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Fourteen-year-old Till was murdered in a nondescript barn in the Mississippi Delta. But few know the barn still stands today, or fully understand its history. Thompson believes we should.
Fourteen-year-old Till was murdered in a nondescript barn in the Mississippi Delta. But few know the barn still stands today, or fully understand its history. Thompson believes we should.
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The Seventh Floor

In David McCloskey’s latest thriller, The Seventh Floor, the CIA team dedicated to eradicating moles is hilariously referred to as the “Dermatologists.” (I will never be able to unthink that.) There is no gentle introduction in this book, no setting of scene, no lulling the reader into a false sense of security. By the end of page six, a Russian agent is dead, having bitten down on his poison-filled Montblanc pen scant seconds before a team breaks into his office. A bit later, American agent Sam Joseph hangs upside down in a Russian black-ops site, pleading ignorance to a group of unbelieving interrogators. The heart of the matter seems to be that there is an extremely high-placed Russian mole in the CIA, with one team of facilitators dedicated to seeing that said mole remains securely in place, and a second team equally dedicated to ferreting them out. But this is the world of espionage, after all, and alliances are fluid at best and downright lethal at worst, with no handy brochure that lists true affiliations. The two main characters are Sam and Artemis Procter, the latter a no-nonsense CIA operational chief who irritates most people simply by walking into a room. Together, these two must navigate the minefields and expose the mole, or very likely die in the attempt. The Seventh Floor is not really about these heroes as much as it is about the process of flushing out a traitor, but it proves remarkably difficult to put down either way. PS, McCloskey knows whereof he speaks: He is a former CIA analyst who delivered classified briefings to congressional oversight committees, and he regularly wrote for the President’s Daily Brief, the top secret intelligence summary that appears on the desk in the Oval Office every morning. It shows.

Rough Pages

Lev AC Rosen’s Rough Pages is the third installment in his historical mystery series featuring gay detective Evander “Andy” Mills, a former San Francisco police officer who was outed and fired, and has now launched a private investigation firm serving the queer community in the City by the Bay. These postwar noir novels are set in the 1950s, when gay bashing was not only tolerated, but encouraged, even—or especially—by those sworn to “protect and serve.” Andy is drawn into a case involving the disappearance of Howard Salzberger, a bookstore owner who supplies a select clientele with queer books by subscription, and who may have run afoul of postal regulations prohibiting the distribution of “obscene materials.” At the center of the case is Howard’s missing notebook, which lists his subscribers: If the government gets hold of that, there will be hell to pay. The Mafia is also interested in obtaining the notebook, and among the mobsters, there is perhaps even less tolerance of queerness than there is by the government or general public. Rosen’s Evander Mills books are unsettling to read; like Walter Mosley’s Easy Rawlins series, they unflinchingly depict historical—and in some ways, ongoing—discrimination against minorities. And like Mosley, Rosen takes his shots at the establishment by simply telling the day-to-day stories of marginalized people, the people who those in power tried to shove off into the shadows, but who persisted in living vibrant lives all the same.

Death by Misadventure

To begin with, a small confession: While reading Tasha Alexander’s latest Lady Emily mystery, Death by Misadventure, I happened upon the word “snarky.” As her novels are written in the vernacular of the time (in this case, 1906), “snarky” seemed to me to be very out of place. So I Googled the word, only to discover that its first recorded usage was in the year (wait for it . . .) 1906. I should have known better than to doubt Alexander. Lady Emily relates the story in the first person: A high-society murder takes place in the shadow of Neuschwanstein Castle, a killing that has roots dating back a generation, to the days of the castle’s creator, Bavaria’s Mad King Ludwig. Death by Misadventure is an Agatha Christie-esque locked-room mystery, with the victim and the cast of potential perpetrators snowbound after an Alpine storm renders the roads impassable. Lady Emily will investigate the murder, as she has done in the 17 previous novels; she easily rivals Jessica Fletcher of Murder, She Wrote in terms of acquaintances lost to untimely and violent demise. As is typically the case with locked-room mysteries, there are secrets and motives galore, but good luck figuring out “whodunit” before the big reveal. I certainly did not.

