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As the days grow shorter and the nights grow colder, we turn to all things cozy—and we can think of nothing more heartwarming than an unexpected friendship. Here are the platonic pairings that made the BookPage editors feel all snuggly inside.

The Secret Place

In Tana French’s The Secret Place, Detective Stephen Moran gets his chance to join the Murder Squad when 16-year-old Holly Mackey brings him new evidence in an investigation into a murder that took place on the grounds of her boarding school. Stephen heads to Holly’s school to investigate alongside Antoinette Conway, the original detective assigned to the case. Their first interactions are anything but promising, given their diametrically opposed approaches to their work. Stephen masks his ambition behind a friendly, unassuming persona, but Antoinette, who is biracial, has long since given up on playing nice with people determined to hate her due to her gender, racial background or both. As they interrogate Holly and her friends over the course of one long day, a tentative respect begins to grow between the two of them, thanks to their mutual intellect and their common experience of clawing their way up the ranks from working-class backgrounds. It could be the start of a beautiful partnership, and French makes readers as invested in Stephen and Antoinette’s burgeoning friendship as they are in the mystery’s solution.

—Savanna, Associate Editor

Frank and the Bad Surprise

I’m going to cut to the chase here. The titular character in Martha Brockenbrough and Jon Lau’s Frank and the Bad Surprise is a cat who lives a good life with his humans, and the bad surprise is a new puppy. The puppy interrupts Frank’s naps, has gross puppy breath and eats Frank’s food, so Frank decides it’s time to move on. “Good luck with that puppy,” he writes in a note to his humans. “You will need it.” There’s so much to love about this illustrated chapter book, from the way Brockenbrough’s wry prose perfectly captures Frank’s feline perspective to the way Lau’s paintings bring Frank’s personality to life. In several images, you’ll swear you can almost hear Frank purring. But the best part is the way Brockenbrough engineers a moving reconciliation between the two former enemies, neatly sidestepping schlock and sentiment and going straight for understated emotional truth. It’s positively the cat’s pajamas.

—Stephanie, Associate Editor

Lolly Willowes

In Sylvia Townsend Warner’s 1926 novel, an aging woman breaks away from her grating London family and has a go at independent life in the countryside. After keeping house for her father and brother for over 40 years, Laura Willowes feels liberated in Buckinghamshire—finally free to take long walks in nature and enjoy her own company. Until her nephew visits. Suddenly she is reduced to her old Aunt Lolly self again—put upon and bedeviled—and she becomes so desperate that she calls out for help. Luckily Satan answers, and the novel transforms into a fantastical tale of Lolly’s burgeoning talents as a witch. Along the way, the devil turns out to be a chummy pal: giving Lolly the power to hex her nephew, listening to her complaints about society’s treatment of women. (Satan, as it turns out, is a compassionate and attentive listener.) It’s a darkly humorous novel of a middle-aged woman who is so desperate for autonomy that she’s willing to make a deal—or at least make friends—with the devil.

—Christy, Associate Editor

Lincoln in the Bardo

George Saunders’ first (and so far, only) novel brings together some odd characters. In Lincoln in the Bardo, a group of ghosts works together to save Abraham Lincoln’s 11-year-old son, Willie, from a place between life and death. Here in the bardo, the ghosts know all of one another’s quirks and faults and dreams and regrets. They’ve come to love one another, and as a reader, I found it easy to love them too. The most unlikely best friendship in the bardo is between middle-aged, carnally frustrated Hans Vollman and Roger Bevins III, a heartbroken young man who took his own life and now bursts involuntarily into poetry about the beauty of the world he left behind. One of Saunders’ most remarkable gifts is his ability to make even unpleasant characters deeply befriendable. He outdoes himself with this book, crafting 166 distinct, compelling voices and interspersing them with excerpts from real and invented historical sources. He fantastically spins a moment in American history into a philosophical exploration of how grief can either isolate or unite us.

—Phoebe Farrell-Sherman, Subscriptions

The Kindest Lie

People aren’t all that different, even though it often feels that way, and therein lies one of the key superpowers of the “unlikely friendship” trope: bridging polarized experiences to discover where people actually overlap, where one person’s hand fits snugly into another’s. Nancy Johnson’s debut, The Kindest Lie, is one of the novels that most successfully encompasses both the political optimism of 2008 and the insidious racial divisions that were worsened by the economic stress of the Great Recession. Johnson’s protagonist, Ruth, is a Black chemical engineer who returns to her Rust Belt hometown to seek out the child she placed for adoption when she was 17. Upon her return, Ruth bonds with Midnight, an 11-year-old white boy who is mostly being raised by his grandmother but still hopes for connection with his neglectful, bigoted father. Ruth’s and Midnight’s experiences of race, class and privilege are very different, but they’re both lonely, lost and understandably flawed people, and together they find something akin to belonging in a heartbreaking world.

—Cat, Deputy Editor

You’ve got a friend in me! These books feature platonic pairings that made us feel all warm and snuggly inside.
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★ Berry Song

A reverent and joyful celebration of berry picking, Berry Song is the stunning authorial debut of Caldecott Medalist Michaela Goade, an enrolled member of the Tlingit and Haida Indian Tribes of Alaska. 

As a girl and her grandmother pick berries in the Tongass National Forest, located not far from the author-illustrator’s home in Sitka, Alaska, Goade poetically describes nature’s many bounties and conveys the need for humans to be Earth’s stewards. All the while, she never loses sight of those yummy berries! Choral litanies of berry names (“Salmonberry, Cloudberry, Blueberry, Nagoonberry. / Huckleberry, Soapberry, Strawberry, Crowberry.”) keep the tone light and playful. 

Once the pair return home, they transform their harvest into treats such as huckleberry pie and nagoonberry jam. The book ends by depicting how its wisdom continues to pass from generation to generation as the narrator, now an adult, leads her younger sister into the forest. “I have so much to show you,” she says. 

