Legendary book editor Jonathan Galassi has been at Farrar, Straus and Giroux since 1986 and is now its president and publisher. So why is his rambunctious, captivating first novel, Muse, being published by a rival?
Does photographer Sally Mann really have a bulging file called “Maternal Slights,” as she writes in her courageous and visually ravishing memoir, Hold Still?
The frequent surprises in Oliver Sacks’ guardedly self-revelatory autobiography begin with the book’s cover photo. There we see a buff, leather-jacketed Sacks astride his new BMW motorcycle in Greenwich Village in 1961. Who knew that the genial, gray-bearded, best-selling writer-neurologist once portrayed by Robin Williams in the movie Awakenings (1990) was such a hunk in his late 20s? Or a state-champion lifter on Southern California’s Muscle Beach? Or a physician addicted for a while to amphetamines? Or a closeted gay man who had sex during the week of his 40th birthday and then not again until he fell in love at 75?
Adept at spinning historical events into gripping narratives, Erik Larson couldn't resist the storytelling potential of the Lusitania.
In an interview some years ago, Erik Larson, author of such bestsellers as The Devil in the White City and In the Garden of Beasts, called himself “an animator of history” rather than a historian. Indeed, he has always shown a brilliant ability to unearth the telling details of a story and has the narrative chops to bring a historical moment vividly alive. But in his new book, Larson simply outdoes himself.
What makes Rob Dunn’s narrative history of advances in heart research so fascinating is on vivid display in the opening chapter of The Man Who Touched His Own Heart. Here Dunn tells the story of a Chicago surgeon who performed the first-known repair to the pericardium, the protective sac around the heart. The year was 1893, and Chicago was abuzz over the World’s Fair. The patient, a railroad worker, had been stabbed in a knife fight at a local bar. The surgeon, a talented, ambitious African-American man, had been forced by racial prejudice to found his own poorly funded hospital, serving Chicago’s lower class. At a time when a knife to the heart was almost always fatal, the revolutionary procedure was delicate and complex because there was no technology to sustain the heart while a surgeon worked on it. To everyone’s amazement, the procedure succeeded.
Amanda Eyre Ward had already finished writing The Same Sky, her moving novel about an 11-year-old Honduran girl attempting to reunite with her mother in the U.S., when the controversy about undocumented minors blew up along the border last summer.
If Elena Gorokhova’s splendid second memoir merely conveyed to readers a vivid, almost visceral understanding of the sometimes paralyzing sense of dislocation she experienced arriving in the United States in 1980 from the Soviet Union, that alone would be reason enough to read it. On her first day in the U.S., for instance, she visits the air-conditioned Smithsonian National Air and Space Museum with the American husband she barely knows, and wonders, “Why are there no smells? Russia assaults you in your nostrils: milk always on the verge of turning sour, the wet wool of winter coats we wear everyday for five months, rubber phone booth tiles buckled with urine. . . .”
Dutch writer Peter Buwalda is keenly attuned to the ironies of being a successful novelist. “A successful writer is living a paradox,” Buwalda says from to his home in Amsterdam, where he moved after his gripping literary debut, Bonita Avenue, became a bestseller in Holland in 2010.
A harried reader could get the gist of The Secret History of Wonder Woman by opening it just past dead center and reading through the 16-page comic-book version of the story.