Amanda Eyre Ward had already finished writing The Same Sky, her moving novel about an 11-year-old Honduran girl attempting to reunite with her mother in the U.S., when the controversy about undocumented minors blew up along the border last summer.
Will’s entire world exists inside the walls of his house. Raised by an agoraphobic mother, he’s taught to fear the world outside—and the world inside, too, wearing a helmet constantly and donning body armor just to change a light bulb. He feels safe. Then he goes outside, and everything feels strange.
In Michael Crummey’s novel, Sweetland, a Newfoundlander named Queenie offers some literary criticism. Concerning books about her province, she says: “It was a torture to get through them. They were every one depressing. . . . Or nothing happened. Or there was no point to the story.” She adds that they are unrecognizable and probably written by outsiders.
The members of the Last Death Club are kicking the bucket one by one, some of them practically under the nose of irascible Victorian detective Sidney Grice, in The Curse of the House of Foskett. It’s the second book in M.R.C. Kasasian’s intriguing new series that debuted in 2014 with The Mangle Street Murders, featuring Grice and his young ward, March Middleton, who narrates the books in a most unusual fashion.
Reading the setup of The Just City can itself floor you. That’s how big Jo Walton, a writer already known for ambitious fantasy storytelling, is going with this particular novel, something she says she’s imagined writing since her teenage years.
“We tell ourselves stories in order to live,” Joan Didion famously wrote. In Rachel Cusk’s inventive novel, Outline, a parade of characters tell the sketchily drawn narrator their stories, and as these conversations or episodes unfold they weigh in on all manner of life’s issues, large and small—love and marriage, parenthood, aspirations and failures, even the...
Set in the early 20th century, poet Greer Macallister’s hauting first novel is a compelling mystery. One night in Waterloo, Iowa, the Amazing Arden, one of the first American female illusionists, mesmerizes her audience with the classic “saw through man in a box” trick. On this particular night, she decides to use a fire ax rather than a saw. Was she simply altering her illusion, or carrying out a murder?
We’ve all been there, wondering late at night: Is that tap-tap-tap sound we’re hearing coming from the radiator pipes, or are those footsteps on the stairs? For Evie Jones, the cub reporter and amateur sleuth at the center of Elisabeth de Mariaffi’s chilling psychological thriller, anxious moments like these have become a way of life. The Devil You Know takes readers on a rollercoaster ride through Evie’s desperate efforts to rid herself of the childhood horrors that have followed her into adulthood.
The civil rights laws and social programs initiated by President Lyndon B. Johnson in the mid-1960s transformed U.S. society. Although they were highly controversial at the time, laws establishing Medicare and Medicaid, public broadcasting, help to those in poverty, consumer and environmental protection, the National Endowments for the Arts and the Humanities and many other programs remain in place today. Though President John F. Kennedy introduced civil rights legislation shortly before his death, it was his successor, Johnson, who was able to get the legislation passed and move on to other aspects of what became known as the Great Society.
The Civil War has been over for five years, but half a decade is not enough time to rid America of the demons the war left behind. Postbellum Philadelphia is populated by families mourning their lost sons, and streets full of men with missing limbs serves as a reminder that time does not heal all wounds. Such is the backdrop for Alan Finn’s Things Half in Shadow, full of spellbinding tales of the supernatural.