Goade’s energetic artwork imbues the book’s natural setting with an enchanting, otherworldly beauty. The poster-worthy first spread welcomes readers with a spirit of adventure as the young narrator, arms outstretched in the wind, rides with her grandmother in a motorboat over a “wide, wild sea” toward the forest. Bright blue and red berries “glowing like little jewels” provide a striking contrast to the deep and verdant woods that teem with wildlife. In several illustrations, human and flora appear to merge, with leaves sprouting from hair or tree limbs extending from arms or hands, reflecting a call and response exchange between the girl and her grandmother: “‘We are a part of the land . . .’ ‘As the land is a part of us.’” 

Excellent backmatter includes photos of some of the berries mentioned in the book, information about the role that berries play in the lives and culture of the Tlingit people and Goade’s personal reflections on some of the book’s key concepts including gunalchéesh, a Tlingit word spoken to express gratitude.

Keepunumuk

A modern-day Wampanoag grandmother tells her grandchildren the story of the first Thanksgiving from a new perspective in Keepunumuk: Weeâchumun’s Thanksgiving Story. “Here’s what really happened,” she says. 

Co-authors Danielle Greendeer, Anthony Perry and Alexis Bunten set the stage effectively through two sections of text, titled “Before you begin” and “Important words to know,” placed between the book’s title page and the beginning of the narrative. They explain that the Wampanoag people lived in their ancestral homeland for 12,000 years, which is why they are referred to as “the First Peoples” throughout the book. 

The grandmother narrates the story of the Three Sisters (Beans, Squash and Weeâchumun, or Corn), whom illustrator Garry Meeches Sr. portrays as spectral elders. When Seagull announces that newcomers have arrived, Weeâchumun asks Fox to watch them and report back. Fox relays that the starving newcomers have found corn seeds but don’t know what to do with them, so the sisters converse with Deer, Rabbit and Turkey about the best course of action. “We will send the First Peoples to help the newcomers,” Weeâchumun concludes. 

After a Wampanoag man named Tisquantum, also known as Squanto, teaches the newcomers how to grow crops, they invite the First Peoples to celebrate Keepunumuk, the harvest. “That meal changed both our lives and theirs forever,” the grandmother explains to her young listeners. “Many Americans call it a day of thanksgiving. Many of our people call it a day of mourning.” “That’s different from what we learn in school,” one of the children replies. 

Meeches’ illustrations incorporate familiar images of the Wampanoag people’s early encounters with the Plymouth settlers but stay focused on the First Peoples, their beliefs and the land itself. Many scenes unfold against deep blue skies and natural landscapes, and when the Three Sisters appear, they’re often accompanied by lovely curling, twining tendrils. A somber page that depicts the silhouettes of the First Peoples who were “taken by sickness” is particularly striking. 

With a skillful balance of detail and simplicity that’s just right for young readers, Keepunumuk offers a vital viewpoint on the national Thanksgiving holiday. 

Still This Love Goes On

To create Still This Love Goes On, acclaimed Cree Métis artist Julie Flett faced an unusual challenge: to illustrate a song from Canadian American musician Buffy Sainte-Marie’s 2009 album, Running for the Drum.

In an author’s note, Sainte-Marie explains that the images she describes in her song’s lyrics were “like taking photos with my heart of all that I see on the reserve.” As she wrote, she wanted to express her love “for it all, day after day, year after year—especially the people and our Cree ways, precious like the fragrance of sweetgrass.” The book’s backmatter includes complete lyrics and sheet music.

Flett’s vibrant presentation celebrates the power of family and the immense beauty of open spaces. In the first spread, a mother and child sit together, surrounded by a vast expanse of ice tinged with blue and pink, and watch “the winter grow.” Subsequent spreads evoke changing seasons and the passage of time amid wonderful vistas: A woman and child gaze at the ocean as a whale breaches the surface of the water; a child runs through a mountain meadow filled with yellow flowers; a herd of buffalo gallops toward a distant rainbow. A series of images that depict a drum circle, two jingle dancers and a girl singing and playing her guitar are almost audible as they echo both Sainte-Marie’s lyrics and the feelings evoked by her music. 

Still This Love Goes On transforms a memorable song into a moving and heartfelt visual poem. A worthy homage to Cree people, lands and traditions, it’s a reassuring read-aloud that will encourage young readers to reflect on the places and people they love.

Caldecott Medalist Michaela Goade's Berry Song leads a trio of picture books that convey stories written and illustrated by Indigenous North Americans, offering insights into cultural practices, history and heritage.
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★ From Harvest to Home

Let me be a voice in passionate support of relishing all things fall: Pile those pumpkins! Bust out the mums! Go big on apples and cinnamon! I am here for it. With From Harvest to Home, lifestyle blogger Alicia Tenise Chew speaks right to the deepest autumnal cravings with recipes, low-key crafts and lists of scary movies and top Thanksgiving TV episodes. Nachos get a fall twist (and healthy upgrade) with sweet potatoes, French 75 cocktails go goth with the addition of activated charcoal, and there’s a pumpkin gnocchi with cinnamon sage brown butter sauce that I most certainly will be requesting of my home-cook husband. Chew provides checklists of activities you might enjoy during each of the three fall months, a welcome inspo tool for us easily overwhelmed types, as well as self-care tips for the return of short days and cold weather. You don’t have to do all the fall things, of course. But you can more deeply delight in a few faves with the help of this book—and feel not a shred of shame for loving flannel and pumpkin spice lattes. 

