Christopher Bollen’s creepy and snarky suspense novel Havoc tracks a dangerously escalating feud between an 81-year-old woman and a little boy.
For the Lahiris, the family at the heart of Nayantara Roy’s deliciously long The Magnificent Ruins, white-hot hate, resentment and violence mingle with love, loyalty and moments of tenderness.
Deadly Animals, Marie Tierney’s brilliantly plotted debut mystery, introduces readers to Ava Bonney: a 14-year-old English girl obsessed with decomposing bodies.
Sweet-natured and therapeutic, Julie Leong’s The Teller of Small Fortunes is cozy fantasy done right.
Tonbo is a remarkable ode to the interplay between aging and memory, and how the distant past can suddenly come to life again in the blink of an eye.
The Queen reaffirms Nick Cutter’s place as one of the horror genre’s most entertaining storytellers.
Carrie Lowry Schuettpelz’s powerful The Indian Card considers the history of Native American tribal membership and its impacts on people today.
Our Evenings is a masterful accomplishment: an intricate vision of the conflict between an open, generous Britain and a clenched, intolerant one from Booker Prize-winner Alan Hollinghurst.
Through sentences of remarkable elegance, humor and complexity of phrase, former Slate advice columnist and cofounder of The Toast Daniel M. Lavery vividly imagines a 1960s women’s hotel in his debut novel.
Call Me By Your Name author André Aciman recounts his pivotal coming-of-age in Rome in his sparkling memoir, Roman Year.
In her plucky, intimate memoir, Glory Edim, the creator of the Well-Read Black Girl book club, tethers the books and authors she has found and loved to her own rocky journey of self-discovery—it’s reader catnip.
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