The Drowned

In the 1950s, in a field adjacent to the rocky Irish coast, a Mercedes SL sits idling. The driver’s door is open, but no driver is in sight. A local outcast happens upon the car while walking his dog, and is in turn happened upon by the car owner’s distraught husband, who cries out that his wife has thrown herself into the sea. Thus begins John Banville’s atmospheric mystery novel The Drowned. The local constable, a lout and a drunkard with no love for the aforementioned outcast, is first to investigate, but the situation requires an altogether more delicate and thorough touch. So Detective Inspector St. John (pronounced “sin-jun”) Strafford is called in from Dublin to preside over the case. And where Strafford goes, it is pretty much a foregone conclusion that his colleague/adversary, pathologist and medical examiner Quirke, will not be far behind. As the investigation moves forward, Stafford and Quirke expose some troubling connections to an earlier case, a case that everyone thought had been solved, but now seems to have a few loose threads that require pulling. This is a book that deserves to be read slowly, not simply for the plotting and the characters (which are quite good in their own right), but for the sheer richness of the prose. The Drowned is genre fiction that rises to the level of full-on, capital L literature.

Lev AC Rosen’s critically acclaimed series has another win, plus new reads from Tasha Alexander and John Bancroft in this month’s Whodunit column.
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I Did Something Bad

Set in Yangon, Myanmar, I Did Something Bad by Pyae Moe Thet War combines kisses-only romance and suspense. Freelance journalist Khin Haymar has two months of access to movie star Tyler Tun in order to write an in-depth exposé. It’s the chance of a lifetime and, even though she’s known for more serious articles, such as one featuring an underground abortion clinic, Khin is recently divorced and needs a boost.,. When Khin and Tyler meet, they’re immediately drawn to each other, but journalistic ethics rule out a relationship between a writer and subject. Still, Tyler is handsome and sexy, and one night he steps in to save Khin from danger . . . How could she not be tempted? As they work together to investigate the threat, love blossoms. With swoony moments and some serious ones regarding the importance of journalism, this sweet yet thoroughly modern story satisfies.

The Highlander’s Return

The Highlander’s Return by Lynsay Sands hits all the classic notes of a satisfying historical romance: a marriage of convenience, a strong-but-silent hero and a feisty heroine who’s very deserving of her Happily Ever After. Six years ago, Annella Gunn’s husband, William, went missing the day after their wedding. After his younger brother, brawny warrior Graeme, returns home and delivers the news that William has died, Annella is a widow with an unknown future ahead of her. Graeme knows almost instantly what the beautiful Annella should do: Marry him. As he assumes his brother’s position of laird of the Gunn clan, Graeme also takes on the task of convincing Annella to become his bride. Their mutual passion works in his favor, but after the vows are exchanged, Annella and Graeme still have much to learn about each other—and a hidden danger lurks within the castle walls. Filled with excitement in and out of the bedchamber, this romance is a sizzling addition to Sands’ Highland Brides series.

Showmance

Tony Award-nominated playwright Chad Beguelin offers up a truly entertaining debut romance in Showmance. When playwright Noah Adams’ Broadway musical closes after one night, he returns to his Illinois hometown to look in on his ailing dad and lick his own wounds. The community’s local theater was his refuge as a gay teen, and when the group asks him to stage the same musical that just flopped, Noah can’t say no—even though Luke, his hunky high school nemesis/bully, is involved. Told in Noah’s first-person perspective, with well-drawn characters and bouncy dialogue, Showmance includes touching scenes between Noah and his undemonstrative father, as well as some of Noah’s old tormentors. As it turns out, hunky Luke likes guys, too, and his and Noah’s smoking chemistry leads to a happy ending that readers—especially those who catch all the musical references—will grin over.