An American in Provence

Perhaps you’ve heard this story: Highly successful urban professional departs the rat race, decamps to the countryside and achieves a slower, simpler, even more beautiful life. But you’ve never seen rustic expatriation evoked quite so lusciously as it is in An American in Provence, artist Jamie Beck’s pictorial memoir. Beck is a photographer, and alongside romantic self-portraits, still lifes, sweeping landscapes and tablescapes, she shares generously of her expertise. There are tips for photographing children, getting the most out of your smartphone camera and working with natural lighting. Along the way Beck writes of settling in the small French town of Apt, giving birth to her daughter, Eloise, and leaning into the seasonal rhythms of the region. Recipes are sprinkled throughout like herbes de Provence: a violet sorbet, daube Provençale, wild thyme grilled lamb. In total, the effect is bewitching and immersive, and quite the motivation to save for one’s own dream trip to the hills, fields and ancient villages of southeastern France.

How to Be Weird

In high school, I was often told that I was weird. I took it as a point of pride, and still do. Weird is a thing to strive for in my book, as it is in Eric G. Wilson’s How to Be Weird, which amounts to an Rx for the rote life, an antidote to crushing mundanity. The small actions and thought experiments compiled here, 99 in total, are intended to disrupt dull thinking, to help us see our world and ourselves in fresh ways. They could be applied usefully in many settings, from classroom to cocktail party to corporate retreat. And as the veteran English professor he is, Wilson connects many of the actions to history, philosophy, literature, the sciences and so on. If you don’t end up weirder in the best ways from sniffing books or inventing new curse words, you’ll at least have gleaned some solid knowledge along the way.

Set up the perfect gourd-themed tablescape, photograph it like a pro, and then invite all your weirdest friends over to partake of autumn’s bounty. If this sounds like your definition of a good time, read on.

There comes a time in every hit man or woman’s life to hang up the garrotte and stow away the guns. The assassin protagonists of these books are understandably world- and work-weary, but old habits die hard when you’re a killer for hire.

It’s impossible not to like Billie, Mary Alice, Natalie and Helen, even if Deanna Raybourn’s Killers of a Certain Age makes it abundantly clear that the quartet could easily kill someone and get away with it if they so desired. After all, they’ve done just that many, many times during their 40-year careers as elite assassins for an international organization called the Museum.

The women are smart and funny, each with a specialty (poison, bombs, weapons) and all with extensive training in planning and carrying out assassinations. As Billie quips, “Our job is to eliminate people who need killing.” So it’s quite a shock when, before they’ve even had a chance to enjoy the all-expenses-paid retirement cruise arranged by the Museum, the women realize someone has decided that they need killing—someone who just might be on the board of their former employer. The women take a moment to indulge their anger like any longtime employee would (“We’ve given forty years to those assholes and this is how they repay us.”) and then surge into action, joining forces to figure out who’s after them and why.

Raybourn, an Edgar finalist and bestselling author of the Veronica Speedwell historical mystery series, has created a group of protagonists who are as reliably charming as they are impressively badass. It’s fascinating to follow along as they map out routes, create disguises, work their connections and improvise weapons. They handle it all with practiced aplomb, even if they occasionally groan with aggravation after battles to the death leave them feeling achier than they used to. But the four “avenging goddesses” are also able to use sexism and ageism to their strategic advantage, given that the combo renders them virtually invisible.

Ingenuity and instinct combine with deadly determination in this memorable thriller that celebrates friendship, ponders the meaning of loyalty, and offers plenty of action-packed entertainment among all the, well, killing.

In contrast to the ladies’ collaborative approach, there can only be one top-notch killer in the world of Seventeen. Screenwriter John Brownlow’s debut novel gives that number one spot to his brashly confident narrator, a man known only as Seventeen.

To achieve assassin supremacy, you must kill your predecessor—but Sixteen suddenly disappeared eight years ago. He’s the first assassin in 100 years to have done so, making Seventeen the only one who hasn’t truly earned his spot, according to his handler (who, of course, goes by “Handler”). Seventeen’s a consummate professional nonetheless, with a practical approach to his work: “I’m not saying what I do is a public service exactly, but actions have consequences.”

Now, though, it seems Seventeen himself may have begun to suffer the consequences of his chosen career path. After a multitarget assignment gets a bit messy, and he completes two subsequent jobs in Berlin without his usual finesse, he worries he might be losing his touch, and it seems like Handler might agree. When he informs Seventeen his next job is to find Sixteen and take him out, Seventeen’s hunch intensifies. Can he find and finish Sixteen before Handler sends someone else to finish him, too?

Brownlow’s snappy prose and brief chapters will have readers eagerly flipping the pages. Sixteen may be off the grid, but he’s not going to be off his game: He’s too smart to let his guard down, and he’s got 20 years of experience on Seventeen. As the ultimate showdown nears, compelling secondary characters add to the darkly humorous fun, intense action scenes amp up the suspense, and Seventeen reflects on the tragic childhood events that set him on his ruthless career path. That exploration of the far-ranging effects of trauma, as well as forays into geopolitics and governmental corruption, bolster the cleverly constructed, propulsive thrill ride that is Seventeen.

Can an assassin ever truly retire? The characters in these two thrillers are about to find out.
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The First Cat in Space Ate Pizza

A cat must save the moon from being eaten by intergalactic rats in this graphic novel from author Mac Barnett and Caldecott Honor illustrator Shawn Harris. Its madcap silliness and accessible artwork will appeal to the legions of loyal fans eager for more of the laugh-out-loud humor and deceptively simple cartoon-style art sure to be found in Jeff Kinney’s 17th Diary of a Wimpy Kid book, Diper Overlöde.

Wildoak

It is a truth universally acknowledged that most young readers can’t resist a good animal story. Readers hoping to receive Newbery Medalist Katherine Applegate’s Odder this holiday season are sure to enjoy debut author C.C. Harrington’s touching tale of a girl and a snow leopard who find each other when they are both most in need. 

