic Monthly, among others. Her outstanding debut novel, Steal the North, is almost guaranteed to add to Bergstrom’s award collection. Narrated from multiple perspectives, the novel is a heartbreaking tale of family secrets, unrequited love and the unbreakable bond of family.
Twelve-year-old Kester Jaynes is locked up in a “school” for troubled children that is more like a jail with solitary lock-up and nothing but goop to eat. He’s been there for six years, living in drudgery, until one night when a flock of pigeons and a gathering of cockroaches insist he break out to save the last bit of wild.
Twenty years after he recorded “The Letter” at the age of 16—a song that became a mega-hit for the Memphis-based Box Tops—Alex Chilton mused: “I guess my life has been a series of flukes in the record business. The first thing I ever did was the biggest record I’ll ever have." Alex Chilton’s powerful musical legacy shaped bands as diverse as R.E.M. and the dB’s, yet his remarkable life story has never been the subject of a biography—until now. In A Man Called Destruction, music critic Holly George-Warren (The Road to Woodstock) vividly narrates Chilton’s rise to early fame.
Jean Zimmerman’s new novel, Savage Girl, is the ideal historical fiction narrative: The history is accurate, and the story nicely fits into the facts.
The novel opens with Hugo Delegate, son of an outrageously wealthy captain of industry, found next to the mutilated body of one of his friends. Because he can’t, or perhaps, will not, explain why he was found at such a gruesome scene, he is taken into custody and asked to tell his side of the story.
In her memoir, The Ogallala Road, Julene Bair chronicles the last days of her family’s Kansas farm, as well as the bittersweet love affair that feeds her hope of saving the place her folks called home. She makes the case that modern farming practices are inexorably eroding the vast resources her ancestors took for granted, and she mourns the unraveling of the tapestry that once bound together her family, their history and the land they shared.
One of those guys seemingly born to wear a tux, Robert Wagner proves an expert tour guide in the sometimes dishy, always perceptive You Must Remember This: Life and Style in Hollywood’s Golden Age.
If Lily Potter and Voldemort had a love child, he would be Nathan Byrn. Born out of an illicit love affair between a White Witch and a Black Witch, Nathan is an abomination, a Half Code. His father, Marcus, is the vilest Black Witch in all of Great Britain. His White Witch mother committed suicide in shame.
As adolescents, they devoted their lives to dance . . . Both have grappled with eating disorders and refer to themselves as perfectionists. Both have struggled to find ways to practice their craft without being undone by it. And both make it clear that the physical demands of their career are severe but not impossible to manage. The dancing is indeed doable. It’s the psychological stuff that’s the real killer.
Grab your tickets and climb aboard Train, Tom Zoellner's full-steam-ahead, rollicking express ride on the great trains of the world. Part memoir and part history of the railroads in several countries, Zoellner's chronicle of days and nights spent crammed in crowded coaches or sleeper cars, chatting with crossing guards at remote outposts in India, or marveling at the engineering of formerly grand stations now in disrepair recalls both the romance and the risk of riding the rails.
The surprising source of Bich Minh Nguyen’s enthralling second novel, Pioneer Girl, was her discovery that Laura Ingalls Wilder’s daughter Rose had traveled to Vietnam as a journalist in 1965.
Nguyen (pronounced New-win), whose family fled Vietnam in 1975 when she was 8 months old and settled eventually in Grand Rapids, Michigan, says she “had read the Little House on the Prairie books when I was a kid, and I loved them. And I would reread them as an adult as comfort literature."