Rebecca Rasmussen (The Bird Sisters) traces the lasting damage of violence to devastating effect in her second novel, Evergreen, a fairy tale-like chronicle of how one moment’s pain can echo through generations.
Judith Frank’s second novel is a powerful tale of a family working its way through unthinkable tragedy. It opens as Matt Greene and his partner, Daniel Rosen, are flying to Tel Aviv—Daniel’s twin brother and his wife have just been killed by a suicide bomber. Ilana and Joel left behind two small children, 6-year-old Gall and baby Noam. A devastated Daniel knows that his brother and sister-in-law wanted Matt and Daniel to raise the children if anything ever happened to them.
At first glance, Ove looks like a Grumpy Old Man with a Saab—a typical curmudgeon, not the type whose depths one is tempted to plumb. In fact, unless you like being scowled at, scolded, insulted and having doors slammed in your face, you might just decide to avoid him altogether. He wouldn’t mind; the only person he wants to see is his wife, who died six months ago.
“There are often two conversations going on in a marriage,” short-story writer Robin Black claims in her debut novel, Life Drawing. “The one that you’re having and the one that you’re not. Sometimes you don’t even know when that second, silent one has begun.” One could suggest that there are two conversations going on in this quiet, yet exquisitely crafted novel: the conversation between Augusta (Gus) and her husband Owen, and the conversation they’re not having, about Gus having cheated on him.
Sarah Morgan's latest novel, Suddenly Last Summer, is our July Top Pick in Romance! A quiet, snow-capped resort town in Vermont heats up when a successful, yet commitment-phobic young surgeon returns to help his family in a time of need. But soon the resort's fiery French chef, Élise, seems to be occupying most of his thoughts, and their no-strings-attached arrangement may prove difficult to keep casual. We chatted with Morgan about her early literary inspirations, the Romance community and more in a 7 questions interview.
Land of Love and Drowning is narrated by the “old wives” of the island. They are the ones who receive and pass on the stories, including this one about the soldiers in New Orleans. An old wives’ tale is generally a label given to a tale thought to come from myth and superstition, and so should be considered with derision. But worse, an old wives’ tale is one that is often considered false in part because it is told by old women.
If you've ever wondered whether modern art is trash disguised by critical theory or whether critical theory is trashy modern art, Will Chancellor's debut novel, A Brave Man Seven Stories Tall, may settle the wager. It is a spirited sendup of the frauds found in art, academia and their "liminal" intersections.
Erika Johansen’s new novel, The Queen of the Tearling, uses a familiar fantasy premise: a special child—a chosen one, if you will—is born, and then hidden from those with murderous intent. As the book opens, it is 19 years later, and the time has come for Kelsea Glynn, the rightful queen of a benighted land, to leave hiding and assume her throne.
Early on in Rufi Thorpe’s elegant yet intense debut novel, the narrator, Mia, makes a prescient observation: “Normally, friendships between girls are stowed away in boxes of postcards and ticket stubs, but whatever was between me and Lorrie Ann was not so easy to set aside.”
St. Louis writer Michele Andrea Bowen made a splash in the inspirational fiction world with her Church Folk series, which followed the loves and losses of a tight-knit church community in Durham, North Carolina. Her latest release, Pastor Needs a Boo, launches a spin-off of that series, the Pastor’s Aide Club, and finds reader favorite Denzelle Flowers—a former FBI agent turned pastor—the woman who will be the making of him. In a behind-the-book essay, Bowen explains why she chose Reverend Flowers to kick things off.