Endlessly Ever After

This illustrated choose-your-own-adventure journey through fractured fairy tales from Laurel Snyder and Caldecott Medalist Dan Santat is deliciously meta, which is why it’s the perfect choice to pair with the boundary-pushing graphics and nested metanarratives that await young readers in Cat Kid Comic Club: Collaborations, the newest release from Captain Underpants creator Dav Pilkey.

Help your pint-size bibliophile discover new favorites by pairing one of these fun, under-the-radar reads with the popular books at the top of their wish lists!
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Kliph Nesteroff’s We Had a Little Real Estate Problem: The Unheralded Story of Native Americans & Comedy is an intriguing look at how Native Americans have influenced the world of comedy. Starting with the Wild West shows of the 1800s, Nesteroff chronicles the presence and impact of Native comedic performers through the decades. His lively narrative draws on in-depth research and interviews with today’s up-and-coming comedians. Entertainment stereotypes and representation in media are but a few of the book’s rich discussion topics.

Set in Nashville in the 1920s, Margaret Verble’s novel When Two Feathers Fell From the Sky tells the story of a Cherokee woman named Two Feathers who performs as a horse-diver at the Glendale Park Zoo. After an accident occurs while Two is performing, strange events take place at the zoo, including sightings of ghosts. Two finds a friend in Clive the zookeeper, and together they try to make sense of the odd goings-on at Glendale Park. An enrolled citizen of the Cherokee Nation of Oklahoma, Verble paints an extraordinary portrait of connection in defiance of racism in this moving novel.

In Covered With Night: A Story of Murder and Indigenous Justice in Early America, Nicole Eustace builds a fascinating narrative around a historical incident: the killing of a Seneca hunter by white fur traders in 1722 Pennsylvania. The murder occurred right before a summit between the Five Nations of the Haudenosaunee and the English colonists, and it heightened tensions between the two sides at a fragile moment. Eustace brings the era and its seminal events to vivid life as she examines Native attitudes toward retribution and reparation. 

Cree Canadian author Michelle Good’s novel Five Little Indians follows a group of First Nation youngsters who must find their way in the world after growing up during the 1960s in a Canadian residential school, a boarding school for First Nation children designed to isolate them from their culture. As adults in Vancouver, British Columbia, Lucy, Howie, Clara, Maisie and Kenny struggle to make lives for themselves and escape painful memories of the past. Clara joins the American Indian Movement, while Lucy dreams of building a future with Kenny. Good explores the repercussions of Canada’s horrific residential school system through the divergent yet unified stories of her characters, crafting a multilayered novel filled with yearning and hope.

These Indigenous stories are perfect for your book club, from a history of Native comedians to the true story of a murder in colonial Pennsylvania.
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American Wildflowers

American Wildflowers: A Literary Field Guide exists at the intersection of two important movements: the protection of native plant populations from climate change and shortsighted development, and the decolonization of literature. Editor Susan Barba has gathered a captivating bouquet of plant-inspired writings, with prose and poetry from contemporary greats like Jericho Brown, Lydia Davis and Aimee Nezhukumatathil alongside the words of perennial canon-dwellers like Emily Dickinson, Ralph Waldo Emerson and Henry David Thoreau. “The best writers closely observe not only the plant but our words in relation to it, and in doing so they focus our attention and clarify our intentions,” writes Barba. What first drew me to this book were Leanne Shapton’s atmospheric watercolors of pressed flowers, which are as ephemeral as the specimens they interpret. A significant addition to the tradition of writing about plants, this anthology urges us to notice the lessons offered by the tiniest bluet.

The United States of Cryptids

Speaking of overlooked (possibly) living things, I can’t get enough of the names of creatures featured in The United States of Cryptids. Snarly Yow? Snallygaster? Woodbooger? Wait, back up. What, you ask, is a cryptid? It’s “a creature or species whose existence is scientifically unproven,” and that right there is a freakishly wide net, folks. But author J.W. Ocker’s emphasis is on the lively lore surrounding Bigfoot creatures, et al., and how these tales both shape and are shaped by the animals’ supposed stomping grounds. “Wherever cryptids are celebrated, the story is so much more important than the science,” he writes, and boy does he have a lot of fun telling said stories. There’s even a “world’s largest chainsaw-carved bigfoot” in a state otherwise light on cryptids (looking at you, South Dakota), a wooden beast born of idle hands during the COVID-19 pandemic. Seems about right for a contemporary cryptid.

Toil and Trouble

Toil and Trouble examines the ways in which women throughout history have found agency, self-expression, financial gain and political influence in witchcraft, tarot and other practices with a spiritual element. Remember Joan Quigley, astrologer to Nancy Reagan? She’s among the fabulous cast of characters included here, along with the witches who hexed Donald Trump and Adolf Hitler, spiritualist Achsa Sprague, Voodoo queen Marie Laveau and so many more. Ultimately, authors Lisa Kröger and Melanie R. Anderson (Monster, She Wrote) argue that the occult offers women a way to rebel against the patriarchal Christian constructs of womanhood. Anyone who has dabbled in the craft by way of #witchtok will deepen their knowledge immensely by reading this book, which is as historically thorough as it is fueled by the modern ascendance of the occult in popular culture. With a final chapter titled “100% That Witch,” you know you’re going to learn a lot and have some fun.

This month’s lifestyles column runs the gamut from nature-inspired beauty to straight-up monsters. Brush up on your preferred form of magic with the help of these three enchanting books.
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Throughout history, female healers have been cast out, feared and labeled as witches, even though their work in herbalism and midwifery helped shape medicine as we know it today. In fiction, the witch—that wise, rebellious female character—can be even more disruptive, her healing gifts even more supernaturally powerful.