Pyae Moe Thet War makes a convincing argument for the subgenre with her thrilling debut, plus Lynsay Sands’ latest Highland Brides romance.
Model Home by Rivers Solomon book jacket

Model Home

Read if your Halloween plans are: A horror movie marathon, specifically A24 horror movies

Ezri Maxwell doesn’t know whether their childhood home had ghosts, exactly, but they do know that it was haunted and determined to maim, traumatize and scare them and their Black family into leaving their mostly white Dallas suburb. Desperate to distance themselves from a childhood of constant dread, Ezri and their sisters fled the former model home as soon as they were old enough. Their parents, however, stayed where they were—right until the day they died under mysterious circumstances. At its core, Rivers Solomon’s Model Home is a study of the interior landscape of someone trying to make sense of their life in the wake of extreme tragedy. Ezri’s head is cluttered with the detritus of trauma, from their mother’s ambivalence toward them as a child to the repercussions of living with mental health issues for years, (“a host of diagnoses—which change with whatever clinician I see”). A disturbing tale that explores self-doubt, family drama and childhood trauma, Model Home is a powerful and gut-wrenching addition to the haunted house pantheon.

—Laura Hubbard

Djinnology by Seema Yasminis book jacket

Djinnology 

Read if your Halloween plans are: Exploring potentially haunted places—abandoned strip malls, creaky old houses, creepy caves … you get the idea.

If you’re in the mood for some spine-tingling stories, cozy up to Djinnology: An Illuminated Compendium of Spirits and Stories From the Muslim World, a fictitious (or is it?) compendium that is both fascinating and creepy, and made all the more so by Pulitzer Prize-winner Fahmida Azim’s striking illustrations. Seema Yasmin, a journalist, professor and physician, has created a fictional narrator named Dr. N, a taxonomist and ontologist who has traveled the world to investigate the sometimes benevolent, sometimes malevolent djinn. Djinn, Dr. N writes, have been “haunting humanity since pre-Islamic times.” He submits the fruits of his research to his academic committee to explain his long and unexplained absence from class, in this volume of stories from around the world that capture the long history and great variety of djinn. Many of these stories are related to human events, such as one concerning a ghostlike horseman who allegedly appeared in Cairo’s Tahrir Square at the height of the Arab Spring. Another terrifying tale of more dubious origins takes place in London, when a woman delivering her husband’s specimen to an IVF clinic spots what she thinks is an abandoned baby in the middle of the road. She stops, of course, but things do not go as she expects. Djinnology is beautifully designed, with maps, English and Arabic inscriptions and more, gamely selling a high-octane, between-two-worlds vibe. Most of all, Azim’s haunting illustrations in smoky colors perfectly portray this menagerie of spirits. Readers will find themselves looking over their shoulders.

—Alice Cary

We Love the Nightlife by Rachel Koller Croft book jacket

We Love the Nightlife

Read if your Halloween plans are: A bar crawl in a tiny costume, weather be damned

Quite often in fiction, the figure of the vampire has represented loneliness, but we’ve arguably never seen that sense of yearning quite the way Rachel Koller Croft portrays it in her new novel, We Love the Nightlife. Croft’s protagonist, Amber, is frozen in her party girl prime, turned in the waning days of the 1970s by her maker, the beautiful and manipulative Nicola. Decades later, Amber begins to imagine what life might be like without Nicola, and considers an escape plan. But Nicola’s influence is powerful, her ambitions are vast and her appetite for control deeper than Amber ever imagined. Despite her vampiric nature, Amber feels like one of us. This is mainly due to Croft’s skill; her conversational, warm and relatable prose depicts Amber not as a lonely monster, but as a person longing for freedom in a savage world covered in glitter and awash with pulsing music. We also get to see Nicola’s side of the story and her own brand of yearning, giving the book an antagonist who’s not just remarkably well-developed, but human in her own twisted way. These dueling perspectives, coupled with memorable side characters and a beautifully paced plot, make We Love the Nightlife an engrossing, darkly funny, twisted breakup story that’s perfect for vampire fiction lovers and fans of relationship drama alike.

