The Works Progress Administration of the 1930s and ’40s was a savior for American artists. Those meager checks alleviated financial concerns enough that the artists could pay rent and spend their off-hours drinking, cavorting and exploring their artistic passions.
Sometimes a character appears in an author’s imagination fully formed. All the writer needs to do is offer him or her a blank page on which to play.
National Book Award winner Lily Tuck has lived a life that often informs her stories. She was born in Paris, has lived in Thailand, Uruguay and Peru, and now resides in New York City and Maine, providing plenty of fodder for her characters and their adventures. That’s perhaps more evident in her latest book, The Double Life of Liliane, than ever before.
Board the Alaska-bound Zuiderdam, a luxury cruise ship, alongside Harriet Chance. The 78-year-old widow has set sail using a pair of tickets purchased by her late husband, Bernard. Despite her children’s worry that Harriet is infirm, she sets sail alone, accompanied only by a letter from her best friend, Mildred.
Stanley and Vera reunite at each year’s National Spelling Bee, forming a bond over their shared victory and their mothers’ quirks and ambitious goals for their lives. They seem destined for success, sure to cross paths again at Harvard—until Stanley proposes a deal.
Lois Lonsdale is an enigma to those around her. The British literature professor is a respected academic, but also something of a threat to others in the department. That’s partly due to the former spelling bee champion’s striking looks, but her publishing success and standoffish nature don’t help.
It’s difficult to imagine anything more traumatic than a child’s death. But when the deceased child is a twin, the living sibling can be a constant reminder of what’s lost.
It’s late in the 19th century, and literary works are often plundered by so-called “bookaneers.” These literary pirates swoop in, abscond with a manuscript and sell it to the highest bidder. The stories should be property of the reader, not the writer, the bookaneers argue. And they’ll stop at nothing to ensure it.
Power comes from being in the limelight. That’s the lesson Miranda Ford takes away from her second-runner-up win at the 18th annual Miss Daviess County Fair Pageant. As the winner and first-runner-up involuntarily step aside, Miranda becomes queen—a position she’s determined never to lose.
The heroines of Judith Claire Mitchell’s engrossing new novel—sisters Vee, Delph and Lady Alter—don’t bear a lot of similarity to their creator. The three were raised with a family legacy of suicide: Their great-grandmother Iris became the first to kill herself after her husband’s chemical inventions were used as World War I weapons.