Nettle & Bone 

T. Kingfisher’s dark (but still extremely funny) fantasy novel is full of female characters who carve out power for themselves: protagonist Princess Marra, who cherishes the peace of her convent home; the Sister Apothecary at Marra’s convent; and two frighteningly powerful fairy godmothers. But the only witch of the bunch is the dust-wife, and folks, she is an icon. A necromancer who tends a graveyard, the dust-wife can talk to the dead, keeps a demon-possessed chicken as a familiar, and agrees to help kill Marra’s sister’s abusive husband even though she believes their quest will fail—because wicked men should be held accountable. Despite her ruthlessly realistic view of the world, the dust-wife values the optimism of other characters, even Marra’s fairy godmother, Agnes, a sweet older dear who gives only good health as a blessing and frets over baby chicks. The dust-wife and Agnes bicker their way to becoming ride-or-die besties, and I would read an entire series about their adventures. 

—Savanna, Associate Editor


Little Witch Hazel

If you look up charming in the dictionary, I’m pretty sure you’ll find the entry illustrated with a portrait of the titular hero of Phoebe Wahl’s delightful picture book, Little Witch Hazel. In four short tales—one for each season of the year—Wahl captures the close-knit forest community to which Little Witch Hazel belongs. In “The Blizzard,” we see Little Witch Hazel make her rounds, visiting a chipmunk with a toothache, a mole with an injured paw and Mrs. Rabbit and her four new kits. Wahl also conveys how the residents of Mosswood Forest care for Little Witch Hazel: Her friends Wendell and Nadine encourage her to take a much-needed break from her errands on an idyllic summer day, and later in the year, Otis the owl rescues her from a fierce snowstorm. With a classical tone, Wahl offers a still-revolutionary portrayal of a female healer and the difference she makes in her community.

—Stephanie, Associate Editor


Year of Wonders

Geraldine Brooks’ Year of Wonders fictionalizes the true story of a small English village that was nearly overcome by the bubonic plague in 1665. When the local rector convinces the town to close their gate to prevent the plague’s spread, young widow Anna Frith finds herself quarantined with a few hundred of her neighbors, watching their numbers dwindle over the course of an extraordinary year. Among those neighbors are Mem and Anys Gowdie, an aunt and niece whose extensive knowledge of herblore gets them accused of, then executed for, witchcraft. When Anna visits the Gowdies’ abandoned house shortly after, she realizes that all of their dried herbs and foraged weeds, their tinctures and potions—the very things that had gotten them killed—are what had kept the pair from catching the Black Death before their violent ends. As Anna learns the Gowdies’ trade and brings their healing knowledge to the rest of the town, the novel becomes a moving portrait of women’s community-centered heroism in the face of unjust persecution.

—Christy, Associate Editor


A Discovery of Witches

Tenured professor Diana Bishop is a brilliant woman—a formidable entity in her own right—but she is also a witch with impressive magical powers. The hero of Deborah Harkness’ bestselling All Souls trilogy turned away from the magical community after her parents’ untimely death, swearing off her family legacy and instead creating a name for herself in academia. But her worlds crash together when she discovers a long-lost enchanted manuscript, which awakens an enormous power within her. Diana is the first person to have seen the manuscript in 150 years, and suddenly the whole magical community is after her. A centuries-old vampire named Matthew Clairmont becomes her protector as she navigates a dangerous world that she had purposely avoided for most of her life. Hunted for her power and knowledge, Diana realizes that she can no longer hide from her destiny. She must embrace her power, her magical legacy and herself—her whole self.

—Meagan, Brand & Production Designer


Red Clocks

Human interdependence is at the heart of Leni Zumas’ 2018 novel, which shifts among the stories of four adult women and one girl, all living in a small Oregon fishing town. But this is no gentle sisterhood novel, as Red Clocks finds female characters pitted against one another in an America where reproductive freedoms have been severely limited and single-parent adoption is outlawed. Gin Percival, a reclusive healer who’s feared as a witch by superstitious fishermen, lives firmly outside the expectations placed on women: She’s messy and smells like onions, prefers animals over people and is “uninterested in being pleasing to other persons.” She also provides herbal remedies and menstrual care for the women who visit her, which means she’s operating outside the law. Through Gin’s story, which culminates in her arrest and subsequent trial, Zumas draws a connection between the 17th-century practice of blaming women for any misfortune and our contemporary society’s concern with women who buck social norms and don’t care one bit what you think about it.

—Cat, Deputy Editor

All hail the menders, rebel healers and witchy women.
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Secrets of the Nile

At the turn of the 20th century, English gentlewomen were meant to be seen and not heard, arm candy for their titled husbands. They were certainly not meant to be amateur sleuths. But Lady Emily Hargreaves becomes embroiled in a murder investigation (again) within hours of arriving in Luxor, Egypt, in Tasha Alexander’s 16th mystery starring the aristocrat, Secrets of the Nile. Lord Bertram Deeley, an antiquities collector of note and the Hargreaves’ host, is found dead on the dining room floor, the aroma of bitter almonds indicating that he was poisoned with cyanide. The Egyptian police identify a suspect in short order, but the suspect bolts, and truth be told, he didn’t fit the profile especially well anyway. As Lady Emily’s private investigation proceeds, it becomes apparent that many of the guests had reason to loathe their host; surprisingly, even her mother-in-law has a motive. In alternating chapters, Alexander tells the story of Meryt, a young female sculptor in ancient Egypt, whose work will play a prominent role in Lady Emily’s case some three millennia hence. Secrets of the Nile has it all: a glamorous locale, plucky heroine and supporting cast worthy of a Kenneth Branagh film.