—Matthew Jackson

American Scary by Jeremy Dauber book jacket

★ American Scary

Read if your Halloween plans are: Watching a brainy horror documentary, or peeking at spooky clips on YouTube

Any horror writer doing their job knows how to tap into the fears that plague us most. Jeremy Dauber’s American Scary: A History of Horror, from Salem to Stephen King and Beyond provides a robust account of how art has reflected American dread for centuries. As it turns out, our history is rife with foundational fear, making it prime territory for some scary storytelling. Dauber starts his “tour of American fear” with our country’s bloody beginnings and proclivity for blaming the devil for everything from bad weather to miscarriage (hello, Salem!). He then passes through slavery, the Industrial Revolution, the Civil War and beyond to more contemporary paranoias reflected in film: murderous technology (The Terminator), individual indifference (the Final Destination series) and surveillance (Paranormal Activity), to name a few. Dauber’s attention to the details of myriad cultural touchstones, both famous and obscure, will entice those who care to tiptoe deeper into the darkest of the dark. American Scary’s greatest success is making readers consider what art may be born of our late-night anxieties. Spooky stuff, huh?

—Amanda Haggard

The Village Library Demon-Hunting Society by C.M. Waggoner book jacket

The Village Library Demon-Hunting Society

Read if your Halloween plans are: Curling up in a chair at home, reading a lightly spooky book or one of the more gothic Agatha Christies

Librarian Sherry Pinkwhistle resides in a quiet hamlet in upstate New York. The only out of the ordinary detail about Ms. Pinkwhistle is that she loves to solve a good murder mystery—not only those in the books she protects and enjoys at work, but also the real-life, grisly deaths in the otherwise sleepy little town of Winesap. But when a string of local murders hits a little too close to home, Sherry realizes that she can no longer remain an unattached bystander. A demon, or several, might be at the heart of these ever-increasing deaths, and Sherry will need the help of her skeptical friends and her possibly-possessed cat to root out the evil in Winesap. C.M. Waggoner’s The Village Library Demon-Hunting Society is a stunning blend of genres, a dark supernatural adventure masquerading as a cozy mystery—and by the time readers realize this, they, like Sherry, are too deeply entrenched in the case to let it go. Waggoner infuses the pages with darkly humorous scenes and snappy dialogue, as well as unexpected magical touches that hearken back to the author’s previous fantasy novels, a combination that’s perfect for fans of horror tropes as well as lovers of mystery. Sherry Pinkwhistle is a sleuth to be reckoned with, and beneath her frumpy and soft exterior lies a pleasant surprise: a clever, determined heroine who will stop at nothing to protect the place she calls home and the people who live there. 

—Stephanie Cohen-Perez

Eerie Legends by Ricardo Diseño book jacket

Eerie Legends 

Read if your Halloween plans are: Circling up with friends and family for a night of scary stories

Eerie Legends: An Illustrated Exploration of Creepy Creatures, the Paranormal, and Folklore From Around the World arrives like Halloween candy, just in time for the spookiest season of the year. Austin, Texas-based artist Ricardo Diseño’s bold, offbeat illustrations don’t simply complement these spine-tingling stories, they lead the way. Each chapter blends elements of fiction and nonfiction, and includes a corresponding full-page illustration that stands on its own as a fully realized piece of art. The horror elements here are plenty scary, but skew toward the creature-feature end of the spectrum—think Universal Studio monsters, or even Troma’s The Toxic Avenger. The chapter on Krampus details the yuletide terror’s appearance with frightening specificity: “Part man, part goat, and part devil. . . . His tongue is red, forked, creepy, and always whipping around.” Diseño’s hoofed monster, straight out of the Blumhouse cinematic universe, is shown in the midst of abducting a child. Each chapter ends with a campfire-style tale about the designated monster, written with Lovecraftian zeal by Steve Mockus. As an added incentive, the cover glows in the dark—a feature I hadn’t noticed until after I fell asleep with it on my bedside table. Talk about eerie.

—Laura Hutson Hunter

The Empusium by Olga Tokarczuk book jacket

★ The Empusium

Read if your Halloween plans are: A hike contemplating the macabre beauty of seasonal decay—be sure to leave the woods before dark!

