“Can we choose each other?” It’s a question without an easy answer: Jaxon is black, and Devorah comes from a strict Hasidic community. She’s not allowed to be alone in a man’s company before marriage, let alone date a non-Jewish boy, and marriage is arranged by one’s parents. These are the norms in Devorah’s world, and she’s never questioned them—until she and Jaxon find themselves stranded in an elevator during a power outage. How can Devorah and Jaxon choose each other, when to do so could ostracize Devorah from the only world she’s ever known?
Journalists typically don’t like to write about themselves. It comes from years of writing in the third person and striving for objectivity. And with so many critics of the press, reporters assume no one likes them. Robert Timberg grapples with this issue in his moving memoir, Blue-Eyed Boy. After nearly 40 years as a journalist and three noteworthy books, perhaps he has a story to tell. But he also has self-doubts. Then he looks in the mirror and sees his disfigured face. It is an image he has been trying to forget since 1967, when as a young soldier in Vietnam, just days away from the end of his tour, he suffered third-degree burns from a land mine explosion. He finally decides to confront this defining moment of his life. “I want to remember how I decided not to die,” he writes. “To not let my future die.”
M.D. Waters provides even more suspense and revelations as she returns to the complicated dystopian world that she set up so brilliantly in her debut novel Archetype. Equal parts science fiction and romance, this two-book series follows our heroine Emma as she attempts to define herself in a futuristic world where cloning is an everyday affair.
Australian author Liane Moriarity hit the bestseller list for the first time in America with her fifth novel, The Husband's Secret. Her follow up, Big Little Lies, is just as riveting and insightful. This time, the action centers on a kindergarten class, where parental tension and family secrets ignite on one fateful evening: the school's trivia night. We asked Moriarty a few question about her new book, the power of secrets and her personal mantra.
Miles J. Unger’s magisterial new biography, Michelangelo: A Life in Six Masterpieces, tells its subject’s life story through the lens of his art—appropriately so, given Michelangelo’s willful transmutation of the role of the Renaissance artist. When Michelangelo began his apprenticeship, artists were seen as little more than craftsmen, churning out statuary and paintings to decorate the villas and churches of the wealthy nobility. Michelangelo’s greatest achievement—in Unger’s portrayal—is not to be found in his artwork (the statue of David or the ceiling of the Sistine Chapel) but rather in his creation of the artist himself as secular genius.
Australian author Liane Moriarty portrays elementary school drama in her latest page-turner, Big Little Lies, which comes on the heels of her first U.S. bestseller, The Husband’s Secret. At Pirriwee Public School, petty jealousies and rumors all come to the surface in one “perfect storm”—otherwise known as the annual trivia night.
If we choose, we can avoid most forms of art. Architecture is not one of them. It is all around us. In his wide-ranging and stimulating new book, Bricks and Mortals: Ten Great Buildings and the People They Made, Tom Wilkinson explores many of the aspects—morality, power, economics, psychology, politics and sex are some—that help us better understand how architecture “shapes people’s lives and vice versa,” from ancient times to the present. His diverse selection of buildings includes Nero’s Golden House in Rome and the Festival Theatre in Beyreuth, as well as the Finsbury Health Centre in London and the Footbridge in Rio de Janeiro. Ten buildings are covered in detail, serving as springboards to discussions of related subjects.
Most of the time, interviews about an author’s new novel take place a year or so after the book’s completion. So it might take a bit of doing for an author to feel up-to-date, especially if he or she is already ears-deep into the next project. Carlos Ruiz Zafón had to travel much further back in time when he spoke with BookPage from his home in Los Angeles about his fourth young adult novel, Marina: A Gothic Tale, which was first published in his native Spain in 1999.
There are several ways to know whether you’ve got a really fine novel on your hands, and you can tell pretty quickly that Dry Bones in the Valley is a debut of that caliber.
First, author Tom Bouman knows his rural Pennsylvania setting and is familiar with its smallest details, from inhabitants’ accents and manners to their dilapidated trailer homes, and from animal tracks in the woods to the winds and the night sky.
It’s been quite a run lately for Civil War-era African Americans. Not only was Solomon Northrup’s 1853 memoir, Twelve Years a Slave, adapted into a triple Academy Award winner (including Best Picture), but now author Jeffery Renard Allen has resurrected the career—if perhaps not quite the true life story—of Thomas Greene Wiggins, also known as Blind Tom, in his second novel, Song of the Shank. Wiggins was perhaps the most unlikely of stars ever thrust on the international stage; sightless, probably autistic, heavyset (though somewhat handsome in a rough-hewn way) and, for the first 16 years of his life, a slave.