The Furies

John Connolly’s latest mystery featuring private investigator Charlie Parker offers an intriguing change of pace for his legions of readers. The Furies is two masterfully crafted novels in one book, with each novel covering a separate but interconnected case. The first novel, The Sisters Strange, tells the story of sisters Dolors and Ambar Strange and their unusual relationship with Svengali-esque ex-convict Raum Buker. Raum is always on the lookout for an easy mark, and it seems as if he may have found it in Edwin Ellercamp, a collector of rare ancient coins. Edwin is soon found murdered, choked to death by a portion of his vast coin collection. Raum has no history as a killer, however, making the mystery of who murdered the collector one that will test Parker’s mettle like very few cases have. The second novel, The Furies, finds Parker in the employ of two women. The first is Sarah Abelli, a mob widow suspected of knowing where her husband hid a fortune in dirty money before he was killed in prison. Extortionists have stolen mementos of her deceased daughter and will not return them until she coughs up the cash, which she maintains to anyone who will listen that she does not have. The other is Marjorie Thombs, whose daughter is trapped in an abusive relationship—a situation exponentially exacerbated by the COVID-19 pandemic and subsequent lockdown. Of course, as is the case with all of the Charlie Parker mysteries, there is an element or two of the supernatural to factor in—nothing to the degree of books by Stephen King or Anne Rice, but certainly enough to occasion some vague uneasiness if you are reading late at night.

Fall Guy

Archer Mayor’s Fall Guy, the latest in his long-running series featuring Joe Gunther, field force commander of the Vermont Bureau of Investigation, opens with a dead body in the trunk of a stolen car. The details of the car’s theft are suspect, however, as its GPS data mark it as being outside a strip club at the time that it was purportedly stolen from the owner’s driveway. Along with the dead body, the car contains a cell phone with evidence of the sexual abuse of a child. An interjurisdictional task force is formed to investigate, which allows Gunther and his subordinates to cross state lines—in this case, into nearby New Hampshire—to follow the clues. Gunther’s team, based in Brattleboro, Vermont, is more like a family than a collection of co-workers. Thirty-plus books into the series, the evolving relationships among the characters never detract from the police procedural structure. In fact, the web of connections enhances the story, showing how the various members of Gunther’s team deploy their strengths and shore up one another’s weaknesses to function as a well-oiled crime-solving machine. If you’re new to Joe Gunther, don’t be surprised if upon finishing Fall Guy you immediately seek out the previous books in the series.

Sometimes People Die

Simon Stephenson’s darkly hilarious mystery, Sometimes People Die, harks back to classic English satire a la Kingsley Amis or Evelyn Waugh, perfectly updating their sarcastic yet somehow still endearing tone for modern-day readers. Stephenson’s unnamed narrator is a third-rate Scottish doctor in a third-rate London hospital, on probation for stealing opioids and still dealing with his addiction on the q.t. He has little use for anyone else and typically thinks he is the smartest person in the room—but he usually isn”t. Nonetheless, he is pretty funny and occasionally displays a redeeming quality or two despite himself. Then patients in his ward start inexplicably dying, and he finds himself at the epicenter of the police inquiry into these suspicious deaths. When a suspect is finally arrested, our protagonist has his doubts and launches his own clandestine investigation. His sleuthing skills turn out to be little better than his medical skills, however, and things rapidly go wildly off course. With ten months of 2022 behind us, I am confident this will be a (or perhaps the) best book of the year for me.

When his patients start mysteriously dying, a third-rate doctor has a chance to become a first-rate sleuth in Simon Stephenson's darkly hilarious Sometimes People Die, this month's top pick in mystery.
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True crime writer Gage Chandler, the protagonist of John Darnielle’s Devil House, jumps at the opportunity to live at the “Devil House,” a building where two gruesome, possibly satanic murders took place in 1986. Blamed on some rebellious teenagers, the case remains unsolved. Once Gage moves in and starts researching the murders, he’s drawn into a deeper examination of the significance of his own work. At once a magnetic thriller and an intriguing look at the true crime genre, Darnielle’s novel is filled with rich themes for discussion, including the slippery nature of crime reporting and the demands of the artistic process.

In Gilly Macmillan’s I Know You Know, Cody Swift seeks closure regarding his two childhood friends’ murders, which occurred 20 years ago in Bristol, England. Undertaking his own investigation, Cody returns to Bristol in search of new information and launches a podcast to share his story. But then a body is discovered in the same place Cody’s friends were found, and soon a new homicide investigation is underway. Macmillan incorporates flashbacks to Cody’s childhood and episodes of his podcast in this sophisticated, multilayered mystery.

Denise Mina’s Conviction tells the story of Anna McDonald, who loses herself in true crime podcasts as she struggles to put her painful past behind her. After Anna’s husband leaves her for her best friend, Estelle, Anna connects with Estelle’s husband, singer Fin Cohen. Together they delve into the murder case that’s the subject of Anna’s favorite podcast and start a podcast of their own. When Anna realizes that she is linked to the case, a tragic chapter from her life is reopened. Mina’s skillful development of multiple plot lines and crack comic timing will give reading groups plenty to talk about.

In Megan Goldin’s The Night Swim, Rachel Krall, host of the popular true crime podcast “Guilty or Not Guilty,” travels to a small North Carolina town to report on the trial of swimming champion Scott Blair. Accused of raping the teenage granddaughter of the local police chief, Scott and his case have attracted national attention. While in North Carolina, Rachel is also drawn to a cold case involving the drowning of a 16-year-old that took place more than two decades before. As she works to unravel the two cases, she realizes that they share disturbing parallels. Goldin builds a mood of intense suspense in this searing look at how crime can impact a small community.

Go meta with one of these mysteries starring true crime podcasters and writers.
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A Curse of Queens

The world continues to roil with the whims of the gods in A Curse of Queens, the action-packed fourth installment in Amanda Bouchet’s Kingmaker Chronicles. When her pregnant sister is cursed, gifted healer Jocasta concocts a plan to lift the magic. A team is assembled to embark on the dangerous quest, and Jocasta is both thrilled and dismayed to learn that Flynn of Sinta will be part of the expedition. Jocasta has loved him since childhood, and unbeknownst to her, his heart belongs to her as well. But after losing his entire family, Flynn believes he protects them both from inevitable pain by not declaring himself. Bouchet excels at developing grounded characters with relatable frustrations and desires, even amid the adventure and magic of fantasy romance. Flynn’s longing for Jocasta is tender and touching, and Jocasta’s determination to succeed is understandable and admirable. Bouchet strikes a perfect balance between evocative Greek mythology-inspired world building and grand romance in this fabulous adventure.