Nobel laureate Olga Tokarczuk’s fabulous novel, The Empusium: A Health Resort Horror Story, opens in 1913, when Polish 24-year-old Mieczyslaw Wojnicz arrives in the village of Görbersdorf, Germany, to be treated for tuberculosis. Tokarczuk is known for her penchant for the mythical and her deft, dark satirical wit, and as the subtitle, “A Health Resort Horror Story,” would lead readers to hope, the forests above the village whisper and echo with eerie sounds. The narration seems to come from ghostly entities who at times “vacate the house via the chimney or the chinks between the slate roof tiles—and then gaze from afar, from above.” A cemetery in a nearby town discloses evidence of a ritual killing every November. It is September, and the clock is ticking. Translated from Polish by Antonia Lloyd-Jones, The Empusium is about the rigid patriarchal world of pre-WWI Europe, and the tension between rationality and emotion. It is also about a young person coming of age—like Thomas Mann’s The Magic Mountain, from which it draws inspiration. Facing a threat he does not understand, Mieczyslaw responds to the mysteries around him with curiosity and seeks his own way forward. Tokarczuk also favors a new path and, as usual, casts her enthralling spell.

—Alden Mudge

Whether you’re a homebody or a thrill-hunter, we’ve got a seasonal, spine-tingling read for you.
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In Wild Girls: How the Outdoors Shaped the Women Who Challenged a Nation, Tiya Miles explores the lives of a group of remarkable women. As she tells the stories of Louisa May Alcott, Harriet Tubman, Pocahontas and other notable female figures, Miles looks at the ways in which the great outdoors impacted their personal development and understanding of the world. Her narrative is a beautifully observed testament to the importance of place. Reading groups will find a range of discussion topics, including women’s empowerment and the influence of nature.

What an Owl Knows: The New Science of the World’s Most Enigmatic Birds by Jennifer Ackerman offers fresh perspectives on the nocturnal predator. Over the centuries, the owl has been portrayed as intelligent, vigilant and enlightened while remaining strangely inscrutable. Ackerman penetrates the bird’s unique mystique as she teams up with ornithologists and other experts to find out how owls connect with each other, acquire food and migrate. Blending the latest research with her own discerning impressions, Ackerman delivers an exceptional scientific study that’s revealing and accessible.

In Bicycling With Butterflies: My 10,201-Mile Journey Following the Monarch Migration, Sara Dykman shares the story of the remarkable odyssey she undertook in 2017. Beginning in Mexico and traveling on a ramshackle bike, Dykman followed the migration course of the eastern monarch butterfly to draw attention to the vulnerability of the species. In a tale that’s funny, insightful and poetic, Dykman reflects on the fragility of nature and the challenges of bike travel, and acquaints readers with the majestic monarch. Themes of ecology, exploration and solitude make this a rewarding book club pick.

Melissa L. Sevigny chronicles the journey of two mavericks in Brave the Wild River: The Untold Story of Two Women Who Mapped the Botany of the Grand Canyon. The hazards of the Colorado River did not deter botanists Elzada Clover and Lois Jotter, who navigated the treacherous waterway in 1938 in order to index the Grand Canyon’s plant species. Aided by a small team, the duo traveled for 43 days. Sevigny brings their expedition to vivid life in a narrative that’s at once a rip-roaring adventure story and a thoughtful account of the natural world.

Fall is a terrific time to connect with nature. Grab one of these books, gather your friends and get outside!

Chasing Redbird

Sharon Creech’s Chasing Redbird was the first book I ever read by myself, which was a big deal for me; I am dyslexic and struggled to read when I was younger. I was captivated by the main character, Zinnia Taylor, because she was a misfit, just like me. Zinny has six siblings, and in their chaotic home, she often gets lost in the fray. She prefers to spend time with her Aunt Jessie and Uncle Nate who live next door and provide her with a safe haven. When Jessie dies unexpectedly, Zinny withdraws even further from her family. As she wrestles with her grief and guilt, she discovers an abandoned 200-year-old pioneer trail on her family farm and becomes obsessed with restoring it to functionality. Her family thinks she’ll give up, but Zinny has to see this project through. It may be the only way to heal her broken world. Creech treats the topic of grief and family dynamics delicately and beautifully, painting a profound picture that will speak to readers of all ages.