The Belle of Belgrave Square

Romance blooms within a marriage of convenience in The Belle of Belgrave Square by Mimi Matthews. Socially awkward heiress Julia Wychwood dreads balls and parties. When her manipulative parents make it clear that they intend to marry her to a widower she feels nothing for, Julia impulsively turns to the only man she does feel something for: the notorious Captain Jasper Blunt. He’s known for being the Hero of Crimea . . . but also for his illegitimate children and the dark rumors surrounding his family estate. Julia elopes with him anyway, and they try to build a life together in the quiet Yorkshire countryside, but Jasper’s murky past stands between them. His secrets ignite Julia’s curiosity, and the man ignites her in other ways, too. Will Jasper reveal enough of himself to win her love? A bookish heroine readers will identify with, subtle love scenes and some impish children make this romance a true delight.

Bad Girl Reputation

Author Elle Kennedy explores what happens when a party girl and her bad boy first love grow up in Bad Girl Reputation. After her mother dies, Genevieve West temporarily returns home to the small coastal town of Avalon Bay, which she’d fled a year before to escape her self-destructive lifestyle. Having remade herself in the time since then, Gen doesn’t dare fall back into bad habits—especially her ex, Evan Hartley. She knows they’re bad for each other, but she can’t seem to stop having hot and heavy hookups with him while she’s in town. As she becomes further enmeshed with family and friends, Gen wonders if she can stay in Avalon Bay and stay true to her new, better self. These imperfect, honest characters are trying to figure out life, and their vibrant personalities burst onto the page. Thanks to Kennedy’s easy, breezy dialogue, readers will feel like they’re elbow-to-elbow with Gen and Evan at the bar and the poker table in this vibrant, feel-good and fresh romance.

True love is hard won but all the more precious in this month's best love stories.
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Fox Creek

Author William Kent Krueger’s Cork O’Connor is an unusual sort of protagonist, a fast-food restaurateur who doubles as a private investigator. One might not necessarily think that a man with those qualifications would find a lot of sleuthing work in rural Tamarack County, Minnesota, but one would be mistaken. In Fox Creek, the 19th entry in Krueger’s long-running series, Cork is approached by one Louis Morriseau, whose wife, Dolores, has gone missing. Louis is concerned that she has run off with another man, Henry Meloux, an Ojibwe healer who also happens to be the uncle of Cork’s wife, Rainy. This scenario seems . . . unlikely, as Henry is somewhere in the neighborhood of 100 years old. As it turns out, Dolores actually is with Henry, but he’s guiding her through a sweat lodge ceremony. However, Louis is not actually who he claims to be but rather a member of a team of mercenaries bent on kidnapping Dolores for reasons unknown. Henry senses trouble and narrowly escapes upcountry with Rainy and Dolores in tow, but an expert tracker and two gunmen are in hot pursuit. Not far behind them, Cork and a tribal cop with a vested interest in the case join the fray. Tension mounts as Krueger pits modern tech against Ojibwe traditions, with unexpected twists abounding until the very end.  

Bad Day Breaking

A bit to the east of Krueger’s Tamarack County lies Bad Axe County, Wisconsin, the setting of John Galligan’s riveting Bad Day Breaking. Beleaguered Sheriff Heidi Kick is facing uphill battles on at least two fronts: first, a personnel issue involving an overly aggressive deputy, and then a strange, Jonestown-esque cult that has taken up residence in a self-storage facility (to the chagrin of many locals, who are starting to resemble the torch-bearing, pitchfork-wielding villagers in dystopian horror movies). Sheriff Kick attempts to placate both the cult and the locals, with limited success at best. The pressure ratchets up dramatically after one of the cult members is murdered. And if there wasn’t enough on her plate already, Sheriff Kick must deal with the reappearance of a very difficult ex-boyfriend, a man whose imprisonment she caused who now, unsurprisingly, seeks to exact revenge upon her for his incarceration. Bad Day Breaking is a page turner of the first order, with a killer cliffhanger that will have readers anxiously awaiting Sheriff Kick’s return.

WAKE

In rural New South Wales, Australia—part of the legendary Outback where spiders, snakes, crocodiles, etc., are all eagerly waiting to kill you—it bodes well to remember that sometimes the human inhabitants can be lethal as well. Such is the case in Shelley Burr’s debut, WAKE, which centers on the 20-year-old cold case of missing (and now presumed dead) Evelyn McCreery. Evelyn’s twin sister, Mina, soldiers on, now something of a recluse in her remote farmhouse. All these years later, she remains a suspect in the disappearance of her sister, particularly in online forums where the acronym WAKE is used to mean “Wednesday Addams Killed Evie,” a nod to Mina’s resemblance to actor Christina Ricci in the 1990s films about the creepy, unorthodox Addams family. Mina is forced to revisit Evelyn’s disappearance when Lane Holland arrives in town. A freelance private investigator, Lane makes his living via the rewards he collects after solving missing persons cases. Mina’s late mother established a reward of $2 million, but Lane isn’t just motivated by the money; something altogether deeper, darker and more personal has led him to Mina’s door. Burr won the 2019 Crime Writers’ Association Debut Dagger award for WAKE, and after reading it, you’ll be applauding their choice right along with me.