Meagan, Production Manager


Earthlings

From childhood, we’re trained to take part in society, learning what behavior is praiseworthy, and what behavior is outrageous. By adulthood, most of us conform automatically, but for some, it comes less easily—like Natsuki, the protagonist of Japanese author Sayaka Murata’s Earthlings. As a child, Natsuki feels like an outsider, and she is relieved when her stuffed hedgehog, Piyyut, reveals to her that she is actually an alien from planet Popinpobopia. Her alien’s perspective lets her see her town for what it is: a “Baby Factory” in which humans serve society by working, getting married and having babies that will grow up to become society’s tools in turn. Natsuki struggles to accept that future, though she longs for the security of being normal. Her isolation increases when a teacher sexually abuses her, and no one believes her when she seeks help. Like Convenience Store Woman, Murata’s other novel that has been translated into English, Earthlings pushes readers—hard—to see the absurdity of what is and isn’t considered acceptable. While the subject matter remains bleak, by the end of the book, Natsuki finds allies, and their acts of defiance take on a kind of euphoric hilarity, despite the severity of the consequences.

—Phoebe, Associate Editor


Kaikeyi

In Vaishnavi Patel’s Kaikeyi, Princess Kaikeyi is the lone daughter in a family with seven sons. After her father banishes her mother, she is left with only the stories of the gods that her mother once shared with her. Now on her own as the sole woman in her family, she is determined for her voice to be heard. However, her world shatters when the king quickly marries her off for the sake of securing an alliance, despite Kaikeyi begging to remain independent. Before she journeys to the kingdom of her betrothed, she discovers a special magic that can influence how she is perceived within relationships. With this newfound spark of confidence, she plows through societal barriers, fighting on the battlefield for her new home and joining her husband’s council, where she resiliently presses the other men in the room to make changes in their kingdom. After years of ruthless judgment and scorn, Kaikeyi and her two sister-wives, Kausalya and Sumitra, start a women’s council for members of the community to seek advice and direction. Kaikeyi is a persistent force throughout the story, never afraid to disrupt the conditions of society. She rubs people the wrong way and inspires others, making her a dynamic character whose persistence and courage will win readers’ hearts.

—Jena, Sales Coordinator


The Complete Stories

A keen observer of idiosyncratic behavior, the inimitable Flannery O’Connor spun unforgettable, expansive short stories that brim with characters whose feelings of otherness alienate them from society. The most well-known is The Misfit in “A Good Man Is Hard to Find,” a story that is often readers’ entry point to this Southern writer. The Misfit is “aloose from the Federal Pen” and, with unfailing politeness, executes a family on their way to a vacation in Florida. Complex and contemplative, The Misfit finds “no pleasure [but] in meanness” yet tries to square his crimes with a sense of right and wrong. Other misfits in O’Connor’s stories include Olga in “Good Country People,” an unapologetically surly spinster whose leg was shot off in a hunting accident, and who gets hoodwinked by a Bible salesman. Some of her misfits crave redemption and empowerment—O’Connor was, afterall, a Catholic—while others are unwilling or unable to change. Perhaps the greatest misfit in O’Connor’s stories is the midcentury South itself. A region straining to be better? Or one unwilling to shed the yoke of violence? The Complete Stories is a compendium you can spend a lifetime reading and re-reading, feeling freshly enlightened each time.

—Erica, Associate Editor

If you've ever felt like the odd one out—the black sheep in your family, or loner in your community—you'll love these four books with protagonists who can't help but stand out.

Discover your next great book!

BookPage highlights the best new books across all genres, as chosen by our editors. Every book we cover is one that we are excited to recommend to readers. A star indicates a book of exceptional quality in its genre or category.

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