From the Shadows

In James R. Benn’s From the Shadows, Captain Billy Boyle, a onetime Boston cop now assigned to the European theater of World War II, is snatched from some much needed R & R in Cairo and tasked with a dangerous new mission: Billy must locate an English operative in the wilds of Crete, after which they will head to newly liberated France via Algiers, liaise with the French Resistance and weed out enemies from allies. That’s the plan, anyway; but in wartime, things do not often go according to plan, and this mission is no exception. As is the case with the 16 previous books in the Billy Boyle series, the action takes place against a backdrop of real-life operations and personnel. The reader is introduced to Jack Hemingway, son of iconic writer Ernest; to Wells Lewis, son of author Sinclair; to the heroic 442nd Regimental Combat Team, the most decorated unit in U.S. military history, which was composed primarily of Nisei, second-generation Japanese Americans; to the stubborn and tragically inept General John E. Dahlquist, commander of “The Lost Battalion”; and to Daniel Inouye, who lost his right arm to a grenade in France and went on to serve as a U.S. senator for Hawaii. Without a doubt, I have learned more about WWII history from Benn’s novels than I ever learned from a textbook. Where he excels, though, apart from superb suspense plotting, is in documenting vignettes of humanity and its black-sheep cousin, brutality. Benn makes combat feel real and immediate to his readers, even those who have never experienced it firsthand. It would be impossible to depict war accurately without killing off some of the good guys, and there are a couple of losses here that will truly hurt, as they should.

These beautiful rural landscapes are anything but peaceful, plus James R. Benn's latest gets a starred review in this month's Whodunit column.
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Horror takes many forms: from the terror of losing control of one’s mind to another entity, to the fear of things that move around unseen in the night, to the inescapable certainty that one day we all must meet our ends. Each of these stories features a different kind of horror, making for a perfect sampler platter for anyone wanting to dip their toes in the murky depths of dread. 

Leech

In the far reaches of the North, in a chateau abutting a frozen forest and a forbidding mine, a doctor has died. For the powerful Interprovincial Medical Institute, the worrying thing is not the doctor’s death; the Institute’s bodies die all the time. An ancient parasitic life form, the Institute takes over promising young minds and guides them into the field of medicine; all of the unsuspecting human race’s doctors are being controlled by the Institute. What is worrying is that the Institute isn’t sure how the body stationed in the chateau died. To find out exactly what happened, the Institute sends a new body to investigate the chateau and its denizens. That doctor soon discovers another parasite that could upend life as they know it, threatening both the Institute’s supremacy and the humans it seeks to protect.

Hiron Ennes’ debut novel, Leech, is a chilling study in the the loss of bodily autonomy, the terrors of a frigid winter wood and the undeniable creepiness of ancient homes that have long since fallen into disrepair. Set thousands of years after an apocalypse, Leech is decidedly a gothic novel, complete with seemingly cursed family homes, the dark consequences of human progress and unknown dangers lurking in every crevice and icy forest. Tantalizing references to the monsters of humanity’s past, chiefly destructive airships and killer biological agents, feel almost mythic as they fill readers’ imaginations with possible explanations for what exactly went wrong. Full of trepidation and mystery, Leech is perfect for readers who wished that Wuthering Heights had been just a little more like Jeff VanderMeer’s Annihilation

Hiron Ennes reveals the terrifying scientific theory that keeps them up at night.

Motherthing

Young adult author Ainslie Hogarth’s first novel for adults, Motherthing, opens in the waiting room of an intensive care unit, and it doesn’t get less stressful from there. Ralph and Abby Lamb have moved in with Ralph’s mother, Laura, to help care for her. Plagued by her rocky relationship with her own mother, Abby had hoped to kindle a better relationship with her mother-in-law but was instead met with distrust and cold condescension for being the woman who ‘took” Laura’s son from her. After Laura dies by suicide at the beginning of Motherthing, Abby thinks that her and Ralph’s obligation is over; they will sell the house and move away, free to start the perfect family that they deserve. But when Laura’s spirit begins to haunt the couple, driving Ralph into a pit of depression and tormenting Abby night after night, it is clear that Abby will have to dig deep if she is going to wrest the life of her dreams from the nightmare that her home life has become. 

Deeply dark and often funny, Motherthing explores the contours of what it means to be in a relationship with a mother (or mother-in-law) figure and the porous boundaries among grief, anger and the supernatural. Motherthing can be a difficult book to read on an emotional level, given Abby’s frustratingly optimistic “I can fix him/it/this” attitude, but its scares and surprises are well worth the discomfort it causes—as well as the sleepless nights it will engender. 

Lute

The eponymous island of Lute by Jennifer Thorne stands apart from the modern world. Even as war lingers on their doorstep and climate change and water shortages ravage the lands around them, the islanders are sheltered and seemingly immune to the turmoil. In exchange for these blessings, the island extracts a tithe: Every seven midsummers, exactly seven of the people of Lute die on what is referred to as “The Day.” Nina Treadway, a transplant to Lute and lady of the island by virtue of her marriage to Lord Hugh Treadway, doesn’t believe in the fairy tale, chalking it up to the superstitions of a quaint and isolated island. But as The Day dawns and brings a series of waking nightmares, Nina must accept her duties as the Lady of Lute in order to preserve the stability of the island she has come to love.

Part idyllic fantasy and part Final Destination, Lute asks a question that harks back to works like Ursula K. Le Guin’s ‘the Ones Who Walk Away From Omelas”: What is the price of prosperity? While Lute’s citizens have willingly agreed to that price, it is steep and horrific. The novel’s pages are dotted with gore and loss, sure to pull on the heartstrings—and occasionally the stomachs—of even the most stoic of readers. However, despite the bloodshed and tension, Lute is a story of the creation of a haven away from the pressures of the modern world. More cynical readers might balk at the story’s hopeful tone and occasionally predictable plot turns. However, for those looking for a thriller replete with both terror and fantasy, Lute delivers in spades.

Led by Hiron Ennes' chilling debut novel, Leech, these thoughtful, well-crafted frights will scare you on multiple levels.

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